Well…I was all set to start this post with a ‘Hey, at least I managed to finish these awards before the 2017 contest came out on DVD!’ (like that would have been an achievement anyway). But MY BAD, missed the boat on that one. So instead, I’ll open with a ‘Hey, at least I managed to finish these awards before my 2017 DVD arrived in the mail!’. True fact.
The reason for my lateness is the same as always: life, its craziness, and the annoying need to prioritise ‘other stuff’ over Eurovision stuff. It sucks, doesn’t it? But I figure that if you love the ESC as much as I do (unconditionally, and with a burning desire not unlike the one Kasia Mós mentions in Flashlight) then you won’t care which contest I’m discussing and when. A.k.a. you won’t mind that I’m still talking about the 2017 show like it happened two weeks ago.
On that note, here’s the last lot of EBJEE trophies for the year feat. the awards for The Show and The Results! You’ll find all of the remaining People’s Choice Awards below too, so if you can remember who/what you voted for (the polls were open back when dinosaurs roamed the Earth, after all), then you’ll now be able to see if your picks came out on top.
Enjoy, and let me know who your show/results statuettes would go to in the comments…
Honourable Mention/s Oleksandr Skichko, Timur Miroshnychenko Winner Volodymyr Ostapchuk
I have to agree with you guys on this one. In a strange turn of events, I personally thought that Timur – who’s co-hosted Junior Eurovision twice – was the weakest host (or at least the most wooden. If you’d touched him on any of the three show nights you’d have gotten a splinter). Oleks was an improvement, but Vova’s role as the class clown (and, I can’t deny, his Disney prince-level good looks) gave him extra appeal.
Honourable Mention/s Oleks + Vova’s Eurovision medley (SF2), Jamala – ‘Zamanyly’ (SF1) Winner ONUKA megamix (the final)
I’m a little surprised that ONUKA was the overwhelming winner of this award, but that’s probably my Jamala superfan status skewing my perspective (I would willingly watch her gargle the alphabet). It was no Love Love Peace Peace, but the megamix was another example of Ukraine putting all their best musical feet forward when they had the chance.
Honourable Mention/s Jana Burčeska reveals she’s pregnant…then gets proposed to! Winner The Ukrainian butt-flasher takes the shine off Jamala’s new single
Unlike in 2010, when Jimmy Jump crashed Spain’s performance and fooled us all into thinking it was supposed to happen for a good ten seconds, we all knew something was up when one of Ukraine’s own (draped in an Australian flag, which had all of us Aussies dying of embarrassment for a while) put the ass into the class of Jamala’s satellite stage serenade. It was the most iconic OMG moment of the 2017 contest by far.
Honourable Mention/s The Netherlands Winner Italy
Am I the only person disappointed in the postcards this year? They were both boring and a little bit all-over-the-place. Still, like shopping in a secondhand store, if you take the time to sift through all the crap you will find a few gems. The revelation that Amy Vol is a shoplifter (well, she would be if she didn’t have two sisters stopping her) nearly secured the Netherlands this trophy, but Italy’s group of Gabbanis was unbeatable. If that restaurant was real I’d be booking a table ASAP!
Honourable Mention/s Estonia Winner Finland
Now I know how Iceland’s DNQ made Greta fans feel last year. Back then, I was all ‘Whatever!’ as someone who thought Hear Them Calling was pretty mediocre. But then Blackbird came along and broke my heart with its failure to make the final. I still don’t get it, and I can imagine myself in the same situation fifty years from now (as I wave my walking stick around wildly and croak stuff like ‘Norma John were robbed!’ at randoms on the street).
Honourable Mention/s Croatia Winner Australia
No country’s qualification this year really, truly shocked me. But (and it physically pains me to say this) after Isaiah’s semi performance, I had serious doubts about Australia going through. I still think I was right to worry, and it gives me heart palpitations knowing that if it wasn’t for the juries, it would have been third time unlucky for us.
Honourable Mention/s Bulgaria, Portugal Winner Sweden
It’s safe to say that when we’re making our semi predictions each year, the little list of countries in the ‘Definite’ category always includes Sweden. Even in 2010, the only year they didn’t qualify (which I’m still not over, BTW), they were confidently predicted to make it. In my mind there was no way in the world – this one, or any parallel universes that happen to exist – that Robin Bengtsson was going to miss out on the final. Another Anna Bergendahl he was not.
Honourable Mention/s Czech Republic Winner Lithuania
On the other end of the spectrum lies Lithuania, whose mammoth NF marathon did not produce a surefire success this year. Rain of Revolution was the complete opposite – a for-sure failure that only outdid expectations by NOT finishing last in its semi. Fusedmarc’s night wasn’t the kind that Donny Montell was waiting for.
Honourable Mention/s Bulgaria’s 2nd, Portugal’s 1st, Sweden’s 5th Winner Moldova’s 3rd
When it comes to Eurovision, the population of Struggletown often includes Moldova. They’ve taken the serious approach before (2007, 2013), and brought the fun (2005, 2008, 2012), but neither had ever taken them higher than 6th place – and that was back in their debut year of ’05. Enter Sunstroke Project (take two). Their performances of party anthem Hey Mamma ticked every box without being try-hard, and whenever I think about the fact that they got such a great result, I want to weep with happiness. I guess Kyiv’s a good luck charm for Moldova!
Honourable Mention/s Latvia’s 18th in the semi Winner Finland’s 12th in the semi
What more can I say about this without shaking salt into a blackbird-shaped wound? Finland’s 12th was undeserved because Norma John should have been higher, not lower. Hashtag heartbroken; hashtag sadface; hashtag stop using hashtags outside of social media, Jaz.
Honourable Mention/s Germany’s 25th Winner Spain’s 26th
If the ‘it’ in ‘do it for your lover’ = gallantly volunteer to finish dead last in the final so nobody else has to, then Manel lived up to his song title like a champion. I personally would never launch a hate campaign against DIFYL (in certain contexts, it’s an enjoyable listen) but I knew it was headed for position 26 on the scoreboard. Aurally it’s not a competitive song, and visually it came off tacky and amateurish (not Manel’s fault). The shock value of Spain’s result was zero.
Honourable Mention/s Finland’s DNQ, Moldova’s 3rd Winner Italy’s 6th
You guys voted, and I can’t deny that you picked a major-league shocker. All those YouTube views! All those OGAE poll points! All those months as bookies’ fave to win! All that pre-show hype! It seemed like Italy had the win signed, sealed and delivered to Francesco’s door before rehearsals even began in Kyiv. Once they did, it was either a win or a solid top 3 result on the cards…wasn’t it? Well, no, as it turned out. Italy was even squeezed out of the top 5, by the same country (Sweden) that nudged 2016 OGAE winner France into 6th last year.
That’s it! I have to say, it’s a relief that I finally get to roll up the EBJEE red carpet for another year and move on to some of the awesome Eurovision entertainment I have planned for you this off season. But first, I want to know what you thought of this third and final awards announcement – and as I said in the intro (scroll up for about a half hour and you’ll find it) which people and places you’d pick as your personal winners. Let’s see if we have anything in common…even if the fact that we’re all Euronerds means we’ve needed to agree to disagree from the very beginning of our fan lives.
Until next time,
Hey guys! This is the kind of post that should have gone up about five minutes after the Eurovision final ended on Saturday, but I have been internet-less (cue Psycho shower scene music) for the whole week up until this point. So please excuse the slowness.
Now, I don’t know if you’ve heard, but on the weekend Portugal did something pretty cool by winning that Eurovision final after more than half a century of trying. No biggie.
Okay, okay…like Ron Burgundy, Portugal’s win IS kind of a big deal. And obviously you already know what went down during the show – from Austria’s giant moon to a flag-draped Ukrainian’s moon (of a different kind) and everything before, in-between and after.
The more-than-convincing win by Salvador Sobral with Amar Pelos Dois is one for the ages. Salvador is a quirky and precious gift to humankind (the Michael Cera of Eurovision, if you will) and APD is a stunning song, lovingly crafted by his equally talented sister Luisa. I’m so glad we got to witness the two of them come together (Stockholm 2016 slogan pun not intended, believe it or not) to perform the best ESC winner reprise in contest history:
I’M NOT CRYING. YOU’RE CRYING.
That’s three years in row now that the Eurovision victory lap has moved me to tears, for one reason or another. If the thought of heading to Lisbon next May wasn’t appealing enough, whoever takes the trip (which might include me!) will also get to see at least one Sobral sibling perform live. BRB, off to plaster a sticker on my loose change jar that says ‘PORTUGAL FUND’.
Of course, many of us were expecting to start up an Italy fund over the weekend, if we hadn’t already. While Francesco Gabbani + gorilla hardly crashed and burned, such a steaming hot favourite finishing outside of the top 5 is flabbergasting.
Occidentali’s Karma wasn’t the only song to end the night in an unexpected place. There were plenty of surprises – good and bad – on the semi and final scoreboards…and then the full split results were made public and provided even more open-mouth moments. It’s customary for every Eurovision-related site to pick all of those results apart like a chicken carcass, so that’s what I’m (finally) doing today. Sans the grease that accompanies picking apart an actual chicken carcass. Sorry for the visual, vegetarians.
FYI 1.0: I’m not too bothered about points, because there are (other) Eurovision nerds out there who can crunch numbers with ease (I can’t) and have beaten me to it anyway. I’m more interested in other stats: agreements and disagreements between the televoters and juries; which countries continued to succeed and which countries fell off the ‘We’re Good At Song Contests!’ wagon; who outdid all of their previous results and who hit a brand new low…that sort of thing. If you want to know how many jurors from Eastern Europe gave five or more points to countries in Western Europe (or something like that), you won’t find that info here.
FYI 2.0: I like to ramble. Even if this is your first time visiting EBJ, then this overly-long intro will have made that clear. So before you go on and read this post (which I hope you do ‘coz it’s interesting, I promise), find a comfortable seat and some energy bars to have by your side – or, as Ilinca from Romania says between bouts of yodeling, ‘Get another coffee, get another one to make it through’. Wise, wise Ilinca.
Now let’s look back at the rankings from the semi finals and the final of Eurovision 2017, and see what stands out for better…or for worse.
Semi final 1
Split results stats
- Countries the juries and televoters agreed on were Portugal and Greece, but they both ranked Sweden, Armenia, Iceland and Latvia
- The biggest differences of opinion were over Australia (2nd J, 15th T), the Czech Republic (7th J, 18th T) and Belgium (13th J, 3rd J). Fortunately for televoters, the juries didn’t manage to keep Blanche out of qualifying range.
Combined results stats
- Portugal won a semi for the first time this year. Their previous highest qualification came from a 2nd placing in 2008.
- Moldova’s 2nd place overall equals their best semi result ever – they also finished 2nd the last time the contest was held in Kyiv in 2005.
- For Sweden, this was the fifth semi final in a row (host years excluded, of course) in which they’ve finished in the top 3.
- Australia maintained its 100% qualification record – it could be worse with two semi participations – alongside Azerbaijan (slightly more impressive given they’ve participated in nine semis).
- The countries that did NOT qualify in 2016 but made it through in 2017 are Portugal (they didn’t compete in Stockholm), Moldova and Greece.
- The countries that DID qualify in 2016 but failed to this year are Georgia, the Czech Republic and Latvia.
Moldova’s out-of-the-ordinary strong result and Sweden’s predictably excellent one put a smile on my Post-Eurovision-Depression-ravaged face. I’m also pleased with Isaiah’s 6th place, since after his performance last Tuesday I wasn’t sure Australia would even get to the final at all.
I’m not surprised by Georgia’s narrow miss of the final based on the flawless performance Tamara gave during the broadcast. I’m guessing she didn’t miss a beat, note or dramatic arm flourish during the jury show either.
I feel a bit better about losing Blackbird now that we know Finland wasn’t totally disregarded. The juries just found a few other songs that catered more to their tastes (or better met the criteria they were supposed to be searching for).
Latvia’s last place has left me shook. The juries ranking it right at the bottom makes some sense, but I expected the public to go for this particular pimp-slot song in a big way. Then again, I didn’t vote for it, and apparently I wasn’t alone.
Semi final 2
Split results stats
- The countries juries and televoters agreed on this time were Bulgaria and Ireland, with Serbia, Switzerland, Macedonia, Lithuania and San Marino ranked closely with both.
- It was a different story for the Netherlands (2nd J, 9th T), Austria (4th J, 14th T), Malta (8th J, 18th T), Croatia (13th J, 5th T), Romania (15th J, 3rd T) and Estonia (17th J, 6th T). The jury got their way with Estonia, but not with Malta.
Combined results stats
- After qualifying for only the second time ever last year, Bulgaria did it for a third time in style by winning the second semi.
- Hungary achieved their equal best semi result in history, with Joci doing what Magdi Ruzsa managed in 2007.
- This semi saw Romania pick up their 100% qualifying record where they left off in 2015.
- Switzerland may have missed out on a spot in the final for the third time in a row, but 12th place isn’t bad considering they placed dead last in their 2015 and 2016 semis.
- Despite having a hotly tipped song up their sleeve, Macedonia failed to make it out of the semis for the fifth consecutive year.
- The countries that did NOT qualify in 2016 but made it through in 2017 are Norway, Romania (after being expelled like a naughty school kid last year), Belarus and Denmark.
- The countries that DID qualify in 2016 but failed to this year are Serbia, Malta and Lithuania. Where’s Donny Montell when you need him?
Nothing warms my (formerly cold, unfeeling) heart more than seeing Hungary’s Origo – my favourite entry of 2017 – so high in the combined ranking. I figured Joci’s rap would repel a lot of juries, but they still had him in their top 10.
I was a little surprised to see that Denmark just scraped through, but I’m biased when it comes to Anja and Where I Am. Maybe I should have seen it coming. I’m not shocked that she had more jury appeal than televoter appeal. Claudia Faniello did too, but with worse consequences.
San Marino actually finished far lower than I thought they would. Because a) Valentina and Jimmie put on a good show in spite of the material they were working with, and b) I figured I shouldn’t underestimate a Sammarinese disco song after last year, I’d prepared for them to claw their way into 12th-14th territory. Serhat must be pretty pleased with himself now!
I’ve noted each country’s jury (J) and televote (T) ranking below in the overall ranking.
Split results stats
- Just like in the semis, the juries and televoters only agreed on the ranking of two countries – Portugal and Bulgaria (who’d also been ranked first by both in their respective semis).
- It was a close call for Italy, Azerbaijan, Greece, Israel, Germany, Belarus and Spain, who were all ranked reasonably equally by J and T. The televoters’ way would have seen Austria finish last, but the juries elevated Nathan to 16th place overall (which I’m thankful for, because I couldn’t bear to watch that adorable human fall victim to a total lack of love).
- The biggest disagreements between J and T were over Australia, the Netherlands, Croatia, Austria, Poland, Romania and Hungary. Australia gets the award for the largest gap between rankings, with a jury 4th and a televoting 25th.
Combined results stats
- We all know that the entire top 3 – Portugal, Bulgaria and Moldova – achieved their best-ever results on Saturday. Portugal and Moldova also made massive leaps after each failing to even qualify the last time they competed. This time last year, Bulgaria had just reached a best-ever placing of 4th, so well done to Kristian for improving on Poli’s already stellar result.
- Belgium hit the heights of the top 10 for the third time in a row, and Sweden finished 5th for the second time in a row. Consistent!
- Australia continued their top 10 trend despite receiving the second-lowest amount of public votes, while Norway found themselves back on the left side of the scoreboard after a non-qualification last year. Prior to 2016, the last time Norway had finished outside of the top 10 was 2012.
- The Netherlands ended up in 11th place again – Douwe Bob did the same last year. Cyprus came 21st for the second straight year. More consistency!
- 19 of the 26 finalists were also in the Stockholm grand final. Of those 19, 8 improved on their 2016 final placings and 8 dropped down. The most notable dropper is Poland, who went from 8th then to 22nd
- In terms of host entries, Ukraine put in one of the worst performances – on the scoreboard, not on the stage – of the last decade. Austria’s 26th place with nul points from 2015 obviously outdoes O.Torvald’s 24th place (with 36 whole points) but those are the only two host entries to sink that low in recent years.
- Spain found themselves in the bottom 5 again this year, after Barei finished 22nd in 2016. This is the first time since 1999 they’ve come last, though, which might seem surprising since they’ve had such bad luck for so long.
- Germany, on the other hand, managed to better their last few results despite finishing second last. They trailed the pack of participants in both 2015 and 2016, so Levina shouldn’t be too One box of tissues, tops.
On Portugal’s win…was Amar Pelos Dois my favourite entry this year? No. Do I agree with everything Salvador said in his spontaneous slash controversial victory speech? No, but that’s more to do with the way he said it (and he’s easily defendable on that front). Am I happy that he and Portugal won the contest last weekend? HECK YEAH!!! Simple, beautiful and emotional – and yes, more about feeling than fireworks, although fireworks are fine – this winning song will be a timeless classic.
Bulgaria and Moldova achieving their best-ever results makes me do a happy dance every time I think about it (so I’d better avoid attending funerals for a while #inappropriate). Kristian’s placing was expected, but the Sunstroke Project outdid even their own expectations, I suspect. I feel strangely like a proud mother (as opposed to the hard-to-impress kind they sang about).
5th place (again) for Sweden is solid if not sensational. They had some tough competition to take out this year, and winning was never a realistic possibility. But they get to hold on to their Eurovision powerhouse title for at least another year.
Poor Italy. After all of that buildup and so much time spent as the bookies’ fave to win, they didn’t even make the top 5. After seeing Francesco’s performance, I got the impression it wasn’t a winner, but I still thought top 3 was going to happen for him. Nope. Interestingly, France won the OGAE vote last year, like Italy did this year, and also went on to finish 6th. Spooky.
It proved to be a non-event with the juries, but Hungary’s Origo – my beloved #1 song of the year – was thankfully boosted into the top 10 by the televoters (including me…it got about 15 of my 20 votes). Since their 2011 comeback, Hungary has qualified for the final every year and has finished in the top 10 three times. Not too shabby.
On the other hand, Australia was virtually ignored by televoters but adored by the juries. I don’t really understand either response, but I can’t help being thrilled in my own biased way that we made the top 10 yet again.
I figured France was a goner after Alma appeared on stage last looking very lonely and not leaving much of an impression behind her. But 12th? Tré bien! The song definitely deserved that left-side finish, even if the staging left something to be desired.
I thought Israel might do a little better, but I think we all saw Spain’s wooden spoon coming – even before Manel sealed the deal with that cringeworthy vocal fail. I think he’s sweet, and he doesn’t deserve the hate he got before the contest and will probably get now – but I also hope Spain learns a lesson from his lack of success.
Lastly…the comeback acts, then versus now
Kyiv was a more successful contest for:
- Sunstroke Project 22nd in 2010/3rd in 2017
…and that’s it! The trio should be particularly grateful for their success, because every single other returning artist had a worse result than they did when they last competed.
- Koit Toome 12th in 1998/DNQ (14th in semi) in 2017
- Laura Põldvere DNQ (20th in semi) in 2005/DNQ (14th in semi) in 2017*
- Omar Naber DNQ (12th in semi) in 2005/DNQ (17th in semi) in 2017
- Valentina Monetta 24th in 2014/DNQ (18th in semi) in 2017
*I’m calling Laura’s result this year worse because with Suntribe in 2005, she beat five other countries. This year, she only beat four.
Okay…I THINK I’ve gotten all of my scoreboard-related thoughts out of my system. Parabéns if you made it all the way through, and parabéns to Portugal for being the cherry on top of a contest with such discussable ingredients. I mean, EVERY Eurovision has an aftermath worth having in-depth conversations about that really confuse everyone outside of the ESC bubble. This one, though, will easily keep us going until the 2017/2018 national final season starts – or until Junior Eurovision in November, if that floats your Naviband-esque boat (it keeps mine extremely buoyant, BTW. Yes, I’m a JESC fangirl).
On that note, if there’s a result or ranking you’re burning to comment on, you’re in the right place. Did Eurovision 2017 pan out how you thought it would, or has it SHOCKED YOU TO YOUR VERY CORE and given you Koit Toome face?
Whatever you’re thinking, type it down below. I’m not willing to shut up about this contest until Lisbon’s (maybe) so let’s keep the conversation going in the comments.
Until next time – when I’m planning on counting down my top 10 performances of Eurovision 2017 – muitas felicidades!
I’M NOT DEAD!!! Say yay yay yay! *insert foot shuffle here*
I figured I’d open this post in such a morbid yet somehow still optimistic manner because, as it’s been such a long time since I’ve popped up on my own blog to chat song contests (one in particular), I wanted to confirm that I haven’t been run over by an errant Ukrainian hamster wheel or anything. I’m just slack and/or disorganised. But now I’m BACK and disorganised, which is much better.
Today, it’s time to conclude the EBJEEs for 2016 (sadface/happyface). Better late than never, right? Actually, my motto (as of right this second) is, if you beat the host city announcement, then you’re not too late. And guess what? The EBU is still having a Pitch Perfect-style riff-off (I assume) to determine whether Kyiv, Dnipro or Odessa will be painted Eurovision next May. If they’ve finished up by the time you’re reading this, then I still pipped them at the post. And also, congratulations KyivDniproOdessa! I KNEW you’d be the chosen one. All along. Knewwww it.
Now, let’s unroll that red carpet and find out which performances, costumes and results of Stockholm ’16 are taking home my fancy trophies – plus those you guys handed out by voting in the People’s Choice polls way back when.
Winner Ukraine Honourable Mention/s Australia
There was only one true, that-totally-makes-sense choice I could settle on when selecting this trophy winner: the winner of the whole contest. Tingles down the spine were just one of many effects Jamala’s triumphant performance had on me personally, and countless others I’ve interacted with. Also afflicting those of us who aren’t cold, unfeeling, soulless robots (JK…but how can you watch her in action and feel nothing?): body-spanning goosebumps, hairs from scalp to shins standing on end (what? It was too cold in Stockholm for me to shave my legs) and extremely leaky eyeballs. Nobody can pour pain into a performance like Jamala, and as such, 1944 – on or off the Eurovision stage – reduces me to a sniveling mass of admiration every time.
Winner Ukraine Honourable Mention/s Bosnia & Herzegovina, Serbia
We tend to see different types of drama at Eurovision: for example, the overblown kind created by an artist with overly-expressive eyebrows and the tendency to wave their arms all over the place until at least one backing singer has a black eye; and the kind helped along by dry ice, interpretive dance and violent lighting schemes. Then there’s Academy Award-winning drama, in which a performer feels every word they utter with every fibre of their being, and conveys that both down the camera and to the crowd. Enter Jamala (again). Everything about her performance, vocally and visually, was dramatic without being overly so, and it all culminated in a (crystal clear, totally in tune) screech that, if the ESC were the Oscars, would have secured her a golden statuette for sure.
Winner Russia Honourable Mention/s Australia
Sweden’s win last year ensured that the 2016 contestants would be keen to outdo and/or build on the projection screen concept that Måns’ team so cleverly devised. After all, one winner usually leads to a flood of copycats. A handful of countries pushed the boundaries of technological staging in Stockholm, and at the forefront was undoubtedly Russia. Sure, their stage show was OTT and didn’t really help tell the “story” of You Are The Only One…but I don’t think it was meant to. It was designed to impress the shiz out of us, and it certainly did that. The moment that made it the most innovative – the most unlike anything we’d seen before at Eurovision – was Sergey scaling the screen and then rotating on it, prompting musings of whether he or the prop were the main attraction. It also prompted us to ask ‘He’s still alive, right?’ after that infamous rehearsal fall, but the less said about that, the better. JUST KIDDING – I love talking about it.
Winner Bosnia & Herzegovina Honourable Mention/s Hungary, The Netherlands
As we all know, instruments are used as props more than music-makers at Eurovision nowadays. That doesn’t stop them from being used to great advantage. In the case of Bosnia & Herzegovina 2016, the cello has never been sexier. Ana Rucner let loose with her futuristic one (once she’d shed her rather UN-sexy cellophane cape, that is), and it was epic. And what is a Balkan ballad without at least one instrument bringing it to life? I guess we should ask Montenegro, who figured an ice dancer would be a good substitute back in Copenhagen.
Winner Russia’s projection screen Honourable Mention/s Armenia’s multiple Ivetas
The first People’s Choice Award on this occasion is very well deserved, I’ll admit. Like you guys did, I’ll also give kudos to Russia for putting maximum effort into their entry this year, despite it not paying off to the extent they’d have liked. After all, that screenus maximus was nothing if not an attention-grabber, and it was used very calculatedly to try and outdo the Heroes staging that started it all (that’s not an assumption. I sat and heard Philipp Kirkirov say so during the first Russian press conference). There are a number of ways You Are The Only One could have been performed to amplify it as an entry, but this method gave it a serious ‘wow’ factor.
Winner Bulgaria Honourable Mention/s Azerbaijan, Belgium
Any country that makes the chicken dance cool again (slash cool for the first time in history) should receive a high five at least. Bulgaria assigned the chorus of If Love Was A Crime its own set of moves that quickly became irresistible in terms of attempting to copy them (or was that just me?). Sassy, fun and a little bit off-the-wall – just like Poli herself – they helped make Bulgaria’s appearance in this year’s contest extra memorable.
Winner Ukraine Honourable Mention/s Austria, France, Latvia
In a time when you can back your act with pretty much anything (a naked hologram of yourself frolicking with wolves, for instance), it’s hard to haul yourself to the top of the heap. Ukraine’s collection of colours, textures and trees (well, just the one tree), however, did just that. It complemented the story and dynamics of 1944 so perfectly, I can’t personally look past it. That tree “exploding” out of Jamala at the song’s climax is one heck of an iconic image.
Winner Russia Honourable Mention/s Azerbaijan
The likes of Russia, Ukraine, Belarus and Azerbaijan are famous for throwing everything and the kitchen sink – sometime, several kitchen sinks – at their Eurovision performances. To prove that point, note that only one of them didn’t in 2016 (and note how it worked in their favour). Russia takes this trophy home, though, for putting on a show so in-your-face, it practically screamed ‘VOTE FOR US! WE WANT TO WIN! WE DON’T NEED AN OLYMPIC FIGURE SKATER THIS TIME!’. Factor in the lack of correlation between the lyrics of YATOO and what we saw Sergey getting up to on stage, and you’ve got OTT for the sake of OTT. That’s, like, the highest level of OTT.
Winner Bulgaria, Ukraine Honourable Mention/s Armenia, Russia
To win Eurovision, you need a cohesive package in which all aspects are on point. If having that up your sleeve doesn’t ensure a podium placing, it should at least drag you away from the depths of the dreaded bottom five. That’s what happened to Ukraine and Bulgaria this year – a win for the first time in over a decade and a best-ever result. Excellent vocals? Check. Brilliant songs? Yep. Perfect costumes? You know it. Setting the scene by pimping the stage? Of course. Both countries had it all going on.
Winner Poland’s baffling televote boost Honourable Mention/s Justin Timberlake is announced as an interval act
As someone who was standing in the thick of it i Globen, I can confirm that thousands of jaws required picking up off the floor in the wake of Poland’s leap from last place to the top ten. Of all the stuff we didn’t see coming re: the 2016 contest, this was the most unpredictable – despite Poland’s apparently domineering diaspora (which didn’t help them during the Polish slump period of 2004-2011). But, whether you love, hate or ‘meh’ Color of Your Life, you have to admit that this particular leaderboard leapfrog made for a priceless Eurovision moment (and GIF).
Winner Belgium Honourable Mention/s Bulgaria
Is Laura Tesoro a cyborg programmed to be constantly cheery and have unflagging energy? I think so. Has she ever been to a party and not been the life of it? As if! Can I have a smidgen of her sparkling personality if there’s any to spare? I’ll leave it to her to answer that question.
Winner Australia Honourable Mention/s Azerbaijan, Malta
Call me biased if you want to, but I feel like I’m just stating the obvious when I say that the Steven Khalil-designed, diamonte-encrusted creation Dami Im donned for her performances was STUNNING. The arm bling and sparkly stilettos slathered frosting on a look that said ‘This is what Glinda the Good Witch would wear to her wedding.’ It is also what I would like to wear to my wedding. Or to the supermarket. Whichever aisle I happen to walk down first, basically.
Winner Germany Honourable Mention/s Finland
It’s not often that a costume single-handedly destroys a country’s chances of contest success. The last time that happened was also in Sweden, when Moje 3’s circus clown couture clashed with Ljubav Je Svuda’s good-and-evil concept, untying what could have been a neatly-wrapped package and making a mess instead. Fast forward three years, and Jamie-Lee allowed the same thing to happen to her, refusing to sacrifice – or even tone down/adapt – her love of manga style for the sake of Ghost. A song that good deserved visuals that would have told its story – not detracted from it completely, leading to a discordance that couldn’t be ignored.
Winner Slovenia Honourable Mention/s Armenia
Most of this year’s artists kept their goodies in the jar, if you know what I mean (and I’m guessing you do). Slovenia’s ManuElla wasn’t one of them. Rather than opting for the military-themed, backing singer-assisted costume reveal from ye olden national final days, she decided to take care of everything concerning revealing all on her own. The result was…well, boobage that the brain behind Trijntje Oosterhuis’ slashed-to-the-waist number might consider risqué. I’m not here to shame a fellow female, but wouldn’t an outfit that was less of an anatomy lesson and more ‘blue and red’ have made more sense?
Winner Bulgaria Honourable Mention/s Poland, Spain
An undercut that kicks butt was all it took for our favourite Bulgarian to take out this award. Good golly, Miss Poli – you OWN that half-and-half hairstyle like nobody else. I can’t wait to see what you do when you get bored of it. Maybe we’ll find out when Eurovision 2021 rolls around?
Winner Måns Zelmerlöw Honourable Mention/s Petra Mede
It was the Very Intelligent People (as Petra likes to label her fans) versus the Månsters for this People’s Choice category, and – somewhat shockingly – the latter were the force to be reckoned with. I guess the fact that MZW did double duty as Eurovision’s reigning champ/chief repriser and an all-singing, all-dancing, all-charming co-host gave him a slight edge over Queen Petra.
Winner ‘Love Love, Peace Peace’ Honourable Mention/s The fashion show of flags
I DID NOT FORESEE THIS. I thought ‘Love Love, Peace Peace’ had passed us all by without making any impact whatsoever. It’s not like it was a masterpiece of musical theatre that poked the right amount of fun at the ESC while warning future competitors to steer clear of clichés. I mean, nobody even requested that it be released as a single!
Hashtag sarcasm. Hashtag ‘Love Love, Peace Peace’ is amazeballs and we all know it.
Winner Iceland Honourable Mention/s Estonia
Estonia’s failure to qualify may have upset me the most (I have permanent tear tracks on my face from the flood that ensued when Jüri was left behind in semi 1…sob!) but Iceland missing out shocked me to my very core. I was never the biggest fan of Hear Them Calling, but I was 110% convinced it would sail through to the final in spite of Sergey Lazarev’s performance overshadowing Greta’s. I still can’t believe Iceland was beaten by San Marino. Come to think of it, I can’t believe ANYONE was beaten by San Marino.
Winner Georgia Honourable Mention/s Czech Republic
Midnight Gold was gold as far as I’m concerned, and I’m not a massive psychedelic rock fan by any means. I wanted it to qualify more than Danny Saucedo wanted to win Melodifestivalen 2012, but I didn’t think it actually would. As it turns out, I was wrong, and that’s fine by me. Go Georgia!
Winner Russia Honourable Mention/s Australia
Even if Russia hadn’t been the pre-contest favourite (and during-contest favourite), the thought of them failing to qualify this year would have been a ridiculous one. The thought of Russia not qualifying any year is ridiculous, really – but Sergey was a standout on stage, as we always knew he would be.
Winner San Marino Honourable Mention/s Montenegro
I’m still in shock that Serhat came what can only be described as ‘far too close’ to progressing from Tuesday to Saturday night. But, at the end of the day, he still didn’t make it, and that’s what the Eurovision gods had long since ordained (the 12th place was their version of a belated April Fools’ joke, I assume).
Winner Belgium Honourable Mention/s Israel
You guys chose the transformation of Laura Tesoro as the worthy winner of this trophy. Belgium certainly upped the ante and glitteriness of her performance between NF and IF (international final, obviously), transforming it from something that looked at home on an intimate stage to something that filled a massive one – and filled Globen with masses of energy and positive vibes.
Winner Ukraine Honourable Mention/s Australia, Denmark
Sorry/not sorry, haters…but I’m so dedicated to Team Jamala, I hold conversations exclusively in 1944 lyrics (I can’t wait to go trick-or-treat doorknocking at Halloween and greet homeowners with the likes of ‘When strangers are coming, they come to your house, they kill you all’. How suitably scary!). As such – and because Her Holiness had so much of herself, and so much of her family’s heartbreaking true story invested in her Eurovision entry – I am adamant that Ukraine won fairly, squarely and deservedly. They earned the absolute shiz out of that triumph.
Winner Estonia Honourable Mention/s Italy
In a semi final that had the words ‘San Marino’ printed in the program, the country that would finish in last place should have been easy to predict. Even when Serhat put on something of an endearing performance *she admits reluctantly*, it seemed like Finland’s Sandhja was going to step into seventeenth instead. What I did not expect was for poor, poor Estonia to fall as flat as possible and end up rock bottom. NOT COOL, EUROPE…and not at all deserved.
Winner Denmark Honourable Mention/s Denmark
Everyone else on the planet knew what those who voted for Lighthouse X during DMGP didn’t: that the trio didn’t have a hope in heck of qualifying from a Eurovision semi. They were charming enough to avoid finishing last on the Thursday night – and they didn’t use constipation as inspiration for their choreography, á la Rykka – but they lacked the fire (not even Azerbaijan-level pyro would have saved them) and the x-factor to proceed any further. No crystal ball was needed to foretell that outcome.
Winner Poland Honourable Mention/s San Marino
The bulk of ‘It Should Have Been Margaret!’ t-shirt wearers were stopped in their tracks when Michał was catapulted from the lowest of scoreboard lows to the upper echelons of the top 10, all thanks to the televoting. That moment was many things – shocking and impressive among them – but easily explainable? Nope. I find it hard to believe that Polish diaspora is that influential, and even though I really liked Color of Your Life, I’m also confused by the possibility of such an outpouring of voter-at-home love…especially when the juries completely dismissed Poland. COLL was not a song that made you go ‘Yep, the televoters will LOVE that, but the juries’ll hate it.’ If anything, I’d have had it the other way round. To sum up, *insert giant question mark here*.
And that, my fellow Eurovision freaks, is that! My collapsible table of trophies is empty, and it’s time to roll up that red carpet for another year. I hope you enjoyed the 2016 edition of the EBJEEs in some respect, because I definitely enjoyed bringing it to you (even if it took a little longer than I’d initially planned).
Stay tuned to le blog over the coming weeks if you’re interested in the OGAE Second Chance Contest, the Olympics, random album reviews and lookalikes – I’ve got content concerning all of the above in the pipeline for August (and it IS all ESC-related, I swear).
While you’re waiting for that, why not tell me what you thought of today’s award winners? Did your People’s Choice votes go to waste, or did you get your way? Which performances, costumes and results of Eurovision 2016 do you think deserve some extra credit? Let me know below. I live for your feedback!
Well, I don’t live for it…but I like it.
Until next time,
Since Junior Eurovision 2015 came to a conclusion on Saturday night, I’m sure you’re already aware that we have our winner. Even if you’re repulsed by the mere mention of mini-Eurovij, you’d have heard that Malta’s Destiny Chukunyere destroyed her competition and clinched the tiny island’s second victory in three years with the party-starting Not My Soul. The thirteen-year-old triumphed over Armenia’s Mika by nine points – quite a massive margin by JESC standards – and in the process, nabbed the record for the highest-ever score in the contest. Mika has a record of his own to take home, too, scoring the highest amount of points for a non-winner in Junior history.
Although I did call Malta to win, it wasn’t the outcome I was hoping for (and even though Armenia wasn’t my ideal winner, I would have preferred them to take it out instead). But you can’t help being happy for a country that is fast becoming to JESC what Sweden is to ESC – i.e. a superpower. Plus, there’s no denying that Destiny is an incredible talent, and it’s likely we’ll see her pop up in Malta’s NF MESC the split second she’s sixteen. She’ll be shattering windows and Ming vases simultaneously with her voice by then, so there’s something to look forward to (unless you’re the owner of said windows/vases).
I’ll get back to the results later on in this post. Right now, I’m going to answer the question nobody asked: what did I think of Bulgaria’s first-ever Eurovision event?
Well, there’s not much I could complain about. The stage was super-cool, and like last year’s, could easily accommodate the adult contest. Hostess Poli was confident and competent, and sported a hairstyle that only she – and maybe Gwen Stefani – could rock. The postcards showed off Bulgaria’s beauty to the fullest, and featured the contestants for the first time since 2013 (I was hoping that’d make a comeback). And the interval acts were actually reasonably entertaining (meaning I didn’t traipse outside to watch my lawn grow while waiting for the show to go on). Sweeping a bit of shoddy camera-work aside, I’d say that the exercise was a big success for Bulgaria – and hopefully a good practice run for hosting Eurovision sometime while I’m still around to see it (though as countries like Portugal have competed for 40+ years and never won, I won’t hold my breath…and as some countries continue to nail JESC and fail ESC, I ALSO won’t hold my breath. Basically, no breath of mine will be held over this).
Now, the biggest drawcard of any Eurovision event is the performances of the participants, right? *assumes you all agreed enthusiastically*. So let’s have a look back at the seventeen acts that battled it out for a place on the figurative podium (there should be an actual podium, I reckon), to see who shone, who needed more polishing, and who…well, the terminology I was going to use would be too cruel for children.
From Serbia to Montenegro and everyone in-between, here are my thoughts on the competing seventeen!
These are all my own opinions, of course, and you are free to agree or disagree in the comments. Let’s get cracking so you know just what you’re agreeing/disagreeing with!
Serbia A very red, and violent – what with all those arm movements (no wonder there were no backing dancers…at least one of them would have ended up with a black eye) – performance from Lena opened the show. She had amazing intensity for someone who ordinarily, I’d want to pinch the cheeks of because they’re SO CUTE, and vocally, she was almost entirely on point – that shaky final note the exception. Much ljubav for the lyrically-aligned hand tatts!
Vocals 9/10 Staging 8/10 Costumes 9/10 Overall 8.5/10
Georgia Speaking of intensity, The Virus’ front man Data was frighteningly intense during Georgia’s performance. The group’s choreography and vocals weren’t as slick as what we’re used to from Georgia, and I felt like a bit of energy was missing. The girls’ costumes were great though. I love me some houndstooth, and I suppose it’s more sophisticated than the pajamas and towel turbans I was expecting/hoping for.
Vocals 7/10 Staging 6/10 Costumes 8.5/10 Overall 7/10
Slovenia I could listen to Lina sing all day long, so I was really looking forward to song number three. Vocally, she did not disappoint – the clarity of her voice was unreal. Her cutesey dress and sparkly sneakers also got my tick of approval, but I wasn’t 100% sold on the Frozen-esque visuals Slovenia opted for. I feel like a cool lighting scheme (a spotlight and some of Serbia’s redness, perhaps) would have been more suitable.
Vocals 10/10 Staging 8/10 Costumes 9/10 Overall 9/10
Italy The reigning champions (in case the overwhelming Bulgarian-ness made you forget that Italy won last year) put on a pretty good show, better than I thought they would. It was fun and competent, though lacked a little charisma. I loved the graffiti-type backdrop, which made the somewhat dated Viva feel fresher. You could say it brought the song back to viva. Or you could not be annoying like I am, and leave puns out of it.
Vocals 8.5/10 Staging 8/10 Costumes 7/10 Overall 8/10
The Netherlands Shalisa is so gorgeous, and would have lit up the camera even without her shiny jacket on and those candles burning. I love Million Lights, but it’s not particularly cohesive, and neither were the accompanying dancers – I didn’t really get how some of their moves related to the song. ‘Disjointed’ is how I’d describe the sound and staging, as much as I want to say otherwise.
Vocals 8.5/10 Staging 6/10 Costumes 8/10 Overall 7/10
Australia My eyes were moist during Bella’s turn, so I hate to imagine what state her mother was in. Another Australian debut was always going to be a big moment for me, and I applaud our well-choreographed and attractively metallic stage show. Bella’s Christina Aguilera impression was bang-on, too (#shegotthegrowl), and I adored her pants as much as I moon over Måns Zelmerlow’s leather pair…though for different reasons.
Vocals 9.5/10 Staging 9.5/10 Costumes 9.5/10 Overall 9.5/10
Ireland Following directly on from an excellent debut performance was another excellent debut performance – albeit one that lost its ability to spine-tingle thanks to some distracting graphics. That dodgy, badly-animated floating ship behind Aimee made me seasick. Dry ice was used to its maximum potential here, however, and it looked like Aimee was floating on the ocean herself. Fortunately it didn’t invade her lungs and ruin her vocals.
Vocals 9/10 Staging 6.5/10 Costumes 10/10 Overall 8/10
Russia Wow. Unexpected wow. This really impressed me! As much as I like Mechta, I was convinced Mikhail’s live rendition would be flat and boring (like it was at the Russian NF). But Russia seemed to have cut a mix of the song that had far greater impact in the arena. I loved the mood set by the moon prop and the dry ice (boy, that machine got a workout on Saturday), the dancer, the appropriately dreamy feel created by the blue and white colour scheme…it was all lovely. Well done, Russia.
Vocals 8.5/10 Staging 10/10 Costumes 9/10 Overall 9/10
FYR Macedonia Okay, bad bits: the vocals were in tune but a bit wobbly, and the costumes looked like they’d been fished out of a charity shop bargain bin after Britney Spears had dropped off a load of stuff circa 1999. The good bits? Well, Ivana and Magdalena avoided creating car-crash TV (that came later) and seemed to have fun on stage. Energetic choreography and good stage presence all round helped elevate this from amateur to enjoyable.
Vocals 7/10 Staging 8.5/10 Costumes 6/10 Overall 7/10
Belarus This was everything I was hoping it would be, Volshebstvo being my favourite entry of the year (in case you weren’t around when I mentioned that the other 500 times). Belarus used the backdrop to perfection, and Ruslan’s vocals were insanely good, as always. His camera and crowd engagement was top-notch until he finished off with that ultra cheesy wink (WHY, RUSLAN, WHY?). Pretending that never happened, I’d call this the total package.
Vocals 10/10 Staging 9.5/10 Costumes 10/10 Overall 9.5/10
Armenia Mika also had a (bright pink) package, signed, sealed and delivered to the door of victory…or something like that. Armenia’s stage show would have been drooled over by Georgia, who didn’t carry off the boy/girl/girl/girl dynamic half as well (plus, effortless, quirky fun used to be their forte). Mika is such a little star, and I think he’s going to have a bright future – perhaps as an Armenian representative in adult Eurovision one day (he said he’d be happy to do it when he answered my question during the winners’ press conference!).
Vocals 9.5/10 Staging 10/10 Costumes 10/10 Overall 9.5/10
Ukraine Waterfalls, sharks, forests, mechanical human-sized flowers…a list of what Ukraine didn’t incorporate into Anna’s stage show would be shorter than a list of what they did. This was OTT, even by Eurovision standards, with too many colours and too many vistas on the backdrop making things messy. Anna’s Pochny z Sebe is like a vanilla cupcake, not a ten-tiered marzipan-enrobed masterpiece fit for a royal wedding – it only needed minimal decoration.
Vocals 8.5/10 Staging 6/10 Costumes 7/10 Overall 7/10
Bulgaria Not bad, Bulgaria. There was possibly a bit too much going on here as well (rainbows! Ribbons! Unflattering cummerbunds!) but in comparison to Ukraine, Gabriela and Ivan’s performance was simplicity personified. Both kids’ vocals were strong individually, and together…well, it could have been much worse.
Vocals 9/10 Staging 7/10 Costumes 8.5/10 Overall 8.5/10
San Marino Epic staging and brilliant costumes couldn’t disguise the weaknesses in Kamilla’s voice, and she looked very uncomfortable on stage (whether that was due to nerves or her Aliona Moon-esque height off the ground, I don’t know). With a more competent vocalist, this could have been a contender for the top five.
Vocals 5/10 Staging 10/10 Costumes 10/10 Overall 7/10
Malta Destiny can sing – we all know that. She certainly didn’t emit a single off-key note on the night, and did her best to full up a big stage without the aid of backing singers, dancers, or trumpet players. Her personality and stage presence are larger than life, but I still wish she’d had some (or all) of the above with her. Company is what her performance was missing for me, because it certainly wasn’t missing soul (obvs, since THEY CAN NEVER TAKE AWAY HER SOUUUUUUL) or spark.
Vocals 10/10 Staging 7.5/10 Costumes 7/10 Overall 7.5/10
Albania Mishela is another soloist who could have used some backup to bring her song to life, but again, I really liked her performance anyway. Her voice is amazing, and so was that dress (though I know I’m in the minority, I wouldn’t give her a Junior Barbara Dex Award). If I could have given her some advice beforehand, I would have said ‘Smile! This is JESC, not a funeral’. It definitely wasn’t the death of Albania’s JESC journey, if her eventual result is anything to go by.
Vocals 10/10 Staging 7/10 Costumes 10/10 Overall 8.5/10
Montenegro Oh dear. What WASN’T wrong with this? Unsuitable colour scheme and costumes, half-hearted attempts to create a fun, tropical atmosphere on stage, and woeful vocals were all present and accounted for. Judging by the way Jana fiddled with her earpiece, then hissed at her backing dancers as soon as she struck her final pose, I’d say some technical problems may have been afoot. Hell hath no fury like a woman with a malfunctioning in-ear monitor.
Vocals 5/10 Staging 6/10 Costumes 5/10 Overall 5/10
That was the show from my point of view, and based on the marks I’ve awarded as if I’m a musical theatre teacher examining my protégées, here’s my ranking of the performances:
- FYR Macedonia
- San Marino
- The Netherlands
Hmm…that doesn’t quite match up with the actual results, does it?
Taking a look at the leaderboard
Speaking of which, here are the actual results, for anyone who needs a refresher (which I would totally understand given that I’m so late in posting this wrap-up…as usual):
- Malta (185)
- Armenia (176)
- Slovenia (112)
- Belarus (105)
- Albania (93)
- Russia (80)
- Serbia (79)
- Australia (64)
- Bulgaria (61)
- Georgia (51)
- Ukraine (38)
- Ireland (36)
- Montenegro (36)
- San Marino (36)
- The Netherlands (35)
- Italy (34)
- FYR Macedonia (26)
There’s only so much you can say without knowing the split results (even though they might not prove to be that interesting). I’ll save a more in-depth scoreboard analysis for when they’re released, but here’s a few observations for the meantime.
- Malta’s win marks their third top five result in a row – not bad for a country that only squeezed in to that section of the scoreboard once during their first eight years of participation.
- Armenia’s second place takes their total of runner-up trophies to three. They have also won once and come third twice, and are yet to finish outside of the top ten.
- Five countries achieved their best placements ever in 2015: Slovenia, Albania, Australia, Ireland and Montenegro. For Australia and Ireland, that was always going to be the case; but two-time competitor Slovenia reached the top three for the first time in any Eurovision event, and Albania equaled their best-ever ESC result from 2012. DambaYAY!
- Italy, on the other hand, experienced a fall from grace that could only have been more unfortunate if they’d come last. From winning last year on their debut to just sidestepping last place, it’s hard to predict how they’ll fare if they decide to return in 2016.
- Belarus added to their collection of commendable results with Ruslan’s fourth place. They have now won twice, come third twice, and appeared in the top five eight times out of thirteen participations. The same can’t be said about their record in the adult contest…
- Bulgaria might have done better than many of us expected, but they actually performed pretty poorly for a host entry. The past five home representatives have finished 4th (Malta in Malta, 2014), 2nd (Ukraine in Kyiv, 2013), 7th (the Netherlands in Amsterdam, 2012), 5th (Armenia in Yerevan, 2011) and 5th again (Belarus in Minsk, 2010).
- FYR Macedonia (a.k.a. the Norway of JESC) came last for the third time in Sofia. IMO, there was a different country starting with ‘M’ that should have taken out the wooden spoon this year.
- If you’re wondering how my pre-show predictions panned out, then prepare to laugh at my ineptitude! Yes, I did peg Malta as a possible winner, but I only guessed three of the top five correctly – Malta, Armenia and Belarus – and unlike last year, only predicted one country in the exact right place (FYR Macedonia in 17th). I massively underestimated Albania (though can you blame me?) and massively OVERestimated Australia (I blame bias for that one). How did you do?
I’m going to take my leave now in order to wallow in the murky waves of PJED (Post-Junior Eurovision Depression) – although the prospect of the upcoming delayed Aussie broadcast of the show, complete with our own commentary team and whatnot, is easing the pain. I’ll be back with a fun-sized amount of further JESC coverage before looking ahead to Stockholm 2016 – a party that we’ve just discovered will be attended by a) Bosnia and Herzegovina (where did they end up getting funding from? I hope to hell it wasn’t Ralph Siegel) and b) Kaliopi, Miss Congeniality of the world. I will be there too, but how much ‘there’ might depend on tomorrow’s ticket sales working in my favour. Wish me luck as I attempt to snap up the same thing that everybody else wants!
Until next time,
VOTE FOR THE WINNERS | Have your say in the People’s Choice categories of the 2015 EBJ Awards for Eurovision Excellence!
UPDATE: The People’s Choice polls have now closed. Thanks to everyone who voted – there was a pretty impressive turnout by EBJ standards! Drop by in the coming days for Parts 1 and 2 of the Eurovision Excellence Awards, when the results (and winners of a heap of other “trophies”) will be revealed. Subscribe to EBJ if you want your email to let you know exactly when those posts go live!
When Eurovision 2015 came to a close, it left us with one winner and thirty-nine losers spread across Europe (with one down here in Australia). I’m sorry to put it so harshly, but when you’re not winning, you’re technically losing, no matter what Malta’s Amber thinks. Marcel Bezençon Awards aside, only Måns Zelmerlöw departed Vienna with a trophy in his suitcase (though I like to think he insisted on wrapping it in a blanket, cradling it like a baby and singing it lullabies all the way back to Sweden. I know I would have).
I think that’s über unfair. That’s why, for the sixth year running, I’m holding my own ceremony of awards to honour the achievements of the countries, artists and songs that were not champions of the contest itself. I can’t promise Sweden won’t win any of these trophies too, however. Why should they be punished for bringing their A-game?
Anyway, these awards are better known as The EBJ Awards for Eurovision Excellence, and span five fabulous categories: The Artists, The Songs, The Performances, The Costumes and The Results (you can check out the 2014 awards here and here). In each category, there’s at least one gong that goes to the most popular nominee as voted by you (yes, you…have you had a haircut? It looks great. Really flatters your jawline). And today, voting is the task I’d love you to undertake. If my totally personalised and genuine complimenting of your appearance didn’t make you want to do what I tell you to, then you should know that anyone who votes in the polls below will receive a jar of my eternal gratitude in the mail in around 6-8 weeks.
So, if you’re up for it (which I’m sure you are now) it’s time to make some very important decisions – including that of who had the most superbly-styled hair in the Stadthalle (choosing the nominees for that made me miss Guy Sebastian’s old ‘fro like crazy). If you feel like I’ve missed out on nominating a particular country/artist/song for any award, feel free to nominate them yourself in the comments, and I’ll be sure to count that as a vote, because I’m nice like that. Not humble, but nice.
Now go forth and vote, vote, vote for the winners!
And tell your friends to do the same.
The most personable and approachable male artist on the ground in Vienna (who you’d take home to meet your parents in a heartbeat).
The female artist from the Class of ’15 you’d want to be best friends with (and she can meet your parents too).
Fanwank (Pardon My French) of the Year
The song that had hardcore fans frothing at the mouth months before Eurovision even took place.
Best Preview Video
The music video that was visually spectacular, took an entry to another level, and/or gave you serious feels (watch or re-watch all of the nominees here).
Best Stage Prop/Gimmick
The attention-grabbing onstage accompaniment that made the song it was supporting much more memorable.
The All-Rounder of the Year
The country with an act who sang perfectly, whose style was on point, and who had a song that was brilliantly staged and choreographed (i.e. the entry with the total live package).
Hairdo of the Year
The artist with the moussed, flat-ironed and/or teased ‘do that you’re planning to recreate because it was the bomb dot com.
The ‘How Did That Happen?’ Award for Most Shocking Result
The…um, does this one really require an explanation?
Those are your eight People’s Choice Awards for 2015. Thank you so much for voting, if you did. If not, then what are you waiting for?
The polls will be open for about a week, and then the EBJEEs will commence. There are plenty more trophies up for grabs that I’ll be deciding the winners of myself, because I like to be in charge
all the time every now and then. But for now, the fate of the nominees is in your hands.
Lordi help them.
NEXT TIME The awesomeness level of performances in Vienna may have been off the charts, but I’ve managed to narrow a long list of highlights down to ten: my top ten performances of the year, that is. Drop by in a few days’ time and check out the countdown, from #10 to #1.
From ‘Heroes’ to zeroes: Reviewing the Eurovision 2015 semi and final scoreboards, all the way from first to worst
Ah, yes. What a gift the combo of Sweden’s winning song title and Austria/Germany’s double nul-points has been to Eurovision journalism! Just to warn you – this may not be the last time I make use of the heroes/zeroes thing. But, in my defence, it is particularly relevant to today’s post:, even though today’s post isn’t particularly relevant.
Allow me to explain: it’s been over a fortnight since the first semi final of Eurovision 2015; over a week since the final; and three days since May came to an end (WHAT THE?!?!). That means it’s beyond time I did what everyone else has already done: look back on this year’s results. I’m going to pretend the lateness is intentional because I want to stand out from the crowd, when really it’s due to me being a slowpoke and taking this long to mould everything I want to say into something readable. You guys know by now that there’s waiting involved (for other people) in everything I do. It’s part of my charm…I hope.
At long last, though, I have performed a results analysis on all three nights of Viennese competition (feel free to applaud before reading any further). You won’t find a dissection of every single split and combined figure from all forty countries below – if you want the specifics, you can seek them out yourself here) – but you will find:
- Some brief opinions on the final re: everything except the performances (since I already reviewed all 27 performances in my previous post);
- An overview of how the Australian televoters and jurors ranked the finalists, and a reminder of where our first (but not last?) final points went; and
- Plenty of stats from/observations of the split and combined scoreboards of the final and both semis.
So, in the words of Eurovision groove master Guy Sebastian: let’s (oh) get on it, (ooh) get on it!
The ESC 2015 final: A Twitter-friendly, Jaz-eye view on everything BUT the performances
‘Twitter-friendly’ = brief. I am capable of being short and sweet, you know.
Having said that, it would take at least two or three Tweets to make all of this info public.
- The opening You had me at ‘flying Conchita in sparkly jumpsuit’. The Building Bridges theme song was a bit too JESC for ESC in my opinion, but I could learn to love it. The intro in its entirety was too long-winded. Nearly half an hour before song no. 1? Give me a break. A shorter break.
- The hosts Alice, Mirjam and Arabella became slightly more appealing as the shows progressed – by final night, they were almost charismatic. But the main reason I was happy for them to have camera time was so I could stare at their outfits (Austrian design gets my tick of approval!). Conchita, as Green Room host, left the other three ladies in her glittery wake. #QUEEN.
- The postcards As adorable as something can be when that something isn’t a puppy. These pre-performance featurettes were somewhat similar to last year’s – all thematically linked, but all unique in what they depicted each act doing, this time around Austria. It’s obvious there’s a lot to do over there, and if showing us that was ORF’s way of increasing tourism, it’s worked on me. But I think I’ll leave the bungee jumping to Monika and Vaidas.
- The interval acts An interval act has to be really, really, really good for me to watch it without thinking to myself ‘Is this STILL going? Me want results!’. Unfortunately, Mr. Percussionist didn’t fit that brief. But Conchita’s mini-medley was fabulous – I could watch and listen to her all day long. Can we have Conchita at Eurovision every year in some capacity? She can be the new Lys Assia (even though we still have the old Lys Assia).
- The voting sequence The most exciting one we’ve sat through in years…but more on that later. I will say now that I’m legit going to start a petition to stop that ‘We don’t need to hear the results from any more countries to know that so-and-so is the winner! Congratulations! Oh, but I suppose we’d better hear the rest…’. HATE. IT. WITH. A. PASSION. It’s unnecessary, and disrespectful to the countries who are yet to announce their points and who aren’t in first place on the scoreboard. Yet it’s becoming a contest trend. Ugh.
- The end result I more or less covered this last time, but in terms of the winner and where we’re headed in 2016 as a result, I’m RIDICULOUSLY HAPPY. CAPS LOCK IS TOTALLY NECESSARY TO GET ACROSS TO YOU JUST HOW HAPPY I AM. Take Eurovision as seriously as Sweden does, and there’s no reason you can’t win twice within four years. I expect them to equal and overtake Ireland’s winning tally in the not-too-distant future.
‘Straya’s say: A little look-see at the points from the land Down Under
Speaking of Eurovision strutting back to Scandinavia next year…with Australia-in-the-ESC-for-keeps advocate Christer Björkman in a position of power where the 61st contest is concerned, it’s becoming more and more likely that we Aussies will be invited back to the party. I’ll make my thoughts on this matter public when the time’s right. For now, let’s just have a nosy at Australia’s debut grand final votes.
The Aussie points were presented by our beloved newsreader Lee Lin Chin (can’t help wishing it’d been me though). Lee Lin may not look like a badass (in fact, if Twitter is to be believed, she looks more like a certain extra-terrestrial, which I think is a very cruel and not at all amusing comparison) but I can assure you that her appearance is deceiving. She swept her sass to one side for her result-reading time, ever the professional when she needs to be. Here are the points she revealed to Europe and beyond:
- 1pt Georgia
- 2pts Israel
- 3pts Estonia
- 4pts Norway
- 5pts Serbia
- 6pts Belgium
- 7pts Latvia
- 8pts Italy
- 10pts Russia
- 12pts Sweden
As it turned out, Australia’s combined result was in keeping with quite a few other countries’ results. Our top three – Sweden, Russia and Italy – matched the Belgian and Latvian top threes exactly. Romania, Spain, Israel and Portugal also deemed Måns, Polina and Il Volo worthy of top points, in one order or another.
In addition, we predicted the eventual top six, not including ourselves (obviously) and with Belgium and Latvia in the wrong places. I don’t think that’s an indication of our collective psychic prowess so much as an indication that a handful of countries were almost universally popular this year.
So that was the combined result. Now, let’s banana split it a bit.
The Australian jurors’ top threes:
- J1 Amanda Pelman – Russia, Sweden, Cyprus
- J2 Richard Wilkins – Russia, Italy, Sweden
- J3 Danielle Spencer – Russia, Belgium, Sweden
- J4 Ash London – Sweden, Belgium, Russia
- J5 Jake Stone – Russia, Sweden, Norway
Russia and Sweden were particularly popular with our jury, making it into all five members’ top threes. Italy, a little surprisingly, only featured once (who knew Richard Wilkins had such good taste? Amiright, Aussies?) as did Cyprus and Norway. Belgium was ranked second twice.
The Australian televoters’ top three:
Sweden, Belgium, Serbia
Clearly, we were feeling some Serbia ljubav that the jurors – who ranked Bojana 9th in the final – were not. This could have something to do with our sizeable Serbian population, or it could be down to the bulk of early-morning voters being Eurovision fans easily sucked in by the oh-so-ESC anthem of self-love that is Beauty Never Lies. Or it could be neither. I didn’t vote for Serbia, so you’ll have to direct any whys to someone who did!
The Australian jurors’ bottom threes:
- J1 Amanda Pelman – Belgium, Poland, Montenegro
- J2 Richard Wilkins – Armenia, Israel, Albania
- J3 Danielle Spencer – Poland, Armenia, Slovenia
- J4 Ash London – Germany, Montenegro, Slovenia
- J5 Jake Stone – Armenia, United Kingdom, Slovenia
Reading the above as places 24, 25 and 26, you can see that Slovenia was ranked last three times. I’m somewhat taken aback by this. Could it be because Marjetka’s voice left a bad taste in multiple mouths (a.k.a. bad sound in their ears)? Or was there a widespread aversion to those damn headphones? My confused face is well and truly on. Interesting here is Belgium’s appearance, when Loïc was ranked in the top five of three other jurors. These bottom threes are a lot more varied than the top threes, with nine different countries appearing (as opposed to six appearing in the top threes).
The Australian televoters’ bottom three:
France, Albania, Azerbaijan
Now you can see just how different the tastes of televoters and juries can be. Without any specific criteria to assess the songs/performances against, we ranked three countries that barely factored into the jury’s bottom three at all 24th, 25th and 26th. For further comparison, our jury ranked France 21st, Albania 23rd and Azerbaijan…6th. It doesn’t take a genius to determine which party Elnur was more appealing to (and that wasn’t the case in Australia alone).
So, all of the above was Australia’s first – but, as we’ll be forced to say until who knows when, perhaps not last – contribution to the final results. ‘What results?’ I hear you ask. ‘It’s been that long since the final actually happened that I can’t remember a thing about them!’. Well, fear not, because I’m about to refresh your memory.
Final-ly…an overview of the expected and ‘OMG!’ outcomes of Eurovision 2015’s last hurrah
This year’s voting sequence really was an epic one. The algorithm employed by the EBU to make the results as exciting as possible can only do so much when it has to be based on the jury votes. Often the addition of the televotes screws it up completely (i.e. it’s quite obvious who’s going to win when we’re only a quarter of the way through the announcements).
But this year, we were treated to a spectacle in which Russia took an early lead and held it with both hands for the entire first half of the sequence. Then, Sweden slowly but surely closed the gap, overtook Russia, then built up their own lead. By the time there were five or so countries left to announce their points, we knew Måns had Polina beat – but that’s far, far later than usual. The tension up to that point nearly killed me.
Knowing how the sequence ended will make future viewings much less taxing, and I intend to enjoy many of those in the coming months. How come? For the result that was in my favour for the first time. For Guy Sebastian personally thanking the artists from the countries that gave Australia high points (*melts*). For Måns’ priceless facial expression when it dawned on him that he’d won! I could go on, but instead I’ll jump into the promised scoreboard overview.
The top five (a.k.a. the five countries I predicted as potential winners, by some miracle):
1. Sweden (365)
2. Russia (303)
3. Italy (292)
4. Belgium (217)
5. Australia (196)
- The televoters’ top five consisted of Italy, Russia, Sweden, Belgium and Estonia. The juries chose Sweden, Latvia, Russia, Australia and Belgium as their favourites. Sweden becomes the first country in the combined jury/televoting era to not win the televote and still win the entire contest.
- Sweden and Italy were the only countries to receive points from everyone but themselves. Sweden’s lowest score was a 4 from Greece; Italy’s was a single point from Belarus and Lithuania.
- Sweden scored twelve sets of 12 points, to Italy’s nine and Russia’s five. Belgium received three sets, including one from Hungary, and Australia nabbed two, from hosts Austria and winners Sweden.
- Måns’ victory is Sweden’s second in four years and their sixth overall (watch out, Ireland!). If you’re still not convinced that they know how to succeed at Eurovision, just take a look at their track record, starting at 2011: 3rd, 1st, 14th (as the 2013 hosts, you can cut them a bit of slack), 3rd, and 1st. If the pattern continues, the winner of Melodifestivalen 2016 should prepare themselves for a mid-table finish at the ESC.
- The winning margin of 62 is the biggest since Sweden last won in 2012. Back then, Loreen defeated the Buranovskiye Babushki by 113 points.
- Russia is the runner-up for the second time in four years. They haven’t finished outside of the top ten since 2011.
- Italy makes up for last year’s misstep with their second-strongest finish since their comeback, also in 2011 (a lot happened/has happened in/since 2011).
- Belgium can be proud of their first top five finish since 2003. Only three countries – Azerbaijan, Malta and Montenegro – saw fit to leave Loïc pointless.
- Australia rounded out the top five with points from all but six countries. We found ourselves the third favourite of seven countries, scoring a very respectable 8 points from Denmark, Hungary, Iceland, Poland, San Marino, Switzerland and The Netherlands.
The rest of the top ten:
6. Latvia (186)
7. Estonia (106)
8. Norway (102)
9. Israel (97)
10. Serbia (53)
- After a string of non-qualifications between 2008 and 2014, Latvia not only advanced to the final (just behind Sweden) but rose up the ranks into the top ten for the first time in ten years. This amazing success (seriously…I’m SO proud) was helped along by three sets of 12 points. If the contest had been completely decided by the juries, Aminata would have finished second.
- Estonia also makes a return to good fortune after Tanja’s surprise DNQ in Copenhagen, despite not scoring any douze points. Neither did fellow top ten finishers Norway and Israel.
- Speaking of Norway…Mørland & Debrah’s eighth place is Norway’s second in a row, and their third top ten result in a row.
- Israel pulled a Latvia/Estonia, with a happy ending that was a long time coming. Having not seen a final since 2010, it took a sixteen-year-old in the body of someone twice that age to get them there. Nadav and his shiny sneakers secured Israel’s best placing since 2008.
- Rounding out the top ten was Serbia, scoring just 53 points. This is the lowest score for a 10th-placed entry since Croatia squeezed in with 42 points in 2001.
The mid-to-low table finishers:
11. Georgia (51)
12. Azerbaijan (49)
13. Montenegro (44)
14. Slovenia (39)
15. Romania (35)
16. Armenia (34)
17. Albania (34)
18. Lithuania (30)
19. Greece (23)
20. Hungary (19)
21. Spain (15)
22. Cyprus (11)
- Azerbaijan didn’t quite manage to manoeuvre their way back into the top 10, but their 12th place is a big improvement on last year’s 22nd place, which was their worst-ever placing by far. After finishing 8th with their debut entry in 2008, then enjoying successive top five results between 2009 and 2013, it still seems like they’ve lost their touch a bit. But perhaps jumping from 22nd to 12th is evidence that they’re clawing their way back up. Will we see an equally impressive leap to 2nd place in 2016?
- Montenegro can bask in the glory of their most successful Eurovision to date as an independent nation, while Adio composer Željko Joksimović can only wonder what went wrong as he contemplates his first finish outside of the top ten. For Montenegro, though, 13th place in the final is a coup. After their first semi-final qualification in Copenhagen, they seem to be surfing a little wave of success.
- Greece scored less than last year, but received a (slightly) higher placing with Maria Elena’s ballad than they did with Freaky Fortune’s dance banger. If the latter had represented Greece in down-tempo Vienna, I suspect the country would have fared a lot better.
The bottom five:
23. Poland (10)
24. United Kingdom (5)
25. France (4)
26. Germany (0)
27. Austria (0)
- Poland finished 15th in the televote, but the juries weren’t keen on In The Name of Love at all and ranked Monika last.
- After two years of avoiding the bottom five, the UK found themselves back there once again. France languishes in the lows of the bottom five for the fourth time in a row (ouch). Still, with four whole points to her name, Lisa Angell doubled Twin Twin’s measly two points from 2014.
- The double-whammy of woe for Germany and hosts Austria is the first of its kind since 1997, when both Norway and Portugal got the goose egg. Germany wasn’t ranked last with the televoters (25th) or juries (20th), so got a particularly raw deal. Austria did rank last in the televote, but 13th in the jury vote.
And that, ladies and gents, was the final. Before I wrap up this momentous post, let’s whiz through the semi results as well.
A snapshot of the semi-final scoreboards, split and combined
Here are the combined results of semi final 1:
- Russia (182)
- Belgium (149)
- Estonia (105)
- Georgia (98)
- Romania (89)
- Greece (81)
- Armenia (77)
- Hungary (67)
- Serbia (63)
- Albania (62)
- Moldova (41)
- Belarus (39)
- Denmark (33)
- The Netherlands (33)
- FYR Macedonia (28)
- Finland (13)
- The winner of this semi, with the televoters, juries and overall, was Russia. This is the second time Russia has won a semi they’ve participated in – the Buranovskiye Babushki also won theirs in 2012.
- Placing last, Finland achieved their worst result in Eurovision semi history. But if it had been purely up to us televoters, PKN would have qualified!
- Four of the ten qualifiers did not qualify last year – Belgium, Estonia, Georgia and Albania (Serbia did not participate in 2014).
- The televoting top three = Russia, Estonia and Belgium. The jury top three = Russia, Belgium and Greece.
- Loser of the televote was FYR Macedonia; loser of the jury vote was Finland.
- Only Russia and Georgia were ranked equally by the televoters and the juries. Both parties did agree on three of the eventual top five, with Russia, Belgium and Georgia appearing at the top on both sides of the split vote. The televoters also had Estonia and Romania in their top five, while the juries had Greece and The Netherlands up there.
- The most drastic differences between the televotes and jury votes involved Armenia (6th T, 12th J); Serbia (7th T, 13th J); The Netherlands (15th T, 5th J); Finland (10th T, 16th J); and Estonia (2nd T, 9th J).
I predicted nine of the ten qualifiers (thinking Denmark would qualify in place of Serbia…d’oh!) but only predicted the correct finishing positions of Russia, Greece and Albania. How did you do?
Here are the combined results of semi final 2:
- Sweden (217)
- Latvia (155)
- Israel (151)
- Norway (123)
- Slovenia (92)
- Cyprus (87)
- Lithuania (67)
- Poland (57)
- Montenegro (57)
- Azerbaijan (53)
- Malta (43)
- Ireland (35)
- Czech Republic (33)
- Portugal (19)
- Iceland (14)
- San Marino (11)
- Switzerland (4)
- This semi’s televote, jury and overall winner was Sweden. This marked Sweden’s third semi final win after 2011 and 2012 victories.
- Unfortunately for Switzerland, they lost a semi for the third time. Piero & the Music Stars and Michael von der Heide also finished last in 2004 and 2010.
- Three of the qualifiers did not qualify last year – Latvia, Israel and Lithuania (Cyprus did not participate in 2014).
- Azerbaijan recorded its worst-ever result in a semi final, qualifying tentatively in 10th.
- The televoting top three = Sweden, Israel and Latvia. The jury top three = Sweden, Latvia and Norway.
- Loser of the televote was Switzerland; loser of the jury vote was San Marino.
- This time (Lithuanian pun not intended) three countries – Sweden, Cyprus and Portugal – were ranked equally by both parties, while Sweden, Latvia, Israel and Norway were agreed upon in both top fives. The televoters had Poland in their top five, while the juries had Malta in the mix.
- In semi no. 2, the split revealed big disagreements regarding Malta (12th T, 5th J); Ireland (16th T, 7th J); and Poland (4th T, 16th J).
I also predicted nine out of ten qualifiers in this case (a personal best), under the impression that Iceland would qualify instead of Poland. Oops. Again, I managed to guess three finishing positions – Sweden’s, Malta’s and Ireland’s. Better luck next year to me, and to you if you couldn’t see the future so well either!
That’s all for today (as if it wasn’t enough for a lifetime) but rest assured that I have serious posting plans for the nest few months.
Up next will be my argument in favour of retaining the jury vote in the wake of Sweden’s “controversial” triumph. Then, you’ll have your chance to vote in the People’s Choice categories of the EBJ Eurovision Excellence Awards 2015 (woohoo?); the EBJEEs themselves will take place; I’ll reveal my top 10 performance highlights from Vienna and my picks for the national final runners-up who probably should have gone to Eurovision; and I’ll be publishing my exposé on all the lookalikes from the Class of ’15.
I hope you’ll drop by for some or all of these (hopefully) exciting events! In the meantime, let me know what you thought of this year’s voting sequence, results and winner. Please note that members of the Anti-Måns Brigade may be given the cold shoulder for a few days.
Until next time…
As we approach the end of January (what IS this madness?) Eurovision 2015 has only *counts on fingers* six decided-and-heard entries to its name. That’s six as long as a) Uzari and Maimuna make it to Vienna against the odds (the odds being that Belarus’ national final is rarely the be-all and end-all of their entry) and b) Malta sticks with Warrior.
The latest song to be selected – speaking of Warrior – is from Georgia. Waaaay back on the 14th, in news that shocked absolutely no one, Georgia revealed that it’s Nina Sublatti (or Nina Sublati, depending on where you look…if anyone finds her birth certificate, let me know) who’ll be flying their flag this year. Following that news was the immediate flood of opinions on whether Nina’s Warrior is “better” than Amber’s. Cue catfight, not between Nina and Amber, but between us fans, who at the moment seem to be split down the middle. At least the massive street fight we have will be evenly matched, then.
And what team will I be brandishing a bazooka for, I hear you ask? Well, if you saw my top 5 ranking you’ll know I do see the hot in the hot mess that is the Maltese Warrior, and I firmly believe Amber and her team can pull a Ukraine and overhaul it into a showstopper by May. However…I have to say, in spite of the level of craposity among the Georgian hopefuls this year, I’m pretty impressed. Nina’s Warrior may be the best song Georgia’s ever sent. It strikes a nice balance between mass-appeal edgy pop, and the off-the-wall sound that I always hope to hear from this country – whereas last year’s entry was 110% bonkers, this one is considerably more sane but still interesting. I’m not saying it’s a shoo-in for the win or anything, or even that it’s memorable enough to qualify (time and other entries will tell) but Georgia have made the smartest choice possible, IMO.
In summary, I think I like Georgia more than I like Malta. But the fact that the only similarity between their songs is the title makes it hard to say for certain. I’ll fight on Team Nina for now…but don’t be surprised if I make flower garlands and place them gently on the heads of Team Amber instead of bashing those in favour of Malta repeatedly with the Buranovskiye Babushki’s pie tray. You know, in this brawl we’re all gonna have over the Warriors.
Now I’ve laid my cards (and potential weapons) on the table, it’s time to get cracking on the main course of today’s post. As we ponder Georgia’s chances in the 60th contest based on very little, I thought it would be timely to put Georgia’s Eurovision history in the spotlight. They’re not a country I normally scream girlishly for (Junior Eurovision excepted, because Georgia freaking RULES at JESC) but then again, they haven’t had as many chances as others to make me do that. Read on for some stats re: Georgia’s time in the adult contest, and my opinions on their bests and worsts during that time. And, cast your vote in my ‘Favourite Georgian entry, like, ever’ poll. All the artists, from Sopho to well, Sopho, plus Miss Sublatti/Sublati, are waiting for your decision!*
* In my mind, that is. A lot of stuff happens in there. I.e. I’m also representing any country that’ll have me this year with an incredible self-penned song, in spite of the fact that I can’t sing and write terrible songs that should NEVER see the light of day.
GEORGIA: THE STATS
Debut 2007 – 12th with Visionary Dream by Sopho
Entries 7 (+1 disqualification)
Silver medals 0
Bronze medals 0
Best result 9th – 2010, 2011
Top 10 finishes 2/7
Top 10 success rate 28%
Top 5 finishes 0/7
Top 5 success rate 0%
Wooden spoons (last places!) 1 – 2014 semi final
Semi final qualifications 5/7
Qualification success rate 71%
My favourite entry
Visionary Dream by Sopho (2007). The original and the best! This is the Georgia I like to see competing – the unique, interesting, off-the-wall Georgia. The Georgia who wouldn’t dream of purchasing a stale ballad from the bargain bin of the Melodifestivalen Reject Shop to put forward. In this case, I do actually like the song. It’s ethnic and up-tempo without a trace of cliché ethno-pop, which couldn’t be said about the likes of Greece (though Yassou Maria, too, is a personal favourite). It’s the kind of song that, when you hear it for the first time, makes you want to know where it’s going, and I dig that.
My least favourite entry
I’m A Joker by Anri Jokhadze (2012). I just…no. I have no words. Okay, that’s a lie, I have some words. And they are: good singer; bad, bad song. Enjoyable in parts if you’re drunk enough. But any lyricist who thinks it’s acceptable to rhyme ‘joker’ with every word possible in the space of twenty seconds should be hit over the head with one of Homens Da Luta’s placards.
More of the memorable
Peace Will Come by Diana Gurtskaya (2008) – Granted, the new level of costume change is the most memorable thing about this, but…no, actually, there isn’t a but. MASS COSTUME CHANGE FOR THE WIN!
One More Day by Eldrine (2011) – Eurovision rock is usually the most acceptable kind by my standards, and I rather enjoyed this number with its head-bang-tastic chorus. Lead singer Sopho (so many Sophos, so little time…) attacked her performance with rage-tinged enthusiasm.
Three Minutes To Earth by The Shin & Mariko (2014) – Say what you want about this big box of bonkers, but you have to admit it’s unforgettable. If you can’t recall the lyrics, you must at least be able to picture the parachute.
Their best stage show
Visionary Dream. HELLO! It had dancers with SWORDS! We all know the best kind of staging is when there’s the chance of somebody losing a limb. Fortunately, Sopho #1 left the stage in one piece, having fulfilled her destiny of fronting this entry with style, charisma, and an awesome red dress while the dancers made her look even better. Sometimes, all it takes to create interest is some choreography that perfectly complements the song.
Their best costume/s
Eldrine. I know I’m in the minority here, because I don’t think I’m picking the best of a bad bunch. I genuinely liked the bin-bag-with-colourful-quilled-appliqués look these guys had going on. Then again, I also loved what Gisela, Milan Stanković and Vilija wore on their respective ESC outings, so my taste may have a questionable edge. But, to those of you who’d say it’s more than just an edge, I ask you: how would YOU have dressed these artists? I believe that weird is wonderful…to a point.
Their best vocalist/s
Sophia Nizharadze. I never really warmed to Shine (though it sure beats The Toppers’ Shine from the year before) but Sophia/Sopho #2’s vocal performance – wow. Even when she was being thrown all over the stage, her voice was on point. And speaking of points, she gets extra for that Christina Aguilera growl she had going on. Rarrrgh.
So that’s Georgia, in something of a nutshell. They haven’t been at this ESC game long, but they have had their moments of glory, and I reckon this year might mark another one. What do you think? Is Nina Sublatti sublime, or was Sopho of Shine fame Georgia’s finest? Have you fashioned a voodoo doll of me for suggesting that I’m A Joker was anything but a musical masterpiece? Let me know by partaking in this poll:
The next entry to be added to the 2015 collection will arrive next Saturday courtesy of Switzerland, but sadly, as usual, their national final is sub-par (no doubt they’ll pick the best of the bad bunch yet again, but I still wish they had a better bunch in the first place). So, I’m going to skip reviewing it this year in favour of posting that instalment of my Vienna Wishlist I promised last time. Stay tuned if you want to know who I’d rope in to represent the UK if I had a very, very long rope.
Eurovision 2014. My awards. Very delayed second half. No further introduction necessary.
DISCLAIMER: The Conchita persona may be a feminine one, but the majestic voice that comes out of her is, biologically, Tom Neuwirth’s. Therefore I’m classifying Conchita’s vocal performance as a man’s. In this category, she sure showed the boys who’s boss. Soft and vulnerable when it needed to be and all-powerful at every other moment, Tom’s voice never wavered – not even during the notoriously second-rate winner’s reprise (which is excusable). I’d have to give the Money Note of the Year Award (if I’d thought of including one) to that final ‘flaaa-aaaaaaa-aaaaaaa-aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaame!!!’ for sure.
Like you thought I was going to pick someone else. I now realise that a lot of what I said above also applies to Sanna. The woman’s got both the soft vulnerability and the lung-busting power down pat. Her vocal was clear as crystal every time I had the pleasure of hearing it (which was many, many times, all of them voluntary) not to mention effortlessly executed. Undo was engineered to show off her voice, and I commend it for a job well done.
Also known as ‘The Goose-Bump Arouser Award’ (for a sexier option) this goes to the performance that had a certain something special; something that connected with me emotionally and gave me the chills. Despite the little sob I had over Sweden in the first semi, I’m giving this to Norway, because Carl had me covered in goosebumps. Plus, I’m fairly sure my spine actually tingled at one point, and unless I had a spider down the back of my jumper (OH DEAR GOD) there’s only one explanation.
To win this award, artists can have made Oscar-worthy facial expressions on stage (hence the title) or been backed by emotional interpretive dance, or…I could go on, but I’m sure you get the picture. In the battle of diva drama fought between Conchita and Ruth Lorenzo, it’s Conchita who has the edge, because she managed to ooze drama despite standing in the same spot for her entire performance. There were minimal arm flourishes and hair flicks, and yet, her three minutes were more dramatic than an entire season of Days of Our Lives (though with the acting level on that show, that doesn’t say much). You go, girlfriend. Just not to drama school, ‘cause you’re already qualified.
Like Conchita without her beard (sorry for mentioning her so much, but it’s gonna carry on all year) who is Tinkara without her flute? Having never seen her minus the flute (apart from in her postcard) I’m starting to wonder if she’s had it surgically attached. It added a nice (albeit mimed) touch to the performance, and the way she wielded it made her look even more like some kind of magical lady-warlock, which worked for me.
You know it’s been a good year for props/gimmicks when you’re torn between a trampoline and a giant hamster wheel. In this case, I’m going for the hamster wheel. Ukraine proved once again that they are the masters of on-stage equipment by taking a pared-down version of Svetlana Loboda’s Hell Machine and pimping it out with a fine specimen of male flesh (i.e. a hot dude) to illustrate – I can only assume – the passing of time. As Greece would have, Ukraine get bonus points for having their singer interact with the prop rather than just sing in front of it.
Normally, I like my wind machines turned up to maximum. I’m talking 130km/h gusts that blow even the most gelled-down hair in history into a frenzy. But this year, I found myself appreciating the subtlety of Armenia’s wind machine use. With Aram Mp3 not in possession of a flowing mane, all the breeze did was give his jacket some lift, but that had a big effect – adding more impact to the dubstep portion of Not Alone. If he’d been blown off the stage by 130km/hr gusts, it wouldn’t have been the same. Although it would have been amusing…
Dance made up the bulk of the Estonian ingredients this year, after all. It may not have
ultimately worked in their favour, but Tanja and her man-friend had moves that deserve applause *insert a smattering here*. Apparently Tanja can sing in any position, and that knowledge was used to advantage as she ran, jumped, lunged, and got thrown around all over the place, all the while contributing more to the total vocal than Jedward did in 2011 and 2012 combined. I’m 90% admiration, 10% envy. Okay…60/40.
Say what you like re: the beard winning the contest, but you can’t deny that Austria’s entry was just as well-groomed in every other respect. As has been the norm for a while now, there was a lot of background screening to work with on the Eurovision stage, and in terms of using that to complement the rest of the elements (song, costume etc) I think Austria nailed it. Their background was gold and fiery and gave Conchita wings so she could literally (pardon the blatant misuse of ‘literally’) rise like a phoenix. If it was predictable, it’s only because we all knew what kind of visuals would suit the song.
If it ain’t broke, don’t fix it. This has been the mantra of many a Swedish entry in the period between Melodifestivalen and Eurovision, with the likes of Eric Saade and Loreen barely changing costume from one to the other, let alone anything else. In the not-so-curious case of Sanna Nielsen, her people hit on a lighting scheme that was simple but so effective, and almost served as a physical prop. So they didn’t sacrifice it for the big show; they just made it even more impressive. I’m now hoping to receive my very own light cage for my birthday this year. Ikea sells those, right?
It isn’t just an overload of props and/or gimmicks that sends a performance into OTT territory (which isn’t always a negative…if you can’t tie your hair to someone else’s and ride a see-saw whilst brandishing a light saber and dancing in unison in front of a giant sun at Eurovision, where can you?). Poland’s entry was choreographed and costumed to perfection, but it’s their determination to be boob-inclusive at all costs that wins them this gong. Those butter-churning, stain-removing girls had pretty much all of their charms on display despite the contest being a family show. I guess a lot of parents no longer have to give their kids the sex talk.
I am a huge fan of your average costume reveal. Plaid pants are ripped off to expose sequined short shorts? Great, thanks InCulto. Three-piece suit becomes evening gown by the end of the song? Best part of Latvia ‘02. But it turns out that not-so-average costume reveals have the ability to freak me out, as demonstrated when Cristina Scarlat became so irritated with her overgrown weave, she went and yanked it right off. I applaud Moldova for trying something new, but if hair-pulling isn’t the final frontier, what is? Navel lint? Splinters? Teeth?
A lot of countries presented us with the total package this year. In fact, more did than didn’t, and disappointingly, there were zero train wrecks. But the country that impressed y’all the most by a long shot was the Netherlands, and though my vote went to Poland, I can see why. Dressed to perfection, Ilse and Waylon performed like the pros they are, using what could have been a very awkward microphone situation to their advantage. It was intimately staged and graphically effective. Let’s hope the trend continues for the Dutch in Austria.
When you think to yourself, ‘How would I dress this act?’ and can’t come up with anything better than the reality, you know costuming has been well-executed (either that or it’s so horrific, you couldn’t imagine anything worse). In this case it’s the former, and I applaud your choice of Best Dressed for 2014. Waylon would have had a hard time going wrong, so it really came down to Ilse – and fortunately, she appeared on stage looking like a country Americana angel. From the retro bouffant hairdo to the tips of her stilettoed pumps, she was glorious.
What happens when you combine button-up track pants and a tuxedo? A fashion faux pas, that’s what. Throw in some wack blue shoes that match your stunning but completely out-of-place chandelier earrings, and you’ve got one steaming hot mess. Oh Tijana. Suitability for the entry aside, she looked lovely from the neck up. From the neck down, though, it was 100% WTF. And now you know exactly where my Barbara Dex vote went this year.
I know, I know – not every song calls for a backless, crystal-encrusted leotard with a feathered mullet skirt and matching platform boots (particularly not Running). But as I’m convinced that Richard Edwards wore the same outfit to Malta’s rehearsals as he did for the live shows, Firelight nabs this one.
Between them, these nominees had just about every body part on display (and if you’re wondering about Twin Twin, I have two words for you…DEM SHORTS). But I’d be crazy if I didn’t recognise Poland as the sauciest by far. Although, it wasn’t so much the Slavic girls’ costumes that were x-rated as the lack thereof.
Because your average maxi dress is much easier on the eye than a part flouncy, part asphyxiating mix of…whatever that gold thing was a mix of. Also going against this creation was the fact that Kasey could hardly move in it, which made her look very uncomfortable on stage.
It may be forehead-pulsingly tight, but Cleo’s high braid feat. festive materials is one hairstyle from this contest that I’m desperate to copy. Unfortunately, I’m lacking the length of hair necessary to pull it off, so I hope it’s still a relevant look in, say, twelve months. #whocares, #gonnadoitanyway.
I really, truly thought Estonia had the final in the bag. The upside to the choreography’s failure to see them through is that I can now insist to anyone who’ll listen (and even those who won’t) that Sandra should have walked Eesti Laul and would have been dangerous in the final she would have made for sure, blah blah blah. Nonetheless, I remain flabbergasted that one of my certainties back at prediction time turned out to be a DNQ.
Third time lucky is a legitimate thing, and Valentina Monetta knows that now. Let’s just hope she didn’t get one taste of glory and wants more next year (there has to be SOMEONE else from San Marino who can sing). ValMon’s qualification got her this trophy because it was the only one that literally made my jaw drop. I didn’t shut my mouth for hours, and was planning on suing the EBU for extreme dehydration.
As we would later discover, this wasn’t Greece’s most successful year (STILL not over it) but even in an off year, they flew into the final with the greatest of ease. They are part of the exclusive 100% Club, which consists of those countries that have never failed to advance from a semi, so it’s always a safe bet when you put cash on them to go through. That’s not to say it’s impossible for them to DNQ, but the day that happened would be a shocking one (and a good one for all the pigs sprouting wings).
As admirably authentic as it was (and bonkers) there was never any hope for Three Minutes To Earth as far as I’m concerned. There was a possibility it wouldn’t come last in its semi, but even that was slim. Still, The Shin and Mariko gave a great performance, so if you’re reading this, guys…don’t hurt me.
In terms of entry quality and results, Armenia (thankfully) made us forget all about Malmö’s double denim incident courtesy of Dorians. 4th may not have been the win they were hoping for, but I think Sirusho would agree that it beats the heck out of 18th.
Hungary is quietly becoming a force to be reckoned with, and their national final A Dal one of the strongest I’ve ever followed. I have this sneaking suspicion we could be heading to Budapest within the next few years. Running’s somewhat unexpected top 5 placing built on this. I think we were all skeptical of the entry’s ability to push past the subject matter and be judged as a ‘package’ – the package being a well-performed, contemporary song that wasn’t nonsensical fluff, lyrically speaking. Fortunately, it was, and that makes me go WOOHOO HUNGARY YOU GO GIRLFRIEND. Et cetera.
Like I said…soooooo not moving on from this travesty. It’s been two months and I still cry myself to sleep, sobbing ‘ri…ii..iiise upp!’. Just kidding. I don’t say that. I only weep. Even Kalomira clone Eleftheria (the only other recent Greek act to not hit the heights of the top 10) did better than Freaky Fortune. I realise this was an open year, and points were going all over the place, but IMO Greece should have been at least where Romania ended up. I guess holograms > trampolines.
There came a point – a sad, sad point – where I knew Sanna wasn’t quite going to go all the way, despite her victory in the OGAE vote. But after her amazeballs performance in semi one, I was convinced that the haters would be left with many unfortunate emotions to undo when she easily made the top 5. The bronze medal represents a great performance by a great act that was just missing that something extra that would have made it a winner.
The last award of the 2014 EBJEEs (I hear your collective sigh of relief) is also a People’s Choice Award. You voted, and it turns out that Molly’s lack of success shocked you more than anybody else’s (or in Russia’s case, shocked you more than the twins getting that high). You’d think we would have learnt to never overestimate the UK after 2011 (though I still maintain Blue were robbed in part) but nope – here we all were again, gushing about a UK entry that wasn’t crap and/or sung by someone who lived in world sans Eurovision. All dreams of Manchester 2015 were dashed when the points just trickled in, in contrast to the flooding they were doing for Austria and the Netherlands.
At long last, I’m done! Hallelujah. Hard rock hallelujah. Thank the Lordi! And other ESC-related puns. My trophy table is now empty, and it’s time to move on to random filler until Junior Eurovision – now with 100% more Greece and Cyprus – comes along. I will be keeping an eye on the Austrian developments over the coming months, i.e. claiming I knew that INSERT CITY NAME HERE would get the hosting honours, so I hope you’ll join me. I promise I’ll be entertaining.
In the meantime…Part 2 of the awards: discuss.
What do you think of my picks and your picks of the performances, costumes and results from Copenhagen?
If there’s a prize for being late to the party (the party being reviewing Eurovision 2014) then back off, because it’s mine! The thing is – and you’ll be bored of me rehashing this – since I was too excited to study during the ESC week, and too depressed to be productive in the few days afterwards, I’m now in a period of chaos where I have multiple MAHUSIVE assignments due within the next week (my last week of the semester, thank the Lordi) that I’ve barely begun. Therefore, I’m having to work my butt off with little time to blog, which sucks. That’s my excuse for why the second part of my final review is coming out over a fortnight after the contest, and over a week after the first part.
This is basically just a run through of the scoreboards from the final and the semis, with comments by moi, plus a recap of the Australian online vote and a mini post-show ranking to show you how my preferences were changed by epic lighting and/or magnificent costuming. I’m not going to get into the intricacies of the split results much, as similar analysis has been done (The Eurovision Times published a a few particularly good ones you can find here and here if you haven’t checked them out yet) so this is more of an overview accompanied by catty judgments.
The Final Scoreboard: A Closer, Totally Unbiased Look
Two things about the voting sequence before we get to the results:
a) Crossing to all of the spokespersons at once on the big screen? More of that please. Although if I’d spotted Alyona Lanskaya I would have remembered to mute her impromptu and totally unnecessary version of Solayoh. You had your moment last year, Alyona. NO ONE CARES.
b) Umm, that early winner announcement! I’ve had more than one night’s anger over that. After the backlash caused by the same thing in Malmö, I assumed it wouldn’t happen again. But oh no, charming Nikolaj and adorable Pilou lost a bit of their charm and adorableness when they announced Austria as unbeatable with about two or three countries left to vote (I know they were just doing what they’d been instructed to, but I have to lash out at somebody). We all knew Conchita was the winner – to announce it early took away from the significance of the remaining countries votes, turning them into an afterthought. I am hoping this doesn’t become a tradition.
Now, those results…we’ve all seen them, but who wouldn’t want to see them again and then hear me complain about Greece not beating Romania for several paragraphs?
1. Austria 290 – No real surprises here. After Conchita’s performance I was thankful I’d predicted Austria as a probable winner. Still, with the spread of scores and the relatively low gap between 1st and 2nd place, this was no landslide.
2. The Netherlands 238 – I’m thrilled for the Dutch, still. If Anouk had been last year’s runner-up, I’d have struggled to understand it, but The Common Linnets captured the mood and created a magic that I totally got (in the end).
3. Sweden 218 – I’m happy with this, and I hope Sanna is too. I knew my favourite song of the year wasn’t quite going to go all the way after a certain point, but because I was worried Sweden could head in the direction of Hungary in 2011, the bronze position is brilliant.
4. Armenia 174 – Again, this ain’t exactly shocking. I never saw Armenia winning with Not Alone, as much as I love it. Finishing in 4th, they’ve got to be at least a teensy bit pleased that they blew Azerbaijan out of the water.
5. Hungary 143 – This is proof that Hungary is getting better and better at playing the Eurovision game every year. A very good, very current song that many thought would bomb because of its subject matter triumphed instead. Well done Andras!
6. Ukraine 113
7. Russia 89 – Now THIS was a surprise. As the televoters much preferred it over the jurors, I put it down to the staging, which I personally couldn’t tear my eyes away from. The hair trick and giant see-saw are surely what people remembered when they picked up their phones.
8. Norway 88
9. Denmark 74
10. Spain 74 – I guess the lesson here for Spain is if they send an attractive brunette who can sing the leg off a chair to perform a typically Eurovision ballad, they’ll secure themselves 10th place. That’s a good showing for Spain.
11. Finland 72
12. Romania 72 – Romania and Moldova are experts in just missing out on the top 10. In this case, Romania should have completely missed out IMO.
13. Switzerland 64
14. Poland 62 – The jury sealed Donatan & Cleo’s fate via the drag effect of ranking them 23rd to the televoters’ 5th. Not that 14th is a terrible result – I’m just mourning what could have been for one of my favourite entries.
15. Iceland 58
16. Belarus 43
17. United Kingdom 40 – Ouch. After weeks of steadily declining odds and promising rehearsals, Molly failed to meet expectation and then some. But there was only 34 points between her and Ruth, which is something of a consolation.
18. Germany 39
19. Montenegro 37 – Not only did they make the final for the first time, but Montenegro beat big players Greece, Italy and Azerbaijan. That’s a win for them as far as I’m concerned. Figure skaters = success. Just ask Dima Bilan.
20. Greece 35 – How…just how did this happen? I am CRUSHED. Okay, so when I step back and look at all the factors I can kind of see how it happened. But even cookie-cutter, dated Aphrodisiac did better than this!
21. Italy 33
22. Azerbaijan 33 – So, they’re not invincible after all, eh? For the first time since their 2008 debut, Azerbaijan finished out of the top 10, and not narrowly. I have to admit, it pleases me to learn that they are capable of failure, since up until now I assumed they’d do amazingly even if they sent a bag of garbage (literally) to represent them, and that irritated me.
23. Malta 32
24. San Marino 14 – Props to SM for not coming last. I hope such an unprecedented result doesn’t encourage a fourth consecutive appearance from Valentina (and Ralph)…*shudder*.
25. Slovenia 9
26. France 2 – Not for the first time in recent history, one of my most-loved entries lost the final. Waldo’s People in 2009, Tooji in 2012, and now this! Maybe Moustache wasn’t very effective in such a grand setting, but…TWO POINTS?!? I guess I should just be grateful that Twin Twin didn’t pull a Jemini.
Australia calling! The results from our unofficial final vote
Over on broadcaster SBS’s Eurovision site, us fans Down Under had the chance to thumbs up or thumbs down each entry as was our want. I couldn’t even do that, because of state-related time zone issues, so it was up to the rest of my fellow Aussies to decide our “points”. Here’s our top 10, in traditional ESC fashion:
1 point went to Ukraine
2 points went to Malta
3 points went to Switzerland
4 points went to the UK
5 points went to Poland
6 points went to Iceland
7 points went to Finland
8 points went to the Netherlands
10 points went to Sweden
Aaaaaaaaand, surprise surprise…our 12 points went to Austria.
So it looks like Conchita has recruited herself a fan club over here as well. We actually agreed with Europe’s entire top 3 (albeit in a slightly different order) but put Finland, Iceland, Poland (woohoo!), the UK, Switzerland and Malta in place of Armenia, Hungary, Russia, Norway, Denmark and Spain. Oh, and in case you were wondering, San Marino came in 26th. So I guess it wasn’t so much a Maybe here as a Definitely Not.
Back To The Semis: The Winners, Losers and Almosts
Semi final 1 ↓
- The Netherlands 150
- Sweden 131
- Hungary 127
- Armenia 121
- Ukraine 118
- Russia 63
- Montenegro 63
- Iceland 61
- Azerbaijan 57
- San Marino 40
- Portugal 39
- Estonia 36
- Latvia 33
- Belgium 28
- Albania 22
- Moldova 13
- For the first time ever, the Netherlands topped a Eurovision semi final. I’m still surprised by this to be honest (because I didn’t think the majority would rule on a humble l’il country number…and it’s the Netherlands) but it’s something for all of the countries in a rut to take note of. With the right song and act, anything is possible.
- Sanna pipped Andras for the honour of qualifying second, but not by much. Hungary are going from strength to strength, having qualified every year since their 2011 comeback, and made the final top 10 for two consecutive years.
- There was a 55-point gap split between the 5th and 6th qualifiers – Ukraine and Russia. Montenegro made it to their first final on the same point level as Russia, with Iceland very close behind.
- Azerbaijan’s 9th place made quite the change from their previous stellar history. During the 2008-2011 period they qualified 6th, 2nd, 2nd and 2nd, and won their semi final last year in Malmö. It’s safe to say Dilara didn’t start many fires with her slow-burn ballad!
- Jaws all over the globe hit the floor when San Marino went through, unsurprisingly in 10th place. What we didn’t know at the time was that poor Portugal had finished just under San Marino. A single point was all that separated Valentina and Suzy, which probably left the latter wondering what she could have done to win over a few more jury members (it was the juries who sealed her fate by ranking her last).
- Moldova’s hair-ripping routine failed to get them to the final for the first time since 2008. Perhaps now they’ll realise that the classic costume reveal is still okay?
Semi final 2 ↓
- Austria 169
- Romania 125
- Finland 97
- Switzerland 92
- Belarus 87
- Norway 77
- Greece 74
- Poland 70
- Malta 63
- Slovenia 52
- Lithuania 36
- Ireland 35
- Macedonia 33
- Israel 19
- Georgia 15
- From losing their semi final and limping only to 16th place in last year’s to winning the whole thing, Austria sure rose up (pardon the pun) in the rankings this time around. Conchita’s powerful pipes won convincingly over Paula Seling’s dog-frightener of a note.
- Surprisingly high qualifiers in this semi (for me) were Finland and Switzerland, in 3rd and 4th places. Switzerland turned out to be less of a borderline entry than many of us thought it would be. Greece, on the other hand, didn’t do as well as is expected of them, nor as well as I was hoping.
- Poland’s qualification was pretty convincing for a country that hadn’t seen a Saturday night since 2008, putting them 18 points ahead of just-in Slovenia.
- Vilija can’t have been as devastated as Suzy must have been to end up 11th, as her result was brought on by much more than one point. Things were quite tight in the 11th-13th-placed range.
- Israel coming second-to-last with only four more points than bonkers Georgia was a big shock for me, and I’m not even a massive fan of Same Heart. Mei’s performance was fiercer than 100 angry Beyoncés in a fistfight, and I’m sure she’s made it her mission to hunt down and poke her sword at everyone who failed to vote for her.
- Georgia last = duh. Okay, so the song has grown on me, and the parachute thing actually worked IMO, but Three Minutes To Earth was always going to be more like Three Minutes to the Bottom of the Scoreboard.
My top 10, two weeks later
As usual, seeing the songs performed live for the real deal changed my already changeable mind a LOT. Once again I used this handy sorter to gauge my own opinion, and below you can see my post-show top fifteen (because I didn’t think anyone would want to read through my entire top 37 for the third time) and how they’ve moved from my most recent ranking done just prior to the first semi. I’m sorry to disappoint those of you who might have been hoping for a renouncement of my Team Sanna membership.
- Sweden (=)
- Poland (+5)
- Greece (-1)
- France (-1)
- Armenia (+1)
- Denmark (+4)
- Italy (+6)
- Belarus (=)
- Norway (=)
- Hungary (-6)
- Montenegro (-6)
- Ukraine (+12)
- Iceland (+1)
- Finland (+21)
- Albania (+7)
So I’m clearly crushing on Finland after Softengine rocked the Hallerne…what about you? How have your rankings changed since the show?
That’s about all I have to say on the scores at the moment. I hope this overview was worth the delay in one way or another! If you’re still up for complaining and/or rejoicing in the outcomes of this year’s contest, I’m up for listening, so comment down below with any of your unaired thoughts.
NEXT TIME: Watch out…the 2014 EBJ Awards for Eurovision Excellence are coming! I’m about to open my People’s Choice polls, and I want you to vote to decide each winner (duh. That’s the whole point) so make sure you drop by in a few days’ time to have your say. This year you get to vote on more awards than ever before in the two-or-three-year history of the ceremony, so get excited! Please? Just a little bit?
Hello there! Yes, I’m still alive (just like TWiiNS). It feels like it’s been ages since the first half of my EBJAEEs, which is probably because it has. I’m not even sure I can get away with posting exclusively about Malmö anymore, since a) the official DVD has already been released, and b) the first artist of 2014 has already been selected (Valentina Monetta again, AGAIN. San Marino obviously believe that ‘third time lucky’ is a thing). I’m sure somebody will let me know if I’m sooo six weeks ago or not.
In the meantime, allow me to present to you the second and final installment of my awards ceremony for 2013. This time, as you may have read in the title, they’re all about the performances, costumes and results that made an impact in Sweden. This includes the award for the All-Rounder of the Year, which (I hope) y’all voted for a little while back. Now you can find out if your favourite won the poll. It certainly wasn’t mine *mutters bitterly*.
So there’s that, and a whole lot more to check out in this slightly bigger episode. Have a looksee, and as always, comment me your agreements and disagreements. I love to hear either, although a ‘My gosh, you are 110% correct on every level and may I also say how nice you look today?’ every now and then is an earner of brownie points.
Ahem. On with le awards.
Klapa s Mora
I need to have a box of tissues handy whenever I hear these guys sing, live or in studio, so I can’t imagine what would happen if I ever heard them in real life. Those harmonies mist me up good. I don’t think it’s Mižerja’s fault, since KsM could perform an a cappella arrangement of Ice Ice Baby and I’d still be blubbering into a super-sized Kleenex. It must be the vocals. Ugh, I’m tearing up just thinking about them.
If a breathtakingly (literally) tight dress is what it takes for Moran to deliver the type of vocal she did during Kdam and Eurovision, then I say go on cutting off your air supply, you pitch-perfect Israeli songbird! Not to her face, obviously, since she’s not within addressing distance. But that’s what I would say, because that voice is incredible.
DISCLAIMER: I did not actually get up from my couch and go for a toilet break during any of these performances. I would never do such a thing, because I always like to think a boring act could be livened up at some point – for example, with a giant piñata that is lowered from the ceiling and beaten by the artist/s until streamers and confectionery rain down on the thrilled and slightly confused audience.
Unfortunately, there were no giant piñatas incorporated into any of the above performances, to their detriment. Switzerland in particular bored me to tears (and not Klapa s Mora emotion-filled tears). With a 95-year-old forming part of their group, I didn’t expect acrobatics or anything from Takasa, but some use of the stage space would have been nice.
Greece is no stranger to making schweet props out of onstage instruments (Giorgos Alkaios, hello?). This year, they again lit up the stage with their musical weapons of choice, and though it wasn’t quite as effective as it was in Oslo, it added another element of interest and fun (take note, Switzerland) to an already fun-filled performance. The lights also distracted us from the fact that the instruments weren’t actually being played, which is handy.
Whose idea was it to put the man in the box? I want to give them the world’s most enthusiastic pat on the back for coming up with that. It was a pretty simple concept, but so effective, and then it switched to super-drama mode with the lady in red and the rose petals (I hope man-in-box never did a Loreen and choked on one). I salute you, staging…arrangement…person.
There was really no better way for the disco ending of Crisalide to kick in than with the simultaneous switch-on of everybody’s favourite wind machine. Sure, we all saw it coming from a continent away – but admit it, you’d have been disappointed if Valentina hadn’t been given any wind for her sails.
When I say ‘choreography’, I mean dancing and/or anything else the artists and backup peeps did on stage during their three minutes. Hence I have to give this award to Azerbaijan, for the mirrored movement between Farid and his box friend, and the sliding of Farid down the box, and the running of the red lady followed by her massive train…for all of it really.
Describe Tomorrow in two words. Done? I bet you said cutesy and whimsical, and if you didn’t then just play along. So, cutesy and whimsical was the order of the day for Malta, and those adjectives were well and truly echoed in the adorable lyrics-on-screen they gave us to back up Gianluca. The colour scheme and variety of fonts was simple but perfectly suited. More than a few countries elected to stick their song lyrics in the background, but Malta did it best.
As if It’s My Life wasn’t OTT enough on its own, somebody in the Romanian delegation thought to themselves, ‘you know what we need? A sparkly man-dress with a plunging neckline. And a humongous red sheet. And a bunch of dancers. OH, and a hydraulic platform. Yeah. That’s what we need.’ And then proceeded to share those thoughts with the rest of the delegation who all thought it was a spiffing idea. I’m not so sure, but let’s face it – there’s no point in going subtle for a song like this.
Thanks to everyone who voted in this poll of yesteryear. The most-voted for turned out to be Norway, a country that tickled the majority of your fancies with their top-notch act. It was a close one, but Margaret’s strong vocal, the moody lighting in contrast to her costume, and the stage movement make the Norwegians the All-Rounders of 2013.
FYI, the full poll results were: Norway 25%, Moldova 23%, Denmark 21%, Ukraine 14%, Greece 9%, Azerbaijan 7%. I used my vote for Azerbaijan, so that was a waste of time.
Klapa s Mora
Head-to-toe sprayed-on leather? Check. Shiny metal accessories? Check. Fierce shoes that I will lust after for months? Double check. Hannah had it going on during semi final one. Unfortunately, dressing like a champion no more helps you get into the final than dressing like an extra from ‘Willy Wonka: The Musical’. Speaking of which…
Lozano & Esma
They won the Barbara Dex Award for a damn good reason, Moje 3 did. I hope the designer of their nonsensical, childish, polka-dotted and pearl-covered monstrosities has been locked up in Fashion Prison, if there is such a thing. If there isn’t, the Serbian government should build one just for her. I have never seen clothing that so aptly begs the question, ‘what were they THINKING?’.
Then again, at least bad costumes get people talking. I doubt anyone has devoted more than a few lines of typing space, if that, to the white shirts and ties of Takasa. I give a lacklustre point to the sporadic red accents, and then cancel it out because a bunch of people who wear school uniforms to Eurovision (excepting Daz Sampson’s backup dancers – at least they made sense) don’t deserve points. Even if they were a bit lost after their Salvation Army uniforms were banned from the contest.
If you’re wondering about Koza Mostra, let me just say: you can never be sure what is or isn’t under a kilt. But that’s irrelevant, because Moran is the winner of this award. That dress of hers left nothing to the imagination, unless you count all of us having to imagine how she got into it in the first place. My money’s on Lycra-in-a-spray-can.
I couldn’t think of any other artist/s that made a more monumental stuff-up than Nevena, Sara and Mirna in the journey from national final to Eurovision itself. Of course, we all blame the aforementioned designer for creating them in the first place, but I personally have it in for anyone who vetoed the original devil/angel outfits. Sure, they were a little tacky, but they worked with the song, not against it in some bizarre battle of WTF.
In a year without Jedward, I wasn’t sure there’d be any nominees for this award. But a bunch of hairstylists who were told ‘you can’t do THAT with hairspray!’ and took it as a challenge came along and saved the day. Aliona’s look was less…sideways than it had been at the Moldovan final, but was impressive and interesting nonetheless. It’s the norm for powerhouse female singers with powerhouse ballads to be given a cursory swipe with a curling iron and nothing more, so I appreciate the extra effort.
I thought San Marino had qualification in the bedazzled bag this year. It was going to happen, and it was going to be amazing. Valentina, the comeback queen, reinvented, was going to compensate for 2012 in a big way. Then…bah-bow. Nothing. No San Marino in the magic envelopes (as they were). Granted, Val came close, finishing 11th in her semi. But it wasn’t close enough, dammit. I guess her third time could be the charm.
Now, a surprise I can be happy about. I was never that gone on Tom Dice/Me And My Guitar, so when I found myself attending regular meetings of the Roberto Bellarosa and Love Kills Appreciation Society, it was the first time in a long time I’d been enthusiastic about Belgium’s participation. I’m not stupid though, and I knew they didn’t have a hope in heck of qualifying.
Oh god. I AM stupid!
A final without Azerbaijan in it, automatically or otherwise? Puh-lease. That Junior Eurovision fail was a mere blip on an unrelated horizon. They were back and more or less ready to win for the second time in three years, although I can’t help thinking they would have qualified even if they’d come back willing to settle for mid-table.
Despina Olympiou was the Iris of 2013 – an attractive female in a nice dress, who was competently performing one of the most boring songs the world has ever known. She was never going to get far. It’s a shame considering she could out-sing Ivi Adamou any day of the week, but Eurovision ain’t no singing contest.
15th, in my opinion, is around about where the all-too-similar Ell & Nikki should have ended up. It was a huge relief for Sophie & Nodi to not follow in their footsteps. As well-executed as their performance was, I found it soulless and overly choreographed. Waterfall was just as soulless, and very clichéd. So for me, Georgia got what they deserved. They’re better than that.
Could this be the start of a new Euro-curse? Last in the running order, last place? Or am I desperately searching for an explanation as to why yet another of my favourite entries ended the evening 26th out of 26? I know I’m biased, but I genuinely don’t think Ireland deserved to lose. Ryan’s performance was stronger than Jedward’s last year in many ways, and his song was much more contemporary. Then again, that contemporary feel could have been his and Cascada’s downfall. With the Euphoria effect still present, maybe nothing could have measured up.
So we’ve covered the jaw-dropping moment when Belgium qualified. But now we come to the even more flabbergasting moment when they didn’t bomb out in the final, not by any means. For quite a few countries, finishing on the left side of the scoreboard alone is as good as winning, and Belgium is one. So maybe we should forget about Copenhagen and head off to Brussels instead? 12th place warrants a big celebratory party, and as we all know, Eurovision is the biggest of them all.*
* Having come out with such a cheesy line, I am now off to Russia to write their entry for the 2014 contest.
And we are FINITO! As far as awards go, anyway. I don’t plan on going anywhere. I do plan on getting another post out within a reasonable time period, however. Look out for it between now and Christmas…2020.
Ha ha ha.
Whenever it makes its appearance, I hope to see you then.
PS – Did I hand the trophies out to the right people and places? Have you got any suggestions for next year’s awards?