Category Archives: Melodifestivalen
SELECTION SEASON 2018 | A shipload of songs for Portugal, Norway’s Grand Prix + the pointy end of Melfest!
It is with great regret – and to be honest, a little relief – that I say hey to you guys on the last Super Saturday of the 2018 ESC NF season. It feels like five minutes ago that the season started, and all of a sudden we’re in the thirties with our set-in-stone song tally and just days away from having a full house (and using the good old sorting tool to its full potential). The positive part of this, though, is that we are now just TWO MONTHS away from the main event.
No, not my birthday…that’s in September. I’m talking about Eurovision, obviously. Isn’t that all I ever do on this blog?
Before the spotlight hits Lisbon, there is more business to take care of. This is a sedate Saturday when you compare it to the last three or four – but the two finals taking place tonight are big ones.
- Norway (Melodi Grand Prix final)
- Sweden (Melodifestivalen final)
Yep – it’s an all-out Scandifest! And even though I’m mad about it denying me the chance to be on Twitter throughout Melfest if I want to watch MGP afterwards sans spoilers (why did they have to be on the same night, for the love of Loreen?!?) I’m also very, very excited. And very, very keen to get on with talking about a) everything that happened last week re: Portugal’s participating songs, b) Melodi Grand Prix, and c) my beloved Melfest (to think I was in Friends Arena for the final a whole year ago!). So I’ll get straight into it.
After a drip-drop few months of the NF season (Safura pun intended), all of sudden we are DROWNING in songs (albeit drowning in an enjoyable way).
It all started with the results of last Saturday’s finals, which saw five songs selected in Estonia, Finland, Iceland, Poland and San Marino. The role call = La Forza by Elina Nechayeva, Monsters by Saara Aalto, Our Choice by Ari Oláfsson, Light Me Up by Gromee feat. Lukas Meijer, and Who We Are by Jessika feat. Jenifer Brening (a Maltese/German production for San Marino, of course). My least favourite of this bunch by far is Who We Are (and if Norway chooses a much, MUCH superior Who We Are tonight, San Marino will be even worse off) while my top pick of the night was La Forza. I’ll tell you why – assuming I still feel the same way – when the EBJ reviews for 2018 kick off. #cliffhanger.
Sweden’s Melodifestivalen stage has made its last pre-Stockholm pit stop, and the final line-up is complete (obviously, since it’s happening tonight…I’m just mentioning it now). Quashing their competition in each of the four Andra Chansen duels last Saturday were Margaret, Renaida, Felix Sandman and Mendez, paving the way for a Schwarznegger-strong final. For more on that, including my winner prediction, keep reading.
We have our host entry at long last, with Portugal choosing Cláudia Pascoal and her fairy floss hair to defend their Eurovision title with O Jardim. It’s a seriously slow burner of a song, and I definitely need time to figure out how I feel about it – but my first impression is good. Not good enough to make me think Portugal will successfully defend their first-ever win, however.
Later in the week, just when we thought the flood of songs had stopped, in surged Australia, Austria, Azerbaijan, Belgium, Croatia and Ireland, unveiling entries by artists that had been locked in for a long time (Belgium in particular). It’s no surprise that most of my attention was on my own country’s entry (no. 4…who would have thought), but I’m actually not going to say anything about Jessica Mauboy’s We Got Love at this stage. Do I love it? Do I hate it? YOU’LL NEVER KNOW MWAHAHAHAHA until later on when I’ve formed a proper and objective opinion. Sorry, not sorry.
If I could describe the others in one word, though, Cesár Sampson’s Nobody But You would be ‘smooth’, Aisel’s X My Heart ‘underwhelming’, SENNEK’s A Matter of Time ‘interesting’, Franka’s Crazy ’jazzy’, I guess (and I’m glad Croatia isn’t in the same semi as Latvia, because I love Funny Girl and I don’t want two similar songs clamouring for the same points) and Ryan O’Shaughnessy’s Together ‘sweet’. Stay tuned for those 2018 reviews when I’ll say a lot more than that about all 43 entries.
Now it’s time to talk about some potential entries. Let the Scandifest begin!
We’ve known the artists and the songs for a good few months – and now, it’s finally time for Norway’s MGP to pit them against each other live and narrow ten down to one. And those ten are, in case you needed a refresher:
- You Got Me, Stella & Alexandra
- Talk To The Hand, Aleksander Walmann
- Scandilove, Ida Maria
- Light Me Up, Nicoline
- I Like, I Like, I Like, Tom Hugo
- Stop The Music, Charla K
- Tengo Otra, Alejandro Fuentes
- Moren Din, Vidar Villa
- Who We Are, Rebecca
- That’s How You Write A Song, Alexander Rybak
I don’t know about you, but I reckon this final is pretty freaking beautiful, to quote Robin Bengtsson *struts on treadmill and tries to type at the same time*. You did good, Norway – even if Alexander Rybak isn’t adding a surefire hit to the mix as many of us assumed he would.
Here’s my rundown of the songs that are hits, and those that missed the mark (in my opinion, obviously…feel free to disagree in the comments).
My favourite four (a.k.a. Jaz’s personal super final)
Who We Are In the wake of A Monster Like Me, Mørland brings us another musical masterpiece via Rebecca. It’s a power ballad that moves to morph into Sanna Nielsen-style schlager before each chorus, but (plot twist) doesn’t. The lyrics are familiar but not clichéd or a cheesefest, and each part of the song is as memorable as what comes before it – there’s no relying on a strong chorus to carry everything else. AMAZING. This is the MGP song leading the odds at the moment, and if Rebecca can deliver it close to studio-perfect tonight, there’s a good chance we’ll be seeing her on an even bigger stage in May. 9.5/10.
Talk To The Hand I was surprised to see JOWST and Aleksander Walmann so keen to give Eurovision another shot so soon – surprised, but psyched. This time Aleksander is the only billed artist, but we still get to experience JOWST’s brilliant lyrics (Grab The Moment won the EBJ Award for Best Lyrics of 2017, ICYMI). And it’s another catchy, cutting-edge pop track, with a faster pace than the Kyiv 10th-placer. I love it. It’s so much fun, and I will be Spotifying the shiz out of it whether it wins or not. 9.5/10.
Scandilove Speaking of fun…oh my Lordi, this is a party starter. At first I thought it was ridiculous, but all it took was a second listen to get me thinking it was ridiculously epic. It’s unbelievably catchy, bubblegum as heck, and hilariously quotable – ‘Can you make love like a Scandinavian?’, ‘Swim in the ocean, feel the emotion’ and ‘It’s fucking frEEEzing’ are the tip of the iceberg. Sure, it could be an absolute train wreck when performed live, but Ida is innocent until proven guilty. 9/10.
Tengo Otra Who would have thought that the Despacito effect would pop up in Norway’s national final? Or Sweden’s, for that matter? Well, believe it or not, it has – and I’m fine with that when it gives us songs like this. I have no idea what Alejandro is singing about (I’d have better luck if he’d gone with Norwegian) but his melody is exotic and makes me want to dance until sweat is pouring off me and I have to excuse myself to go and down an entire pitcher of sangria. 8.5/10.
The leftovers (a.k.a. the stuff that’s still good, just not great)
That’s How You Write A Song Artist-wise, this is the big one. Song-wise, this is the musical equivalent of a trashy TV movie that’s so bad it’s good. What’s not good is how inaccurate the lyrical instructions are (I think there’s a little more involved in the songwriting process than you’re letting on, Alexander) but who cares when the violin riff is so fantastically cheesy? Fairytale this song is not, but it is my guiltiest guilty pleasure of the whole NF season. 8/10.
Moren Din Up until now, the creepiest mother-related song in the Eurovision bubble was Belgium’s 2014 entry from Axel Hirsoux. Enter Vidar, who wants to get it on with someone else’s (I must stress that) mum and is not shy about making that public knowledge by singing about it on national TV. Subject matter aside, the song is folksy fun and I quite like it – all the more as it’s the only Norwegian-language song competing in MGP this year. 7.5/10.
Stop The Music This is a strange name for a song, but I can’t even make a stupid joke about it along the lines of ‘I wish they had stopped the music’ (HAHAHA not) because it’s a nice song. As ballads go, it’s not the cookie-cutter kind, and I appreciate that. 7.5/10.
You Got Me Holy Haba Haba – Stella’s back! And she’s got her groove back too by the sounds of it (I owe you a congratulatory handshake if you got that reference). Her duet with Alexandra – as opposed to Alexander, Aleksander and Alejandro – is full of energy and packs a decent punch with the chorus, but it doesn’t exactly set my Scandipop-loving soul on fire. 7/10.
Light Me Up This is probably the most nondescript song of the ten. It’s good for radio play or the movie soundtrack of a John Green adaptation, but it’s too lacklustre to compete in a contest. There’s no fight in it. Sorry, Nicoline. 6.5/10.
I Like, I Like, I Like Now here’s a song title I can joke about! It’s not that I don’t like, don’t like, don’t like Tom’s track (though TBH, calling it I Like x1 would have been totally fine) – it’s just one of the few weak links here, and I’d be shocked to see it progress to the super final unless the live performance is miraculously mind-blowing. 6/10.
Making my predictions (a.k.a. embarrassing myself)
Traditionally, the four spots in the Melodi Grand Prix super final/gold final/whatever they’re calling it in 2018 are filled by a few predictable betting favourites, plus a few left-field options that few saw coming (and by ‘few’, I mean ‘me because I’m not very perceptive’). I’m not even sure I would have anticipated Grab The Moment making the cut last year if I’d followed MGP (I was busy swanning around Stockholm at the time). So, I’ve thought long and hard about who I think the final four will be this time…
…which didn’t help at all.
That means it’s stab-in-the-dark time, y’all! And I’m taking a stab at Aleksander Walmann, Vidar Villa, Rebecca and Alexander Rybak being the final four. If Walmann fades into the background after performing in the dreaded second slot, or Vidar isn’t the curveball I suspect he might be (remember En Godt Stekt Pizza?) we could see Ida Maria (if Norway’s feeling frisky) or Stella & Alexandra stepping up instead. Rebecca and Rybak are more or less already there, as far as I’m concerned, but don’t make me bet anything on it.
As for the winner, I do think Rebecca will do it if a) her live vocals are up to scratch, and b) the staging hasn’t been stuffed up and does Who We Are justice. That means the music video should definitely NOT be replicated on stage, as cool of a concept as it is.
What do you think? Am I crazy for not naming Rybak the runaway winner, or is there someone I’ve overlooked? Who do you want to represent Norway in Lisbon? Let me know below.
It’s here. After five cities, four semis and one second chance round, Melodifestivalen has arrived in Stockholm, and the capital is prepping for a final that has turned out to be pretty fantastisk considering the overall, weaker-than-usual standard of this year’s competition. 12 songs remain, and outside of victories on the Spotify charts, only one can win. So who’s going to Eurovision?
- Everyday, Mendez
- All The Feels, Renaida
- A Bitter Lullaby, Martin Almgren
- My Turn, John Lundvik
- Party Voice, Jessica Andersson
- Last Breath, LIAMOO
- Shuffla, Samir & Viktor
- For You, Mariette
- Every Single Day, Felix Sandman
- In My Cabana, Margaret
- Dance You Off, Benjamin Ingrosso
- Fuldans, Rolandz
That golden ticket to the ESC is still up for grabs. There’s no crystal-clear winner forging ahead far enough to make betting on them worthwhile (at least for a scaredy cat with a fragile bank account balance like me). Benjamin is leading the odds and won the audience poll; Felix is topping the charts and gaining more support by the second; Mariette or John Lundvik could still surprise; and LIAMOO might be a miracle worker who raps his way to first place.
A lot is going to come down to who Sweden votes for now that the best songs are in direct competition, and what the international juries take to as well (so we probably won’t see Samir & Viktor shuffla in Lisbon). Before I make my best possible winner prediction, I want to run down the full list of tonight’s twelve songs: not in performance or even alphabetical order (gasp!) but by how much I want them to win. Tell me if you feel the same – or not – in the comments.
Nej, tack…the songs I DON’T want to win Melfest 2018
A Bitter Lullaby I think there is a place for this in the final, and as long as it isn’t first place (which is about as likely as San Marino winning Eurovision this year) I can make peace with it being there. The song has grown on me since listen no. 1, but I still see it being too vanilla to get Sweden a result on par with what they’re accustomed to. 6.5/10.
Party Voice Melfest wouldn’t be Melfest without a touch of schlager, and since Jessica is one of only four females competing tonight, Party Voice is representing schlager and girl power in Stockholm. But, like Christer Björkman, I do NOT want a song like this winning through to the ESC and setting Sweden back 15-20 years. Again, it’s not going to happen…but I just want to make my feelings clear (while dancing like a mother). 7/10.
For You It’s not Mariette’s fault that she had so much pressure on her to produce a clear Melfest winner. Nonetheless, she didn’t. I think she’s almost out of contention for the win (if she couldn’t do it with A Million Years, she shouldn’t be able to with For You). The song and the performance are good, but missing the x factor. 7/10.
Fuldans I can’t be mad that Rolandz went direkt – didn’t we all see it coming? They are officially the Owe Thornqvist of 2018, right down to being handed performance slot 12 in the final. As with Boogieman Blues, I’d be lying if I said I got zero enjoyment out of Fuldans. Knowing it shouldn’t and won’t come anywhere near winning means I’m not worrying about it much. 6/10.
The songs I could get on board with (or should I say ‘All Aboard’ with?)
Everyday This is a bop. So much so that I can forgive the line ‘We were always meant to be’ (seriously, couldn’t they come up with anything else?). The chorus is possibly the catchiest of the year, and the colourful, frivolous staging contrasts well with Mendez’ all-black ensemble. 8/10.
All The Feels Fiercest, most flawless female in the final alert! I’m so thankful Renaida made it out of Andra Chansen so we get to witness her smash it on stage again. All The Feels is addictive, contemporary and perfectly choreographed. The odds aren’t in its favour to win, but if it did I would be happier than Nathan Trent after a lottery win. 8.5/10.
Shuffla They’re leading the pack on Spotify – and it’s understandable – but as with Rolandz, it will be the international juries who drag Samir & Viktor down a scoreboard they might have topped if Sweden had 100% of the power. I’m not super keen on a Shuffla win, so that’s okay with me. Still, imagine the energy this would bring to Eurovision, and how jättebra it would be to have Sweden send a song in Swedish for the first time since 1998! 7/10.
Every Single Day Comparing this song – and Felix himself – to Frans’ win with If I Were Sorry is easy. I ended up loving and supporting that in Stockholm (right down to wearing Frans’ face on my t-shirt) and I can see myself doing the same thing if the Sandman becomes the second-ever winner to come out of Andra Chansen. At this point, though, I like this song, but love others. 8/10.
The songs I want to win
My Turn How did I go from labeling this as a total by-the-numbers cheeseboard to adoring it when I’ve only listened to it once since semi 1? Your guess is as good as mine. But there’s something about the melody, power, and John’s beautiful face that’s worked magic on me. Don’t underestimate this one! 9/10.
Last Breath I get that rap isn’t for everyone, but it’s what LIAMOO does best and that makes his performance of Last Breath authentic and moving. The staging is simple but complementary, and the song is dynamic thanks to the uplifting chorus that gives rap-haters a break from the more intense verses. As Sanna Nielsen would say, I’m in love. 9/10.
In My Cabana But of COURSE. I don’t care if Margaret sings like a drunk pack-a-day smoker (although she has come a long way from her Polish NF performance of Cool Me Down). This song is the bomb dot com – a tropical-reggae-pop banger with numerous insanely catchy bits. Oh boy, oh boy. 9.5/10.
Dance You Off Last but not least, it’s my boy Benjamin with a slick R & B/dance track and the most epic staging I have ever seen. Together they’re an ESC-ready package that I’ll be cheering for tonight so loudly I’ll wake up everyone else in my house, and you’ll probably hear me even if you’re in Friends Arena. 9.5/10.
Predicting the winner, with sweaty palms (and sweaty other places)
I’m going to keep this (kind of) short. Realistically, I think there are four songs that are in it to win it – My Turn, Last Breath, Every Single Day and Dance You Off. As I said before, Samir & Viktor will be dragged down by the international juries, whereas I think Swedish love for Mariette will be decreased now there are stronger songs and performances in play.
Last Breath is too divisive to win, in my opinion – as much as I’d enjoy that. My Turn is probably not current enough. That leaves a likely top two of Benjamin and Felix (who have a bromance going on that Shakespeare would write a sonnet about if he were alive today) and I’m having trouble deciding what’s more likely: the song I actually want to win winning (Dance You Off ) or an Andra Chansen qualifier winning again (Every Single Day). All I feel 100% confident in saying is that Sweden will be sending their fourth guy in a row to Eurovision (so could we please get some girl power á la Sverige in 2019?).
That being said, YOU HAVE TO MAKE AN ACTUAL PREDICTION, JAZ!!! So, for the win, I’m settling on *drumroll*…
Felix. Because I don’t want to jinx Benjamin, but also because I got this feeling inside my bones (Justin Timberlake knows).
Who’s your pick to fly the Swedish flag in Lisbon? Do we agree, or do we have to agree to disagree?
NF UPDATE: What’s Up Next (The Last NF of the Season, Noooooooooo!)
- 11/3 Lithuania (Eurovizija final)
And we still have song reveals from Bulgaria, Georgia, Israel, Macedonia and Russia to look forward to. Are we spoiled or what?
I think I’d better stop the Scandifest now since I could probably publish all of the above as an encyclopedia-thick novel (that nobody would want to read). I hope you enjoy Melfest or MGP if you’re watching one/both tonight, and that you don’t decide to be Eurovision Satan and DM me spoilers from Norway on social media. Have a heart!
Until next time, when the real ESC countdown begins…
Holy guacamole, guys! If you thought the last four or five Saturdays were busy when it came to the ESC NF calendar…then you’re not entirely wrong, they totally were. But this Saturday is on another level, because we’re about to find ourselves with five more songs for Lisbon. FIVE, I TELL YOU!!! THAT’S FOUR MORE THAN ONE!!!
In addition – and I won’t use aggressive all-caps on you this time – Lithuania is edging ever closer to the end of Eurovizija (so they say, but I’ll believe it when I see it) and Sweden’s penultimate Melfest show has arrived. Nights like this are exactly why ‘Super Saturday’ was coined, and I am pumped. Are you?
Here’s a rundown of the evening:
- Estonia (Eesti Laul final)
- Finland (UMK final)
- Iceland (Söngvakeppnin final)
- Lithuania (Eurovizija heat 8)
- Poland (Krajowe Eliminacje final)
- San Marino (1in360 final)
- Sweden (Melodifestivalen Andra Chansen round)
As usual, I’m going to review everything major that went down in ESC terms this week, and I’ll also be talking Estonian eventfulness and Swedish shenanigans (that’s Eesti Laul and Melodifestivalen, for those of you who’d prefer I speak like a normal person). Sorry if you were hoping for a UMK (Monsters please), Poland (Delirium please), etc ramble. Maybe next year, if my time management skills have become superhuman by then!
Let’s rewind to last Saturday, which saw Hungary, Latvia, Moldova, Slovenia and Ukraine take their picks for Portugal. Enrolling in the Class of 2018 were: AWS with Viszlát Nyár; Laura Rizzotto with Funny Girl; DoReDos with My Lucky Day; Lea Sirk with Hvala, Ne!; and Mélovin with Under The Ladder. Along the way we lost BQl and Tayanna, who’ve now finished second two years running in EMA and Vidbir respectively – but it wasn’t for nothing. My favourite choice of last Saturday night was Latvia’s (as they continue to bring it for the fourth year in a row…we’ll see if they get rewarded this time). Having not had the time to follow Supernova at all this season, I had no idea what to expect when I checked out Laura’s winning performance. Afterwards, all I could think was ‘Wow!’ – so you could say it took me (pleasantly) by surprise.
Over in Sweden, the fourth and final semi of Melodifestivalen ended with direkt qualifications for Mariette (shocking) and Rolandz (*sigh*), plus Andra Chansen tickets for Felix Sandman and Olivia Eliasson. It wasn’t a jaw-dropper of a show by any means – Mariette was the favourite, Rolandz obviously is the Owe Thornqvist of 2018 (as I suspected) and Felix will probably get to the final via the scenic route – and it doesn’t look like this week’s AC round will see any major surprises either…OR WILL IT?!? More on that later on in this post.
The NF action didn’t all go down on Saturday: Sunday night was Armenia and Romania’s turn to crown a couple of champions. Armenia could have gone any which way after pre-Depi Evratesil fave Tamar Kaprelian didn’t even advance to the final – and they opted for the first song performed on the night, Qami by Sevak Khanagyan. Now, I do want to keep my poker face on as much as possible until I officially review the entries for Lisbon, but I just have to say that I totally forgive Armenia for letting Tamar go (i.e. we may have lost a bop, but we’ve gained a GORGEOUS ballad in its place). As for Romania, who settled on Goodbye by The Humans…well, I think I need some grow time on that one. The lack of yodeling is something we’ll all have to get used to.
The week ended with two ‘ta-da!’ moments – a.k.a. on Friday, Cyprus and The Netherlands unveiled their entries at last. Eleni Foureira’s Fuego is the ethnopop banger I’ve/we’ve all been waiting for, and once again I think Cyprus has the competitive edge over Greece (I’m still not over Gravity finishing lower than This Is Love last year. JUSTICE MUST BE SERVED). Waylon’s Outlaw In ‘Em – revealed as his Eurovision pick after five consecutive nights of musical possibilities – is not an ethnopop banger (shocking). Instead it’s a full-on, no-holds-barred twang-a-langin’ country anthem in which he is sporadically possessed by Jon Bon Jovi circa 1987. I’ll leave you to wonder (until review time) whether that’s a pro or a con as far as I’m concerned.
I wanted to talk a little bit about Eesti Laul, which isn’t an NF I usually follow from go to whoa – I’ve barely had time to glance at it this year – but it can always be relied on to spit out some really interesting songs that would never be mistaken for Melfest rejects (they’re just so inherently Estonian somehow).
A few semi finals ago there were 20 potential successors to Koit & Laura’s Verona in play; now, 10 remain (DUN DUN DUN!) and tonight is the night for Estonia to name the best one (hopefully, although we all have a different opinion of which one that is) winner.
- Young, Karl Kristjan & Karl Killing feat. Wateva
- Sky, Eliis Pärna & Gerli Padar
- Knock Knock, Nika
- Thousand Words, Sibyl Vane
- Home, Stig Rästa
- Laura (Walk With Me), Vajé
- La Forza, Elina Netšajeva
- (Can’t Keep Calling) Misty, Frankie Animal
- Drop That Boogie, Iiris & Agoh
- Welcome To My World, Evestus
The top three in the odds are Elina, Stig and Vajé (well, they were when I wrote this), but are any of those acts in my personal top three? Short answer: yes. Long answer: keep reading.
La Forza I initially listened to this after hearing Eurofans left, right and centre raving about it, and I didn’t feel it much at first (probably because my expectations were higher than Elina’s glass-shattering soprano notes). But a few listens later, my skin is goosebumping during the chorus. Elina’s performance looks and sounds like nothing else in Eesti Laul 2018, and nothing else in Eurovision 2018 at this point. She is stunning, vocally flawless, and the wearer of a skirt bigger than Aliona Moon’s and just as arresting.
Home Ott Lepland did it to me in 2012, and now it’s Stig who’s making me want to fly to Tallinn ASAP and propose to him on the spot. What a romantic! As always, I’m surprised to see him back in the comp considering he looks like he stumbled across it by accident but decided to just roll with the punches. That aside, I adore this song. It’s sweet and heartfelt without being gag material (FYI, Stig, this is me telling you that I’m currently free for GoT viewings).
Young This is too cute, gosh darn it! One of the Karls even has BRACES, for heaven’s sake (I think it’s one of the Karls…there are a lot of cooks in this kitchen and I’m confused). No, it’s not the most distinctive song on the planet (and it won’t win tonight) but it’s fresh and fun, which gets a YAASSS from me.
Who’s going to win it?
I don’t want to discount anyone and look stupid later (which has already happened a handful of times this selection season), but in my mind the most likely winners are Stig and Elina (not to be mistaken for the Stig and Elina duo of 2015). And I can narrow it down even further than that, because I just don’t think Home is powerful enough to outshine La Forza – though that depends on what Estonia is looking for. Stig gets the authentic, singer-songwriter vote; Elina has the ‘wow!’ moments (La Forza is one long ‘wow!’ moment in itself, actually). I’m thinking it’ll be wow over ‘aww!’ this time.
Oh, and to cover my butt…my underdog winner prediction would be Sibyl Vane or Frankie Animal.
What do you think? Who’s getting on the plane to Portugal on behalf of Estonia, and will their microphone work once they get there?
Kristianstad is the name (does Sweden has a Kostovstad tucked away somewhere?) and Andra Chansen is the game, people. The eight songs that finished 3rd and 4th in their respective Melfest semis throughout February will be chopped in half tonight, with four acts to join Benjamin Ingrosso, John Lundvik, Samir & Viktor, LIAMOO, Martin Almgren, Jessica Andersson, Mariette and *takes a breath* Rolandz in the final. The AC round is often made up of both the obvious and the WTF (results-wise), making it well worth watching even if you’re impatient for the final to just get here already.
Speaking of things just happening already, I’m going to get straight into the duels and share my thoughts on who I’d like to win, and who probably will.
Duel 1: In My Cabana, Margaret VS Cuba Libre, Moncho
First up, two songs that both make me want to go on holiday to a tropical island. Given that Moncho couldn’t have been paired with Mendez for a duel, In My Cabana VS Cuba Libre is the next best thing. There should be a clear winner here – i.e. if Margaret doesn’t walk away with victory in this battle, then there will be something very weird going on in the world (or at least on Planet Eurovision). Then again, I never expected Moncho to get to Andra Chansen in the first place…so I shouldn’t underestimate him again. Still, it’s GOT to be Margaret.
Who should win (IMO) Margaret
Who WILL win Margaret
Duel 2: All The Feels, Renaida VS Never Learn, Olivia Eliasson
Here we have a female soloist in black and fluorescent sports-chic, singing a slick and modern dance-pop song, versus a female soloist in black and fluorescent sports-chic, singing a slick and modern dance-pop song. Well, you can’t say Renaida and OIivia aren’t evenly matched. Having both in the final wouldn’t make a lot of sense, although I do like both songs. But Renaida is the superior performer – her energy and confidence sell All The Feels at a price I’m more than willing to pay, whereas Olivia struggled to perform Never Learn with conviction. I do think this could be the most closely-fought duel of the night considering how similar the options are – sometimes it’s a lot easier choosing between pizza and cake than choosing between pizza and pizza.
Who should win (IMO) Renaida
Who WILL win Renaida
Duel 3: Every Single Day, Felix Sandman VS Songburning, Mimi Werner
We all have our painful AC duels – the ones that are bittersweet because we love both songs and want them both to score a spot in the final. This is mine for the year, in case you hadn’t guessed. I love Felix and his Frans impersonation (Felix is totally sorry, though) plus the bare-bones staging that made the whole thing feel genuine. And yep, I also love Mimi’s country cracker that was staged to perfection (colour scheme, backup drummers and fire curtain were all on point) even if her vocal was wobbly at times. Oof. At the end of the day, my heart (the one in my chest, not the on-screen Melfest app one that drives me INSANE) says Felix a little louder than it says Mimi. Based on his impressive Spotify stream count (it’s more like a flood) and Mimi’s lack thereof, I’d say we’ll be seeing Mr. Sandman in Stockholm next Saturday.
Who should win (IMO) Felix
Who WILL win Felix
Duel 4: Patrick Swayze, Sigrid Bernson VS Everyday by Mendez
Sunny slice of Scandipop goes head-to-head with Latin pop summer song – but who comes out on top? I have been back and forth on this one more times than Sanna Nielsen has filled out Melfest application forms. My personal preference is Mendez, but Sigrid and the effervescent Patrick Swayze have grown on me since the Karlstad semi. And I just don’t know what will win out in the end! SEND HELP.
Who should win (IMO) Mendez
Who WILL win Mendez…or Sigrid. One of the two for sure.
I’ve showed you mine, now you have to show me yours! Who would you bet on to make it out of Andra Chansen tonight?
NF UPDATE: What’s up next?
- 4/3 Portugal (Festival da Canção final)
- 10/3 Norway (Melodi Grand Prix final), Sweden (Melodifestivalen final)
- 11/3 Lithuania (Eurovizija final)
We are so close to the end of national final season, which is sad – but there’s something satisfying about having a freshly-full house of Eurovision entries to talk about. May the best songs win this weekend (the best according to me, that is, because I’m selfish and want things to go my way musically), and may you enjoy whatever you choose to watch!
Greetings, guys! Here we are again, staring down the barrel of the glitter-filled cannon that is another Super Saturday (a phrase meaning nothing to non-Eurofans but so much to the rest of us). NF action on the agenda tonight is coming live from:
- Hungary (A Dal final)
- Latvia (Supernova final)
- Lithuania (Eurovizija heat 7)
- Moldova (O Melodie Pentru Europa final)
- Slovenia (EMA final)
- Sweden (Melodifestivalen semi 4)
- Ukraine (Vidbir final)
Yes, you read that right – we get not one, not two, not three, not even four, but FIVE (bet you didn’t see that coming) Eurovision entries this evening. That’s in addition to the last standard Melfest semi before the Stockholm final; and another heat in the long, long, loooooong line of Lithuanian Eurovizija episodes (will it ever end?).
As I have to be picky, I’m shining my conversational spotlight on Sweden and Ukraine only for this post – but before that, let’s take a look at the results/song reveals from the week that was.
Finland finished off Saara Aalto’s song reveals on Friday (well, kind of…track three was actually leaked by UK media before YLE had a chance to go ‘Ta-da!’). Queens is the name, and another competent pop song is the game – but I’m not totally into playing. In my opinion – and please pardon the approaching pun – it’s third in line to the throne of being Finland’s 2018 ESC entry. I’m saying that before we’ve seen Saara smash the trio of songs out live on stage, of course, and when she does on March 3rd it could change everything. But for now, solely based on studio versions and video clips, it’s Monsters all the way for me. How about you?
We have a winner in Germany, and it comes in the form of Michael Schulte and You Let Me Walk Alone. A ballad not-so-subtly focused on the death of his dad, it’s engineered (in the nicest way possible) to be a tearjerker. Basically, it’s to music what The Fault In Our Stars is to cinema. But I either have dried-out tear ducts or a bitter, empty soul, because the song does zip to me. It’s pleasant – I feel that much – but I can’t see myself making the effort to vote for it in May. I can see a slightly better result than that achieved by Levina’s Perfect Life, but if Michael didn’t have German auto-finalist status in his corner, I’m not sure he’d qualify from a semi.
Anyone who was hoping for a Balkan ballad this year got it this week from Montenegro: yes, the same country that sent the iconic and super-sexual Slavko Kalezić to Kyiv. Vanja Radovanović and Inje couldn’t be more of a contrast to Slavko and Space (Vanja doesn’t even have a hair extension to whip around in a helicopter-like fashion…how will we cope?!?). It’s sombre and down-tempo, and not quite up there with a Željko Joksimović creation. Even so, I’m happy to have it add variety to the Lisbon line-up.
Serbia has gone full Serbian on us – which I welcome with open arms – and chosen Nova Deca by Sanja Ilić and Balkanika. This is the kind of song that popped up at contests circa 2004-2010, but I wouldn’t say it was dated – it’s more of an ultra-ethnic throwback to Eurovisions of the past. A fusion of modern and traditional sounds will usually get a gold star (or at least an approving nod) from me, but I think Nova Deca and I need to spend more time together to see what I’m prepared to give it. I’ve literally listened to it once!
Over in Sweden, Melodifestivalen proved it’s not always predictable by throwing a spanner in the works of everyone who thought Mendez and Dotter would walk the Malmö show (i.e. me). Jaws dropped worldwide as Dotter didn’t even make the first cut, Mendez only reached Andra Chansen alongside Moncho, and schlager reigned supreme (Christer Björkman’s worst nightmare) as Jessica Andersson became the first female to go direkt in 2018. Oh, and Martin Almgren made the final too (but I may have been asleep when that happened). This plot twist makes predicting the last semi final a tough task…in a first world kind of way.
Speaking of which, it’s time for me to talk more about Melfest (#seguechampion).
It’s hard to believe that we’re already approaching the pointy end of Melfest for the year. It’s been a lacklustre one to date, so there was one big question hanging in the air and being feverishly tweeted out by flabbergasted Eurofans: had the best songs been saved for last? There was, after all, one song in particular tucked away in heat 4 that was supposed to be The One.
So IS IT? *insert dramatic cliffhanger music here*.
- Icarus, Emmi Christensson
- Mitt Paradis, Elias Abbas
- Break That Chain, Felicia Olsson
- Fuldans, Rolandz
- Never Learn, Olivia Eliasson
- Every Single Day, Felix Sandman
- For You, Mariette
Overall, there are more songs I like in this semi than there have been in any of the others. But the best one (IMO) isn’t as good as the almost-best we’ve had in semis of past years – and that’s a good indication of a sub-standard Melfest. But it is what it is, so let’s focus on the positives for a while. Well, my positives.
My top 4
Mitt Paradis Cookie cutter tropical dance pop it may be, but that genre is a crowd-pleaser…and a Jaz pleaser. Elias is bringing the first of two Swedish-language songs to the table for this semi, and I prefer his by miles.
Break That Chain I’m calling this a guilty pleasure, because I feel like I shouldn’t like it since nobody else does. Sure, it could have been a mid-tempo lady ballad from any time between 2004-2013, but that’s part of the appeal. I was expecting Felicia to be starring in the sequel to Make Me No. 1 (her first Melfest entry from, coincidentally, another weak year) so props to her for surprising me.
Every Single Day Felix has gone from FO&O to Frans (ish) in the space of a year, and though I loved and still love Gotta Thing About You (in spite of some ridiculous lyrics), I’m impressed by how different this solo sound of his has turned out to be. I do feel like I need to hear the full song to decide whether it’s good or great, but the snippet is promising.
For You *cliffhanger music from earlier makes a comeback* So is Mariette 3.0 also Mariette, winner of Mello 2018? I’m not convinced. She’s already lost her top spot in the odds to Benjamin Ingrosso, which doesn’t bode well for a supposed runaway winner. Yet I do think For You is one of the best songs on offer tonight, and an almost-definite direkt qualifier. Extra points for not resembling Niamh Kavanagh’s It’s For You in the slightest.
So, who’s going direkt til final? Mariette + Rolandz. The former because it’s an easy prediction to make (then again, so was Mendez last week), and the latter because it’s something I don’t want to happen but can see happening á la Owe Thornqvist in 2017. If it’s not a cringeworthy man band joining Mariette in the final, it could be one of the solo boys – most likely Elias given Felix’s shock 6th place in the rehearsal audience poll.
And who’s off to Andra Chansen? Elias + Felix. I can’t bring myself to say that Felix might go nowhere and feel some of Dotter’s pain in the process, so AC it is (I am prepping for the worst though). If he slips further down, it might make way for Emmi or Olivia. BYE, FELICIA is sadly on the cards.
What do you think? Will a curveball be thrown again this week at Melfest, or are we back to knowing exactly what’s going to happen?
Flying east to Ukraine, it’s the moment we’ve all been waiting for…right? Yes or no, last year’s hosts are about to pick their song for Portugal. After two semis, six possibilities remain, and the standard is as high as the Vidbir finals of 2016 and 2017 (ICYMI, I thought those finals were awesome). It’s almost a do-over of last year anyway, with multiple familiar faces taking another shot at representing Ukraine.
- Beat of the Universe, Kadnay
- Lelya, Tayanna
- Heroes, The Erised
- Waiting, Laud
- Forest Song, Vilna
- Under The Ladder, Mélovin
Is there a dud here? I don’t think so.
My top 3
Lelya Tayanna’s I Love You from last year would have become one of my most beloved host entries ever, had she not come down with a super ill-timed, voice-ruining sickness. As far as I know she’s healthy this time round, and ready to deliver another flawless, sassy and energetic performance of Lelya, which shows off her incredible vocals without sounding like she’s having a screaming match with herself. The chorus of this song is catchy on an alarming level. 9/10.
Under The Ladder Like Tayanna, Mélovin has come back to Vidbir with a song that’s not as good as his last, but is still Eurovision-worthy. It’s his performance that really makes Under The Ladder something special, but the interesting lyrics and easy-to-chant-while-a-bit-drunk ‘oh-oh-oh’ bits make it a decent standalone song. 8/10.
Beat of the Universe This one’s more hardcore and unique than Lelya or Under The Ladder, and though I suspect it wouldn’t do as well at the ESC as they would, nothing else like it is likely to end up in Lisbon (which could give it an advantage). It’s a little bit Imagine Dragons and a little bit Marvel movie soundtrack. Those are good things, by the way. 7.5/10.
Thoughts on the rest
Heroes What, no leather pants or cartoon stick men with balloons? Shame. This Heroes is no Eurovision winner – and probably no Ukrainian representative either – but I can see/hear how it got this far. If the Vidbir final was an album, it’d be considered for a single release rather than kept back as filler. 7/10.
Waiting Like Heroes, this is not likely to be ESC-bound. I wouldn’t complain about Laud proving me wrong though, after my Tayanna/Mélovin grieving period was over. 7/10.
Forest Song I’d give this a solid 6/10, even though it’s my least favourite of the six. If Emmelie de Forest ate a special brownie from an Amsterdam coffee shop, Vilna and her musical stylings would be the result. 6/10 (as I said).
Who’s going to win this thing? O. Torvald were not on my radar this time last year, so I don’t want to assume anything…but Mélovin’s televote in his semi was substantial to say the least. Tayanna’s was surprisingly humble, and I don’t think any of the songs that haven’t competed against Under The Ladder yet are strong enough to beat it. The jury could shift things, obviously, and I can see Tayanna or Kadnay edging a win if they also grab a bigger percentage of the televote than before. But a lot has to work in their favour – and NOT in Mélovin’s – to make that happen. To sum up, I’m saying Mélovin will take it!
I’ve been pretty hit and miss this NF season with predictions (what else is new) so feel free to help me out in the comments. Who do think will go to Portugal on behalf of Ukraine, and who do you want to see get there?
NF UPDATE: What’s up next?
- 25/2 Armenia (Depi Evratesil final), Romania (Selecţia Naţională final)
- 27/2 San Marino (1in360 final)
That’s all I’ve got time for, folks (sad but true). I’ll be back next Saturday – hopefully with a less hasty post, having had about thirty seconds to put this one together – to review the latest highlights of the selection season and discuss the shows still to come, feat. big hitters Eesti Laul, UMK, Norsk MGP and Melfest (duh).
Right now though, I’m going to attempt to fit eight hours of sleep into the few hours left before my NF alarm goes off. FYI, I’ve set it to play Tamar Kaprelian’s Poison in tribute to what could have been a cracking piece of ethnopop among the Class of ’18. Sadface.
Hej och välkommen to another Super Saturday! The Eurovision calendar of events is fuller than Linda Wagenmakers’ skirt this weekend, and I refuse to even think about how it compares to my social calendar (not that I need one when there’s so much NF action keeping me occupied). We may only be getting the gift of one more entry for Lisbon tonight, but there are loads of semi finals going on and paving the way for a full house of songs. The fact that 2018 entries are trickling in at the moment just means we have time to make up extra beds and pull together a sufficient snacking platter.
- Estonia (Eesti Laul semi 2)
- Hungary (A Dal semi 2)
- Iceland (Söngvakeppnin semi 2)
- Latvia (Supernova semi 3)
- Lithuania (Eurovizija heat 6)
- Montenegro (Montevizija final)
- Slovenia (EMA semi)
- Sweden (Melodifestivalen semi 3)
- Ukraine (Vidbir semi 2)
If that list doesn’t offer something for every Eurofan, then I’ll denounce my unconditional love for Lane Moje. It’s so long that little old lonesome me can’t possibly talk about it all. So, in keeping with shows I’ve already covered this season and shows I’m waiting until later to discuss, I’ll only be talking about a) what’s happened in the world of Eurovision 2018 over the past seven days, and b) Melodifestivalen (duh, says the Swedophile) in this post. I know what you’re thinking…
…but the day I both become Superwoman and stop considering Melfest the pinnacle of national finals, I’ll let you know.
We may not have welcomed too many tracks into the family this week (as I said, they’re trickling through like treacle this NF season) but a heap of stuff has happened regardless. Don’t believe me? Well, the proof is in the pudding, a.k.a. in the following rundown of bits and pieces.
The newest of brand-new songs heading to Lisbon (at this stage) is from Belarus, with Alekseev oh-so-predictably winning Eurofest with Forever on Friday night. Despite visually stunning staging, the “revamp” of the song has really just served to make him sound like he’s performing the original version wrong, and I’m not 110% convinced we will see/hear him sing it in May. But Belarus would be smart to keep him as their artist – and even smarter to show him off to his full advantage with the Russian version of Forever (if possible) or a totally different, non-English song altogether.
Denmark gave us a fabulous beard and a Viking anthem last weekend, as redheaded Rasmussen stormed to Dansk Melodi Grand Prix victory. Even though Higher Ground doesn’t sound remotely 2018, it’s very Eurovision and a definite statement piece – unlike some of the bland, wallpapery songs Denmark could have chosen this year and HAVE chosen in the past. Still, that second semi of death beckons, and it’s a question mark whether or nor the Danes will survive it.
Artist announcements – some with songs, some without – were fired out of the cannon at a rapid rate this week. Croatia is sending Franka Batelić with Crazy (which I’m sensing we’ll hear sometime between now and mid-March); Greece, after a mess of an NF lead-up that has resulted in no NF at all, has opted for Gianna Terzi and Oneira Mou (which is Greek-chic and 10x better than This Is Love IMO); Israel crowned Netta Barzilai the champ of Rising Star (which in addition to stars, rose questions re: vocal manipulation and how much of it Netta will be permitted to do in Portugal); and Macedonia revealed that Eye Cue will represent them with Lost and Found (let’s hope the song’s better than the band name). Planet Eurovision is a busy place to be in February, that’s for sure, even when it doesn’t feel like it.
Finland’s second song for Saara Aalto, Domino, premiered on Friday in the wake of the well-received Monsters. Pros: it’s a pretty modern power ballad that Saara handles with ease. Cons: the lyrics are made up of one cliché after another (the wrecking ball simile has got to go). Monsters is the best option so far, but if Domino is the worst YLE has to offer, Finland deserves a high five *smack*.
After approximately 65 years, Italy’s Sanremo festival concluded with Ermal Meta & Fabrizio Moro taking home top honours and accepting the invitation to go to Eurovision. Non Mi Avete Fatto Niente is not set in stone as the competition song though – back in 2012 Nina Zilli swapped out Per Sempre for L’Amore É Femmina (I was not a happy camper), and a swap may well happen again. So the moral of this story is, maybe don’t include Italy in your rankings just yet.
Semi number two of Sweden’s Melodifestivalen saw an expected result: Samir & Viktor + LIAMOO direkt, Margaret + Mimi Werner to Andra Chansen. Boy, do we need some girls in that final ASAP! I am happy that for the first time ever, I predicted a Melfest heat completely correctly, but that’s probably testament to how see-through the semi was. My favourite was LIAMOO, so DTF = woohoo, but I must say that Mimi’s staging was beyond brilliant. I love you John Lundvik, and I’m a let you finish, but Mimi Werner had the BEST FIRE CURTAIN OF ALL TIME.
Now, speaking of Melfest…it’s time to talk about tonight’s deltävling tre.
Sweden’s traveling stage has been set up in ESC 2013 headquarters this week – Malmö Arena. Sadly Petra Mede won’t be popping up from underneath it in a John Paul Gaultier creation, but what WILL happen is…*unnecessary drum roll* seven more songs will be sung in a fight for a top 4 finish. And here they are:
- A Bitter Lullaby, Martin Almgren
- Stark¸ Barbi Escobar
- Cubra Libre, Moncho
- Party Voice, Jessica Andersson
- Min Dröm, Kalle Moraeus & Orsa Spelmän
- Cry, Dotter
- Everyday, Mendez
To all those saying that this is the worst edition of Melodifestivalen ever…well, I can see where you’re coming from. It certainly doesn’t measure up to any of the years I’ve been following it like the crazed fan I now am (2011 onwards) with just one semi left to lift the overall standard (unlikely). But I have no doubt that the March 10 final at Friends Arena is going to go off – there are four very good songs there already, after all; four to come; and four others to emerge from AC, which will be the best of the rest. And it only takes one song to kick butt at Eurovision, so let’s have some faith in Björkman (even if you can’t stand him, you can’t deny his ability to engineer excellent Swedish results) until it’s proven we shouldn’t, K?
My top 4
Cry Firstly, I just want to say how much I loved Dotter in Practical Magic (and that Academy Award? You go, girlfriend). Okay, so maybe she and Nicole Kidman ARE different people (have they ever been seen in the same room at the same time?). But they’re both very talented, and Dotter has the most intriguing snippet of the seven this week. The originality factor isn’t very high, however, since the comparisons to this are obvious.
Party Voice Mello wouldn’t be Mello without a touch of schlager, and Jessica Andersson is the perfect woman to serve it up – with a side of EDM, no less. It’s a big change from her last shot at getting back to Eurovision (long shiny dress + ballad) but for the better (or for the equally good). I have my ears at the ready to hear her party voice.
Everyday Apparently this is The One of the semi – the one Björkman wants us all to fawn over. I’m a little surprised – is it that special? – but I do like the sound of it, predictable lyrics (you and me/meant to be…no thanks) aside. It taps into the Latin pop trend nicely, and the chorus is catchy and fun.
Stark I’m on my own with this one, but it really stands out to me as a dance track with a melancholy feel. Of the three Swedish-language songs competing in Malmö, it’s my top pick.
So, who’s going direkt til final? Mendez + Dotter. This prediction goes against betting odds and the weekly audience poll, but I’m afraid I don’t get the DTF appeal of Martin. And I desperately want some womanly representation in that final! Mendez will sail through, but I really think Cry is the song that deserves to get a golden ticket.
And who’s off to Andra Chansen? Martin + Jessica. No, I wouldn’t be surprised if Dotter is bumped down to AC by Martin regardless of what I just said, but A Bitter Lullaby screams second chance. I’ll be mad if Jessica’s journey ends pre-AC, unless it’s because of Barbi…but that’s not happening.
What do you think? Will we get some much-needed girl power delivered to the Melfest final tonight, or will it be dudes direkt yet again?
NF UPDATE: What’s next?
- 18/2 Portugal (Festival de Canção semi 1), Romania (Selecţia Naţională semi 5)
- 19/2 Armenia (Depi Evratesil semi 1)
- 20/2 Serbia (Beovizija final)
- 22/2 Armenia (Depi Evratesil semi 2), Germany (Unser Lied Für Lissabon final)
And that’s my cue to leave, ‘cause it’s traditional pre-3am power nap time. Whether you’re gearing up for the NF of your choice by sleeping or not (which depends where you’re living in relation to CET), do whatever you’ve got to do and enjoy what you’re going to watch. The selection season’s going so fast, we have to appreciate it while we can!
God kväll good, national-final-watching people! I hope you’re having a fun NF season so far, despite it turning out to be one where pre-show faves do not follow through. This is the second Super Saturday proudly brought to us by February, and there’s so much happening I’m going to have to cut off my own introductory ramble and get on with chatting about my personal highlights ASAP.
Here’s everything going down this evening:
- Denmark (Dansk Melodi Grand Prix final)
- Estonia (Eesti Laul semi 1)
- Hungary (A Dal semi 1)
- Iceland (Söngvakeppnin semi 1)
- Italy (Sanremo final)
- Latvia (Supernova semi 2)
- Lithuania (Eurovizija heat 5)
- Sweden (Melodifestivalen semi 2)
- Ukraine (Vidbir semi 1)
Whew! The superhuman multi-taskers among us are rejoicing right now as they cook a six-course dinner, knit a sweater and recite Shakespeare simultaneously. You can find all of the streaming links to tonight’s shows right here courtesy of Wiwibloggs (bless their little sequined socks).
Surprise, surprise – my plans involve tuning in to Melfest. But in this post, I’m talking about some other stuff too (just not all of the above because I don’t want to put your will to live to the test). The latest song selection news from Eurovision HQ + Dansk MGP + that Swedish semi = what you’re (hopefully) about to read. Sit back, relax and enjoy…or hyperventilate with rage when I declare undying love for music you hate and bitch about music you love.
Malta chose to break a taboo (HA HA HA not) last weekend by choosing Christabelle – apparently 4th time’s the charm – to go to Eurovision. Her performance was pretty kitchen sink (as in, every “firework” Salvador Sobral could possibly frown upon was thrown in to up the song’s ante) but there’s potential in Taboo itself, and enough time pre-Portugal to bring the staging more in line with…whatever the heck the song is trying to say (I can’t say I got the mental health message without explanation, but DID YOU SEE THE PANTHER?!?).
Over in Sweden – Karlstad, specifically – Melodifestivalen kicked off in uncharacteristically mediocre style, I’m sad to say (scroll down to see if I think things are looking up this week). Shocking nobody, John Lundvik (feat. fire curtain) and Benjamin Ingrosso (feat. one of the greatest stage setups in entertainment history – Malta, take note) went direkt to Friends Arena. Renaida and Sigrid Bernson will fight for a final place at Andra Chansen. Grattis, guys!
It was bound to be one of the betting front-runners that won in Switzerland – and unfortunately for Alejandro Reyes (my personal pick), it was Zibbz – the grungier doppelgangers of Madame Monsieur – with Stones. I can’t fault them even though I was Team Compass, so that’s a good sign. It’s still too early to tell how the brother-sister duo will do in a more competitive environment than the six-song Entscheidungsshow.
The United Kingdom sacrificed legendary Asanda to the NF favourite gods and opted to send SuRie’s Storm to the ESC instead. My choice would have been Liam and Astronaut, so I wouldn’t have been totally thrilled anyway…but I wish Asanda’s vocal issues (easily fixable by letting her stand still for five seconds) could have been overlooked. Legends would have been LIT in Lisbon. Storm, on the other hand, is a little bit wallpaper. Competent and kind of catchy, yes – but not exactly a voting sponge at this stage (i.e. not likely to suck up the points it needs to succeed).
Malta, Switzerland and the UK now join Albania, the Czech Republic, France and Spain in the exclusive group of 2018 entries finalised so far. Head over to my Instagram stories to check out my top 7 while it lasts (@eurovisionbyjaz, of course) and let me know how your current ranking compares in the comments.
I always get excited about DMGP, despite the fact that it’s usually vanilla when compared to the sprinkle-encrusted sundaes delivered by the likes of Estonia, Hungary and Sweden (normally). I guess even average Scandipop has a way with me – and besides, there’s always something above-average ready to represent Denmark (it just never actually wins the right to do so).
The ten-strong line-up for DMGP 2018 looks like this:
- Riot, Ditte Marie
- Starlight, Anna Ritsmar
- Higher Ground, Rasmussen
- Boys On Girls, Sannie
- Angels To My Battlefield, Sandra
- Unfound, Lasse Meling
- Standing Up For Love, CARLSEN
- Signals, Karui
- Holder Fast I Ingenting, Rikke Ganer-Tolsøe
- Music For The Road, Albin Fredy
For me, 2017>2018 (there’s a lot of like-worthy stuff this year, whereas I loved multiple tracks in 2017) but I’ve seen disagreement on that already. Artist-wise, we’re looking at a few familiar faces (Ditte Marie, Albin Fredy), a 90s hitmaker in Sannie, and someone who doesn’t look old enough to be awake past 7pm, let alone gunning to go to Eurovision (that’s Anna).
I’ll quickly make my feelings clear re: the songs that didn’t make my top 3 before getting into those podium places, for anyone interested…
Starlight Seriously, how old is Anna? I feel like we should be questioning Denmark’s child labour laws every time I see her. Song-wise, she’s offering something cutesy and twee that somehow irritates me and soothes me at the same time. It could do very well tonight. 7.5/10.
Boys On Girls I wanted to feel intense 90s nostalgia listening to this, but Sannie a.k.a. Whigfield let me down a little. There’s a couple of DMGP songs weakened by anti-climactic, overly-repetitive choruses, and this is a prime example. 7/10.
Angels To My Battlefield This isn’t terrible, but it is the most forgettable song of the lot. How it’s in the top half of the odds, I have no idea (maybe it’s going to win and make my jaw hit the floor á la Soldiers of Love. Eek). 5/10.
Unfound Lasse is to DMGP what Max Cinnamon was to Destination Eurovision: adorable and armed with a guitar. This is a super-cute Shawn Mendes-esque track that’s not likely to go anywhere (but I will have a bop for one in my bedroom while I watch it being performed). 8.5/10.
Standing Up For Love How freaking Danish is this?!? CARLSEN manage to be both the female version of Lighthouse X and one of Europe’s many O’G3NE tribute acts, and if there were ever a song that screams ‘Denmark at Eurovision 90% of the time!’ Standing Up For Love is it. I want to hate it, but I kind of love it. Dammit. 9/10.
Holder Fast I Igenting And here’s the token Danish-language song that DMGP is not complete without – think Tæt På Mine Drømme (2015), To Stjerner (2016) and Vesterbro (2017). Unfortunately, Rikke’s song is not nearly as good as those were/are. It’s beige. 6/10.
Music For The Road Just when we thought Avicii’s Hey Brother was no longer a musical inspiration to anyone, enter Albin! It’s hard to resist the infectious country twang and catchy chorus he’s provided us with. 8/10.
And now, having saved the best (as far as I’m concerned) until last…
My top 3
Signals Did I love this instantly because it reminds me of this? Maybe, but regardless, something so unconventional (for Denmark) popping up here (in Denmark) threw me in a good way. Solange Knowles could come out with Signals and nobody would raise an eyebrow. There’s no way it’s winning or even coming close though. The musical territory is too unsafe for Denmark. 9.5/10.
Riot Ditte Marie has delivered a third pop banger to DMGP’s doorstep, after 2011’s 25 Hours A Day (with Le Freak) and 2012’s Overflow. Okay, so Riot isn’t breaking any genre boundaries, but it’s slick and catchy, and makes you want to move (not out of the room so you can’t hear it any more). The title is repeated a hundred times too many throughout, but I can forgive that. 9/10.
Higher Ground Roger Pontare has possessed Rasmussen, right? Except Rasmussen has more hair on his face than Roger has on his head. This song is majestic, atmospheric…and yeah, about a decade or so too late to be on-trend at Eurovision. But I wouldn’t be mad if Denmark sent it in Lisbon’s direction. 8.5/10.
Predicting the super finalists + the winner
I am SO BAD at calling DMGP, it’s become a tradition for me to be spectacularly wrong. So here we go again!
In random order, my prediction for the super final – in which the top three songs post-vote face off against each other FTW – is Anna Ritsmar, Rasmussen and CARLSEN. Do not, I repeat DO NOT, bet any money on this.
When it comes to the ultimate winner, I was going to go with Anna, but then I remembered the Anne Gadegaard Incident. Will the folksy pop number get its revenge this time? I’m not sure. Rasmussen is the one I think people would be most satisfied with, so that’s probably out. CARLSEN are so stereotypically Denmark-goes-to-Eurovision that they shouldn’t be underestimated.
So CARLSEN it is! *prepares for prediction fail no. 4975*
Now, if you’re still awake, let’s switch Scandinavian countries.
Ja, it’s true – Melfest got off to a less-than-impressive start last week. But this second deltävling is shaping up to be a little (if not a lot) better. At this rate we’ll be back to expected levels of epic by the time the roadshow hits Örnsköldsvik…OR WILL WE?? Insert dramatic soap opera cliffhanger music here and keep on wondering.
Here’s this week’s lucky seven:
- Shuffla, Samir & Viktor
- Allting Som Vi Sa, Ida Redig
- Det Finns En Väg, Jonas Gardell
- In My Cabana, Margaret
- Titta Vi Flyger, Stiko Per Larsson
- Songburning, Mimi Werner
- Last Breath, LIAMOO
There are three names that really stand out here: Samir & Viktor, who are always loveable (bada nakna or not) and might have their best chance yet of going to Eurovision; Margaret, who missed out on representing Poland in 2016 with the iconic Cool Me Down; and LIAMOO, who won Swedish Idol in 2016 (coincidentally covering Cool Me Down along the way). Mimi Werner, too, is worth nothing as a fan fave who didn’t quite make the Andra Chansen grade on her last attempt.
The big question is – in a parallel universe where I have a massively inflated ego – are any of those guys my favourites of this heat? As Ace Wilder would say: don’t worry, it’s alright. I’m about to tell you.
My top 4
Last Breath Just as I knew Benjamin Ingrosso would be my favourite in heat 1, I was sure LIAMOO would top my ranking for heat 2. My pre-established fangirling for the guy makes me biased, I know, but in all honesty I am digging (the snippet of) Last Breath like I’m looking for buried treasure. Clearly rap doesn’t turn me off.
In My Cabana I can’t believe I’m vouching for a song staged using a toilet, but here we are. This is exactly what I was expecting it to be – a.k.a. the love child of Cool Me Down and Camilla Cabello’s Havana. Do I have a problem with that? Umm, no.
Shuffla Not a fan of Groupie? Have no desire to Bada Nakna? Well, you might still enjoy Shuffla, because it’s totally different to Samir & Viktor’s previous Melfest entries. There is trumpets, dance beats aplenty and a 1920s undertone that adds interest. I approve.
Songburning TBH, Mimi is here by default since the other three songs in this heat are pretty dire. That doesn’t mean Songburning has no redeeming features though – it’s just as charming as Ain’t No Good, actually, if the snippet is any indication. (Country) girl power!
So, who’s going direkt til final? Samir & Viktor + LIAMOO. As much as I’d like LIAMOO to prove his favourite status right by winning this semi, I suspect Samir & Viktor might do the deed instead – but he should be safely in the final anyway.
And who’s off to Andra Chansen? Margaret + Mimi. This is what I’m hoping, at least. If anyone else slips in to an AC slot it will be Ida Redig, but I’m not convinced Allting Som Vi Sa has enough of an x factor to move beyond 5th place. There is a clear top 4 here in my eyes.
What do you think? Tell me if you agree with my Melfest guesses – or if we’ll have to agree to disagree – in the comments.
NF UPDATE: What’s next?
- 11/2 Romania (Selecția Națională semi 4)
- 13/2 Israel (Next Star final)
- 16/2 Belarus (Eurofest final), San Marino (1in360 night 2)
But let’s deal with the craziness of tonight first…
THAT IS IT!!! I’m done – and to think I only discussed two of the 17 000 shows taking place tonight. I’m obviously all about the Scandis at the moment, but I fully respect your right to turn elsewhere for your NF fix. Let’s meet up on Twitter later (I’m @EurovisionByJaz, ICYMI) to compare notes and debrief after result-induced traumas. In the meantime, if you have anything to say about this Super Saturday, the EBJ comment box is always open!
Until NEXT Super Saturday (or a possible sneaky Valentine’s Day post…whichever comes first),
SELECTION SEASON 2018 | A results rundown, Malta’s musical half-marathon + the Swedish spectacular starts again!
Welcome to another triple S – Selection Season Saturday! This is the first SSS of what will be a frantic February on the Eurovision NF calendar. Seriously, BRACE YOURSELVES. We do get to ease into things though, with five pan-European heats, semis and finals happening tonight instead of 500 (or what feels like 500. Those Saturdays are still to come).
Those five ESC warm-ups are in Hungary (A Dal Heat 3), Latvia (Supernova semi 1), Lithuania (Eurovizija Heat 4), Malta (MESC final) and *screams* Sweden (Melodifestivalen Heat 1). I cannot believe Melfest is kicking off again – this time last year, I was figuring out what to shove in my suitcase before flying off to Stockholm for the final. I might be watching from afar in Australia this time around, but that doesn’t mean I’m not practically peeing my pants with excitement. In case it’s not obvious enough, I’m a Melfest freak and will definitely be sacrificing all other NFs for Sweden’s over the coming month-and-a-half (unless Dansk MGP turns out to be unmissable). And, naturally, I’m going to discuss Melfest’s first heat/deltävling in detail in this post – plus run my eye over all the pre-Eurovision results and internal selections from the past seven days, AND ramble on about Malta for a while too.
Let’s get started…and finished, so you can hit up my comments box with your opinions + predictions before this evening’s shows get underway.
Cyprus stopped the rumour mill turning fast by announcing Eleni Foureira (not Helena Paparizou) as their act for 2018. She’s heading to Lisbon with Fuego, which will be unveiled in March – but it was written by pop powerhouse Alex P, the man behind Yassou Maria by Sarbel, Always by Aysel and Arash, and La La Love by Ivi Adamou. In other words, he’s yet to send a dud track to Eurovision, and my hopes are sky-high for this latest entry. All I know about Eleni at this stage is that she’s tried to represent Greece a handful of times in the past…so if Greece is beaten by Cyprus this year, they’ll have no one to blame but themselves!
The Czech Republic MERCIFULLY chose Mikolas Josef and Lie To Me as their (clearly best-ever) entry on Monday, which eased my French pain a little (I’ll talk about that in second). This song is so catchy, so irresistible, and yes – so inappropriate. It’ll be interesting to see how much of the lyrical content Mikolas will have to rewrite/tweak (Robin Bengtsson can offer advice on how to seamlessly transition from ‘f**king’ to ‘freaking’) to satisfy the EBU. Can he please keep the bamboo bit? It’s brilliant.
Oh, France. Sacre bleu! Okay, so I’m not mad at them for making Mercy by Madame Monsieur the Destination Eurovision winner last Saturday – it’s a great song with a great story to tell. The only reason my heart still hurts is because I was major-league invested in Lisandro Cuxi’s Eva, and to see him put in the flawless performance he did only to get pipped in the public vote put the Eva into devastating. On the plus side, my winner prediction was correct. Woohoo/sadface.
We have an artist and a to-be-heard song from Ireland, with Britain’s Got Talent alum Ryan O’Shaughnessy (who according to Wikipedia is the nephew of Gary O’Shaughnessy, representative of Ireland in 2001…is this the truth?) off to Portugal with Together. I hope it’s not lame like the title would suggest – Ryan’s described it as a power ballad with a gospel feel, which to me sounds like a Sam Smith knockoff (I would not be opposed to that BTW).
Spain tested all of us who feel uncomfortable when witnessing a PDA by selecting Alfred & Amaia, newly minted #couplegoals, to pick up where Slovenia’s Platin left off in 2004. MWAH. Their song Tu Canción is sweet, and I hope they don’t break up before the contest…if they do, their performance might look more like this:
What would we do without the mammoth, Mediterranean Bank-sponsored Maltese national final in our lives? Granted, it’s not as mammoth as it used to be (and I’m not even sure MedBank are involved these days), but MESC still has its own unique attractions – the cheesy lyrical content, numerous Borgs and Micallefs, and artists who just keep coming back no matter how many times they don’t make it to Eurovision (you know I’m thinking of Deborah C). I wouldn’t want it any other way (so please don’t get offended if you’re Maltese or pro-Malta…I’m just calling things as I see them in an affectionate way, K?).
This year, sixteen acts will be whittled down to one in a single night – brutal! It will probably take the entire night, though. As a sloth in a human suit, I can totally relate to Malta taking things slooooowly. Here’s the line-up for this evening:
- Dai Laga, AIDAN
- Rocket, Miriana Conte
- Supernovas, Jasmine Abela
- Call 2morrow, Matthew Anthony
- One Step At A Time, Danica Muscat
- Breaking Point, Dwett
- Love Renegade, Lawrence Gray
- Song For Dad, Richard & Joe Micallef
- First Time, Tiziana Calleja
- Back To Life, Eleanor Cassar
- Beyond Blue Horizons, Rhiannon
- Heart of Gold, Brooke
- Taboo, Christabelle
- Turn It Up, Deborah C
- We Can Run, Avenue Sky
- Evolution, Petra
There are actually not that many returnees in this bunch, but Deborah C is worth about five with the amount of times she’s had a bash at the comp. There are a handful of new faces too, and that seems to have come hand-in-hand with some songs that aren’t what we’re used to hearing from our favourite tiny island. So which ones am I hoping will appear on Spotify so I can listen to them because I want to, not because I have to?
My top 5
Rocket I feel like I’m at a party for one having this as my favourite, but I reckon it’s underrated. Ultra-catchy, youthful enough for 16-year-old Miriana without sounding like it should be at JESC rather than MESC, and lyrically adequate (as in they make sense and don’t resort to love/above type stuff), it’s got everything going for it. Wouldn’t be out of place in a Melfest semi. 9/10.
Heart of Gold As much of a Wiktoria Lay Me Down tribute as this is, there’s a reason we all fell head-over-heels for that. Some of the same country-pop charm pops up here, as does the weirdest lyrical concept in history – ‘You’re a pack of wolves with a heart of gold’. WOT?!? Still, sometimes all I need to enjoy something is an infectious tune, and HOG’s got one. 8.5/10.
Call 2morrow I can’t believe I’m rooting for a song with a painfully 2000s number in the title. I mean, I literally messaged this exact phrase to my friends on my Nokia 3310 when I was 13. But regardless, the song itself is surprisingly un-Malta and on the right side of alt-pop to appeal to me. Points added for ‘Does your body still remember my bed’; points off for the use of the word ‘cuddle’. 8/10.
Song For Dad This is so corny and so cheesy, I’ve taken to calling it a musical quesadilla. But I am a big fan of Mexican food, so that doesn’t mean I’m totally turned off by Richard & Joe’s familial love-fest (just partially turned off by the clichéd lyrics re: standing by someone’s side when times get tough and blah blah blah *reaches for a sick bag*). The folksy feel and melody are pretty palatable, and I’m always a sucker for Richard’s singing voice. 7.5/10.
Taboo Firstly, I’ve got to say it: this is not Christabelle at her best. Secondly I’ll say that she’s still decent, even without a song on par with the sensational Rush from 2015. Clunky, mixed-metaphor lyrics (a trend for MESC 2018 apparently) and a dated dubstep breakdown do not stop Taboo from being one of the most memorable and modern tracks competing tonight. 7.5/10.
Predicting the winner
MESC is often an easy nut to crack when it comes to predicting the outcome, but an occasional curveball (plus my strangely amateurish prediction skills…only been doing it for 12 years, guys) zaps my confidence a bit.
My top three educated guesses for the win are Jasmine Abela (we share a name! I have to show her some love), Richard & Joe and Brooke, with Christabelle trailing behind because I just don’t see Taboo as winner material. If I were a betting woman, I’d be dropping my cash on Brooke. It seems like it might be third time lucky for her.
Will Malta gravitate towards Jasmine’s power ballad, Richard & Joe’s sugar overload or Brooke’s expensive and heavy aortic pump (Heart of Gold has more of a ring to it, I’ll admit) OR will I be wrong for the first time this selection season? Tune in to the MESC 2018 final from 21:00 CET here to find out – and while you’re waiting for the show to start (assuming you’re a weirdo who’d willingly sacrifice a Melfest semi for MESC) let me know who your tip is to represent Malta in Lisbon below.
If anyone tries to tell you that Melodifestivalen ISN’T the cream of the NF crop, they are a) delusional, b) lying, or c) have their own opinion which is totally fine, each to their own etc. But my favourite selection show has always been Melfest, and my unconditional love was strengthened even more by my final visit in 2017 (FYI I will be mentioning it every chance I get this season). Needless to say, even though I already said it in the intro, I am pumped like a bicycle tyre for the six-week extravaganza to start again. Tonight’s first heat will see seven acts – including vintage Eurovision legend Kikki Danielsson – go head-to-head in Karlstad for two final places and two second chances.
- Patrick Swayze, Sigrid Bernson
- My Turn, John Lundvik
- All The Feels, Renaida
- Livet På En Pinne, Edward Blom
- Osby Tennessee, Kikki Danielsson
- Solen Lever Kvar Hos Dig, Kamferdrops
- Dance You Off, Benjamin Ingrosso
The Eurofan community has been mouthing off about the “weakness” of this heat (based, might I add, on audio snippets and rehearsal glimpses) but my motto is that first impressions never last. Besides, it only takes one amazing song to succeed or even win Eurovision – which isn’t SVT’s first priority at this stage anyway. The priority is to put on another ratings-magnet variety show for us all to dissect on Twitter. One step at a time, people.
I do feel like the best of Melfest 2018 is yet to come, but I’ve warmed up to a lot of the songs in this heat despite that. Have you? Speak up in the comments!
My top 4
Dance You Off Benjamin’s Melfest debut last year was an awesome one IMO, and if I were ten years younger I would 110% have a poster of him on my wall. DYO sounds more like Good Lovin’ than his post-Melfest 2017 singles did, and that’s fine because he can do no wrong. I’m very keen to see his performance, which has been choreographed by Robin Bengtsson’s treadmill consultant.*
*I made this job title up, but WHAT A CAREER THAT WOULD BE!
Solen Lever Kvar Hos Dig It’s like Jamie-Lee Kriewitz took up residence on Kamferdrops’ face and just stayed there, isn’t it? That aside, there’s something dreamy about this track that makes me want to hear more. It’s schlager, 2018-style. In the club. With sequined tracksuits.
My Turn A good power ballad can do wonders, and this sounds like it could be a darn good PB. It stands out for the right reasons even in the slot of death (which is more like a lot of grievous bodily harm in a seven-song show).
All The Feels Well, at least there’s not a hashtag shoehorned into the title as well. When you have all the feels, I guess you just have to express it through song – and Renaida’s expression is nicely in keeping with the Dua Lipa/Zara Larsson badass lady pop genre.
So, who’s going direkt til final? Benjamin Ingrosso + John Lundvik. Benjamin was the hot fave for this heat (pun actually not intended) but it was John who won the audience poll post-rehearsals. I thought he was being underrated, so that’s a relief. If he and Mr. Ingrosso do go direkt, I’ll be happy.
And who’s off to Andra Chansen? Edward Blom + Kamferdrops. Edward sounds like he’s putting on the kind of Broadway-esque, “humorous” performance usually put on by the host/s before the actual competition starts, and since I think it’s ridiculous I wouldn’t put it past Sweden to send it to AC. Kamferdrops, my spidey senses tell me, could be left out of the top four entirely, but nobody’s really fighting for fourth place, so I’m having a wishful guess. Otherwise it could be Renaida squeaking through.
What do you think? Can you predict how Sweden will vote, or are you as unsure as I am?
NF UPDATE: WHAT’S NEXT?
Here’s what’s on offer in the lead-up to the next Super Saturday.
- Sunday 4/2 Romania: (Selecția Națională semi 3), Switzerland (Entscheidungsshow final)
- Tuesday 6/2 Italy (Sanremo night 1)
- Wednesday 7/2 Italy (Sanremo night 2), United Kingdom (You Decide final)
- Thursday 8/2 Italy (Sanremo night 3)
- Friday 9/2 Italy (Sanremo night 4), San Marino (1in360 night 1)
Which show are you most excited for?
Well, I reckon I’ve said enough for one night. Aren’t you glad I didn’t review every NF of the evening? My typing fingers sure are.
I’m off now to get my traditional power nap before that pesky alarm goes off at 3am (livin’ that unfortunate time zone life as always). Don’t forget to join yours truly on Twitter then so we can try to out-zinger each other (Vocals! Costumes! Props! Results! David Lindgren’s antics! There’s so much stuff to critique) – just follow me @EurovisionByJaz. It’s going to be a fun one, guys!
It’s true – the Titanic wouldn’t have stood a chance against the massive, metaphorical chunk of ice (or ‘frozen water’ as Agnete likes to call it) that is This Weekend. Leonardo DiCaprio would still have died and Kate Winslet would still have let him go…but we’d all be partying like it’s 2017, because it is, and super-duper busy NF weekends like this one are Awesome with a capital A.
Don’t believe me re: the crazy schedule for Saturday and Sunday? Here’s the evidence:
- 18/2 Estonia’s Eesti Laul – semi final two (feat. Daniel Levi, Koit Toome & Laura, Kerli + Liis Lemsalu)
- 18/2 Lithuania’s Eurovizijos – heat seven (feat. Edgaras Lubys + Gabrielius Vagelis)
- 18/2 Slovenia’s EMA – semi final two (feat. Clemens, BQL + Ina Shai)
- 18/2 Sweden’s Melodifestivalen – semi final three (feat. Robin Bengtsson, Krista Siegfrids + FO&O)
- 18/2 Ukraine’s Vidbir – semi final three (feat. Payushchie Trusy + Green Grey)
- 18/2 Hungary’s A Dal – the final (feat. Gigi Radics, Joci Pápai + Kállay Saunders Band)
- 18/2 Malta’s MESC – the final (feat. Klinsmann, Kevin Borg, Maxine Pace + Richard Edwards)
- 18/2 Poland’s Krajowe Eliminajce – the final (feat. Martin Fitch, Kasia Mós + Carmell)
- 19/2 Latvia’s Supernova – the semi final (feat. Lauris Valters, My Radiant You + Triana Park)
- 19/2 Portugal’s Festival da Canção – semi final one (feat. Golden Slumbers + Rui Drumond)
There you go – CHAOS. Wonderful, wonderful chaos.
As I keep saying, I can’t discuss every single selection show without taking on an army of assistants to type at 200 words a minute for free (any takers?), so it’s time to get picky. Choosing which semis and finals to cover is like choosing a favourite child – not hard if you’re honest with yourself (that’s what my mum said, anyway, when she handed me the ‘No. 1 Kid’ sash and a bouquet of flowers. Don’t tell my brother). Ergo, this was an easy narrow-down for me.
Though three of this weekend’s shows will produce Eurovision entries, I’m only reviewing one of them – Hungary’s A Dal – and, of course, I’m going to take a good look at Melodifestivalen’s third semi too. So let’s get on with it!
SWEDEN | Hi-ho, hi-ho, it’s off to Växjö we go…for Melfest, that is!
You know what they say – another Saturday in February, another Melodifestivalen Deltävling.
This time it’s nummer tre, and I’ve got to say, it’s not a third-time-lucky sort of situation. Meaning this heat is the weakest so far, music-wise. Made up of two returnees and a record high (for 2017, at least) of five debutants, it’s probably going to be the most difficult semi to predict. Which stars will shine for the first or second time, and which will fall?
I have no effing idea.
- I Can’t Go On by Robin Bengtsson
- Snurra Min Jord by Krista Siegfrids
- Kiss You Goodbye by Anton Hagman
- Gravity by Jasmine Kara
- Boogieman Blues by Owe Thörnqvist
- Crucified by Bella & Filippa
- Gotta Thing About You by FO&O
We’ve got funk pop, dance pop, acoustic pop, country pop, boy band pop and Owe. Lacklustre overall song standard aside (compared to the previous two semis) it’s certainly going to be a variety show – and hopefully one with a happy ending.
My top four
- I Can’t Go On – If Constellation Prize was a romantic seduction song, and I Can’t Go On is the raunchy post-seduction sequel, then should we await the third installment in a trilogy from Robin in 2018 entitled something like It’s Over, You Evil Bitch? Yes or no, Mr. Bengtsson can do no wrong in my eyes. I did expect something better from this collab of Robins (Robin Stjernberg co-wrote the song, and he’s definitely marked his territory) but I suspect this will benefit from being heard and seen in full.
- Snurra Min Jord – Both of Krista’s Melfest entries have been much more plain-Jane than Marry Me. As with Faller, I do really like this one, but there’s nothing particularly special about it that gives it the edge to make Andra Chansen, let alone the final. But lycka till Krista all the same.
- Crucified – Is it just me or has this song borrowed half its lyrics from Wiktoria’s Save Me? Regardless, it’s as sweet and light as a sorbet in summertime. Repetitive (and a possible female rip-off of Darin’s Lagom) it may be, but it has an undeniable charm.
- Gotta Thing About You – I thought I was getting too old for teen boy band fodder, but apparently the flame’s still flickering in my bitter quarter-century old body. This is not a musical masterpiece, but was anyone expecting it to be? The FOOO Conspiracy FO&O fans will eat this up, and that little light-up heart in the corner of the screen will be on the verge of a myocardial infarction.
- Kiss You Goodbye – And here we have Sweden’s answer to Shawn Mendes. This song can’t hold a candle to Stitches or Mercy, but it’s cute. I like how it begins in an acoustic, alternative kind of way before launching into a more straightforward pop chorus. Also, who is Anton’s dentist?
- Gravity – I’m not sure if I like this or not. Jasmine has a great voice, great style, and a great name (even if we’re not total name twins since she’s got that ‘e’ on the end) but Gravity seems like a mixed bag of bits and pieces that don’t, ahem, come together to form a cohesive whole. I’m keen to see her perform it live.
- Boogieman Blues – This is EXACTLY what I thought it was going to be. For those of you who don’t like surprises and do like retro tunes from ageing popstars, this is for you. But it’s not for me.
Who’s going direkt? Robin Bengtsson + FO&O. Perhaps this is a predictable prediction – and I’d like things to go in a more jaw-dropping direction – but Melfest is, at times, predictable. SVT hand out the first and final performance spots to the big guns, and said big guns usually find themselves progressing as a result. Robin Bengtsson won his heat over Ace Wilder last year, and he’s got the goods to win again now, but with a weaker song and against weaker competition. FO&O’s song screams Andra Chansen, but there’s nothing else up against it (besides I Can’t Go On) that necessarily has what it takes to nab a place in the final instead.
Who’s off to Andra Chansen? Anton Hagman + Jasmine Kara. Krista Siegfrids is also in the mix here, but as she placed last in the telling audience poll after yesterday’s rehearsals, I suspect she’ll miss out and finish fifth at the highest. Bella & Filippa are underdogs. Anton and Jasmine, I think, can make enough of an impression and gain enough momentum to score themselves a second chance each – but I’m skeptical of their chances of making it out of AC at this point.
What do you think? Do we have an obvious outcome on our hands in Växjö, or will there be an upset feat. some Melfest first-timers? Let me know below.
HUNGARY | Eight becomes one tonight…but who’ll be The One?
I’ve been known to proclaim that many selection show finals are worth sacrificing for Melfest, because the music in a Melfest semi often outdoes that of other countries’ finals. But I have to say, I seriously considered ditching Sweden’s third semi in favour of tuning in to A Dal tonight.
By ‘seriously’, I mean ‘for a split second’, because I am a devout Melodifestivalist from way back. However, I will be watching the last episode of A Dal on delay just to experience its pure excellence.
After three heats and two semi finals, thirty songs have been trimmed down to just eight – and IMO, two of these are good, one is very good, and the other five are amazing. How often does that happen? About as often as Loreen releases a studio album.
Here’s the (unordered) line-up of the Hungarian final, which I realise might not seem so sensational to fans less easily-pleased than me.
- Hosszú Idők by Totova & Freddie Shuman feat. Begi Lotfi
- See It Through by Gigi Radics
- Fall Like Rain by Gina Kanizsa
- Origo by Joci Pápai
- Seventeen by Kállay Saunders Band
- Élet by Leander Kills
- Kalandor by Soulwave
- #háttérzaj by Zävodi & Olivér Berkes
Hungary clearly has faith in their own language, as Hungarian lyrics make up more than half of what we’ll hear tonight. They should, because a) it’s a gorgeous language, and b) it hasn’t stopped them from succeeding at Eurovision (Kinek Mondjam El Vétkeimet and Kedvesem, I bow to the both of you). That’s part of what makes this final so great in my eyes, but if you want more details, keep reading for my ranking of all eight finalists.
My top eight
- Origo – I AM IN LOVE. This track had me hypnotised before I’d even reached the chorus the first time I listened to it, and though I’m trying to accept that it’s probably 2017’s Győz A Jó (the slick, edgy ethno-pop entry that won’t win and will be sadly missed at Eurovision), my hopes of a win are still alive. Infectious and exotic but still on-trend (right down – or up – to Joci’s man-bun), Origo is OMG.
- Hosszú Idők – Here we have another song that manages to combine mysterious ethnicity with modern pop. Basically, it’s an ethno-pop power ballad. Though Totova gets slightly screamy performing it live, I can’t deny that it makes a mark, and that I could get on board with it winning even though it’s not my favourite.
- See It Through – A Disney ballad straight out of the early 2000s (Christina Aguilera sang it on the Mulan soundtrack, didn’t she?) should not work in 2017. But Gigi is such a showstopping singer with more onstage emotion than an Elina Born who wasn’t woken up, she makes it work. I would advise against the huge hair for the final, without which you’ll have a perfect package, Gigi.
- Seventeen – Last year, András and his band destroyed the brilliant Who We Are This year, they’ve done much better lives with a more pedestrian – but still extra-enjoyable – song. The Billie Jean reference is tired, but that’s my only complaint about this polished, well-produced and non-cheesy love song.
- #háttérzaj – What musical style doesn’t suit Hungarian? It totally gels in this bluesy, laid-back piano ballad. The only bother I have here is the hashtag title, which begs the question WHY GOD, WHY?!?!?
- Élet – Hard rock isn’t often my thing, but the dynamic nature of É let is interesting in a good way. There’s a soft piano intro, subdued verses and powerful choruses, and it’s almost like riding on a slow rollercoaster. There are plenty of ups and downs, but it doesn’t make you nauseous and you’re a little sad when you have to get off.
- Kalandor – Eurovision already has a folksy song for the year, and I’m not sure this one has the strength to win A Dal anyway, but it’s nice easy-listening, elevated by the fact that it’s not in English.
- Fall Like Rain – While I can acknowledge that this is a good song, I find it quite dated (and there are times when I just want Gina to shut up). I don’t think it’s the best choice Hungary can make in terms of a Eurovision entry, but I like the haunting, spiritual feel and the originality.
Now, as A Dal will make one more cut before congratulating a winner, it’s time to think about who’ll make it through the jury voting round – then be paraded in front of the public, who are the ultimate decision-makers (a good way to operate an NF, isn’t it, Spain?).
Predicting the top four I’m thinking Totova etc, Joci Pápai, Gigi Radics + Gina Kanizsa. There’s potential bumping space for Kállay Saunders Band or Leander Kills, in which case I think Gigi or Gina will miss out on the final four. But, based on the results of the heats and semis, this should be a safe bet for the top four (not that I’m actually betting. For someone who struggles to get things 50% correct, it’s a bad idea). Totova and guests plus Pápai are shoo-ins.
Who’s in it to win it? It looks like another Freddie (albeit a far less attractive one than 2016’s) will be heading to Kyiv on behalf of Hungary in May, as part of Totova’s posse. Hosszu Idők is a recipe with all the right ingredients to rise to the top, and has had the jury and public support in past weeks that it needs to fly through both stages of the comp tonight. I will be surprised if it doesn’t win.
If you’re as hungry for Hungary this year as I am, then you’ll have something to say about A Dal – so spill! Is this ticket to Eurovision Totova’s to lose, or should she be watching her back? Is there any chance András Kállay Saunders will make it to Eurovision again this year (Seventeen for 2017)? Give up your internal gossip in the comments.
Of course, if you want to chat about anything else that’s happening in the ESC bubble this weekend, I’m all ears. If you want to have an intense conversation about your personal problems, I may not be the best person to talk to, so stick with Eurovision for now. You can always book an appointment later with the same therapist you saw after Objetivo Eurovisión concluded last weekend…
Enjoy all of the national final action ahead, guys – I’ll see you on the other side when we have three more songs for Ukraine!
Hej och välkommen to my 500th post! I’m not kidding – there’s no crappy attempts at clickbait from me (this time). I’d say something like ‘Who would’ve thought there was that much Eurovision-related stuff in existence to be written about by someone who aspires to but has no hope of reaching the popularity status of WiwiBloggs?’…but we all know there’s enough discussable Eurovision-related stuff to last a lifetime. Especially when there’s another ESC, JESC and NF season for both every year.
In summary, there’s a 99.9% chance that I’ll be composing Post No. 1000 in about eight years’ time. Hopefully it has a less boring intro than this one.
Anyway, I know we’re in the midst of the 2017 national final season right now (with the German final taking place on Thursday and an action-packed weekend creeping closer), but I thought this milestone of a massive amount of ESC ramblings needed to be acknowledged. And, as my numero uno NF Melodifestivalen started on Saturday – the final of which I’m attending this year and that’s SO EXCITING I SIMPLY MUST USE CAPS LOCK – I’m going to celebrate Melfest-style. Someone hand me my rhinestone-spangled catsuit!
Basically, there’s a fun tag that’s been floating around Facebook lately (at least, in my feed) and it’s as simple as this: you name your favourite Melfest entry for each year that you’ve followed the comp. I thought I’d choose mine according to all the Melfests that have happened while I’ve been (apparently) busy blogging 499 times – 2010-2016. Then I realised that’s the exact period I’ve been following the show for anyway. It’s fate. So here we go…a.k.a. NU KÖR VI!!!
PS – As this is a tag, I tag each and every one of you reading this to list your favourite Melfest songs from your years of keeping tabs on the five-week extravaganza. Even if you just joined the party in 2016, let me know which entry was your most-loved last year.
2010 | You’re Out Of My Life by Darin
The first Melfest to take place after the birth of Eurovision By Jaz (a birth that was not only painless but actually enjoyable, no drugs required) was fantastisk. Well, the final was – I have to admit, there were some questionable entries in the semis. But damn, Sweden, THAT FINAL! Even so, I can narrow the field down to my personal favourite song faster than most Ukrainian men can run on giant hamster wheels. The hugely successful runner-up of Idol 2004, Darin is my most beloved Swedish soloist in the history of Swedish soloists, and his one and only (to date *crosses fingers*) Melfest entry was the pinnacle of pop balladry in my opinion. If the music doesn’t move you, then check out the wind machine usage, which nearly moved the man himself off the stage and into the wings at supersonic speed. Sadly, it didn’t blow Anna Bergendahl, Salem al Fakir and Eric Saade away and out of the running.
Andra Chansen Kom by Timoteij
2011 | My Heart Is Refusing Me by Loreen
I’m going to break some bad news to you right now by saying that *SPOILER ALERT* this is the only time Loreen will appear on this list. Who knows – her 2017 Melfest entry Statements might end up in a Top 10 of mine in the future, but for now, it’s all about Loreen Vol. I. The first time we saw her compete, she made it into Andra Chansen but not out of it (I know…crazy, right?!?). The dance-pop dream with a hint of disco that is My Heart Is Refusing Me, though, was a winner in so many ways: from the catchiness, explosive chorus and overall cool factor to Loreen’s weirdly wonderful red top (I have been trawling op-shops in the hope of finding something similar ever since, and may eventually resort to feeding a plain red sweater into a document shredder). Because this track is more complex and unpredictable than Euphoria, I ever-so-slightly prefer it – and it’s far and away my favourite song served up to us by Melodifestivalen 2011.
Andra Chansen Popular by Eric Saade
2012 | Why Start A Fire? by Lisa Miskovsky
It’s a good question. Why should you start a fire? I guess if you’re out in the wilderness and will freeze to death if you don’t rub some sticks together and get a flame going, then it’s probably a smart idea. But I’ll leave the extenuating circumstances of fire-starting at that, since they have nothing to do with my unconditional love for this song. Lisa, whose songwriting credits include boss-as-a-Billy-bookcase hits for herself and the likes of the Backstreet Boys (we have her to thank for Shape of My Heart), had a tough task topping the ten finalists of Melfest 2012. She ended up finishing second last – which wasn’t that shocking – but I for one think Why Start A Fire? is stunning. A mystical synth riff gives way to lush layers of music and vocals that, when they’ve run their course, make you (and by ‘you’, I mean ‘me) feel relaxed and re-energised – rather than exhausted, because you’ve just listened to something loud and watched a performance with more gimmicks than Sanna Nielsen has filled out Melfest application forms.
Andra Chansen Soldiers by Ulrik Munther
2013 | You by Robin Stjernberg
At last – the first Melfest year of my blogging career in which my number one competing song went on to win the whole thing! Against all the odds, too. Robin’s NF story is the ultimate underdog tale of a ridiculously good singer who entered what was a pretty weak edition of Sweden’s crowning TV glory (as they were hosting Eurovision in 2013, however, they can be forgiven for not trying too hard to produce an epic host entry). He didn’t manage to go direkt, instead ending up in Andra Chansen and making most of us count him out FTW. Then he did win, making him the first non-direct finalist in the existence of the AC round to do so. And he did it with an awesome, heartfelt pop anthem with one heck of a hook (you-ooh-ooh-ooooooooohhh, in case you were wondering). You also boasts a money note that, when Robin belted it out on the Malmö Arena stage, was powerful enough to produce a pyro curtain. I assume it was his vocal strength that did it, rather than your average pyrotechnics consultant backstage somewhere. Don’t burst my bubble.
Andra Chansen Bed On Fire by Ralf Gyllenhammar
2014 | Undo by Sanna Nielsen
Speaking of your one true NF love taking the trophy home (along with an ‘Admit One’ ticket to Eurovision) – it happened to me for the second year running in 2014. Undo marked Sanna’s seventh Melfest participation, following mixed results for her in 2001, 2003, 2005, 2007, 2008 and 2011. It didn’t take seven of anything to have me hooked though. So much so that, despite having been Team Empty Room when it came to Sanna’s best entry, it wasn’t long before I’d bumped her ’08 runner-up down to the runner-up position on my list (my mental list…I don’t have a physical paper Sanna ranking). Undo, for me personally, is peak pop power ballad perfection. The soft vulnerability of the first verse, the break between the second and last chorus and the finish contrast goosebumpingly (I hereby decree that a proper word even though Spellcheck wasn’t a fan) with the simple but powerful choruses – and Miss Nielsen nailed every note, every time. This may not be a popular opinion, but I definitely think she won Melodifestivalen with her strongest submission. Nothing else would have scored her a bronze medal at Eurovision – not even Empty Room.
Andra Chansen Survivor by Helena Paparizou
2015 | Heroes by Måns Zelmerlöw
It was third time lucky for MZW at Melfest, and the third year in a row that the results went my way. Can anyone really argue that Heroes shouldn’t have won the NF when it went on to win Eurovision? That’s a rhetorical question, so don’t try to start something in the comments. The song itself was worthy of winning both contests as far as I’m concerned, being the Avicii-inspired anthem with a karaoke dream chorus that it is. But you can’t mention Heroes and not talk about the visuals that elevated it from great to even greater (and I’m not referring to Måns’ muscles and THOSE LEATHER TROUSERS). We all fell in love with the original stick man – who turned out not to be so original in the end, so he got a bit fatter and wore a different hat for the ESC. We followed his journey from being downtrodden and dragged away by a balloon to having the privilege of fist-bumping his older, flesh-and-blood self (who had swapped overalls for THOSE LEATHER TROUSERS). And that, plus the slick lighting scheme and choreography, made Heroes a flawlessly-packaged entry that ticked every box, both in Melfest and at Eurovision. I love it just as much now as I did two years ago (!).
Andra Chansen Det Rår Vi Inte För by Behrang Miri feat. Victor Crone
2016 | Human by Oscar Zia
These days, with 28 songs competing in Melfest each year, I’m bound to like or love at least 25 of them (Swedish songwriters just know how to float my boat). So did I like or love If I Were Sorry? Yes. Was it my ideal winner/host entry for Sweden in Stockholm? No, to tell you the truth. My votes – if I’d been able to cast any – would have gone straight to Oscar Zia, who started out in the show as a backing vocalist, returned a year later on his own, then made a massive comeback – having come out of the closet and evolved stylistically and hair-stylistically – with Human. You know I love (most) modern power ballads, but when a modern power ballad comes equipped with edge and a moody atmosphere like this one, someone’s going to have to haul me up off the floor where I have swooned. As with Måns, what we saw was just as important as what we heard when Oscar had his technically-third try for the Melfest trophy. Storm clouds and intense, quick camera cuts made the performance memorable without the need for an entire supermarket aisle’s worth of bells and whistles. The whole thing was so magical, it annoys me beyond belief that there’s no watchable video of it accessible in Australia (as far as I can tell). So enjoy – or not – the lyric video I stuck here. Closing your eyes and just listening is still an epic experience, after all.
Andra Chansen Constellation Prize by Robin Bengtsson
Whew – think yourselves lucky that I didn’t discover Melodifestivalen in 1991 (I was too busy being a baby). As it stands, my waffling on is…well, off, so it’s time for you to list your own favourites. Which Swedish songs have you cheered for the most over the years? Is there ANYTHING we agree on, or is it true that one person’s treasure is another’s trash? I want answers, people!
Until next time (the upcoming NF-antastic weekend)…
For those of us who place Melodifestivalen up on a pedestal, right next to Eurovision (because we believe it to be equally as epic) today was practically Christmas.
For today was the day we all received 28 gifts of varying shapes and sizes, in the form of the artists competing in the national final of dreams in February/March 2017. I was particularly keen to unwrap these gifts given I’m actually attending Melfest for the first time next year (!!!) and will have the chance to see twelve of the artists in the flesh come finalen…and then have some press charges in the wake of me inappropriately touching them.
Anyway, after months of rumours that ran right up to the start of this morning’s press conference – hosted by the adorable David Lindgren sans Clara Henry and Hasse Andersson – we now know exactly who will and who won’t be popping up in the four semi finals. Many confirmations of what we already knew were made; blanks were neatly filled in by returnees and newbies alike; and one of the biggest bombshells in Melfest artist-announcement history was dropped.
Let’s run through the entire list of participants and songs, and I’ll unload my initial thoughts and impressions along the way. I apologise in advance for any spelling mistakes, incorrect information or general incoherent rambling that you might encounter here. I’m both delirious with excitement and rushing to get this post up while it’s still relevant, so I’m not at the top of my game just nu.
Semi 1 | Göteborg
- Amare, Adrijana
- Her Kiss, Boris René
- Hold On, Nano
- Mitt Liv, Charlotte Perrelli
- One More Night, Dinah Nah
- Road Trip, De Vet Du
- Wild Child, Ace Wilder
We knew Adrijana, Charlotte Perrelli, De Vet Du and Ace Wilder were shoo-ins already, so the most pleasant surprises in this first roll-call – for me, at least – were Boris René and Dinah Nah.
Boris ended up being one of my favourites from this year’s comp, and I still can’t help dancing enthusiastically when Put Your Love On Me comes on shuffle (as well as shouting ‘IN A LITTERBOX’ loudly enough for my neighbours to hear and subsequently consider moving to Siberia). Suffice to say I can’t wait to discover what he has in store for us for his second shot.
Dinah Nah was heavily rumoured to return in 2016, but evidently she needed more time to find a track that might get her to the final again. I am very glad to see that her hair is still pink.
I know I should be peeing my pants with excitement about Ace Wilder, but to be honest, I wish she’d taken some more time away like Dinah did – I’m not sure I can handle her two years in a row. But I’ll reserve (most of) my judgments until we hear what she has to offer.
Apparently Charlotte Perrelli doesn’t want to win Melfest on this occasion, but has her reasons for giving it another go after The Girl failed to even make Andra Chansen in 2012. I’m guessing she won’t be disappointed if her aim is not to go to Eurovision for the third time.
I’m clueless re: Adrijana and Nano, so perhaps one of them will be the exotic stranger who has me head-over-heels for their entry (then sobbing into my specially-commissioned sequined Kleenex when it finishes last). It happens every year!
Semi 2 | Malmö
- A Million Years, Mariette
- Good Loovin’, Benjamin Ingrosso
- Hearts Align, Dismissed
- Himmel Och Hav, Roger Pontare
- I Don’t Give A, Lisa Ajax
- Up, Etzia
- Vart Haru Varit, Allyawan
The second semi will feature just as many big hitters as the first – such as Mariette (who took home the bronze medal in the Year of Måns), Roger Pontare (a Melfest and Eurovision veteran who last represented Sweden on home soil in 2000), and Lisa Ajax (the Idol winner who also won her semi this year over eventual runner-up Oscar Zia).
I can’t say I’m as excited – on names alone – for this round. But I am pretty keen to hear from the debutants. Benjamin Ingrosso, who comes from a family of serious musical heavyweights (Pernilla Wahlgren is his mother, for starters) is one I’ll definitely be watching. And listening to, obviously. Despite the totally unnecessary extra ‘o’ in his song title (#petpeeve).
Semi 3 | Växjö
- Boogieman Blues, Owe Thörnqvist
- Crucified, Bella & Filippa
- Gotta Thing, The Fooo Conspiracy
- Gravity, Jasmine Kara
- I Can’t Go On, Robin Bengtsson
- Kiss You Goodbye, Anton Hagman
- Snurra Min Jord, Krista Siegfrids
Again, the majority of artists competing in this semi were rumoured by the always reliable Aftonbladet. But that doesn’t make it any less awesome to have my main man Robin Bengtsson back in the mix after his success earlier in the year (when he beat Ace Wilder to win Deltävling 1). If he’s armed with a song that is anywhere near as superb as Constellation Prize, then we are in for a treat come week three. It’s highly likely, as I Can’t Go On was written by two of the three songwriters behind Sanna Nielsen’s Undo, plus my other fave Robin – Robin Stjernberg. *screams internally*.
At 87, Owe Thörnqvist will become the oldest Melfest competitor ever. That’s assuming he lives long enough (I don’t mean to be pessimistic, but he barely made it onto the press conference stage without faceplanting and breaking a hip). If he doesn’t fall off the perch within the next few months, I have a feeling he could be the Hasse Andersson of 2017 and be catapulted further in the comp than I’d prefer via an outpouring of affection from the Swedish public. Hasse Andersson, of course, is also the Hasse Andersson of 2017, seeing as he’s co-hosting the show.
I’ll be flag-waving for The Fooo Conspiracy (despite being about ten years past the average age of their fan demographic) because BOYBAND ALERT, and Jasmine Kara because…well, we Jasmins/Jasmines have to stick together. I reserve the right to retract these pledges of support should these acts’ songs be…well, crap.
I must mention the gorgeousness that is Krista Siegfrids. Our girl from Sweden via Finland has come back for another crack at securing a ticket to Friends Arena, singing again in Swedish (bad move? We’ll have to wait and see). No matter where her journey ends – Växjö, Kyiv, or anywhere in-between – she’s always fun to have around, and I suspect she’ll be hungrier for success this time. That means she should have a song up her stylish sleeve that’s a step up from the good-but-not-great Faller. Fingers crossed!
Semi 4 | Skellefteå
- As I Lay Me Down, Wiktoria
- Bound To Fall, Les Gordons
- Du Får Inte Ändra På Mig, Sara Varga and Juha Mulari
- En Värld Full Av Strider, Jon Henrik Fjällgren feat. Aninia
- När Ingen Ser, Axel Schylström
- Running With Lions, Alice Svensson
- Statements, Loreen
Well, well, well. We know SVT like to save a name bigger than any found in the Welsh phone directory for the last semi final. But they not only outdid themselves on that front for 2017 – they also managed to keep it a secret to ensure that all of our jaws would end up on the floor.
Holy dala horses, Queen Loreen is back! With, I might add, the coolest of minimal song titles AND the songwriting dream team of Segerstad and the Debs joining her in the credits. Anyone who says they saw this coming is either a psychic or a liar (or both), and anyone who doesn’t think it will be a contender FTW needs to have their vital signs checked. It will be the toughest of tasks for Loreen to top Euphoria, but she could be the second coming of Johnny Logan that we’ve all been waiting for. Johnny Logan with a septum piercing.
Wiktoria is making an unsurprising return, but will she have wow-factor staging to elevate her entry this time? I’m interested to find out. Save Me wasn’t right up my street song-wise, so I’m hoping she’s changed things up and gone for a power ballad. The girl can SING, so she could easily handle a Céline Dion update (i.e. something like Isa’s I Will Wait).
Also reappearing in the lineup is Sara Varga, who made it in and out of Andra Chansen in 2011 with Spring För Livet, but she’s not alone. She’s also not alone in making a comeback in partnership with another artist, as Jon Henrik Fjällgren has done the same. The man who nearly put paid to MZW’s trip to Vienna is teaming up with Aninia (Google will tell you all you need to know about her, because I can’t) and I reckon the result will be original, to say the least. It’s such a relief that we’ll be able to say stuff like ‘Are you joiking?’ on Twitter again without people getting (too) annoyed.
Jon Henrik and Loreen aside, the name that most excites/intrigues me is Alice Svensson, another Idol alum who was beaten to the crown by Kevin Borg (he of Maltese national final fame). I’m basing this almost exclusively on the title of her song (that plus previous musical releases are all we have to go on at the moment) because is Running With Lions not totally badass? Both the act itself and the string of words, I mean. Bring it on!
Those are my initial thoughts on the 28 acts unveiled this morning – now it’s time for you to have your say. Are you happy with the peeps preparing to battle it out in Europe’s favourite national final? Which songs are you most excited to hear when the time comes? Do you think Loreen will walk it (or crab-dance it), given her history and supreme songwriting team? Whatever you’re thinking, put it in writing in the comments. The countdown to Melfest 2017 is officially on, guys, so let’s keep the conversation going!
It’s a bittersweet symphony, this life. After five Saturdays of frenetic and not-so-frenetic (in the case of After Dark) app voting, wanton wind machine usage, and results that made us say ‘Um…really?’, Melodifestivalen 2016 has reached its final stage…literally.
The traveling circus has set up shop in Stockholm (as Eurovision will in a matter of months) and the original line-up of 28 – if we’re including the booted Anna Book – has been narrowed down to 12 (presumably, the others have been fed to the lions by now). It is exciting, anticipating this imminent last installment, but it’s also depressing to imagine life after Sweden’s 2016 ESC entrant is named and famed. Seriously, what did we do in those dark days prior to Deltävling 1? I don’t know, but we’re going to have to start doing it again as of Sunday *sniffs pathetically with head buried in latest edition of Scan magazine*.
For now, though, let’s forget about things that are not Melfest-related, and focus on what’s ahead of us – i.e. things that ARE Melfest-related. When I say that, I mean it – I’m choosing to forgo discussing such things as 1) Australia’s second-ever adult ESC entry, and 2) Lithuania also selecting their song this evening, to give the Swedish selection the attention it deserves. I expect my honorary Swedish citizenship, hand-signed in glitter pen by Christer Björkman, to arrive in the post any day now.
As Ace Wilder would say, don’t worry – I’ll get back to Dami Im and (probably) Donny Montell in due course. But just nu, let’s preview and predict one of the greatest and most competitive Melfest finals in recent history!
- Håll Om Mig Hårt by Panetoz
- My Heart Wants Me Dead by Lisa Ajax
- We Are Your Tomorrow by David Lindgren
- Kizunguzungu by SaRaha
- Human by Oscar Zia
- Don’t Worry by Ace Wilder
- Constellation Prize by Robin Bengtsson
- Youniverse by Molly Sandén
- Put Your Love On Me by Boris René
- If I Were Sorry by Frans
- Save Me by Wiktoria
- Bada Nakna by Samir & Viktor
That’s certainly a good-looking, good-listening programme. And that’s not even factoring in the star-powered interval act SVT have planned for us (more on that later). There are so many songs and acts I want to see succeed this evening, and only a few I wouldn’t be devastated to see fail. You can find out which are which without further ado. 3, 2, 1, review!
Håll Om Mig Hårt by Panetoz
My verdict I’ve said it before, and I’ll say it again – these guys make me so happy, and all they have to do is exist (and ideally, release some music every now and then). It’s no surprise that I was jumping for joy when they emerged victorious from their Andra Chansen battle last weekend. Håll Om Mig Hårt is weaker than 2014’s Efter Solsken, but it’s still the same brand of effervescent, crowd-pleasing tropical pop, and there could be no better opener for tonight’s final. Will it win? Of course not. Will it even come close? Nope. But will we enjoy it whether we want to or not? Obviously.
My ranking 7th
Predicted ranking 12th
Would it work at Eurovision? No
My Heart Wants Me Dead by Lisa Ajax
My verdict Stringing toilet paper from the ceiling has never looked so glamorous! No, Lisa didn’t get the best of deals when SVT were budgeting to cover staging costs. But that doesn’t stop MHWMD from being a killer pop ballad performed with aplomb by Sweden’s 2014 Idol champ (marinated in on-trend metallics). I love everything about this song, bar the lack of more dynamic staging. Zara Larsson would be proud to have this track in her repertoire.
My ranking 6th
Predicted ranking 9th
Would it work at Eurovision? Yes
We Are Your Tomorrow by David Lindgren
My verdict David is the epitome of an Eric Saade-endorsed manboy. He’s adorable, in other words. But how he managed to go direkt yet again is a mystery to me, particularly when his song is just so…nice. Nice, competent and reasonably catchy, but nothing more. There’s no real substance to it, and it’s not going to be a contender now we’ve reached the pointy end of the comp. Sweden might have an affinity with this guy, but the international juries won’t – and even Swedish voters have the likes of Frans and Robin on hand to choose over David this time. Which is fine…I’m happy to console him when he fails miserably.
My ranking 11th
Predicted ranking 11th
Would it work at Eurovision? No
Kizunguzungu by SaRaha
My verdict Yes, this is Waka Waka + Aleo + Haba Haba in a tidy three minute capsule; and yes, despite the African overtones, it’s Swedish pop-by-numbers right down (or should I say, right up?) to the key change. But it’s also so high-energy and so much fun that I’m irresistibly drawn to it. Plus, I am yet to find a better word than ‘kizunguzungu’ emerge from 2016. You do give me kizunguzungu, SaRaha…as a result of too much DAMNED DANCING.
My ranking 9th
Predicted ranking 7th
Would it work at Eurovision? Yes
Human by Oscar Zia
My verdict Cards on the table: this is my favourite. And I can’t help thinking it would be the best Melfest-turned-Eurovision song Sweden could possibly pick tonight, even if there’s little to no chance they’ll actually pick it. Oscar isn’t the world’s best vocalist, but his charisma, the power of Human, and the Academy Award-worthy cinematography of his staging (camera shots have never been used so effectively) compensate for that. He looks like a 50s film star on stage, but the rest of his entry is totally contemporary – and together, it’s a magic combo. Still, it’ll be a miracle of Paula and Ovi proportions if he manages to win.
My ranking 1st
Predicted ranking 8th
Would it work at Eurovision? Yes
Don’t Worry by Ace Wilder
My verdict Way back when Ace was the outright favourite to win Melfest, I wanted to love her comeback entry so I wouldn’t mind when she walked away with the victory. A lot has changed since then, including the fact that there’s a new kid on the block who’s likely to pip her at the post. What hasn’t changed is my attitude towards Ace herself – I still find her as unlikable as I did in 2014, when she was the devil to Sanna’s angel as they both perched on Melfest’s padded shoulders. I do, however, love Don’t Worry. But I don’t think it’s a winner. Simple as that.
My ranking 8th
Predicted ranking 2nd
Would it work at Eurovision? Yes
Constellation Prize by Robin Bengtsson
My verdict It’s apt that Robin sings ‘You’re a star’ in the chorus of Constellation Prize (I still can’t wrap my head around that title) because he was the star of semi final one. Armed with a harmonica that he was definitely playing *wink* and eyes that could convince me to do pretty much anything (one lingering look, and I’d beat Frans to robbing a bank and the post office too), Robin charmed us all then, and he’ll be doing the same tonight. I hope he nabs a great result, if topping the table is out of the question (which is isn’t, necessarily). If he can hypnotise the international juries with those peepers, AND rank highly with the Swedish public, he could be the second Robin to represent Sweden on home soil. Stranger things have happened.
My ranking 2nd
Predicted ranking 3rd
Would it work at Eurovision? Yes
Youniverse by Molly Sandén
My verdict Molly can do no wrong as far as I’m concerned. She is flawless, and proved it when she put in a final-worthy performance a few weeks back. Granted, Youniverse is not the landslide-win type of song I was expecting given that Molly and her man-candy Danny Saucedo co-wrote it, but it still kicks butt. This is a tough year, and it will be an uphill struggle rather than an easy stroll for Molly to take it out. I’d be ecstatic if she did, but she might need to try a few more times to find the perfect formula – and/or drop by when the competition’s not so fierce.
My ranking 3rd
Predicted ranking 4th
Would it work at Eurovision? Yes
Put Your Love On Me by Boris René
My verdict Whether in a little box or a litter box (once you’ve heard that, you can’t un-hear it) Boris has my heart for sure. This is my jam of the year so far, and I’m stoked we get to experience the pure joy of it once again in the final. Proving that you don’t need showy staging to have get places, Boris uses the fancy footwork from his football past to full advantage, and that helps make him a worthy participant tonight. I’m sad to say that he’ll probably end up in the bottom six of the twelve – but he should be proud to have made a successful Melfest debut, and in doing do, put a smile on the face of everyone who isn’t a soulless robot. Go ahead, Boris – putcha love on me!
My ranking 5th
Predicted ranking 10th
Would it work at Eurovision? No
If I Were Sorry by Frans
My verdict If we’re destined to have a runaway winner, it will be Frans. Having topped the Spotify and Sverigetopplistan charts and been the odds-on favourite since his semi performance, he’s on the right track to outwit, outplay and outlast much bigger names, which I’m quite pleased about (it makes Melfest less predictable in a way, and means it’s still a launching pad for relative unknowns/former child stars). There is a charm and authenticity to If I Were Sorry – an air of ‘no, we’re not trying too hard for once’ – that we last saw in Robin Stjernberg’s You, and that makes it dangerous. I know it’s not hugely popular outside of Sweden, but I think it will be a cool choice if it does what’s expected. But…will the non-Swedish jury members warm to it, or just think ‘WTF?’.
My ranking 4th
Predicted ranking 1st
Would it work at Eurovision? Yes
Save Me by Wiktoria
My verdict Contrary to IIWS, Save Me is all about what happens to/on Wiktoria on stage. The girl is an amazing singer, and I want her hair chopped off and glued to my scalp stat (in a non-creepy way) but without those incredible body projections, she would need someone to save her. Don’t get me wrong – I am a fan of this song (it’s the kind of thing I imagine Taylor Swift would have been releasing right now if she’d remained within the realms of country music). But I’d be far less keen to sit through it if Wiktoria simply stood and sung, sans the series of projections. With those in her corner, I’m expecting her to debut successfully by squeezing into the top 5.
My ranking 10th
Predicted ranking 5th
Would it work at Eurovision? Yes
Bada Nakna by Samir & Viktor
My verdict I’m happy to hear that these boys will be as close to nakna as possible on primetime television tonight. Why not venture all the way down Trash Avenue? After all, it would be un-Samir & Viktor-like to show restraint (and not nipples). These two are the weakest singers in the field, and Bada Nakna is no Groupie. As a result, they won’t be heading back to Stockholm for ESC purposes unless they’re hitting up the Euroclub. That’s expressly why we should just sit back and enjoy the final song to be performed tonight…in all its moist, shirtless, pantless glory.
My ranking 12th
Predicted ranking 6th
Would it work at Eurovision? No
Okay…so that likely took you as long to read as it will take the Mello final to start, happen and finish. But that’s SVT’s fault for having so many songs competing. In summary, my predicted scoreboard (minus any actual scores, because I don’t want to make that much of a fool of myself) looks like this:
- Samir & Viktor
I do think that ultimately, Frans will be our winner for 2016. But his is not necessarily an open-and-shut case kind of victory like Måns’ of twelve months ago. Back then, MZW had the sort of mass appeal that won him both the international jury vote and the televote. But in 2014, Sanna Nielsen placed second in the jury vote and won the televote; and in 2013, Robin Stjernberg did the opposite, winning the jury vote and placing second with the Swedish public. My point is (yes, I have one!) that Frans will most likely win the televote, but if he’s placed second or lower with the juries, he may not win the whole shebang. It’s hard to guess which act the juries would opt for instead, but you could argue that the likes of Ace, Robin, Molly and Oscar have more mass appeal, and might be more easily “gotten” by non-Swedes. And if the points/percentages are right, we could see a close call feat. Frans with a metaphorical silver medal round his neck.
So who, if anyone, has the best chance of toppling the favourite? Ace or Robin, with Wiktoria as an outsider. I’d love to say that Oscar – my main Melfest man – could hit the heights required to score an ESC ticket, but it seems there’s too much in the way (third time lucky in 2018, perhaps?). There really are a ton of great songs in this final, and too few top five places (five, funnily enough) to be allocated accordingly. Samir & Viktor should come last in my opinion, but they won’t. Any other act really doesn’t deserve that dishonour. I’ve predicted Panetoz because, as wonderful as they will be as the show’s opening act, I think the fun will fizzle out come voting time when Swedish voters get serious (and I don’t think the juries will rank them particularly highly either). I get the impression they’ll just be happy to be there, having made it this far though.
What do you think? Are there some shocks and surprises in store for us in Sweden, or will Melfest turn out to be massively predictable after all? Place your bets, people!
Now, to finish off, I’m going to bask in the ambience of Europe’s most epic NF for a little longer as I identify what I’m most looking forward to seeing and hearing in Friends Arena in a few hours’ time:
- Oscar Zia in action I haven’t laid eyes on his kick-ass performance since his semi-final (though I have snuck in a few plays of Human in studio) so I’m dying to see it again. I do think we’re human, and I would like to take a look once again, Oscar.
- Molly lost in her Youniverse Because who wouldn’t want to watch the Mollmeister do what she does best and generally be all of our beauty and talent goals in flesh-and-blood form? Anyone else also hoping Danny will show his beautiful face on this occasion?
- Lynda Woodruff’s triumphant return SHE’S BACK! I can’t get enough of Sarah Dawn Finer, as herself or in character as the EBU’s most incompetent employee. The big question is, will she work in a mention of Azerjaiben?
- The Melfest medley of a lifetime SDF again. Magnus Carlsson. Nanne Grönvall. Anton Ewald. BWO. These are just some of the artists from Melfests of yesteryear who’ll be taking to the stage to reprise their entries while we wait for the votes to be tallied. I CANNOT CONTAIN MY EXCITEMENT. Interval acts don’t usually have me peeing my pants at the prospect of witnessing them, but this one’s different. Sorry for the over-share.
- The moment vi har ett resultat I don’t want to hear Gina Dirawi utter that phrase for the last time, but I do want to suffer through the agony of the voting sequence. Remember, it’s the kind of process we’ll be seeing at Eurovision, so think of the drawn-out tension as a dress rehearsal for May.
Aaaaaaaaaaaand I’m done. There is more I could say on the subject of M to the E to the L to the O to the…well, you get the idea. But then I’d need to print it, bind it and market it as serious bedtime reading, and that’s too much hassle.
Speaking of bedtime…I’d better go have my last pre-Melfest power nap. I might see you on Twitter later for the main event, but if not, enjoy your Saturday whether you’re watching Melfest, watching Lithuania’s Eurovizijos (?) or doing something else entirely (???). We have so few Eurovision entries left to be picked/premiered, so let’s hope we get a few great ones tonight!
Until next time,