Just because national final season ended back in March doesn’t mean we should forget about it, right? After all, every year brings with it a fresh batch of boss music for us fans to add to our respective playlists, and the happy-dances danced as a result of that can last forever. AND this is all before Eurovision itself even begins! I think I speak for all of us when I say – as a totally unknown band called ABBA once said – thank you for the music, NF season.
There’s no better way to top off a thanks than with a top 10, in my opinion – so here we are. It might seem like I’m just crazy late in posting this countdown, but now is a good time to pay tribute to the 2017 selection season: firstly, because it’s Thursday and I’m a big supporter of #ThrowbackThursday (check my Instagram if you don’t believe me); and secondly, because it’s not long until the results of this year’s OGAE Second Chance Contest are revealed. It turns out that half of my favourite tracks from the recent run of national finals were chosen to compete in the SCC, so I guess I’m not as alternative as I thought. Damn.
The lone rule for this list? I only allowed myself to pick one song from any particular country – so you’re not about to see Melfest song after Melfest song. Keep reading to find out which Eurovision could-have-beens I fell in love with this season, and how I think they would have fared in Kyiv compared to the songs that actually ended up there. And don’t forget to share your personal favourite songs in the comments!
#10 | Two Faces by Michéle (Switzerland)
NF result 3rd, Die Entscheidungsshow
Is it better than Apollo? No, but…apples and oranges.
Would it have done better in Kyiv? Definitely not, though I like to think it would have been staged better than Apollo.
I’m sorry to have to say this, but I know I’m not the only one who’s come to expect a certain level of sub-standardness when reviewing the Swiss national finalists each year. 2017 was an exception in that the final bunch of songs – bar one – were actually more than mediocre. My favourite, Apollo aside, was pocket rocket Michéle’s Two Faces, which took me by surprise given how mod-pop it is. It’s not a perfect production, and my inner jury’s still out on whether the ‘sugar and salt’ analogy is good or awkward…but damn, this is catchy. And even though it does sound radio-friendly, I’ve never heard anything quite like it before.
#9 | Helppo Elämä by Lauri Yrhjola (Finland)
NF result 8th, Uuden Musiikin Kilpailu
Is it better than Blackbird? No, but again it’s hard to compare the two.
Would it have done better in Kyiv? Probably not.
If this song was sung in English (or Swedish), it would have been right at home in the Melodifestivalen line-up. That’s a big compliment from me meaning it’s a) slickly produced pop, b) minty-fresh radio material, and c) gets stuck in your head like it’s made of super glue. The fact that it’s in Finnish, though, further set it apart in the UMK field, and adds to the aloof kind of cool it projects. The fusion of country twang and electro sounds is very Avicii, and gives it an automatic x-factor. For me, it was the NF character that speaks its own language (literally) and has little hope of winning, but will inevitably end up on my selection season playlist. There’s at least one of those in every national final.
Watch the NF performance here.
#8 | I Wish I Loved You More by Holly Brewer (United Kingdom)
NF result Unknown, Eurovision: You Decide
Is it better than Never Give Up On You? No, but it’s less of an identity-crisis song.
Would it have done better in Kyiv? Nope.
You guys know mama loves her female power ballads (when they’re good ones…I am fairly discerning). Why do you think I was such an enthusiastic member of Team Denmark this year? Speaking of blonde powerhouse vocalists, here’s Holly Brewer, who sang the shiz out of the sensational PB that is I Wish I Loved You More. I can admit that this sort of song had its heyday circa 2007, but the genre never stopped floating my boat. I love that IWILYM promises to become something dynamic and explosive, and then delivers – first with big + bold choruses, then with that money note that you KNOW is coming, but it still packs a punch when it arrives. It’s a knockout (and so is Holly, on whom I have a raging girl crush).
#7 | Heart of Gold by BQL
NF result 2nd, EMA
Is it better than On My Way ? HELL YEAH!
Would it have done better in Kyiv? HELL YEAH!
BQL (made up of two musos who are apparently blood brothers…who’d have guessed?) broke hearts throughout the Euroverse when they failed to get Slovenia’s golden ticket in 2017 – Slovenia’s fault, obvs. Okay, so their live performance was a little rough around the edges, while Omar Naber’s was flawless (it was another Margaret/Michał Szpak situation). And Heart of Gold itself is a bit all-over-the-place as a song, needing a restructure and a revamp. But like everything created by Maraaya, it has SO much going for it. Simple but effective lyrics, and not one, but about five epic melodies, for example. If it had won EMA and undergone a pre-ESC facelift, wonderful things might have happened to a country that has now chosen two questionable entries in a row.
Watch the NF performance here.
#6 | One by Ida Una (Denmark)
NF result 2nd, Dansk Melodi Grand Prix
Is it better than Where I Am? Not according to moi.
Would it have done better in Kyiv? I have to say yes (but I don’t want to).
Here’s a prime example of the safe, sugary pop songs that dominate DMGP – and this one is actually about love and peace (I don’t know if Måns and Petra would approve or be appalled). I’m not normally a supporter of either cookie-cutter music or lame lyrics, but I have totally dug the vibe of Ida Una’s One since day one. The lyrics are the main drawback, because everything else is very Scandi-2017…and how about the insane singalong-ability of the chorus? It turns one word into ten syllables, making it a surefire hook without it being too simplistic. I was pretty convinced this track was going to Kyiv because it’s right up Denmark’s street, and I wouldn’t have minded that result since the song is right up my street too.
#5 | Places by Ulrikke (Norway)
NF result 4th, Melodi Grand Prix
Is it better than Grab The Moment? No, but it’s a close call.
Would it have done better in Kyiv? I think it would have finished just outside the top 10, so no.
I wouldn’t willingly swap Grab The Moment – one of my true ESC 2017 loves – for anything. But if I had to for some random reason, I’d have sent Ulrikke’s Places to Ukraine in a heartbeat. That’d be on the condition that Norway totally rethought the MGP staging of the song, which wasn’t nearly ‘tropical beach party WOOHOO’ enough. Places itself, though, is a JAM – a summer jam that I’m being forced to play in winter as I imagine being by the ocean. My buzzwords for this countdown have been ‘current’ and ‘catchy’, and I have to use them again to describe this because it has bucketloads of both. More so than Dansk MGP and Melodifestivalen, Norsk MGP tends to deliver on pop with a bit of edge, and pop that’s very now – not squeaky-clean, sugary or safe. Places is an excellent example of that, I reckon.
Watch the NF performance here.
#4 | Hold On by Nano (Sweden)
NF result 2nd, Melodifestivalen
Is it better than I Can’t Go On? In some ways, yes. In others, no.
Would it have done better in Kyiv? Nope – I think it would have done the same thing.
As you may or may not know (have I mentioned it often enough? I’m not sure…) I was in the audience for the Melfest final this year – and holy Herreys, it was amazing! I didn’t quite get the happy ending I was hoping for, however, as someone supporting Nano rather than Robin. Don’t get me wrong (Bengtsson lyrical pun intended), Sweden NEVER puts a foot wrong at Eurovision IMO (2009 excepted). But Hold On gets to me in a goosebumpy way that the perfectly-polished I Can’t Go On never did. Maybe it’s because it seems more authentic, or because it’s more dynamic and powerful. Or maybe it’s just a cracking song that appeals a teensy bit more to my tastes. Whatever the case, I can’t help being disappointed that Nano was Sweden’s choice to go to Eurovision, but got pipped at the post anyway.
#3 | I Love You by Tayanna (Ukraine)
NF result 2nd, Vidbir
Is it better than Time? Absolutely.
Would it have done better in Kyiv? For sure, providing Tayanna’s throat was in full functioning order at the time.
There were a handful of massively missed opportunities during the 2017 selection season, and sadly, host country Ukraine was responsible for one of them. I can understand how it happened, though. The Ukrainian final was super strong, with Tayanna, Mélovin and Rozhden being my personal standouts – but Tayanna’s incredible power ballad (here I go again with the PB love) was the cream of the crop…prior to that final. Tragically, her vocal ability was compromised by some sort of illness when she needed it most, leading to a performance full of cringe-worthy moments. That’s not the performance above – I had to choose the video of Tayanna at her best since it helps me to daydream about how I Love You would have been one of the best and most wildly-applauded host entries of recent times. Oh, and how it would have given Ukraine a respectable result without forcing another fork-out of contest hosting funds.
#2 | Ouch! By LeKlein (Spain)
NF result 3rd, Objetivo Eurovisión
Is it better than Do It For Your Lover? Well, yeah. I’d say ‘What isn’t?’ but that would be unnecessarily cruel to Manel and also not technically true.
Would it have done better in Kyiv? You bet your butt it would have!
EPIC ERROR ALERT NO. 3!!! Call this a controversial call, but if Spain made any mistake at their NF this year (which they did, though when I say ‘Spain’ I mean the Objetivo judging panel) it wasn’t picking Manel over Mirela. It was leaving LeKlein in 3rd, which definitely made me say Ouch! She might not have been everybody’s cup of sangria, but I’m convinced Ouch! was the best option for Spain in 2017, and would have secured them a spot on the left side of the scoreboard (I can say that with authority because there’s no way of proving me wrong). This song is an anthem of rock-electro-pop proportions, with a sense of fun and a simple hook that would have been memorable in the Eurovision final for sure. Unless, that is, I’m the minority and everyone else would have seen an aggressive androgynous woman yelling at them down the camera for three minutes #possible.
Watch the NF performance here.
#1 | Deák by Spoon 21 (Hungary)
NF result DNQ (semi-final), A Dal
Is it better than Origo? It’s equally epic.
Would it have done better in Kyiv? No.
Funnily enough, I’m glad this song – my favourite find from the 2017 season – didn’t end up at the ESC. Spoon 21’s live performance just wasn’t up to scratch, and that was all to do with vocals. Hungary still would have sent my number one entry of the year if they’d sent Deák instead of Origo, but you’ll never catch me disputing Joci Pápai’s place in the contest. Still, as a song for listening to (ten times a day) Deák is superb. It’s the most K-pop sounding NF song I’ve ever heard, and I love it for that. It’s unique, infectious and gets a zillion cool points just by being in Hungarian. And speaking of cool points, I feel like a cooler person just listening to it – it’s a little bit hipster but mainstream enough to have mass appeal. All in all, it’s a kickass track that proves Spoon 21 – who entered A Dal 2015 with something completely different – isn’t a one-trick pony boy band.
Watch the NF performance here.
So, how did I do? Do you think any of these songs would have made better Eurovision entries than what we actually got? Which musical masterpieces from A Dal to Vidbir and every NF in-between got you excited this year? If you have something (nice) to say, say it in the comments box below J
I’d better go now – it’s time for daily listen no. 10 of Déak, and I can’t keep Spoon 21 waiting.
It’s true – the Titanic wouldn’t have stood a chance against the massive, metaphorical chunk of ice (or ‘frozen water’ as Agnete likes to call it) that is This Weekend. Leonardo DiCaprio would still have died and Kate Winslet would still have let him go…but we’d all be partying like it’s 2017, because it is, and super-duper busy NF weekends like this one are Awesome with a capital A.
Don’t believe me re: the crazy schedule for Saturday and Sunday? Here’s the evidence:
- 18/2 Estonia’s Eesti Laul – semi final two (feat. Daniel Levi, Koit Toome & Laura, Kerli + Liis Lemsalu)
- 18/2 Lithuania’s Eurovizijos – heat seven (feat. Edgaras Lubys + Gabrielius Vagelis)
- 18/2 Slovenia’s EMA – semi final two (feat. Clemens, BQL + Ina Shai)
- 18/2 Sweden’s Melodifestivalen – semi final three (feat. Robin Bengtsson, Krista Siegfrids + FO&O)
- 18/2 Ukraine’s Vidbir – semi final three (feat. Payushchie Trusy + Green Grey)
- 18/2 Hungary’s A Dal – the final (feat. Gigi Radics, Joci Pápai + Kállay Saunders Band)
- 18/2 Malta’s MESC – the final (feat. Klinsmann, Kevin Borg, Maxine Pace + Richard Edwards)
- 18/2 Poland’s Krajowe Eliminajce – the final (feat. Martin Fitch, Kasia Mós + Carmell)
- 19/2 Latvia’s Supernova – the semi final (feat. Lauris Valters, My Radiant You + Triana Park)
- 19/2 Portugal’s Festival da Canção – semi final one (feat. Golden Slumbers + Rui Drumond)
There you go – CHAOS. Wonderful, wonderful chaos.
As I keep saying, I can’t discuss every single selection show without taking on an army of assistants to type at 200 words a minute for free (any takers?), so it’s time to get picky. Choosing which semis and finals to cover is like choosing a favourite child – not hard if you’re honest with yourself (that’s what my mum said, anyway, when she handed me the ‘No. 1 Kid’ sash and a bouquet of flowers. Don’t tell my brother). Ergo, this was an easy narrow-down for me.
Though three of this weekend’s shows will produce Eurovision entries, I’m only reviewing one of them – Hungary’s A Dal – and, of course, I’m going to take a good look at Melodifestivalen’s third semi too. So let’s get on with it!
SWEDEN | Hi-ho, hi-ho, it’s off to Växjö we go…for Melfest, that is!
You know what they say – another Saturday in February, another Melodifestivalen Deltävling.
This time it’s nummer tre, and I’ve got to say, it’s not a third-time-lucky sort of situation. Meaning this heat is the weakest so far, music-wise. Made up of two returnees and a record high (for 2017, at least) of five debutants, it’s probably going to be the most difficult semi to predict. Which stars will shine for the first or second time, and which will fall?
I have no effing idea.
- I Can’t Go On by Robin Bengtsson
- Snurra Min Jord by Krista Siegfrids
- Kiss You Goodbye by Anton Hagman
- Gravity by Jasmine Kara
- Boogieman Blues by Owe Thörnqvist
- Crucified by Bella & Filippa
- Gotta Thing About You by FO&O
We’ve got funk pop, dance pop, acoustic pop, country pop, boy band pop and Owe. Lacklustre overall song standard aside (compared to the previous two semis) it’s certainly going to be a variety show – and hopefully one with a happy ending.
My top four
- I Can’t Go On – If Constellation Prize was a romantic seduction song, and I Can’t Go On is the raunchy post-seduction sequel, then should we await the third installment in a trilogy from Robin in 2018 entitled something like It’s Over, You Evil Bitch? Yes or no, Mr. Bengtsson can do no wrong in my eyes. I did expect something better from this collab of Robins (Robin Stjernberg co-wrote the song, and he’s definitely marked his territory) but I suspect this will benefit from being heard and seen in full.
- Snurra Min Jord – Both of Krista’s Melfest entries have been much more plain-Jane than Marry Me. As with Faller, I do really like this one, but there’s nothing particularly special about it that gives it the edge to make Andra Chansen, let alone the final. But lycka till Krista all the same.
- Crucified – Is it just me or has this song borrowed half its lyrics from Wiktoria’s Save Me? Regardless, it’s as sweet and light as a sorbet in summertime. Repetitive (and a possible female rip-off of Darin’s Lagom) it may be, but it has an undeniable charm.
- Gotta Thing About You – I thought I was getting too old for teen boy band fodder, but apparently the flame’s still flickering in my bitter quarter-century old body. This is not a musical masterpiece, but was anyone expecting it to be? The FOOO Conspiracy FO&O fans will eat this up, and that little light-up heart in the corner of the screen will be on the verge of a myocardial infarction.
- Kiss You Goodbye – And here we have Sweden’s answer to Shawn Mendes. This song can’t hold a candle to Stitches or Mercy, but it’s cute. I like how it begins in an acoustic, alternative kind of way before launching into a more straightforward pop chorus. Also, who is Anton’s dentist?
- Gravity – I’m not sure if I like this or not. Jasmine has a great voice, great style, and a great name (even if we’re not total name twins since she’s got that ‘e’ on the end) but Gravity seems like a mixed bag of bits and pieces that don’t, ahem, come together to form a cohesive whole. I’m keen to see her perform it live.
- Boogieman Blues – This is EXACTLY what I thought it was going to be. For those of you who don’t like surprises and do like retro tunes from ageing popstars, this is for you. But it’s not for me.
Who’s going direkt? Robin Bengtsson + FO&O. Perhaps this is a predictable prediction – and I’d like things to go in a more jaw-dropping direction – but Melfest is, at times, predictable. SVT hand out the first and final performance spots to the big guns, and said big guns usually find themselves progressing as a result. Robin Bengtsson won his heat over Ace Wilder last year, and he’s got the goods to win again now, but with a weaker song and against weaker competition. FO&O’s song screams Andra Chansen, but there’s nothing else up against it (besides I Can’t Go On) that necessarily has what it takes to nab a place in the final instead.
Who’s off to Andra Chansen? Anton Hagman + Jasmine Kara. Krista Siegfrids is also in the mix here, but as she placed last in the telling audience poll after yesterday’s rehearsals, I suspect she’ll miss out and finish fifth at the highest. Bella & Filippa are underdogs. Anton and Jasmine, I think, can make enough of an impression and gain enough momentum to score themselves a second chance each – but I’m skeptical of their chances of making it out of AC at this point.
What do you think? Do we have an obvious outcome on our hands in Växjö, or will there be an upset feat. some Melfest first-timers? Let me know below.
HUNGARY | Eight becomes one tonight…but who’ll be The One?
I’ve been known to proclaim that many selection show finals are worth sacrificing for Melfest, because the music in a Melfest semi often outdoes that of other countries’ finals. But I have to say, I seriously considered ditching Sweden’s third semi in favour of tuning in to A Dal tonight.
By ‘seriously’, I mean ‘for a split second’, because I am a devout Melodifestivalist from way back. However, I will be watching the last episode of A Dal on delay just to experience its pure excellence.
After three heats and two semi finals, thirty songs have been trimmed down to just eight – and IMO, two of these are good, one is very good, and the other five are amazing. How often does that happen? About as often as Loreen releases a studio album.
Here’s the (unordered) line-up of the Hungarian final, which I realise might not seem so sensational to fans less easily-pleased than me.
- Hosszú Idők by Totova & Freddie Shuman feat. Begi Lotfi
- See It Through by Gigi Radics
- Fall Like Rain by Gina Kanizsa
- Origo by Joci Pápai
- Seventeen by Kállay Saunders Band
- Élet by Leander Kills
- Kalandor by Soulwave
- #háttérzaj by Zävodi & Olivér Berkes
Hungary clearly has faith in their own language, as Hungarian lyrics make up more than half of what we’ll hear tonight. They should, because a) it’s a gorgeous language, and b) it hasn’t stopped them from succeeding at Eurovision (Kinek Mondjam El Vétkeimet and Kedvesem, I bow to the both of you). That’s part of what makes this final so great in my eyes, but if you want more details, keep reading for my ranking of all eight finalists.
My top eight
- Origo – I AM IN LOVE. This track had me hypnotised before I’d even reached the chorus the first time I listened to it, and though I’m trying to accept that it’s probably 2017’s Győz A Jó (the slick, edgy ethno-pop entry that won’t win and will be sadly missed at Eurovision), my hopes of a win are still alive. Infectious and exotic but still on-trend (right down – or up – to Joci’s man-bun), Origo is OMG.
- Hosszú Idők – Here we have another song that manages to combine mysterious ethnicity with modern pop. Basically, it’s an ethno-pop power ballad. Though Totova gets slightly screamy performing it live, I can’t deny that it makes a mark, and that I could get on board with it winning even though it’s not my favourite.
- See It Through – A Disney ballad straight out of the early 2000s (Christina Aguilera sang it on the Mulan soundtrack, didn’t she?) should not work in 2017. But Gigi is such a showstopping singer with more onstage emotion than an Elina Born who wasn’t woken up, she makes it work. I would advise against the huge hair for the final, without which you’ll have a perfect package, Gigi.
- Seventeen – Last year, András and his band destroyed the brilliant Who We Are This year, they’ve done much better lives with a more pedestrian – but still extra-enjoyable – song. The Billie Jean reference is tired, but that’s my only complaint about this polished, well-produced and non-cheesy love song.
- #háttérzaj – What musical style doesn’t suit Hungarian? It totally gels in this bluesy, laid-back piano ballad. The only bother I have here is the hashtag title, which begs the question WHY GOD, WHY?!?!?
- Élet – Hard rock isn’t often my thing, but the dynamic nature of É let is interesting in a good way. There’s a soft piano intro, subdued verses and powerful choruses, and it’s almost like riding on a slow rollercoaster. There are plenty of ups and downs, but it doesn’t make you nauseous and you’re a little sad when you have to get off.
- Kalandor – Eurovision already has a folksy song for the year, and I’m not sure this one has the strength to win A Dal anyway, but it’s nice easy-listening, elevated by the fact that it’s not in English.
- Fall Like Rain – While I can acknowledge that this is a good song, I find it quite dated (and there are times when I just want Gina to shut up). I don’t think it’s the best choice Hungary can make in terms of a Eurovision entry, but I like the haunting, spiritual feel and the originality.
Now, as A Dal will make one more cut before congratulating a winner, it’s time to think about who’ll make it through the jury voting round – then be paraded in front of the public, who are the ultimate decision-makers (a good way to operate an NF, isn’t it, Spain?).
Predicting the top four I’m thinking Totova etc, Joci Pápai, Gigi Radics + Gina Kanizsa. There’s potential bumping space for Kállay Saunders Band or Leander Kills, in which case I think Gigi or Gina will miss out on the final four. But, based on the results of the heats and semis, this should be a safe bet for the top four (not that I’m actually betting. For someone who struggles to get things 50% correct, it’s a bad idea). Totova and guests plus Pápai are shoo-ins.
Who’s in it to win it? It looks like another Freddie (albeit a far less attractive one than 2016’s) will be heading to Kyiv on behalf of Hungary in May, as part of Totova’s posse. Hosszu Idők is a recipe with all the right ingredients to rise to the top, and has had the jury and public support in past weeks that it needs to fly through both stages of the comp tonight. I will be surprised if it doesn’t win.
If you’re as hungry for Hungary this year as I am, then you’ll have something to say about A Dal – so spill! Is this ticket to Eurovision Totova’s to lose, or should she be watching her back? Is there any chance András Kállay Saunders will make it to Eurovision again this year (Seventeen for 2017)? Give up your internal gossip in the comments.
Of course, if you want to chat about anything else that’s happening in the ESC bubble this weekend, I’m all ears. If you want to have an intense conversation about your personal problems, I may not be the best person to talk to, so stick with Eurovision for now. You can always book an appointment later with the same therapist you saw after Objetivo Eurovisión concluded last weekend…
Enjoy all of the national final action ahead, guys – I’ll see you on the other side when we have three more songs for Ukraine!
SELECTION SEASON 2017 | Talking all things Estonia, Sweden + Spain on the most super-sized NF weekend so far!
Bonjour, mesdames et messieurs! I feel like I can use that as a greeting with some relevance, since France dropped their Eurovision 2017 entry on us earlier in the week, just in time to steal some of Germany’s thunder. Not that Germany had that much to steal in the first place, but more on that in another post (for now, I’ll just say that red, white and blue > red, black and yellow). My point is, any opportunity one gets to throw around some random, stereotypical French should be taken. Oui oui!
France is just about the only country where there ISN’T any NF action going on this weekend – a weekend so full of finals (and heats, and semis…all the good stuff), there’s not enough room for all of them to trend on Twitter. Feast your soon-to-be-weary eyes on this lot:
- 11/2 Estonia’s Eesti Laul – semi final one (feat. Lenna Kuurmaa, Elina Born + Ivo Linna)
- 11/2 Ukraine’s untitled NF – semi final two (feat. Kuznetsov + Ilaria)
- 11/2 Italy’s Sanremo Music Festival – the final (feat. Michele Bravi, Elodie + Alessio Bernabei)
- 11/2 Hungary’s A Dal – semi final two (feat. Ádám Szabó, Kállay Saunders Band + Roma Soul)
- 11/2 Sweden’s Melodifestivalen – semi final two (feat. Mariette, Lisa Ajax + Benjamin Ingrosso)
- 11/2 Lithuania’s Eurovizijos – heat six (feat. Mia, Sasha Song + Aistė Pilvelytė)
- 11/2 Spain’s Objetivo Eurovisión – the final (feat. LeKlein, Paula Rojo + Mirela)
- 12/2 Latvia’s Supernova – heat two (feat. Markus Riva + My Radiant You)
- 13/2 Israel’s Rising Star – the final (feat. Julietta, Diana Golbi, Beatbox Element + Imri Ziv)
Visit eurovision.tv for all of the live-streaming links. And because it might be lonely and want to have a cup of coffee and a chat with you.
What will you be watching? You’ve got about as much chance of catching everything at once as I do of covering it all here – so I guess we’ll both have to pick our priorities.
To be honest – as if the title of this post wasn’t a giveaway – I’ve already decided where my loyalties lie. So, if you want some verdicts on/predictions for Eesti Laul, Melodifestivalen and Objetivo Eurovisión, you’ve come to the right blog.
Let’s muse about the music!
Estonia: Elina Born is back as Eesti Laul begins…but is she In Or Out?
It’s a good thing there isn’t a prize for Best Blog Subtitle, ‘cause I wouldn’t be winning any for that one. Blame Elina Born, who went and signed herself up for Eesti Laul as a soloist – for the second time – with a Stig Rästa song that begs to be used in many punny ways (it’s the new That Sounds Good To Me). Girl has said Goodbye To Yesterday and hello to a shot at competing in Kyiv, and her quest begins tonight with the first semi final of Estonia’s always enjoyable NF.
Of course, she’s not the only act competing this evening, so I shouldn’t devote too much screen space to her alone. Elina will be the second of ten acts to perform, and here’s a rundown of them all:
- Slingshot by Lenna Kuurmaa
- In Or Out by Elina Born
- Everything But You by Carl-Philip
- Suur Ioterii by Ivo Linna
- Feel Me Now by Ariadne
- Supernatural by Uku Suviste
- Hey Kiddo by Laura Prits
- Have You Now by Karl-Kristjan & Whogaux feat. Maian
- Valan Pisaraid by Janno Reim & Kosmos
- Hurricane by Leemet Onno
As usual, Estonia is providing us with an interesting set of songs, many of which take some second or third listens to figure out (it’s a pre-selection of acquired tastes, IMO, which is not a bad thing because it speaks for the complexity of what ERT program the show with). Sadly, I don’t have the luxury of being able to listen more than once – and in some cases, my first impressions are based on snippets (with a Eurotrip three weeks away and other commitments calling, time is like thunder short for me at the moment). Here are the semi one songs that stood out to me with minimal exposure.
My top five In Or Out, Everything But You, Feel Me Now, Supernatural + Have You Now. My favourites from this shortlist would be In Or Out (the trumpeting might be passé, but it’s still enjoyable) and Have You Now (which is obviously an Estonian tribute to The Chainsmokers). There’s nothing super-duper dated – or plain terrible – in the whole semi, though. Not even Ivo Linna is acting his age, musically-speaking.
Predicting the ACTUAL top five Slingshot, In Or Out, Feel Me Now, Hey Kiddo + Have You Now. I won’t say where I pulled this prediction from (in the interest of maintaining some degree of ladylike elegance) but let’s just say it’s unreliable. On the other hand, if it turns out to be 60%-100% right, I’ll claim that I produced it after a careful, educated analysis. K?
Do you think Eesti Laul’s off to a good start? Is there someone in this first semi who can do what Juri Pöötsmann couldn’t and get Estonia to the Eurovision final again (without giving the impression that their hobbies include dismemberment, and preserving vital organs in formaldehyde)? Let me know in the comments.
Sweden: Melfest makes it to Malmö for a big-deal Deltävling 2
That’s right – we’re taking a trip back to Malmö Arena, where those of us who were otherwise engaged during Petra Mede’s Melfest hosting gig may have first laid eyes on her when she owned Eurovision in 2013. Unfortunately, some might say, tonight ain’t about Petra – it’s about the seven acts who all want to follow in Ace Wilder and Nano’s footsteps (I assume) since they lead straight to Friends Arena in Stockholm, and the Melfest final.
- A Million Years by Mariette
- Himmel Och Hav by Roger Pontare
- Up by Etzia
- Vart Haru Varit by Allyawan
- Hearts Align by Dismissed
- I Don’t Give A by Lisa Ajax
- Good Lovin’ by Benjamin Ingrosso
We’re down one returnee from last week, with Mariette, Roger Pontare and Lisa Ajax in the mix. In Göteborg, just two of the four comeback acts progressed, and with only one real contender standing/dancing in the way of Mariette etc’s direkt and AC spots, can they all make it through? SHOULD they? Melodifestivalen raises some tough questions. Luckily, they’ll be answered later, but I’ll have a go at filling in the blanks in the meantime.
My top four
- A Million Years – Is this better than Don’t Stop Believing? I don’t think so, but it’s similarly intriguing and contemporary. The lyrics are a little cliché, and that ticks me off as a writer who goes out of their way to avoid clichés. I really need access to the complete package before I make my mind up about Mariette 2.0. Potential for greatness is here, though.
- Vart Haru Varit – This is Adrijana’s Amare with a male singer and a slight increase in mass appeal. It’ll probably make just as much of an impression as Amare did (i.e. none whatsoever) but dang it, I love Swedish hip-hop!
- I Don’t Give A – In case you missed the barely detectable F-bomb (times ten) in Lisa’s sequel to My Heart Wants Me Dead, yes, it exists (#sarcasm). It’s not necessary in a song that lacks the Zara Larsson attitude and style I was expecting. Still, expletives aside, there’s pros a-plenty to be found in I Don’t Give A. The pop ballad style lets Lisa show off her amazing vocals, and all in all it’s very ‘now’. Well, I think it is. I’m not too tuned in to what the youths of today are into *returns to knitting an intricate sweater for my dog*.
- Good Lovin’ – Maybe I’m biased, given that I practically had a heart attack when my beloved (in a platonic way as he’s a bit too young for me) Benjamin was announced as a Melfester for 2017…but THIS KICKS BUTT. It’s everything I want in a pop song and more. It also manages to be both what I was expecting, and something completely different. Slick, smooth, and well-sung. Så brå.
- Himmel Och Hav – I actually toyed with having Roger in my top four thanks to the great atmosphere and ethnicity of this track. As someone who never fell hard for When Spirits Are Calling My Name, I could learn to like this more than that. GASP!
- Up – I know this isn’t culturally similar to Kizunguzungu, but it’s easy to compare the vibes of the two. I can’t see Etzia sharing SaRaha’s success in a) going through to Andra Chansen, and b) getting out of it. Up is catchy, but pretty pedestrian overall.
- Hearts Align – This is okay. It’s fine. The performance and costuming choices will be the biggest talking point though. No chance of direkt for Dismissed, methinks.
On that note, it’s time to make a few predictions. Last week I somehow managed to be 100% correct, so I’m going to do my best not to ruin that this time.
Who’s going direkt? Mariette + Lisa Ajax. Based on such data as Facebook likes, Mariette seems to be the Nano of this week’s show (swap the man bun for dreadlocks and the difference is undetectable) in that the heat is hers to lose. Lisa’s song might divide voters (unless the f-word is on par with ‘darn it!’ in Sweden) but I have no doubt she’ll nail it live, and it’s big enough to leave a lasting impression. The swearing actually makes the song more memorable, I must say.
Who’s off to Andra Chansen? Benjamin Ingrosso + Dismissed. I desperately want Ingrosso to go straight through, but girl power is likely to pip him at the post. Fourth place could go to Roger Pontare if Sweden is still feeling his flow, but I suspect it might go to Dismissed as Hearts Align screams Andra Chansen to me.
In the immortal words of Elaiza, is it right or is it wrong? Do you think you know who’ll go where when the results of Deltävling 2 are revealed? Tell me more!
Spain: Which of the six singers will fill Barei’s dancing shoes?
Si, amigos – Objetivo Eurovisión is back, albeit without Brequette (maybe 2018 is your year, queen). The line-up is much more diverse than it was in 2016, which makes the outcome harder to predict. But we can’t complain about variety and (reasonable) quality all round…can we?
- Do It For Your Lover by Manel Navarro
- Ouch! by LeKlein
- Lo Que Nunca Fue by Paula Rojo
- Spin My Head by Mario Jefferson
- Momento Critico by Maika
- Contigo by Mirela
I don’t know about you, but I can clearly divide up these six songs: there’s two that I absolutely adore, two that I quite like, and two that I wouldn’t miss if I never heard them again. And I have no idea whether Spain will think along the same lines, or choose a song that has no chance of reversing their Eurovision fortunes. One thing’s for sure – I’ll be sitting on the edge of my seat while waiting for them to make up their collective mind.
My top six
- Ouch! – This song is ridiculously sublime. I can’t take LeKlein’s screams of ‘ouuuuuuuch’ seriously (she sounds exactly like me whenever I stub my toe on something) but I love everything else about her potential ESC entry. I love the grammatically awkward lyrics, the melody of the verses, the power and anthemic quality of the chorus, the polished production…it’s all very bueno. Now, if only she could carry it off live without numerous unstable vocal moments…
- Contigo – It’s no Nada Es Comparable A Ti (not only my fave NF effort from Mirela, but one of my fave NF songs ever) but then again, it’s not supposed to be. It’s an instantly infectious, ethno-pop triumph that needs to be a World Cup theme ASAP. The lyrics might be rubbish (I speak zero Spanish and have not yet Google-translated them) but who cares? Sometimes you just want to get up and dance and have a good time – a fiesta then a siesta – without considering the meaningfulness of lyrical content. Contigo is perfect for that purpose.
- Spin My Head – I feel like having your head spun up (as opposed to around) would be painful, but Mario seems to be welcoming it. Again, this isn’t going to win any awards for substance, but I would wave my hands in the air like I just didn’t care to it in a club (or in the supermarket. Whenever, wherever, as Shakira would say). The Spanglish chorus is decent when it could have been a disaster.
- Do It For Your Lover – Speaking of Spanglish, here’s a mixed-language version of The Lazy Song by Bruno Mars. That’s not a negative, but I do wish Manel was offering up something more original. I also wish ‘do it for your lover’ wasn’t repeated nearly THIRTY times in three minutes. What is ‘it’, anyway?
- Momento Critico – Maika is not a woman I’d want to mess with, so in case she ever reads this, I’m going to point out the positives of her Objetivo song. It’s unashamedly rocky. It has attitude. It’s somewhat memorable (although I have forgotten how it goes now that I think about it. But I know I thought it was kind of memorable). It’s not bad. Please don’t come at me with an industrial-sized blowtorch, Maika.
- Lo Que Nunca Fue – Boring. Sweet and cute and charming in a countrified way, sure, but this leaves no impression on me whatsoever. It’s totally forgettable, and if there’s a hook in it, I can’t hear it. All of this means it’ll probably win.
Who SHOULD win LeKlein or Mirela. Yes, they’re my personal top picks, but I genuinely believe they have the best odds out of the six of making Spain’s trip to Ukraine worth it. I’m not saying they’re Eurovision winners, but if either one wins tonight and takes advantage of the gap between now and the contest (to revamp and maybe take a few singing lessons) anything’s possible.
Who WILL win I want to scream ‘SEND HELP!’ on this one, because I cannot decide. I’m not even convinced that one of my preferred two will win. I’m going to rule out Maika and Mario. Paula and Manel are my dark horses. The failure of Maria Isabel’s ethno-pop to get far last year gives me doubts about Mirela…so that leaves LeKlein. She’s already proven she appeals to the public (winning the Eurocasting round is why she’s in OE) and if she produces a more polished live rendition of Ouch! tonight, she could win this too. Or not, and I’m just wishful thinking.
In a shocking turn of events, I want to know what you think about the Spanish show. What’s good, what’s bad and what’s even worse in your opinion? And, more importantly, who’s going to win? You’ve got a 1 in 6 chance of getting it right!
Whatever you’re watching this evening (or tomorrow morning, if you’ve also been screwed over by your time zone), I hope to see you on Twitter for some 140-character or less fun times. We Eurofans know how to party, even if it’s just on social media.
May the best songs win (or qualify)!
In case you hadn’t noticed, today’s Saturday – but not just any old Saturday. It’s the first Saturday of February, and that means that a big ball of national final brilliance is about to bounce down on the basketball court that is the Eurovision selection season.
Did that make sense? All I meant was that Frantic February™ is here, and I’m freaking excited about it. I’m guessing you are too if you’re reading this!
What’s even more exciting than a busy Saturday night for NFs is an entire weekend of pre-ESC song contests, and that’s exactly what we’re getting. But be warned: with mostly heats and semis taking place over the next two days, only one more Eurovision entry will be chosen.
Here’s this weekend’s schedule:
- 4/1 Hungary’s A Dal – heat three (feat. Benjámin Pál + Gigi Radics)
- 4/1 Lithuania’s Eurovizijos – heat five (feat. Sasha Song, Edgaras Lubys + Mia)
- 4/1 Sweden’s Melodifestivalen – semi final one (feat. Boris René, Dinah Nah, Charlotte Perrelli + Ace Wilder)
- 4/1 Ukraine’s untitled NF – semi final one (feat. SKAI, Monochromea + Arsen Mirzoyan)
- 5/1 Latvia’s Supernova – heat one (feat. Katrīna Cīrule + Lauris Valters)
- 5/1 Switzerland’s Die Entscheidungsshow – the final (feat. Ginta Biku + Timebelle)
You guys know I’m a one-woman band who cannot physically cover all of the above, so I’ve got to be more selective than SVT’s Melfest screening process. Right here, right now, I’m singling out the national finals from Sweden (obviously) and Switzerland (believe it or not) to review and predict. Let’s get into it!
How Swede it is: Marvellous Melodifestivalen has arrived!
Like every other epic event that takes place each year (e.g. Eurovision, Junior Eurovision, September 1st when most people carry on as normal but the collective ESC fandom sits up a little straighter) Melodifestivalen comes around very slowly – but once it’s here, it feels like we were discussing the start of the previous year’s edition five minutes ago.
And so, right on cue, the Holy Grail of national finals (in my Sweden-obsessed opinion) is back for 2017. Based on what’s being served up in tonight’s first semi – which will go live from Gothenburg’s Scandinavium in just a few hours – it’s back with a bang. That makes for an extra happy Jaz, since I’ve booked myself a butt-space in Friends Arena for the final. IS THIS EVEN MY LIFE?!?!?
Talking about tonight, though…opening the comp is one of the surprise successes of ’16, Boris René. Closing will be newcomer Nano. In-between the two are Dinah Nah, Charlotte Perrelli, Ace Wilder and many, many more. Well, actually just two more, but I’m too hysterical to not exaggerate. Who’s with me?
Semi Final 1:
- Her Kiss by Boris René
- Amare by Adrijana
- One More Night by Dinah Nah
- Road Trip by De Vet Du
- Mitt Liv by Charlotte Perrelli
- Wild Child by Ace Wilder
- Hold On by Nano
Pretty much all bases (aces of bases?) are covered in this kick-off heat, with retro-pop, hip-hop, dance, acoustic, straight-up pop and EDM on offer. Who will rise to the occasion, scoring themselves a ticket direkt till finalen or to Andra Chansen…and who will fall at the first hurdle? It might take some serious song scrutinisation to figure that out (after which I’ll still be super-duper wrong).
My top four
In performance order, BTW.
- Her Kiss – This is less contemporary than Put Your Love On Me (RIP litter box) but you can’t tell me that it wouldn’t shoot straight to #1 on the charts if Bruno Mars was behind it. Don’t underestimate Boris’ ability to bring it into the now via an energetic and charismatic performance.
- Amare – Adrijana’s debut won’t be everyone’s cup of kaffe, but I have a thing for the Swedish language in an urban, rap-oriented context. It just works, hence why I loved Behrang Miri’s Det Rår Vi Inte För and why I love this.
- Wild Child – At 34, Ace is technically a wild woman. She’s also not the strongest of singers, so perhaps it’s a good idea for the verses of this song to be spoken/shouted. Surprisingly, I’m digging the sound of Wild Child so much, it may turn out to be my favourite of her three Melfest entries to date. They’ve all been different, but have always had real ‘Ace’ attitude, and this is no exception.
- Hold On – SVT know just when to throw a curvy enough curveball to convince us that they aren’t that predictable after all. It was assumed that the last song on stage would be Ace’s, but they’ve made it Nano’s instead…and I TOTALLY GET IT. It gives me goosebumps, even before the beat kicks in and the chorus explodes. Sure, it’s very reminiscent of Feel The Love by Rudimental, but you know what? That song is the bomb, and I think this one is too.
- One More Night – I’m a little disappointed in Dinah, because this song is right out of Dance Tracks for Dummies (whereas Make Me La La La was in a league of its own). It’s still catchy and well-produced though, and her hair is still pink enough for me to forgive her. Hashtag hair heaven.
- Road Trip – This is Samir & Viktor meets JTR, and I can get on board (pun intended) with that combo. It’s silly but not too silly, so rather than being a novelty song, it’s a fun contender. And it does make me want to go on a road trip, so…mission accomplished, I guess.
- Mitt Liv – I don’t get all the hate on this one. No, it’s not bringing us the Charlotte Perrelli we know and love (and once were a little scared of. Remember 2008?) but I think there’s something charming and calming about her stripped-back, not-in-it-to-win-it approach to Melfest this time. There’s a song just like Mitt Liv in basically every Deltävling 1, and it never goes anywhere – but that doesn’t mean it’s horrendous.
‘No more stalling’, I can hear you guys saying. ‘We know what you think of the songs, but where the heck are they headed?’. Well, friends, here are my attempts at predicting exactly that. Prepare to laugh until you’re gasping for breath.
Who’s going direkt? Ace Wilder and Nano. I haven’t picked Ace because she’s a predictable finalist – she’s not really, since for all I know Sweden is sick of her popping up and yelling at them. I just don’t think she should be under-hyped, and Wild Child is a standout in this semi in terms of instant, infectious pop music. Nano has the advantage of performing in a position that has only proven unlucky for two acts since the introduction of the semi system to Melfest. He also has a sensational song up his sleeve that may leave Ace Wilder in second place of the seven.
Who’s off to Andra Chansen? Boris René and De Vet Du. Boris will do a great job of setting the tone for the evening with the irresistible Her Kiss, and I’m fairly confident (or am I just hoping because I LOVE him?) that he can mimic his AC -> final journey this year. De Vet Du are a classic ‘Not Quite Direkt Material But Good Enough For A Second Chance’ act. Need I say more?
I will be saying more during the show, so visit me on Twitter (hint hint) to check out my (hopefully hilarious) comments, and to see my updated predictions after all seven songs have been performed. In the meantime, what are your thoughts on Melfest’s first semi? Which two acts will be the first to book their own bit of butt-space in the Friends Arena green room, and who’ll have to fight their way out of AC to get there? Let me know down below.
That’s Saturday’s most exciting event taken care of. YES, I SAID IT. If you want to argue about it:
Now, let’s wing our way over to Switzerland and see what they have in store for us on Sunday evening.
An (almost) all-female final for Switzerland…but which woman will win?
The Spice Girls would be psyched about the Swiss NF (‘the Swiss NF’ is easier to type and pronounce than Die Entscheidungsshow, let’s face it) because it is positively packed with girl power! The boys backing up Timebelle’s lead vocalist Miruna are it on the non-female front.
- The Fire In The Sky by Nadya
- Cet Air Là by Ginta Biku
- Two Faces by Michèle
- Gold by Freschta
- Exodus by Shana Pearson
- Apollo by Timebelle
I hate to say this, but I always have low expectations of Switzerland. They can be relied on to choose the cream of a very average crop, but the fact that their line-ups are so frequently sub-par is disappointing.
Thankfully, I’ve been pleasantly surprised by the standard in 2017. There’s one song I’m not keen on, but the other five range from good to great to ‘SHUT UP AND TAKE MY DOUZE POINTS.’
My top 6
- Apollo – Timebelle’s last Entscheidungsshow entry Singing About Love was a super cute pop-rock number, but I like this pop ballad better. Is it the most original thing I’ve ever heard? Nope. Jessie J might have released something very similar five years ago. Still, it ticks all the boxes for a song of this style, and the tried-and-tested formula still works. It’s extremely enjoyable.
- Two Faces – It’s about time someone tried to get to Eurovision with a song about baking sweeteners and table seasonings! Okay, so there’s more to Michèle’s song than sugar and salt. Including a bit of a youthful, edgy, Zara Larsson vibe. The cool factor is high and the originality is too.
- Cet Air Là – This is such a mish-mash of genres, languages and time periods, it should be a disaster. But, unnecessary la la las aside, I really like it. The ethnic instrumental parts make it exotic, and the French chorus is like a sexier Loin D’ici. Eurovision 2006 meets Eurovision 2017.
- Gold – Adele called, and she wants her B-side back, Freschta. That’s not an insult, because I like this too. I’m simply saying that it’s no Someone Like You or Hello. But I appreciate Gold for what it is, which I’m going to label ‘rawthentic’.
- Exodus – Shana’s song is 80% decent, 20% not-so-much. Majority rules. And I definitely wouldn’t say no to a dance if it came on in the (Euro) club.
- The Fire In The Sky – This one’s too dated and melodramatic for my taste. Georgia let something like it win their NF, but I’m hoping Switzerland doesn’t follow in their dreary footsteps.
Measuring the quality of this final in Melfest terms, I’d say that it’s not as across-the-board awesome as the semi we looked at before (Sweden is no stranger to producing heats that outdo the concluding chapters of other countries’ NFs). But Switzerland have three or four excellent potential Eurovision entries at their disposal. Which one – if any – will they go for?
It’s time to decide.
Who SHOULD win Timebelle or Michèle. I’d also be interested to see Ginta on the ESC stage (she’d stand out, that’s for sure). For mass appeal and the best shot at success though, Timebelle is the smart option. For the sake of sending something cool and unique to Ukraine, that’s where Michèle fits in. The ball’s in your court, Switzerland. Hit it in whichever direction you want!
Who WILL win Timebelle. What can I say other than I think their timebelle has come? I think Michèle may be too offbeat FTW. My underdog pick is Freschta.
In your mind, who should and will go to Kyiv on behalf of Switzerland? Will Rykka’s squatting make an unwanted comeback when they get there (it’s no Macarena, but it may have caught on)? The comment box is waiting for your opinions, and so am I! I’m not curious – I’m just plain nosy.
I’m exhausted after all that rambling, so I’d better go have a power-nap before Melodifestivalen starts (at the perfectly civilised hour of 3am my time…but I willingly set my alarm earlier than anyone ever should at this time of year). Whether you’ll be joining me watching that magnificent beast get underway, or you’re tuning into Hungarian, Lithuanian or Ukrainian shows instead, have fun. I’ll see you when Frantic February’s first weekend is over and we have even more stuff to ramble about!
Hello there, you stunning creatures! No, I haven’t dived off the deep end (yet). It’s just that, well…didn’t you know that when One Direction sang ‘that’s what makes you beautiful’, they were talking about obsessing over Eurovision? It gives us all a constant, pregnancy-esque glow, except the only thing we’re pregnant with is excitement about all the NF action of the moment.
Speaking of which, let’s get straight into discussing it. We’ll start with what’s happening this weekend:
- 27/1 The United Kingdom’s You Decide – the final (feat. Olivia Garcia + Lucie Jones)
- 28/1 Finland’s Uuden Musiikin Kilpailu – the final (feat. Alva, Emma + Norma John)
- 28/1 Hungary’s A Dal – heat two (feat. Kállay Saunders Band, Zoltán Mujahid + Ádám Szábo)
- 28/1 Lithuania’s Eurovizijos – heat four (feat. Alanas Chošnau + Audrius Janonis)
It’s not quite as crazy as some upcoming weekends will be, but there’s definitely enough to keep us happy (and/or complaining bitterly) until the same time next week. I’m going to filter my focus down to the goings-on in the UK and Finland, tonight and tomorrow respectively.
3, 2, 1, GO!
The UK’s songs for Europe: A step up or a stack down the stairs? You Decide…
See what I did there? I hope so, because without trying to be offensive, I think even Corinna May saw what I did there.
Yep, it’s You Decide that will decide this year’s UK entry, yet again. But in the meantime, all of us fans have been deciding what we think of the line-up – with a different opinion coming from anyone who’s asked. A lot of people seem to be describing the overall quality, variety and fun factor of Danyl, Holly, Lucie, Nate, Olivia and Salena (who should just form a band called ‘We All Sound Super British’ already) as beige, via Pantone colour charts. As someone who’s rather fashion-focused (i.e. I never get tired of critiquing Eurovision costumes), I’m going to try something slightly different:
That sums up my general attitude towards the tracks. I’m not peeing my pants with excitement over them (probably not a bad thing), but in my opinion, they’re not half as bland and boring as their 2016 counterparts, of which Joe and Jake were definitely the most interesting choice. Here they all are in we-have-no-running-order-yet order:
- Light Up The World by Danyl Johnson
- I Wish I Loved You More by Holly Brewer
- Never Give Up On You by Lucie Jones
- What Are We Made Of by Nate Simpson
- Freedom Hearts by Olivia Garcia
- I Don’t Wanna Fight by Salena Mastroianni
All six are semi-decent songs (some more than others) performed by perfectly good (in studio, at least) singers, all of whom have appeared on The X Factor (nothing wrong with that – TV talent shows dot the background of bajillions of ESC artists these days). I feel confident in saying that there isn’t a Eurovision winner among them, but it’s too early to predict what the UK may be capable of besides clawing their way back to the top of the scoreboard for the first time since 1997. Let’s take things, as Maria Olafs would say, one step at a time, and see who produces a live performance that scores them an automatic spot in the Eurovision 2017 final.
My top 6
- I Wish I Loved You More – I know this sort of pop power ballad has been done to death and is pretty passé in 2017…but I still enjoy it! This particular example is catchy, climactic and not too lyrically clichéd. 10 points.
- Freedom Hearts – There’s something about this that makes me feel like it needed another week or two of tweaking by the writers/producers. But it’s still good. Kind of like an updated (or sequel to) Children of the Universe. 8 points.
- Never Give Up On You – We can’t discuss this one without mentioning co-creator Emmelie de Forest. It’s not quite what I expected from her, but there’s appeal in the pared-back production and heartfelt delivery from Lucie. I still want some drums and strings to drop in and elevate the last chorus. 8 points.
- I Don’t Wanna Fight – If there were ever a movie musical starring Dua Lipa as a Miss Universe contestant demanding world peace, this would be her swan song. Miraculously, that kind of works for me (although the lyric ‘only love survives’ HAS to be a bad ESC-related omen for Salena). 7 points.
- What Are We Made Of – I hated this after my first listen, but giving it another go led to me liking it as much as I like the average John Legend piano ballad – which is a reasonable amount. 6 points.
- Light Up The World – Musically and melodically, I enjoy this. Lyrically, it makes me want to go on some sort of King Kong-like rampage. It’s 2017…when will the cheese be binned? It’s well past its use-by date. 5 points.
Now my verdicts are in, the usual questions can be answered. Firstly, this one:
Who SHOULD win Holly, Olivia or Lucie. Basically, because they’re my favourites. If Holly can deliver a vocal that even comes close to her studio version, it will be amazing – her live could really lift IWILYM to a higher level. Olivia and Lucie have the most original songs up their sleeves, and that should be rewarded.
Now for this question, which will cement my status as The Crappiest Predictor in the World™ (although I did guess Belarus correctly last week. It scared me a little).
Who WILL win Olivia or Lucie. They’re top two with the bookies (Lucie first, Olivia second) but I typed their names before I checked the You Decide odds. That’s because their songs stand head and shoulders above the rest in terms of giving off winner vibes. Freedom Hearts is a good example of a contemporary pop anthem, mature enough for the ESC but youthful enough to suit sixteen-year-old Olivia. Never Give Up On You has the de Forest advantage, which may or may not matter to the juries and voters, but it gives the song a certain calibre. It stands out as the most stripped-back and sentimental song of the six too. I’ll be surprised if it isn’t one of these ladies who gets the UK’s golden ticket.
In the interests of not fence-sitting for once, here’s my number one pick FTW.
Who’s yours? Which of these X Factor exes has got the goods to go all the way to Kyiv…and how far can they go once they get there?
As I said in a previous post, I don’t trust UMK to crown a champ who’s the best possible Eurovision rep for Finland. Sandhja herself caused an upset by beating out fan favourites Saara Aalto and Mikael Saari…and look what happened as a result. The Finns have been ESC semi final stayers for two years now, and what they’ve got going on in the UMK 2017 line-up is 50% songs that could change that, and 50% songs that will have them missing out on the final for the third time in a row. Can you guess which are which, IMO?
- Circle of Light by Emma
- Arrows by Alva
- Love Yourself by Günther & D’Sanz
- Reach Out For The Sun by Anni Saikku
- Caveman by Knucklebone Oscar & The Shangri-la Rubies
- Blackbird by Norma John
- Helppo Elämä by Lauri Yrjölä
- My Little World by Club Le Persé
- Perfect Villain by Zühlke
- Paradise by My First Band
I’ll drop some heavy hints with my ranking + mini-reviews.
My top 10
- Helppo Elämä – This is weird in a wonderful way. I love that the lyrics are native language (Finnish is so whimsical-sounding, it immediately adds interest to anything from songs to conversations about compost), and I love the overall production and sound. 10 points.
- Blackbird – Simple and beautiful. The chorus brings actual tears to my eyes. 8 points.
- Arrows – I know I’ve already mentioned Maria Olafs once in this post, but I have to do it again. This is Unbroken updated for 2017, but it far better on the grounds that it isn’t half as repetitive. 8 points.
- Reach Out For The Sun – I can’t remember how this goes, but I know I quite like it, even though it never escalates into a statement piece. 7 points.
- Paradise – I’d rate this higher if the lyrics weren’t so unnecessarily suggestive (and at times, nonsensical). I don’t want to be left alone with any of these guys. 7 points.
- Circle of Light – The final installment in the Only Teardrops trilogy (part two was Hear Them Calling) is the fan favourite, but it’s not my thing and I feel like it’s past its prime. 6 points.
- Perfect Villain – I think Eurovision has moved on from stuff like this, but I have to applaud the lyrical originality. It’s so thought-provoking. I mean, what WOULD the X-Men do? 6 points.
- Love Yourself – Nope. 3 points.
- Caveman – Double nope, and not even close to wunderbar. 2 points.
- My Little World – How many nopes have you got time for? 1 point, because the chorus isn’t totally obscene.
How does your ranking stack up to mine? Do you despise the three (!) novelty entries, or are you hoping one of them comes out on top. It wouldn’t shock me if one of them did.
Who SHOULD win Norma John or Alva. As much as I personally would love to see Lauri on the Eurovision stage, Blackbird and Arrows would make for better, more successful ESC entries. Norma John would bring the bare-bones emotion (á la Never Give Up On You from the UK) while Arrows would be a sweet sorbet for us to enjoy between bigger, louder and more serious songs.
Who WILL win Emma or My First Band. These are the acts that topped the UMK pre-vote, so I’m not game to discount either of them, even though I’m convinced that Finland could pick any of the ten possibles depending on which way the wind blows on the night (sorry to any Finns reading this – I’m not suggesting that you’re fickle, but UMK seems to be). If Circle of Light takes the prize, I suspect it will be more Hear Them Calling than Only Teardrops at the big show, but it’s too soon to say so for sure. Peer pressure – and yes, those pre-vote results – pushed me into calling My First Band as likely victors, despite THOSE LYRICS. They make the song more disturbing than Serhat’s I Didn’t Know, which is really saying something. But hey – that’s a gimmick in itself, right?
Ultimately, I’m going to side with Emma-lie de Finland Forest.
Do you think Finland will be safe in the circle of light, or heading off to paradise? Or neither? Make your predictions public now to be in with a chance of saying ‘I told you so!’.
That’s all I have to say on the UK and UMK for now, but when the shows are over, another conversation can start. When I say ‘conversation’, I of course mean an all-out war of words between those of us who love the winning songs and those of us who wouldn’t touch them with a ten-foot-pole. There’s something to look forward to!
Have fun tuning in to your NF/NFs of choice this weekend. If there’s anything you want to say about them, before, during and after, then hit up the comment box down below 🙂
It’s almost the end of January (holy Helena Paparizou!), but it doesn’t seem like much has happened during national final season. We’ve still got forty Eurovision 2017 entries to find and/or hear (forty-one if you include Albania’s Botë undergoing an extreme makeover) and the weekend finals are drip-dropping through Safura-style – not flooding in like they will in February.
But remember, not all of the interesting stuff is related to end results. We’re at a point in time when NF participants are consistently being unveiled, music is being released, heats are being held (or postponed, in Hungary’s case – my thoughts are with everybody affected by that tragic bus crash on Saturday) and news is breaking. So it’s been a more exciting month than it might seem! There’s been highs, lows, claims of plagiarism…basically, it’s your bog standard selection season, and we wouldn’t want it any other way.
I’m going to celebrate that today by singling out some of my favourite and least favourite parts of the glittery pathway to Kyiv to date. Anything NF-related was up for grabs, so read on to find out who/what has made me shed sneaky tears of both happiness and sadness as I bow before the Eurovision shrine I have in my bedroom (am I joking? You’ll never know MWAHAHAHA). Be sure to share your personal highlights and lowlights with me when you’re done!
The blonde bombshell is back! Anja Nissen’s return to DMGP
About a year ago, when The Voice Australia winner Anja Nissen was announced as a participant in Dansk Melodi Grand Prix 2016, I was over the moon thinking that I might be able to cheer for not one, but TWO Aussies while in Stockholm. That would have given my ‘Strayan flag a workout. But it wasn’t meant to be, despite Anja producing a flawless performance of Never Alone on the night (to be honest, Simone and her Heart Shaped Hole ended up being what I was crossing my fingers for anyway…so I was still devastated by the outcome). But our girl must have been buoyed by her second-place finish, because she’s back – hopefully with a) a bang, and b) the big guns! I’ve been so down in the dumps over Oscar Zia – Melodifestivalen’s most recent runner-up – saving himself for a beyond-2017 comeback, I didn’t stop to consider who else around Europe might give Eurovision glory another go. Now, ‘Danish Star Wars Episode II: Anja’s Return’ is a sequel I’m going to be first in line to see, and I really want it to be better than the original. In other words, without knowing how Anja’s competition measures up, I WANT HER TO WIN. She’ll be belting out Where I Am, a song co-written by X Factor Australia alumnus Angel Tupai, on February 25th at the Jyske Bank Boxen in Herning. I cannot wait.
First-time native tongue: Belarus’ golden ticket goes to a Belarusian song
It sounds strange to say it, but we’ve never had the Belarusian language on the adult Eurovision stage before. We’ve heard Crimean Tatar once and made-up stuff THREE times (Belgium’s a big fan) but between 2004 and 2016, it was heavily-accented English all the way for Belarus. Those of us who are Junior Eurovision fans might feel like that’s even less true, as all the Belarusian we’ve been exposed to there blends in with the country’s thirteen past ESC entries. And I have to mention their debut My Galileo, which, as a friend and I were joking about bitchily on Twitter the other day, may as well have been in a LOTE. But the freshly-crowned winners of a ticket to Kyiv known as NAVI will become the first act to head into our favourite musical battle armed with a song in Belarusian. That’s assuming the duo don’t do an English re-write of Historyja Majho Žyccia – but, as they’re famed for their folksy, 100% foreign-language back catalogue, it’s unlikely. As much as they might benefit from throwing a token English chorus in at the end, I’d encourage them not to. With English taking over at the ESC these days, singing in something else makes you stand out and diminishes the same-same effect of one non-ethnic, all-English song after another. Keep us happy by staying true to your style, NAVI. Pretty please?
A Dal delivers the goods once again: My discovery of Deák
You guys know that I’m hopelessly devoted to Melodifestivalen – but that doesn’t mean I don’t have any vacancies in the hotel of my heart for other national finals. I love both MGPs, I love MESC, I love Eesti Laul…and I absolutely adore Hungary’s A Dal. Like Estonia, Hungary always offers a handful of songs that are interesting and experimental, and don’t sound like anything you’ve heard anywhere else. The song I want to draw attention to right now popped up early in the first heat of A Dal, and though it does remind me of various K-pop songs I’ve listened to in the past (stylistically) it’s not a cookie-cutter copy of something else…and I have to admit, I don’t think we’d ever hear anything quite like it in Melfest. It’s called Deák, it’s by Spoon 21 (who competed in A Dal a few years ago with a totally different track) and though I know I’m calling it early, it may end up being my gem of this selection season. This sort of silky-smooth, anthemic synth-pop is so far up my street, one more millimetre and it’d be in the next neighbourhood. It had me at hello (a.k.a. the initial snippet of that hypnotic chorus) and I’ve been obsessed ever since. Okay, so Spoon’s live performance was questionable (not visually, but vocally). And, as they squeezed through to the semi stages in equal second place, they’re not going to win the whole thing even if they manage to make the final. But who cares? One of the things I love about NF season is how it allows us to discover truckloads of awesome new music from all over the continent that we can enjoy for the rest of our lives (or until we’re tired of it thanks to overplayage). Onto my ‘Best of the 2017 NFs’ playlist you go, Deák.
No more Mr. Nice Guys: Denmark’s ban on boy bands
If you’re confused right now, I understand. Not only have I made my unconditional love of boy bands (or man bands…the only differences between the two are time, voice depth and facial hair) as clear as Petra Mede’s now-infamous ‘let’s come together’ joke – I also just mentioned that I’ve fallen head-over-heels for an NF entry performed by a boy band. Yet I’m thrilled that Denmark is treating singing groups made up of males like vampires and refusing to invite them in? What the Emmelie de Forest is going on? Well, I’ll tell you. I’ve been desperate for a change in Denmark after two ESC non-qualifications in a row – and what’s the obvious alteration, given that the common chain-link between The Way You Are and Soldiers of Love is the amount and gender of their performers? Dictate that DMGP 2017 will be a boy/man band-free zone, of course. Yes, Denmark did very well with A Friend In London back in 2011; but it seems like they were the exception rather than the rule. A self-imposed vacation from groups lacking in ladies (and, as a matter of fact, groups WITH girl power) will ensure they’re sending something different – artist-wise, at least – to Kyiv. Maybe we’ll see them back in the top ten as a result.
And finally, the one that transformed us all into living, sobbing sadface emojis…
Gone girl: Amaya’s withdrawal from Evrovizijska Melodija 😦
Besides Ace Wilder and Anja Nissen, there was another female singer starting with A who I was super-excited to see potentially win her chosen national final. Well, her new and improved stage name starts with A, anyway. We knew her as Maja Keuc when she slayed on the ESC stage in 2011 (in one of my most lusted-after contest costumes of all time) and six years later, the time was supposed to be right for Amaya to make a comeback in Slovenia. Unfortunately, she’s decided that a different career opportunity that clashes with EMA must take priority (DAMN HER) and so, is out of the running on her own terms (DOUBLE DAMN HER). Just when my brain had established that she’d win by a landslide, flit off to Eurovision and secure Slovenia’s first ESC trophy, or at least a place on the podium! And do it all in another spectacular outfit. Talk about leaving us all with one-way tickets to What-ifs-ville USA. As someone who believes that everything – or almost everything – happens for a reason, I’m going to assume that Amaya: 2017 Edition just ain’t meant to be because something better is in her future. Meaning she’ll be back again (re-back? Alexander Re-back?) with something even more epic up her stylish sleeve than she had prepared this time. That attitude, of course, doesn’t stop me from mourning the loss of her from this year’s EMA line-up…hence why I’m complaining about it to you now. Join me, won’t you?
What have you enjoyed most about the Eurovision 2017 selection season so far? Which songs, acts and results have had you jumping for joy – or doing the opposite (whatever that is)? Let me know in the comments below!
THE KOUNTDOWN TO KYIV | The countries I don’t trust to make the right choices this NF season (a.k.a. Jaz gets way too judgmental!)
Believe it or not, Eurovision’s next national final season is about to begin. THE FEELS!
Sure, Festivali I Këngës was our early Christmas present, and Hungary and Lithuania have kicked off the heat stages of their selections already (Lithuania really should have started theirs in September if they wanted to be sure of a pre-ESC finish). But the coming weekend is when the craziness starts – in the awesome way it always does for us Eurofreaks. It’s more or less non-stop NFs from the moment Belarus and Georgia get going on Friday until the EBU demands the handover of all 43 entries sometime in March. Are you ready? Me neither, but that’s too bad.
Of course, NF season brings with it as much heartbreak as it does happiness, when the songs we fall in love with don’t rise to the top. And there’s a handful of countries that, to me, are more likely to deliver on the ‘WHY, LORDI, WHY?!?’ front than any others. Before the 2017 season switches to supersonic speed, I’m going to expose those countries in the hope that they might not disappoint me this time around.
In other words, I’m about to complain my InCulto-style sparkly short-clad butt off. Who WOULDN’T want to stick around for that?
First, a few FYIs:
- This post = my personal opinion on the most unreliable national finals. I still believe that every country has the right to send whatever they want to Eurovision for whatever reason (maybe they’d rather make a statement than be in it to win it. That’s fine!). I also believe that, as with the ESC itself, whichever song wins is the right winner because it triumphed according to the rules. However, NF mistakes have been made more than once by certain selection shows the way I see it, and I just wanted to point that out.
- Don’t take anything I say below too seriously, and don’t call me out for insulting the intelligence and decisions of entire nations. This is only what I’d dictate in a parallel universe in which the whole season goes my way. Which will NEVER happen, btw.
- I’m using the results of 2016’s finals as my main examples of what went wrong, but don’t be surprised if I throw back to something from ye olden days of 2010-2015 too.
Right – now that we’ve established that I’m not some sort of Eurovision Satan, let’s get started. Here are the countries and their accompanying pre-selections that I’m worried about as we head into the 2017 season.
Belarus (The NF Formerly Known As Eurofest)
Since the Belarusian final is taking place this Friday, I feel like there’s still time for me to give the country that confused and scared us all with a giant baby hologram in Stockholm some passive-aggressive advice (besides ‘Maybe don’t do THAT again…like, ever’). I remember Help You Fly being my least favourite song on offer last year, and I also recall jinxing the results in a big way by joking that because I disliked it so much, it’d probably get the go-ahead for Eurovision. Sure, it grew on me as Ivan’s horrendous audition performance blossomed into something far more polished and professional (though OTT and nonsensical at the same time). But I still believe that Belarus could have chosen something that would at least have flicked them into the ESC final (like Kirill Yermakov’s Running To The Sun or NAVI’s Heta Ziamlia which finished 3rd and 4th respectively), and not had us laughing and cringing in equal measure. Therefore, here’s my tip: think about the big picture, Belarus, and pick the best of what is usually a pretty average bunch. Switzerland does it every year – so can you!
Denmark (Dansk Melodi Grand Prix)
I think I’d need more than two hands to count Denmark’s DMGP missteps on. The past two years in particular have seen them select the most mediocre, inoffensive song possible, only to be surprised when it didn’t make the grade required to see Eurovision’s Saturday night show (presumably because inoffensive mediocrity has, I must admit, worked in their favour before). Two DNQs on the trot should speak for themselves, but I still get the impression that we all need to come together (Eurovision 2016 slogan pun intended) and light a fire (Eurovision 2012 pun NOT intended) under Denmark’s butt to ensure that they don’t do the exact same thing for a third year running. The DMGP line-up in 2016 was actually stellar in my opinion, with at least seven of the ten competing entries worthy of leveling up to the ESC. Two of them even made the super final. Then – *insert sound of a balloon deflating here* – the worst case scenario became a horrifying yet bland reality. Basically, I’ve been betrayed by Denmark too frequently to trust the tastes of their televoting public. It’s on par with feeling personally victimised by Regina George, and it HAS TO STOP.
Estonia (Eesti Laul)
Don’t get me wrong – I think Eesti Laul is an excellent national final, and I’m not about to claim that Goodbye To Yesterday was a mistake of magnificent proportions (clearly, it wasn’t). But Estonia are so hit-and-miss with the calibre of song they crown EL champion, I can’t put too much faith in their decision-making skills. They did a Denmark in 2013 by sacrificing something edgy and exciting for something that could send you to sleep circa Eurovision 1994; then they assumed that a Stig Rästa songwriting credit would be enough to distract from the creep factor of Play’s presentation in 2016 (again, don’t drop that jaw. I love Play and I’m still devastated that it didn’t qualify, but I totally understand why). Those unfortunate turns of events have left me wondering what could have been if Grete Paia’s Päastke Noored Hinged and Mick Pedaja’s Seis (my entries of choice in those years) had won through instead. I reckon they would have made memorable moments for all the right reasons, and that’s what I want from the Estonian entry in 2017. But I’m not holding my breath, because I would like to live to see the Kyiv contest take place.
Finland (Uuden Musiikin Kilpailu)
Sandhja’s Eurovision experience can be more accurately summed up by the existence of a camel toe (the NSFW Urban Dictionary will help you out if you have no idea what I’m referring to) than by Sing It Away being a raging success…because it wasn’t. With a different position in the running order, more creative staging and weaker competition, the outcome might have been different. But at the end of the day, as fun and energetic as the song is, it was disposable. Finland were guilty of failing to bring ‘it’ (i.e. the x factor that has ‘We’re going to the final, bitches!’ written all over it) before 2016, so I worry that they’ll bring ‘it’ only to leave ‘it’ behind in UMK yet again this year. They’ve done it to poor Mikael Saari twice, and Satin Circus suffered the same fate in 2015 with Crossroads, which I believe would have been a dead cert for the ESC final. As I mentioned in this post’s ‘Better Cover My Arse’ disclaimer, every country is at complete liberty to choose what they want to represent them for whatever reason (as much as it wasn’t up my alley, I accept that Aina Mun Pitää brought an until-then uncharted genre to Eurovision and that Finland should be proud of being such musical pioneers). But do I think the Finns are consistently giving themselves the greatest chances of success on the contest stage? Umm, no. So if a pleasant surprise is in store for us re: UMK this year, you’ll be able to consider me a happy Jaz!
This one goes out to all of y’all who never forgot SUNDAY’s Feathers (or Fjaðrir, as it was known during Iceland’s 2015 semis). It also goes out to the two or three people (myself included) who thought that Iceland might have been suffering from ‘Ooh, it’s Greta!” syndrome when they settled on Miss Salóme for Stockholm. You guys will know what I mean when I say that Iceland has issues with sending their best-bet song to Eurovision. They also tend to take a Danish approach sometimes, by shoving innovative, contemporary songs aside to make way for slightly stale and often repetitive middle-of-the-road music (which is not at all representative of the epic, inventive music that the island can produce). Those issues are why I have issues of my own with the Icelandic selection process. At this point, we’re yet to find out who and what will be competing in Söngvakeppnin 2017, but I swear I’ll start feeling anxious as soon as we do, knowing that it’s highly likely the NF will end in…well, perhaps not disaster, but an ‘Oops, our bad!’ at least. Remember, this is my opinion, and Iceland is free to do whatever the heck they want. But they really should listen to me if they want to take full advantage of putting their musical talents on a global platform.
Norway (Melodi Grand Prix)
I can’t accuse Norway of opting for non-groundbreaking/icebreaking music for Eurovisual purposes. With songs like I Feed You My Love, A Monster Like Me and Icebreaker (which was highly original in that it crammed two song styles into one) in their archives, they’re certainly closer to Sweden than Denmark in the above-average stakes. However…Icebreaker was divisive, and I could easily argue that Norway had a mass-appeal, ready-made ESC gem at their disposal with Laila Samuels’ Afterglow. A modern, haunting ballad that would have eaten Croatia and the Czech Republic for breakfast (with some minor costume and staging tweaks), the song wasn’t completely overlooked by the Norwegians – but enough to leave Laila wearing her best gracious loser face as Agnete celebrated victory. You might say, depending on your definition of good music, that NMGP 2016 was like the shampoo aisle at the supermarket – an endless parade of high-quality choices that impress, but also overwhelm. I.e. there can be too much of a good thing, and it’s possible that Norway decided on the wrong good thing if building on Mørland & Deborah Scarlett’s success was their aim. That’s why I wouldn’t bet on NMGP producing the best possible winner this year – whereas I’d bet my life savings on Sweden’s Melodifestivalen whittling its entries down to the one that will guarantee them the most commendable Eurovision result they could have achieved.
Well, I think that’s the majority of my complaints officially off my chest. Maybe they’ve sent good vibes out into the NF universe…or maybe the vibes I’ve created are so negative, they’re now the Jemini of juju. Time will tell (and is also like thunder, according to Uzari. It’s multi-talented).
Now it’s your turn to vent. Which Eurovision 2017 selection shows are you most concerned about? Do you trust every country to make the “right” decision, or are there some that need a high five to the face with one of Poli Genova’s giant geometric earrings? Which countries made mistakes last year that have you thirsty for justice this year? Tell all in the comments below.
I’ll be back at the end of the week to preview and predict the Belarusian and Georgian NFs. You better prepare yourselves, because life on Planet Eurovision is about to get busy!
The title of this post pretty much says it all – besides letting you know that I actually haven’t got the time to review and predict the Estonian or Polish finals. I do have time to pass judgment on the songs that have become Eurovision entries since last Saturday, however. And to unveil my first official ranking of the year. AND to put Melodifestivalen’s Andra Chansen round under the microscope to see if I can guess who’ll walk away with the four performance slots in next weekend’s final. So all of the above is what I will do – right here, right now.
Well…in a minute.
Just so you know I know what’s going on in the Eurovision bubble over the next few nights, here are my traditional bullet points.
- Estonia’s Eesti Laul – the final (will there be a Stig and Elina-style runaway winner? I suspect not)
- Lithuania’s Eurovizijos – the semi final (believe it or not, the end is in sight)
- Poland’s Krajowe Eliminacje – the final (Edyta, Margaret, or neither to Stockholm?)
- Sweden’s Melodifestivalen – the Andra Chansen round (eight must become four)
- Romania’s Selecția Națională – the final (Mihai Traistariu’s chance to redo Eurovision)
- Macedonia present their song for Kaliopi (and she’s got her own big shoes to fill)
Now, let’s talk about the select stuff I have the chance to cover.
The songs and artist selections of the week, summed up in a sentence
Because ain’t nobody got the freedom for a full-length analysis – not with the week we’ve had.
- LoveWave by Iveta Mukuchyan (Armenia) I don’t know if I’m impressed or disappointed by this unstructured, ethnically-tinged vehicle for Iveta’s raspy vocals.
- Dami Im (Australia) She’s no Delta Goodrem (sadface), but X Factor champ Dami has the talent and dress sense to stand out in Stockholm – the only missing piece is a spectacular song.
- Sing It Away by Sandhja (Finland) This reminds me of Belgium’s entry, but I prefer Laura to Sandhja (though I am glad Finland didn’t send Saara Aalto).
- J’ai Cherché by Amir Haddad (France) Oui, oui and OUI.
- Pioneer by Freddie (Hungary) Hot singer + hit song = something that could be powerful on the Eurovision stage, and very successful for Hungary on the scoreboard.
- Made of Stars by Hovi Star (Israel) If a song could be on the soundtrack of a West End musical, but a) isn’t, and b) isn’t Bohemian Rhapsody, then I’m not particularly interested.
- Nessun Grado Di Separazione by Francesca Michielin (Italy) Classy, effortless Italian pop is a grande amore of mine, and this song is no exception (but please, please sing in Italian, Francesca!).
- Heartbeat by Justs (Latvia) This is just/Justs brilliant, and features one of the most latch-able choruses of the year so far – Aminata, you’ve done it again.
- Falling Stars by Lidia Isac (Moldova) The studio version, I’m keen on; the live version…well, Lidia positions herself right in the heart of screechy territory.
- The Real Thing by Highway (Montenegro) This scares me and kind of appeals to me at the same time, but I expect it to perform terribly in its semi final.
- Slow Down by Douwe Bob (The Netherlands) Bob’s style isn’t my bottle of Heineken, but even I can hear that Slow Down is a good example of folk/country that will do a decent job of leaving the Walk Along incident in its dust.
- Icebreaker by Agnete (Norway) It’s incredible how Norway is managing to send two different songs to Eurovision 2016 without breaching any rules or regulations.
- You Are The Only One by Sergey Lazarev (Russia) Sky-high expectations not met by a song that could have been lifted straight out of Eurovision 2006.
- Blue and Red by ManuElla (Slovenia) You’ve got to do better than a Taylor Swift: 2008 Edition impersonator to impress me, Slovenia – what a step down from Here For You.
If you were wondering where the songs I’ve summed up here would factor in to a ranking including the rest, you’ll find that just below. If you weren’t, then feel free to skip to the Swedish section.
It’s here, and it’s uncertain! My first ranking of the 2016 season, revealed
I did put a ranking together a few days ago (not for publication’s sake but out of curiosity) and it was considerably different to the one below. What can I say? I’m fickle. This latest and first-to-be-publicised list includes all of the songs confirmed for Stockholm AT THIS PRECISE MOMENT – so Malta, who are still deciding whether Ira Losco should be a Chameleon or something else (I like to think they’ve got a backup track entitled Komodo Dragon waiting in the wings) is not included.
And so, for anyone who cares, this is my current top 28:
- United Kingdom
- Bosnia & Herzegovina
With fifteen songs still to be premiered or picked, there’s a lot of room for movement in all of our lists. But I want to know who’s topping yours at the moment…and who’s sitting un-pretty on the bottom. Let me know in the comments, and I (might) send you a gift basket.
Meanwhile, in Sweden: It’s time to give out the last remaining final tickets!
Andra Chansen, the stage of Melodifestivalen that’s as fun to pronounce as it is to watch, has arrived. And, like last year (but not the year before that), there are four places left in the Friends Arena final for tonight’s competitors to fight for.
SVT, as usual, have paired up the eight songs placed 3rd and 4th in the semi finals, ensuring that none of those who went to AC together will be up against each other again. In the process, they’ve come up with some duels that can only be described using the letters W, T and F. And that makes a few of them hard to predict. Let’s take a closer look.
Duel 1: Håll Om Mig Hårt by Panetoz VS Hunger by Molly Pettersson Hammar
I’ll start with a confession: I would have bet my entire trip to Stockholm on Panetoz being pit against Boris René tonight (but I’m glad I didn’t). Don’t get me wrong – I’m relieved that both acts now have a shot at progressing from AC. But if SVT wanted to ensure the Melfest final was a variety show, they shouldn’t have given up an opportunity to eliminate one of two songs in a very similar vein. But ANYWAY, back to the duel that IS about to take place…this is a tough one. There are two very different artists and styles butting heads here. Panetoz are the masters of fun, energy, and transferring all of the above to the audience. Molly’s got a hunger, but I’m not sure it’s a hunger to win – there’s something lacking in her performance package (perhaps some of the Panetoz fun and energy). It isn’t vocal ability – she’s certainly got the monopoly on that in this duel. My personal winner is Panetoz, and I think they might have Molly cornered…but it’s not a given.
Who I want to win Panetoz
Who WILL win Panetoz
Duel 2: Rik by Albin & Mattias VS Put Your Love On Me by Boris René
Here we have two repetitive songs up against each other. As much as I adore Albin and Mattias as artists, I have to admit that Rik is repetitive in an annoying, couldn’t-they-think-of-anything-else-to-fill-three-minutes kind of way, whereas it’s purely the chorus of Put Your Love On Me that uses the five title words and basically nothing else. Boris’ song and performance have so much more to offer, and he’s the clear winner of the second duel in my opinion.
Who I want to win Boris René
Who WILL win Boris René
Duel 3: I Will Wait by Isa VS Kizunguzungu by SaRaha
This is perhaps the weirdest pairing of the evening (Molly PH versus Isa? No? Okay then). I’m a big fan of both songs, but I think Isa may be trying too hard to get somewhere. Vocally (and physically), she’s can’t measure up to the lofty standards I Will Wait sets for her. SaRaha, on the other hand, owns Kizunguzungu, and is clearly completely comfortable and in her zone with Afro-pop. It’s not too intense, and she’s not straining to belt it out – which is the opposite impression I get from Isa. I think SaRaha’s ease and confidence (plus her sensational Spotify stats) will see her through to the final tonight.
Who I want to win Isa…SaRaha…I DON’T KNOW!!!
Who WILL win SaRaha
Duel 4: Rollercoaster by Dolly Style VS Bada Nakna by Samir & Viktor
Ah, finally! A duel that makes sense. Almost-novelty against almost-novelty. We need to get rid of one of these acts/songs, and I think Rollercoaster will be the one to get the silver platform boot. The force that is Samir & Viktor shouldn’t be underestimated, despite the fact that they didn’t manage to go direkt this time around. Their fans will be out to compensate for that “injustice” by systematically destroying Dolly Style via a tsunami of televotes. I can totally live with that.
Who I want to win Samir & Viktor
Who WILL win Samir & Viktor
Sadly (seriously, have some tissues at the ready) that’s all I’ve got time for, folks. After all, a good-quality pre-Melfest nap must take priority over not napping.
As always, leave your thoughts on any recent or imminent Eurovisual happenings down below. And – this is not optional – enjoy this second-last Saturday of national final season while it lasts!
Until next time…
Välkommen to the fourth and final Super Saturday of February!
There are a few more national final-filled weekends to come, but this is the last that we can honestly label as ‘Super’, ‘Frantic’, or in extreme cases, ‘So *Insert F-Bomb Here* busy, I can’t *Insert F-Bomb Here Also* handle it, so I’m off to live in an uninhabited cave in the Himalayas’. Enjoy!
Here’s what’s on the menu tonight. I hope you’re hungry.
- Finland’s UMK – the final
- Hungary’s A Dal – the final
- Lithuania’s Eurovizijos – the eighth show
- Moldova’s O Melodie Pentru Europa – the final
- Norway’s Melodi Grand Prix – the final
- Slovenia’s EMA – the final
- Sweden’s Melodifestivalen – the fourth semi final
And, of course, there’s an after-dinner mint on Sunday, if you can squeeze it in:
- Latvia’s Supernova – the final
As usual, I’m not certifiably insane enough to tackle talking about every NF taking place tonight, so I’m picking a few favourites to review and predict – specifically, Hungary, Norway, and *completely unnecessary drum roll* Sweden. If you’re keen to check out what I have to say re: their line-ups, and would like to know who I think will win/qualify, read on. If not, what are you even doing here? This is what goes down on EBJ. Would you like someone to drop by your house unexpectedly only to criticise the wallpaper and the cleanliness of your toilet?
I DIDN’T THINK SO.
But I digress. Let’s kick things off with some thoughts on the songs that have become Eurovision entries since last Saturday.
STOCKHOLM SHENANIGANS: The Class of 2016, plus five
Plus five featuring some damn good songs at that. Four of the following tracks triumphed at national finals held last weekend, and during the week just gone; one was revealed in the wake of the artist’s internal selection. I’ll let you figure out which is which, because it’s extremely obvious and you already know anyway and man, I need to get some sleep after this.
- Alter Ego by Minus One (Cyprus) I probably wouldn’t have picked this as a G:son creation had I known squat about the identity of its songwriters. That’s not a good or bad thing. I mean, clearly, this is no Euphoria, but it’s not supposed to be – it’s supposed to be a Minus One song, and it does work in that way. However, although the chorus is catchy, I don’t know how far Alter Ego will carry Cyprus.
- Ghost by Jamie-Lee Kriewitz (Germany) Jamie-Lee, who could have competed in JESC until recently (and currently dresses like she should) is taking her Voice of Germany winner’s single to Stockholm, and ich liebe es. I’d like her to ditch the K-pop costume for Eurovision since it doesn’t suit the song at all, but apart from that, she’s got a voice (THE voice, in fact) and song to grab Germany a result they won’t be ashamed of.
- Hear Them Calling by Greta Salóme (Iceland) In a plot twist that no one saw coming, the favourite to win Söngvakeppnin WON Söngvakeppnin. Pick those jaws up off the floor, people! I have three things to say about this: 1) The staging is boss, and no, it’s not a do-over of Heroes (‘inspiration’ is very different to ‘imitation’); 2) The song is quirky and folksy in a beautifully Icelandic way; and 3) Why did they have to ruin that beauty by switching to English?
- 1944 by Jamala (Ukraine) I’m still receiving therapy due to the trauma I experienced watching the Ukrainian final, and part of the treatment involves my doctor telling me over and over again that JAMALA WON IT! Sure, I could have come to terms with The Hardkiss or NuAngels taking the ticket, but I’m thrilled that in the end (when it finally, mercifully came), the incredible Jamala and the emotion-heavy-yet-edgy 1944 were on top. Let’s hope nothing more than the title and a few lyrics – if anything – have to be altered to fit the EBU’s rules and regs.
- You’re Not Alone by Joe & Jake (United Kingdom) If you follow me on Twitter (HINT HINT) you’ll already know how I felt about the UK final – the first held since 2010. If not, then I’ll recap in a more polite way by saying it wasn’t of the highest possible quality. Off to Eurovision is one of the two or three (at a push) songs that I didn’t despise, so that’s good news. What isn’t good news is it’s also a song that sounds like it should be in the background of something – a heartwarming movie montage or a compilation of teamwork-oriented Olympic moments. But I’ll give it time to grow. PS – Joe’s cute. Call me even though I just insulted your song?
What do you think of the latest songs to be selected? Is there a Eurovision winner among them? While you’re deciding, I’m going to leave the pre-existing entries behind and move on to the possible entries from Hungary, Norway, and our hosts Sweden.
HUNGARY: A Dal not dal at all as it reaches its conclusion
There’s no doubt about it: when you have an eight-song final, and only one of those eight songs is crap, that’s the dictionary definition of a brilliant show. Of course, that’s seven very good songs and one rubbish one in my opinion…but that’s the only one that matters to me.
Just kidding. I care what you think, person reading this! So how does this final look/sound to you?
- Trouble In My Mind by Petruska
- Győz a Jó by Gergő Olah
- Who We Are by Kállay Saunders Band
- Uncle Tom by Mushu
- Why by André Vásáry
- Pioneer by Freddie
- Már Nem Szédülök by Parno Graszt
- Seven Seas by Olivér Berkes & Andi Tóth
Based on the impressive content of their recent NFs, Hungary has convinced me they’re on track to win Eurovision within the next five years. I don’t think we’re off to Budapest quite yet, but I think they’ll be back in the final for the fifth time running in May – and who knows how high a rung they could reach on the scoreboard then? If they want back on the left-hand side (and let’s face it, who doesn’t?) here are my recommendations in the form of a personal top four:
- Pioneer This is the kind of music Eurovision needs more of: gritty, powerful, meaningful pop-fusion performed by chiseled Hungarians who I sincerely hope are single. I realise that’s quite specific (and shallow) so let’s just make it an ESC requirement for Hungary on this occasion.
- Győz a Jó Ethnic R & B feat. sand? That’s a surefire recipe for success, as I have now discovered thanks to Gergő. This song is far superior to his last A Dal entry in my mind, because it has it all. And any man who can pull off a bright red suit with ease deserves a round of applause.
- Who We Are Never mind Ira Losco – it’s András who’s the true chameleon. This is his third appearance in A Dal, and once again, he’s visually and aurally unrecognisable. That man-bun is the stage equivalent of Clark Kent removing his spectacles. Together with his band (as they are so named) he’s delivering multi-faceted and very cool pop-rock straight to our door, and I’m keen on it.
- Trouble In My Mind THIS IS SO CUTE. Cute in a grown-up, totally-ready-to-charm-Europe kind of way. That is all.
I’m pretty confident that one of the above four will win tonight. Petruska and Freddie won their respective semis, so it’s probably down to those two FTW – but a last-second surprise isn’t out of the question. There’s an outside chance for András Kállay Saunders, his band, and his practically non-existent singlet (not complaining) to win, and I can see Seven Seas sneaking into contention as well. This should be a final well worth watching, no matter the outcome.
So…are you going to make an official prediction, or not? Hold your horses! I’m getting there. I think the top four, determined by the in-studio jury, will be comprised of Petruska, Kallay Saunders Band, Freddie and Gergő (alternatively, Olivér/Andi could pop up instead of KS Band or Gergő). I think – and hope – we’ll see Freddie in Stockholm. But if Petruska pips him at the post, I won’t be mad. How could I feel any resentment whatsoever towards that precious bearded face?
Okay…I think now’s a good time to talk about something else. But if you have a less awkward tip/expectation for A Dal 2016, let me know below.
NORWAY: Melodi Grand Prix, Norsk Edition (but did Dansk do it better?)
Um, YES THEY DID. What happened, Norway? MGP 2015 was epic, even though it may not have produced an ESC winner. MGP 2016 is…well, I don’t want to say bad, but it’s definitely in that ballpark. We’ve actually got a reverse Hungary situation here – ten songs, and I’d only define three or four as being halfway decent. Hashtag harsh but true.
- Laika by The Hungry Hearts feat. Lisa Dillan
- Into The Fire by Stage Dolls
- Traces by Stine Hole Ulla
- Stand Up by Makeda
- Anyway by Pegasus
- Feel Da Rush by Freddy Kalas
- Afterglow by Laila Samuels
- History by Elouiz
- Anna Lee by Suite 16
- Icebreaker by Agnete
Norway’s super final will also see four songs advance to a second round of voting, as per usual, so I’ll go ahead and single out my preferred super finalists (though to be honest, I’m finding it hard to care that much).
- Afterglow Laila’s song is my hands-down favourite, because it isn’t any of these things: Bon Jovi-inspired; a cheesy, overly-theatrical operatic ballad; a cheesy, soppy mid-2000s ballad; or a poor tribute to Meghan Trainor (all of which appear elsewhere in the running order). Plus, it’s actually good in its own right. It’s a true Scandinavian ballad, and if she can nail her live vocal, it will be magical on stage.
- Feel Da Rush The pleasure is all guilty. This is part Sean Banan, part Kygo, and though I know I should hate the sum of those parts…I just can’t.
- Icebreaker I’m convinced that this is literally two different songs that were accidentally mixed in the studio, and Agnete was just like ‘Okay then.’ The complete change in genre and tempo from verse to chorus isn’t cohesive at all. And yet…Icebreaker has appeal. A little advice for the writers/producers: if it was a dance track through and through, I’d love it.
- Anna Lee Stereotypical half-arsed boy band fodder appeals to the boy band fanatic – surprise, surprise! Suite 16 have a song up their perfectly-pressed sleeves that we’ve all heard before (about three times on One Direction’s debut album alone). Does that lack of originality bother me? Not that much. Not when they’re above most of their competition regardless.
And the winner will be…one of the following, as far as I can see: Afterglow or Anna Lee. Still, Norway isn’t a country to shy away from throwing a curveball (cue throwback to the pizza song making the super final last year and Karin Park missing out) so we can expect at least one ridiculous song – Laika or Feel Da Rush – to reach the final four, and potentially win (but probably come third). My guess for that four is Feel Da Rush, Afterglow, Anna Lee and Icebreaker, with Traces possibly slotting in instead of Feel Da Rush if Norway is in a serious mood. But I’m sticking with the ‘A’ songs when it comes to the winner. With fingers crossed.
Which song from MGP 2016 do you think could bring Norway the success I’m not sure they’re craving come May?
SWEDEN: Melodifestivalen’s fourth (semi) final showdown!
It’s hard to believe, but ja – we’ve arrived at the end of Melfest’s semi stage. We’ve become accustomed to the last semi featuring some big hitters and a possible winner of the whole thing, and 2016 is no exception.
- Runaways by Eclipse
- Rollercoaster by Dolly Style
- Du Tar Mig Tillbaks by Martin Stenmarck
- Killer Girl by Linda Bengtzing
- If I Were Sorry by Frans
- Håll Om Mig Hårt by Panetoz
- Youniverse by Molly Sandén
I wouldn’t say Deltävling 4 is as eyeball-bulgingly awesome as Deltävling 3 was, but…MOLLY! I’ve been waiting for this evening’s seventh song since we found out Youniverse would BE this evening’s seventh song. In case you weren’t aware, I am a massive Molly Sandén fan, and I’ve been basking in the ambience of her status as favourite alongside Ace Wilder for months. So, now that the almost-full versions of tonight’s competing songs have been released, how does she stack up? And, how do the other six artists stack up to her?
Take my ideal qualifiers as an answer to those questions.
My top four
- Youniverse Sure, Molly could fart into her microphone for three minutes and I’d fawn all over it, but thankfully, this is a few million steps up from that. Another sllickly-produced, ethereal pop number in a string of the same from her, it should win semi 4 comfortably.
- If I Were Sorry You don’t have to be sorry, Frans (not that he is). This is charming, Ed Sheeran-type easy listening at its almost-best. I’m not 100% sold on the repetition of the title, but I’ve already put a deposit on everything else.
- Rollercoaster Against my better judgment, I enjoyed this. It’s not a carbon copy of Hello Hi, which is good – this is a little more grown up (OMG, Dolly Style has evolved!). It’s still sweet and fluffy though, like a stick of cotton candy. And FYI, I have no clue which one is the original group member either.
- Håll Om Mig Hårt Panetoz can do no wrong. Their brand of infectiously happy tropical pop wins me over every time. Efter Solsken was better, but it left the boys with big shoes to fill, and they’ve made a good effort.
So, who’s going direkt? Molly and Frans. The former because, well, duh. The latter because it’s what my unreliable gut is telling me. Do not place a bet based on my tips, for heaven’s sake.
And who’s off to Andra Chansen? Dolly Style and Linda Bengtzing/Panetoz. I feel like there’s going to be a real fight for fifth place tonight, and though it pains me to say so (as I want them to go as far as possible) I do think Panetoz might struggle and lose out to Linda.
This is the last opportunity for two songs to go straight to the Friends Arena final in a fortnight. Am I right about which two it will be? Do you have a different take on this semi’s seven? Say so in the comments, my fellow Melfester.
Alright. That’s enough of my nonsensical, sleep-deprived rants about musical competitions for now. I’m off for my traditional pre-Melfest nap that hopefully won’t turn into a full night’s sleep resulting in me missing Melfest (oh, the horror!). Maybe I’ll see you on Twitter in a few hours’ time? If not, I’ll see you once we’ve added six more songs to the stack marked ‘Eurovision 2016’.
Happy NF Viewing!
Objetivo Eurovisión: Of Spain’s select six, who should stay (at home) and who should go (to Stockholm)?
It’s the last day of January, and you know what that means!
Well, I’m assuming you know what that means.
Just in case you don’t, it means that national final season is about to take over all of our lives, and cause us to suffer from hair loss and heart palpitations as we struggle endlessly to keep up with all of the pan-European (and Australian) action on the calendar – particularly on Saturday nights.
We wouldn’t want it any other way, would we?
February’s first NF will be brought to us courtesy of Spain – on the first, fittingly. Tomorrow night, three guys and three girls will fight, matador-style (that’s how it works, right?) for their right to represent their country at Eurovision. Once there, the winner will have to pull off a performance that makes everyone forget the so-OTT-it-was-laughable stage show we witnessed in Vienna via Edurne. It’s a tough task, but somebody has to undertake it.
Mark my words where this final is concerned: it’s going to be pretty awesome. This is Objetivo Eurovisión!
For once, I can say ‘VIVA LA SPAGNA!’ with genuine enthusiasm, because this six-strong national final is packed with potential ESC success. There isn’t a bad song in the bunch – although some, in my opinion, are better than others (I’ll specify which in a second).
Here are the entries Spain has to select from, in running order:
- Un Mundo Mas Feliz by Maverick
- Say Yay! by Barei
- Victorious by Xuso Jones
- Días de Alegria by Salvador Beltrán
- La Vida Sólo Es Una by María Isabel
- Now by Electric Nana
It’s quite the variety show, with traditionally Spanish tracks sitting alongside electro-pop, pop-rock, and a dance-banger or two. The most talked-about names initially were those associated with the latter genre – Xuso Jones, who’s backed by a Swedish songwriting superpower; and María Isabel, who has a Junior Eurovision victory to her name, and has many wondering if she could do the double if sent to the adult contest. But it’s Barei who has risen in the ranks of the Spanish iTunes charts, topping them a few days ago. Does that tell us everything we need to know re: tomorrow’s results? Are underdogs Maverick, Salvador and Electric Nana completely out of contention? Time, as always will tell.
Something I can tell you in the meantime is what I think of the six songs. Quick, prepare yourselves for a mini-ranking!
- #1 La Vida Sólo Es Una It could be my unconditional love for her Junior winner Antes Muerta Que Sencilla talking…or my eternal excitement at the possibility of another former JESC participant graduating to the ESC. Either (or neither) way, I love this! It’s quintessentially Spanish without perpetuating a stereotype, and fulfils all of the ethno-pop fantasies I’ve had during the last few Eurovisions sans a significant amount of said ethno-pop. Oh, and it’s very catchy. That’s often all I ask for in a Eurovision entry.
- #2 Un Mundo Mas Feliz This one is a bit more stereotypically Spanish – but what’s wrong with that *says the Australian*? I don’t think anybody else is as big of a fan of Maverick as I am in this context, music-wise or aesthetics-wise (though at 24, I can’t seem to fancy his 19-year-old self without feeling like a creepy cougar). Un Mundo makes me feel good, and that can’t be bad. It’s sunny and trumpety and tropical, and I want to flamenco my ass off to it. Anyone who wants to join me is welcome. Olé!
- #3 Victorious As someone who frowns upon countries conducting their ESC entry shopping in the Cookie Cutter aisle of the Swedish Songs Sure To Succeed In Certain Contests Supermarket (*takes much needed breath*) I should hate Victorious, which is as derivative as heck and was co-penned by Peter Böstrom of Euphoria (and Amanecer) fame. The token Spanish lyrics, enforced in this NF, also annoy me. But…THIS IS BRILLIANT. The chorus is killer, and no other song in this comp has one so instant. If Xuso was victorious, I wouldn’t mind at all.
- #4 Say Yay! Though it’s far from being my favourite, the only thing I dislike about this song is its title, which makes it sound like it belongs on a Best of Hi-5 album (if you’re Australian, you’ll know what I’m talking about. If not, good luck). That aside, it’s verging on being something special. Barei has a cool, Sia-like catch in her voice which adds interest to an already interesting, multi-faceted song that’s unlike anything Spain has ever sent to Eurovision before. I’d be curious to see what transpired if they did so in 2016.
- #5 Días de Alegria I desperately wanted to see Pablo Alborán in this NF, and obviously, my wish wasn’t granted. But Salvador, who appears to be the love child of Pablo and Christos Mylordos, is a semi-decent substitute. I’m undecided on the formulaic beginning of Días de Alegria – do I like it? Is it too predictable? I don’t know. But then things ramp up, the chorus kicks in and I know I’m enjoying what I’m listening to.
- #6 Now My least favourite of the lot is still a perfectly competent, well-written number. It’s just that pop-rock isn’t usually a genre I enjoy, even when it’s in such a contemporary form. I think this is too much of a plateau song to give Spain a good chance of hitting any Eurovision heights, but it would still be an entry they could be proud of.
So, sí. Those are my thoughts. All in all, this is the strongest Spanish final I’ve been around to experience, and I’m psyched that Spain will end up with what I perceive to be a very good (worst case) or epic (best case) entry for Eurovision 2016, no matter what.
But what do I actually think is going to go down? I know you’re ridiculously keen to find out.
Is anyone there?
Who WILL win Barei. Or Xuso. Or María. Just…one of those three, okay?!? I don’t want to call Barei as an obvious winner based purely on Spain’s iTunes stats, especially because the Spanish public only has a 40% say in the outcome of Objetivo (a jury and a panel of experts share the remaining 60%). Still, the people have clearly staked a claim on her entry as one they prefer. And Say Yay! does give off triumphant vibes (not to be confused with Un Mundo Mas Feliz’ trumpet vibes). But…so does Victorious. Xuso would be a safer, more secure choice than Barei, but I’m not sure how willing Spain is to be represented by something so un-Spanish – mandatory Espanol pre-chorus aside (TVE are clearly NOT willing to toss all Spanish-ness in the trash). I do think María has a decent shot here too, due in part to her status as a previous Eurovision event winner. But again, wishful thinking might be clouding my judgment on this one. Much of what happens across the board depends on the live performances we witness from the six, so we’ll have to wait and see who’s truly winning material, I guess.
Who SHOULD win This depends on what Spain want to achieve in Stockholm. If they’d rather send something relatively safe, that has the goods to get them out of the gutter (i.e. as far from the bottom of the scoreboard as possible), then Xuso is probably their best bet. If they want to take a risk that may or may not pay off (following in Belgium and Latvia’s 2015 footsteps) they should send Barei. If they don’t want to upset me – and let’s face it, that’s the population of Spain’s first priority – they should send María or Maverick. So which is it, amigos?
As Electric Nana might say, Now it’s time for you to have your say. But I’m not going to ask you to pick your predicted or personal winner. Instead, I want to know:
There. All you can do now is sit back, relax, and see if your advice is taken.
However, if you’re itching to reveal your Objetivo rankings or predictions, head south to the comments section and reveal away! While you’re doing that, I’ll be Googling churro recipes, determining if eighteen different tapas dishes is too many for one person, and finding the most comfortable viewing position for tomorrow night (if you’re reading this on Sunday)/tonight (if you’re reading this on Monday)/tomorrow morning (if you’re in an Aussie-esque time zone).
PS – I have to take a moment to say farewell to the legend that is Mr. Eurovision (no, not that one…the OTHER Mr. Eurovision). Sir Terry Wogan passed away today aged 77, in what is the latest in a string of famous deaths none of us saw coming. He didn’t always take the ESC as seriously as some of us do, but that was part of his charm. Also appealing was his unwavering loyalty towards the contest – his voice eventually becoming synonymous with the BBC broadcast of the show. For that, and for so much more, I salute him. RIP, Terry.