SELECTION SEASON 2018 | More ESC entries, multiple announcements + Melfest moves on to Malmö!

Hej och välkommen to another Super Saturday! The Eurovision calendar of events is fuller than Linda Wagenmakers’ skirt this weekend, and I refuse to even think about how it compares to my social calendar (not that I need one when there’s so much NF action keeping me occupied). We may only be getting the gift of one more entry for Lisbon tonight, but there are loads of semi finals going on and paving the way for a full house of songs. The fact that 2018 entries are trickling in at the moment just means we have time to make up extra beds and pull together a sufficient snacking platter.

About tonight…

  • Estonia (Eesti Laul semi 2)
  • Hungary (A Dal semi 2)
  • Iceland (Söngvakeppnin semi 2)
  • Latvia (Supernova semi 3)
  • Lithuania (Eurovizija heat 6)
  • Montenegro (Montevizija final)
  • Slovenia (EMA semi)
  • Sweden (Melodifestivalen semi 3)
  • Ukraine (Vidbir semi 2)

If that list doesn’t offer something for every Eurofan, then I’ll denounce my unconditional love for Lane Moje. It’s so long that little old lonesome me can’t possibly talk about it all. So, in keeping with shows I’ve already covered this season and shows I’m waiting until later to discuss, I’ll only be talking about a) what’s happened in the world of Eurovision 2018 over the past seven days, and b) Melodifestivalen (duh, says the Swedophile) in this post. I know what you’re thinking…

…but the day I both become Superwoman and stop considering Melfest the pinnacle of national finals, I’ll let you know.

 

 

We may not have welcomed too many tracks into the family this week (as I said, they’re trickling through like treacle this NF season) but a heap of stuff has happened regardless. Don’t believe me? Well, the proof is in the pudding, a.k.a. in the following rundown of bits and pieces.

The newest of brand-new songs heading to Lisbon (at this stage) is from Belarus, with Alekseev oh-so-predictably winning Eurofest with Forever on Friday night. Despite visually stunning staging, the “revamp” of the song has really just served to make him sound like he’s performing the original version wrong, and I’m not 110% convinced we will see/hear him sing it in May. But Belarus would be smart to keep him as their artist – and even smarter to show him off to his full advantage with the Russian version of Forever (if possible) or a totally different, non-English song altogether.

Denmark gave us a fabulous beard and a Viking anthem last weekend, as redheaded Rasmussen stormed to Dansk Melodi Grand Prix victory. Even though Higher Ground doesn’t sound remotely 2018, it’s very Eurovision and a definite statement piece – unlike some of the bland, wallpapery songs Denmark could have chosen this year and HAVE chosen in the past. Still, that second semi of death beckons, and it’s a question mark whether or nor the Danes will survive it.

Artist announcements – some with songs, some without – were fired out of the cannon at a rapid rate this week. Croatia is sending Franka Batelić with Crazy (which I’m sensing we’ll hear sometime between now and mid-March); Greece, after a mess of an NF lead-up that has resulted in no NF at all, has opted for Gianna Terzi and Oneira Mou (which is Greek-chic and 10x better than This Is Love IMO); Israel crowned Netta Barzilai the champ of Rising Star (which in addition to stars, rose questions re: vocal manipulation and how much of it Netta will be permitted to do in Portugal); and Macedonia revealed that Eye Cue will represent them with Lost and Found (let’s hope the song’s better than the band name). Planet Eurovision is a busy place to be in February, that’s for sure, even when it doesn’t feel like it.

Finland’s second song for Saara Aalto, Domino, premiered on Friday in the wake of the well-received Monsters. Pros: it’s a pretty modern power ballad that Saara handles with ease. Cons: the lyrics are made up of one cliché after another (the wrecking ball simile has got to go). Monsters is the best option so far, but if Domino is the worst YLE has to offer, Finland deserves a high five *smack*.

After approximately 65 years, Italy’s Sanremo festival concluded with Ermal Meta & Fabrizio Moro taking home top honours and accepting the invitation to go to Eurovision. Non Mi Avete Fatto Niente is not set in stone as the competition song though – back in 2012 Nina Zilli swapped out Per Sempre for L’Amore É Femmina (I was not a happy camper), and a swap may well happen again. So the moral of this story is, maybe don’t include Italy in your rankings just yet.

Semi number two of Sweden’s Melodifestivalen saw an expected result: Samir & Viktor + LIAMOO direkt, Margaret + Mimi Werner to Andra Chansen. Boy, do we need some girls in that final ASAP! I am happy that for the first time ever, I predicted a Melfest heat completely correctly, but that’s probably testament to how see-through the semi was. My favourite was LIAMOO, so DTF = woohoo, but I must say that Mimi’s staging was beyond brilliant. I love you John Lundvik, and I’m a let you finish, but Mimi Werner had the BEST FIRE CURTAIN OF ALL TIME.

 

Now, speaking of Melfest…it’s time to talk about tonight’s deltävling tre.

 

Sweden’s traveling stage has been set up in ESC 2013 headquarters this week – Malmö Arena. Sadly Petra Mede won’t be popping up from underneath it in a John Paul Gaultier creation, but what WILL happen is…*unnecessary drum roll* seven more songs will be sung in a fight for a top 4 finish. And here they are:

  1. A Bitter Lullaby, Martin Almgren
  2. Stark¸ Barbi Escobar
  3. Cubra Libre, Moncho
  4. Party Voice, Jessica Andersson
  5. Min Dröm, Kalle Moraeus & Orsa Spelmän
  6. Cry, Dotter
  7. Everyday, Mendez

To all those saying that this is the worst edition of Melodifestivalen ever…well, I can see where you’re coming from. It certainly doesn’t measure up to any of the years I’ve been following it like the crazed fan I now am (2011 onwards) with just one semi left to lift the overall standard (unlikely). But I have no doubt that the March 10 final at Friends Arena is going to go off – there are four very good songs there already, after all; four to come; and four others to emerge from AC, which will be the best of the rest. And it only takes one song to kick butt at Eurovision, so let’s have some faith in Björkman (even if you can’t stand him, you can’t deny his ability to engineer excellent Swedish results) until it’s proven we shouldn’t, K?

 

My top 4

Cry Firstly, I just want to say how much I loved Dotter in Practical Magic (and that Academy Award? You go, girlfriend). Okay, so maybe she and Nicole Kidman ARE different people (have they ever been seen in the same room at the same time?). But they’re both very talented, and Dotter has the most intriguing snippet of the seven this week. The originality factor isn’t very high, however, since the comparisons to this are obvious.

I can’t be the only one actually seeing double…

Party Voice Mello wouldn’t be Mello without a touch of schlager, and Jessica Andersson is the perfect woman to serve it up – with a side of EDM, no less. It’s a big change from her last shot at getting back to Eurovision (long shiny dress + ballad) but for the better (or for the equally good). I have my ears at the ready to hear her party voice.

Everyday Apparently this is The One of the semi – the one Björkman wants us all to fawn over. I’m a little surprised – is it that special? – but I do like the sound of it, predictable lyrics (you and me/meant to be…no thanks) aside. It taps into the Latin pop trend nicely, and the chorus is catchy and fun.

Stark I’m on my own with this one, but it really stands out to me as a dance track with a melancholy feel. Of the three Swedish-language songs competing in Malmö, it’s my top pick.

 

So, who’s going direkt til final? Mendez + Dotter. This prediction goes against betting odds and the weekly audience poll, but I’m afraid I don’t get the DTF appeal of Martin. And I desperately want some womanly representation in that final! Mendez will sail through, but I really think Cry is the song that deserves to get a golden ticket.

And who’s off to Andra Chansen? Martin + Jessica. No, I wouldn’t be surprised if Dotter is bumped down to AC by Martin regardless of what I just said, but A Bitter Lullaby screams second chance. I’ll be mad if Jessica’s journey ends pre-AC, unless it’s because of Barbi…but that’s not happening.

 

What do you think? Will we get some much-needed girl power delivered to the Melfest final tonight, or will it be dudes direkt yet again?

 

NF UPDATE: What’s next?

  • 18/2 Portugal (Festival de Canção semi 1), Romania (Selecţia Naţională semi 5)
  • 19/2 Armenia (Depi Evratesil semi 1)
  • 20/2 Serbia (Beovizija final)
  • 22/2 Armenia (Depi Evratesil semi 2), Germany (Unser Lied Für Lissabon final)

 

And that’s my cue to leave, ‘cause it’s traditional pre-3am power nap time. Whether you’re gearing up for the NF of your choice by sleeping or not (which depends where you’re living in relation to CET), do whatever you’ve got to do and enjoy what you’re going to watch. The selection season’s going so fast, we have to appreciate it while we can!

 

 

 

SELECTION SEASON 2018 | Three more ESC entries, Denmark decides + Melfest goes to Göteborg!

God kväll good, national-final-watching people! I hope you’re having a fun NF season so far, despite it turning out to be one where pre-show faves do not follow through. This is the second Super Saturday proudly brought to us by February, and there’s so much happening I’m going to have to cut off my own introductory ramble and get on with chatting about my personal highlights ASAP.

Here’s everything going down this evening:

  • Denmark (Dansk Melodi Grand Prix final)
  • Estonia (Eesti Laul semi 1)
  • Hungary (A Dal semi 1)
  • Iceland (Söngvakeppnin semi 1)
  • Italy (Sanremo final)
  • Latvia (Supernova semi 2)
  • Lithuania (Eurovizija heat 5)
  • Sweden (Melodifestivalen semi 2)
  • Ukraine (Vidbir semi 1)

Whew! The superhuman multi-taskers among us are rejoicing right now as they cook a six-course dinner, knit a sweater and recite Shakespeare simultaneously. You can find all of the streaming links to tonight’s shows right here courtesy of Wiwibloggs (bless their little sequined socks).

Surprise, surprise – my plans involve tuning in to Melfest. But in this post, I’m talking about some other stuff too (just not all of the above because I don’t want to put your will to live to the test). The latest song selection news from Eurovision HQ + Dansk MGP + that Swedish semi = what you’re (hopefully) about to read. Sit back, relax and enjoy…or hyperventilate with rage when I declare undying love for music you hate and bitch about music you love.

 

 

Malta chose to break a taboo (HA HA HA not) last weekend by choosing Christabelle – apparently 4th time’s the charm – to go to Eurovision. Her performance was pretty kitchen sink (as in, every “firework” Salvador Sobral could possibly frown upon was thrown in to up the song’s ante) but there’s potential in Taboo itself, and enough time pre-Portugal to bring the staging more in line with…whatever the heck the song is trying to say (I can’t say I got the mental health message without explanation, but DID YOU SEE THE PANTHER?!?).

Over in Sweden – Karlstad, specifically – Melodifestivalen kicked off in uncharacteristically mediocre style, I’m sad to say (scroll down to see if I think things are looking up this week). Shocking nobody, John Lundvik (feat. fire curtain) and Benjamin Ingrosso (feat. one of the greatest stage setups in entertainment history – Malta, take note) went direkt to Friends Arena. Renaida and Sigrid Bernson will fight for a final place at Andra Chansen. Grattis, guys!

It was bound to be one of the betting front-runners that won in Switzerland – and unfortunately for Alejandro Reyes (my personal pick), it was Zibbz – the grungier doppelgangers of Madame Monsieur – with Stones. I can’t fault them even though I was Team Compass, so that’s a good sign. It’s still too early to tell how the brother-sister duo will do in a more competitive environment than the six-song Entscheidungsshow.

The United Kingdom sacrificed legendary Asanda to the NF favourite gods and opted to send SuRie’s Storm to the ESC instead. My choice would have been Liam and Astronaut, so I wouldn’t have been totally thrilled anyway…but I wish Asanda’s vocal issues (easily fixable by letting her stand still for five seconds) could have been overlooked. Legends would have been LIT in Lisbon. Storm, on the other hand, is a little bit wallpaper. Competent and kind of catchy, yes – but not exactly a voting sponge at this stage (i.e. not likely to suck up the points it needs to succeed).

Malta, Switzerland and the UK now join Albania, the Czech Republic, France and Spain in the exclusive group of 2018 entries finalised so far. Head over to my Instagram stories to check out my top 7 while it lasts (@eurovisionbyjaz, of course) and let me know how your current ranking compares in the comments.

 

 

I always get excited about DMGP, despite the fact that it’s usually vanilla when compared to the sprinkle-encrusted sundaes delivered by the likes of Estonia, Hungary and Sweden (normally). I guess even average Scandipop has a way with me – and besides, there’s always something above-average ready to represent Denmark (it just never actually wins the right to do so).

The ten-strong line-up for DMGP 2018 looks like this:

  1. Riot, Ditte Marie
  2. Starlight, Anna Ritsmar
  3. Higher Ground, Rasmussen
  4. Boys On Girls, Sannie
  5. Angels To My Battlefield, Sandra
  6. Unfound, Lasse Meling
  7. Standing Up For Love, CARLSEN
  8. Signals, Karui
  9. Holder Fast I Ingenting, Rikke Ganer-Tolsøe
  10. Music For The Road, Albin Fredy

For me, 2017>2018 (there’s a lot of like-worthy stuff this year, whereas I loved multiple tracks in 2017) but I’ve seen disagreement on that already. Artist-wise, we’re looking at a few familiar faces (Ditte Marie, Albin Fredy), a 90s hitmaker in Sannie, and someone who doesn’t look old enough to be awake past 7pm, let alone gunning to go to Eurovision (that’s Anna).

I’ll quickly make my feelings clear re: the songs that didn’t make my top 3 before getting into those podium places, for anyone interested… 

Starlight Seriously, how old is Anna? I feel like we should be questioning Denmark’s child labour laws every time I see her. Song-wise, she’s offering something cutesy and twee that somehow irritates me and soothes me at the same time. It could do very well tonight. 7.5/10.

Boys On Girls I wanted to feel intense 90s nostalgia listening to this, but Sannie a.k.a. Whigfield let me down a little. There’s a couple of DMGP songs weakened by anti-climactic, overly-repetitive choruses, and this is a prime example. 7/10.

Angels To My Battlefield This isn’t terrible, but it is the most forgettable song of the lot. How it’s in the top half of the odds, I have no idea (maybe it’s going to win and make my jaw hit the floor á la Soldiers of Love. Eek). 5/10.

Unfound Lasse is to DMGP what Max Cinnamon was to Destination Eurovision: adorable and armed with a guitar. This is a super-cute Shawn Mendes-esque track that’s not likely to go anywhere (but I will have a bop for one in my bedroom while I watch it being performed). 8.5/10.

Standing Up For Love How freaking Danish is this?!? CARLSEN manage to be both the female version of Lighthouse X and one of Europe’s many O’G3NE tribute acts, and if there were ever a song that screams ‘Denmark at Eurovision 90% of the time!’ Standing Up For Love is it. I want to hate it, but I kind of love it. Dammit. 9/10.

Holder Fast I Igenting And here’s the token Danish-language song that DMGP is not complete without – think Tæt På Mine Drømme (2015), To Stjerner (2016) and Vesterbro (2017). Unfortunately, Rikke’s song is not nearly as good as those were/are. It’s beige. 6/10.

Music For The Road Just when we thought Avicii’s Hey Brother was no longer a musical inspiration to anyone, enter Albin! It’s hard to resist the infectious country twang and catchy chorus he’s provided us with. 8/10.

And now, having saved the best (as far as I’m concerned) until last…

 

My top 3

Signals Did I love this instantly because it reminds me of this? Maybe, but regardless, something so unconventional (for Denmark) popping up here (in Denmark) threw me in a good way. Solange Knowles could come out with Signals and nobody would raise an eyebrow. There’s no way it’s winning or even coming close though. The musical territory is too unsafe for Denmark. 9.5/10.

Riot Ditte Marie has delivered a third pop banger to DMGP’s doorstep, after 2011’s 25 Hours A Day (with Le Freak) and 2012’s Overflow. Okay, so Riot isn’t breaking any genre boundaries, but it’s slick and catchy, and makes you want to move (not out of the room so you can’t hear it any more). The title is repeated a hundred times too many throughout, but I can forgive that. 9/10.

Higher Ground Roger Pontare has possessed Rasmussen, right? Except Rasmussen has more hair on his face than Roger has on his head. This song is majestic, atmospheric…and yeah, about a decade or so too late to be on-trend at Eurovision. But I wouldn’t be mad if Denmark sent it in Lisbon’s direction. 8.5/10.

  

Predicting the super finalists + the winner

I am SO BAD at calling DMGP, it’s become a tradition for me to be spectacularly wrong. So here we go again!

In random order, my prediction for the super final – in which the top three songs post-vote face off against each other FTW – is Anna Ritsmar, Rasmussen and CARLSEN. Do not, I repeat DO NOT, bet any money on this.

When it comes to the ultimate winner, I was going to go with Anna, but then I remembered the Anne Gadegaard Incident. Will the folksy pop number get its revenge this time? I’m not sure. Rasmussen is the one I think people would be most satisfied with, so that’s probably out. CARLSEN are so stereotypically Denmark-goes-to-Eurovision that they shouldn’t be underestimated.

So CARLSEN it is! *prepares for prediction fail no. 4975*

Now, if you’re still awake, let’s switch Scandinavian countries. 

 

 

Ja, it’s true – Melfest got off to a less-than-impressive start last week. But this second deltävling is shaping up to be a little (if not a lot) better. At this rate we’ll be back to expected levels of epic by the time the roadshow hits Örnsköldsvik…OR WILL WE?? Insert dramatic soap opera cliffhanger music here and keep on wondering.

Here’s this week’s lucky seven: 

  1. Shuffla, Samir & Viktor
  2. Allting Som Vi Sa, Ida Redig
  3. Det Finns En Väg, Jonas Gardell
  4. In My Cabana, Margaret
  5. Titta Vi Flyger, Stiko Per Larsson
  6. Songburning, Mimi Werner
  7. Last Breath, LIAMOO

There are three names that really stand out here: Samir & Viktor, who are always loveable (bada nakna or not) and might have their best chance yet of going to Eurovision; Margaret, who missed out on representing Poland in 2016 with the iconic Cool Me Down; and LIAMOO, who won Swedish Idol in 2016 (coincidentally covering Cool Me Down along the way). Mimi Werner, too, is worth nothing as a fan fave who didn’t quite make the Andra Chansen grade on her last attempt.

The big question is – in a parallel universe where I have a massively inflated ego – are any of those guys my favourites of this heat? As Ace Wilder would say: don’t worry, it’s alright. I’m about to tell you.

 

My top 4

Last Breath Just as I knew Benjamin Ingrosso would be my favourite in heat 1, I was sure LIAMOO would top my ranking for heat 2. My pre-established fangirling for the guy makes me biased, I know, but in all honesty I am digging (the snippet of) Last Breath like I’m looking for buried treasure. Clearly rap doesn’t turn me off.

In My Cabana I can’t believe I’m vouching for a song staged using a toilet, but here we are. This is exactly what I was expecting it to be – a.k.a. the love child of Cool Me Down and Camilla Cabello’s Havana. Do I have a problem with that? Umm, no.

Margaret won’t be laughing if someone uses her prop toilet by mistake.

Shuffla Not a fan of Groupie? Have no desire to Bada Nakna? Well, you might still enjoy Shuffla, because it’s totally different to Samir & Viktor’s previous Melfest entries. There is trumpets, dance beats aplenty and a 1920s undertone that adds interest. I approve.

Songburning TBH, Mimi is here by default since the other three songs in this heat are pretty dire. That doesn’t mean Songburning has no redeeming features though – it’s just as charming as Ain’t No Good, actually, if the snippet is any indication. (Country) girl power!

 

So, who’s going direkt til final? Samir & Viktor + LIAMOO. As much as I’d like LIAMOO to prove his favourite status right by winning this semi, I suspect Samir & Viktor might do the deed instead – but he should be safely in the final anyway.

And who’s off to Andra Chansen? Margaret + Mimi. This is what I’m hoping, at least. If anyone else slips in to an AC slot it will be Ida Redig, but I’m not convinced Allting Som Vi Sa has enough of an x factor to move beyond 5th place. There is a clear top 4 here in my eyes.

What do you think? Tell me if you agree with my Melfest guesses – or if we’ll have to agree to disagree – in the comments.

 

NF UPDATE: What’s next? 

  • 11/2 Romania (Selecția Națională semi 4)
  • 13/2 Israel (Next Star final)
  • 16/2 Belarus (Eurofest final), San Marino (1in360 night 2)

But let’s deal with the craziness of tonight first…

 

 

THAT IS IT!!! I’m done – and to think I only discussed two of the 17 000 shows taking place tonight. I’m obviously all about the Scandis at the moment, but I fully respect your right to turn elsewhere for your NF fix. Let’s meet up on Twitter later (I’m @EurovisionByJaz, ICYMI) to compare notes and debrief after result-induced traumas. In the meantime, if you have anything to say about this Super Saturday, the EBJ comment box is always open!

 

Until NEXT Super Saturday (or a possible sneaky Valentine’s Day post…whichever comes first),

 

 

 

SELECTION SEASON 2018 | A results rundown, Malta’s musical half-marathon + the Swedish spectacular starts again!

Welcome to another triple S – Selection Season Saturday! This is the first SSS of what will be a frantic February on the Eurovision NF calendar. Seriously, BRACE YOURSELVES. We do get to ease into things though, with five pan-European heats, semis and finals happening tonight instead of 500 (or what feels like 500. Those Saturdays are still to come).

Those five ESC warm-ups are in Hungary (A Dal Heat 3), Latvia (Supernova semi 1), Lithuania (Eurovizija Heat 4), Malta (MESC final) and *screams* Sweden (Melodifestivalen Heat 1). I cannot believe Melfest is kicking off again – this time last year, I was figuring out what to shove in my suitcase before flying off to Stockholm for the final. I might be watching from afar in Australia this time around, but that doesn’t mean I’m not practically peeing my pants with excitement. In case it’s not obvious enough, I’m a Melfest freak and will definitely be sacrificing all other NFs for Sweden’s over the coming month-and-a-half (unless Dansk MGP turns out to be unmissable). And, naturally, I’m going to discuss Melfest’s first heat/deltävling in detail in this post – plus run my eye over all the pre-Eurovision results and internal selections from the past seven days, AND ramble on about Malta for a while too.

Let’s get started…and finished, so you can hit up my comments box with your opinions + predictions before this evening’s shows get underway.

  

Cyprus stopped the rumour mill turning fast by announcing Eleni Foureira (not Helena Paparizou) as their act for 2018. She’s heading to Lisbon with Fuego, which will be unveiled in March – but it was written by pop powerhouse Alex P, the man behind Yassou Maria by Sarbel, Always by Aysel and Arash, and La La Love by Ivi Adamou. In other words, he’s yet to send a dud track to Eurovision, and my hopes are sky-high for this latest entry. All I know about Eleni at this stage is that she’s tried to represent Greece a handful of times in the past…so if Greece is beaten by Cyprus this year, they’ll have no one to blame but themselves!

The Czech Republic MERCIFULLY chose Mikolas Josef and Lie To Me as their (clearly best-ever) entry on Monday, which eased my French pain a little (I’ll talk about that in second). This song is so catchy, so irresistible, and yes – so inappropriate. It’ll be interesting to see how much of the lyrical content Mikolas will have to rewrite/tweak (Robin Bengtsson can offer advice on how to seamlessly transition from ‘f**king’ to ‘freaking’) to satisfy the EBU. Can he please keep the bamboo bit? It’s brilliant.

Oh, France. Sacre bleu! Okay, so I’m not mad at them for making Mercy by Madame Monsieur the Destination Eurovision winner last Saturday – it’s a great song with a great story to tell. The only reason my heart still hurts is because I was major-league invested in Lisandro Cuxi’s Eva, and to see him put in the flawless performance he did only to get pipped in the public vote put the Eva into devastating. On the plus side, my winner prediction was correct. Woohoo/sadface.

We have an artist and a to-be-heard song from Ireland, with Britain’s Got Talent alum Ryan O’Shaughnessy (who according to Wikipedia is the nephew of Gary O’Shaughnessy, representative of Ireland in 2001…is this the truth?) off to Portugal with Together. I hope it’s not lame like the title would suggest – Ryan’s described it as a power ballad with a gospel feel, which to me sounds like a Sam Smith knockoff (I would not be opposed to that BTW).

 Spain tested all of us who feel uncomfortable when witnessing a PDA by selecting Alfred & Amaia, newly minted #couplegoals, to pick up where Slovenia’s Platin left off in 2004. MWAH. Their song Tu Canción is sweet, and I hope they don’t break up before the contest…if they do, their performance might look more like this:

 

Anyway…

 

 

What would we do without the mammoth, Mediterranean Bank-sponsored Maltese national final in our lives? Granted, it’s not as mammoth as it used to be (and I’m not even sure MedBank are involved these days), but MESC still has its own unique attractions – the cheesy lyrical content, numerous Borgs and Micallefs, and artists who just keep coming back no matter how many times they don’t make it to Eurovision (you know I’m thinking of Deborah C). I wouldn’t want it any other way (so please don’t get offended if you’re Maltese or pro-Malta…I’m just calling things as I see them in an affectionate way, K?).

This year, sixteen acts will be whittled down to one in a single night – brutal! It will probably take the entire night, though. As a sloth in a human suit, I can totally relate to Malta taking things slooooowly. Here’s the line-up for this evening: 

  1. Dai Laga, AIDAN
  2. Rocket, Miriana Conte
  3. Supernovas, Jasmine Abela
  4. Call 2morrow, Matthew Anthony
  5. One Step At A Time, Danica Muscat
  6. Breaking Point, Dwett
  7. Love Renegade, Lawrence Gray
  8. Song For Dad, Richard & Joe Micallef
  9. First Time, Tiziana Calleja
  10. Back To Life, Eleanor Cassar
  11. Beyond Blue Horizons, Rhiannon
  12. Heart of Gold, Brooke
  13. Taboo, Christabelle
  14. Turn It Up, Deborah C
  15. We Can Run, Avenue Sky
  16. Evolution, Petra 

There are actually not that many returnees in this bunch, but Deborah C is worth about five with the amount of times she’s had a bash at the comp. There are a handful of new faces too, and that seems to have come hand-in-hand with some songs that aren’t what we’re used to hearing from our favourite tiny island. So which ones am I hoping will appear on Spotify so I can listen to them because I want to, not because I have to?

 

My top 5

Rocket I feel like I’m at a party for one having this as my favourite, but I reckon it’s underrated. Ultra-catchy, youthful enough for 16-year-old Miriana without sounding like it should be at JESC rather than MESC, and lyrically adequate (as in they make sense and don’t resort to love/above type stuff), it’s got everything going for it. Wouldn’t be out of place in a Melfest semi. 9/10.

Heart of Gold As much of a Wiktoria Lay Me Down tribute as this is, there’s a reason we all fell head-over-heels for that. Some of the same country-pop charm pops up here, as does the weirdest lyrical concept in history – ‘You’re a pack of wolves with a heart of gold’. WOT?!? Still, sometimes all I need to enjoy something is an infectious tune, and HOG’s got one. 8.5/10.

Call 2morrow I can’t believe I’m rooting for a song with a painfully 2000s number in the title. I mean, I literally messaged this exact phrase to my friends on my Nokia 3310 when I was 13. But regardless, the song itself is surprisingly un-Malta and on the right side of alt-pop to appeal to me. Points added for ‘Does your body still remember my bed’; points off for the use of the word ‘cuddle’. 8/10.

Song For Dad This is so corny and so cheesy, I’ve taken to calling it a musical quesadilla. But I am a big fan of Mexican food, so that doesn’t mean I’m totally turned off by Richard & Joe’s familial love-fest (just partially turned off by the clichéd lyrics re: standing by someone’s side when times get tough and blah blah blah *reaches for a sick bag*). The folksy feel and melody are pretty palatable, and I’m always a sucker for Richard’s singing voice. 7.5/10.

Taboo Firstly, I’ve got to say it: this is not Christabelle at her best. Secondly I’ll say that she’s still decent, even without a song on par with the sensational Rush from 2015. Clunky, mixed-metaphor lyrics (a trend for MESC 2018 apparently) and a dated dubstep breakdown do not stop Taboo from being one of the most memorable and modern tracks competing tonight. 7.5/10.

 

Predicting the winner

MESC is often an easy nut to crack when it comes to predicting the outcome, but an occasional curveball (plus my strangely amateurish prediction skills…only been doing it for 12 years, guys) zaps my confidence a bit.

My top three educated guesses for the win are Jasmine Abela (we share a name! I have to show her some love), Richard & Joe and Brooke, with Christabelle trailing behind because I just don’t see Taboo as winner material. If I were a betting woman, I’d be dropping my cash on Brooke. It seems like it might be third time lucky for her.

Will Malta gravitate towards Jasmine’s power ballad, Richard & Joe’s sugar overload or Brooke’s expensive and heavy aortic pump (Heart of Gold has more of a ring to it, I’ll admit) OR will I be wrong for the first time this selection season? Tune in to the MESC 2018 final from 21:00 CET here to find out – and while you’re waiting for the show to start (assuming you’re a weirdo who’d willingly sacrifice a Melfest semi for MESC) let me know who your tip is to represent Malta in Lisbon below.

 

 

If anyone tries to tell you that Melodifestivalen ISN’T the cream of the NF crop, they are a) delusional, b) lying, or c) have their own opinion which is totally fine, each to their own etc. But my favourite selection show has always been Melfest, and my unconditional love was strengthened even more by my final visit in 2017 (FYI I will be mentioning it every chance I get this season). Needless to say, even though I already said it in the intro, I am pumped like a bicycle tyre for the six-week extravaganza to start again. Tonight’s first heat will see seven acts – including vintage Eurovision legend Kikki Danielsson – go head-to-head in Karlstad for two final places and two second chances.

  1. Patrick Swayze, Sigrid Bernson
  2. My Turn, John Lundvik
  3. All The Feels, Renaida
  4. Livet På En Pinne, Edward Blom
  5. Osby Tennessee, Kikki Danielsson
  6. Solen Lever Kvar Hos Dig, Kamferdrops
  7. Dance You Off, Benjamin Ingrosso

The Eurofan community has been mouthing off about the “weakness” of this heat (based, might I add, on audio snippets and rehearsal glimpses) but my motto is that first impressions never last. Besides, it only takes one amazing song to succeed or even win Eurovision – which isn’t SVT’s first priority at this stage anyway. The priority is to put on another ratings-magnet variety show for us all to dissect on Twitter. One step at a time, people.

I do feel like the best of Melfest 2018 is yet to come, but I’ve warmed up to a lot of the songs in this heat despite that. Have you? Speak up in the comments!

 

My top 4

Dance You Off Benjamin’s Melfest debut last year was an awesome one IMO, and if I were ten years younger I would 110% have a poster of him on my wall. DYO sounds more like Good Lovin’ than his post-Melfest 2017 singles did, and that’s fine because he can do no wrong. I’m very keen to see his performance, which has been choreographed by Robin Bengtsson’s treadmill consultant.*

*I made this job title up, but WHAT A CAREER THAT WOULD BE!

Based on his song title, Benjamin won’t be doing this on stage.

Solen Lever Kvar Hos Dig It’s like Jamie-Lee Kriewitz took up residence on Kamferdrops’ face and just stayed there, isn’t it? That aside, there’s something dreamy about this track that makes me want to hear more. It’s schlager, 2018-style. In the club. With sequined tracksuits.

My Turn A good power ballad can do wonders, and this sounds like it could be a darn good PB. It stands out for the right reasons even in the slot of death (which is more like a lot of grievous bodily harm in a seven-song show).

All The Feels Well, at least there’s not a hashtag shoehorned into the title as well. When you have all the feels, I guess you just have to express it through song – and Renaida’s expression is nicely in keeping with the Dua Lipa/Zara Larsson badass lady pop genre.

 

So, who’s going direkt til final? Benjamin Ingrosso + John Lundvik. Benjamin was the hot fave for this heat (pun actually not intended) but it was John who won the audience poll post-rehearsals. I thought he was being underrated, so that’s a relief. If he and Mr. Ingrosso do go direkt, I’ll be happy.

And who’s off to Andra Chansen? Edward Blom + Kamferdrops. Edward sounds like he’s putting on the kind of Broadway-esque, “humorous” performance usually put on by the host/s before the actual competition starts, and since I think it’s ridiculous I wouldn’t put it past Sweden to send it to AC. Kamferdrops, my spidey senses tell me, could be left out of the top four entirely, but nobody’s really fighting for fourth place, so I’m having a wishful guess. Otherwise it could be Renaida squeaking through.

 

What do you think? Can you predict how Sweden will vote, or are you as unsure as I am?

  

 

NF UPDATE: WHAT’S NEXT?

Here’s what’s on offer in the lead-up to the next Super Saturday.

  • Sunday 4/2 Romania: (Selecția Națională semi 3), Switzerland (Entscheidungsshow final)
  • Tuesday 6/2 Italy (Sanremo night 1)
  • Wednesday 7/2 Italy (Sanremo night 2), United Kingdom (You Decide final)
  • Thursday 8/2 Italy (Sanremo night 3)
  • Friday 9/2 Italy (Sanremo night 4), San Marino (1in360 night 1)

Which show are you most excited for?

 

 

Well, I reckon I’ve said enough for one night. Aren’t you glad I didn’t review every NF of the evening? My typing fingers sure are.

I’m off now to get my traditional power nap before that pesky alarm goes off at 3am (livin’ that unfortunate time zone life as always). Don’t forget to join yours truly on Twitter then so we can try to out-zinger each other (Vocals! Costumes! Props! Results! David Lindgren’s antics! There’s so much stuff to critique) – just follow me @EurovisionByJaz. It’s going to be a fun one, guys!

 

Until then,

 

 

 

SELECTION SEASON 2018 | The French finale + Czech-ing out the competition

Bonjour! To answer all the usual questions…yes, I’m still alive; yes, I’m still blogging; and yes, my excuse for NOT blogging since Junior Eurovision in ye olde November 2017 (!!!) is the same (annoying adult commitments such as work, etc).

Now, I don’t know about you, but I’m beyond ready to dive deep into Eurovision 2018’s selection season. Tonight is a great night to do it, with three shows – including one decider – on the calendar. Plus, we get a Romanian heat and another installment of Israel’s Next Star tomorrow night. Oh, and on Monday, something’s happening in Spain (Operación Triunfo is just a big ol’ bunch of confusion), while the Czech Republic will announce that Mikolas Josef is representing them in Lisbon which of their six shortlisted acts is heading to Lisbon. OOF. If you thought I wasn’t going to make a dramatic re-entrance into the world of Euroblogging to cover all/whatever I can manage of this NF action…

‘What I can manage’, a.k.a. what I’ve chosen to cover this weekend are the happenings in the two countries that are 110%, totally and definitely choosing their reps for Portugal now (but don’t worry, I’ll be all over the Melodifestivalen semis once they start next weekend). That’s France and the Czech Republic, hence the punny title of this post.

So, without further ado, I’m going to share with you my thoughts on the songs of their selections, and predict who’ll end up flying the blue, white and red for a) a country that’s always in the ESC final, and b) a country that’s almost never in the ESC final. Leave your opinions + predictions in the comments below!

 

First up…

  

I have to kick off the France talk by saying OOH LA LA! After heading to Eurovision all flawless for the past few years (right down to Amir’s perfect teeth and Alma’s endless legs), they’ve continued to bring it in 2018 with a super-high-standard national final: Destination Eurovision (which sounds like an awesome holiday resort on a private island that one can only gain access to if one knows all the words to Alexander Rybak’s Fairytale by heart).

After two semis of eighteen acts performing their potential ESC entries, plus a version of something else – and being scored by a jury only – eight artists remain, as do eight songs that are decent at worst and brilliant at best. C’est magnifique!

Tonight’s show looks a little like this (because it will also feature duets): 

  1. Mamma Mia, Louka
  2. Ailleurs, Max Cinnamon
  3. OK ou KO, Emmy Liyana
  4. Mercy, Madame Monsieur
  5. Rêve de Gamin, Nassi
  6. Eva, Lisandro Cuxi
  7. Lisboa Jerusalem, Igit
  8. Ciao, Malo’

A handful of great songs fell by the wayside in the lead-up to this final, but the fact that they weren’t sacrificed for inferior songs (IMO) says a lot about the effort France is putting in at the moment. I’m not saying that I absolutely adore every single song still in the running – I have some standout favourites for sure. But as you’re about to see, there’s nothing on display tonight that will have me hitting the mute button (or reaching for a pair of earplugs – whichever’s easiest in my 4am haze).

 

Thoughts + scores

Mamma Mia This was one of the first songs to grab my attention at the snippet stage, and I’m still loving it. It’s a little bit tropical-pop and edges towards the Latin pop trend too, so basically it’s pretty exotic. Oui, it’s repetitive, but the chorus is the hook and I’m biting! Louka is an attractive Frenchman, which also helps (yeah, I can be shallow. Sue me). 8.5/10.

Ailleurs I DO absolutely adore this one. It’s magical. The chorus is memorable and makes an impact without being loud and in-your-face. Overall, it’s pretty and soothing, with a nice mix of French and English lyrics. Max is kind of meek as a performer, but hopefully having made it to the final will give him a Blanche-like confidence boost. 9.5/10.

OK ou KO Emmy’s song isn’t at the top of my love list, but it’s excellent – soulful, smooth and perfectly suited to her powerful voice. I don’t connect with it as much as I do with some of the others, but that’s its only fault. 8/10.

Mercy I have the connection issue with this one too – I want to feel a rush of love for Madame Monsieur, but I just don’t. Still, I have to admit that everything is cool, contemporary and slick. I won’t jump up and down with excitement if Mercy goes to Eurovision, but I’ll be proud of France for sending something current and original. 8/10.

Rêve de Gamin Okay, so this was better in studio than on stage, but I didn’t think Nassi’s live was terrible by any means (the 2018 version of Daz Sampson’s Teenage Life staging worked for me). I will always be quick to defend this song though, because I think it’s awesome. The blend of dance-pop and ethnic music breaks is boss. 9.5/10.

Eva Honesty is the best policy (apparently) so here goes: THIS IS MY FAVOURITE (AND CAPITAL LETTERS ARE NECESSARY TO EXPRESS THIS)!!! Lisandro is the bomb dot com. He sings, he dances, he wins TV talent shows, and he was born and half-raised in Portugal. Hello! He’s also armed with a superb r & b-inspired track that may not be up everyone’s street but has its own personalised parking bay outside my house. 10/10.

Lisboa Jersualem It wouldn’t be a showcase of French music without something that could have been lifted from a Cirque du Soleil soundtrack (that’s a compliment, BTW). Listening to this transports me to a Parisian sidewalk where the scent of cigarette smoke and croissants intermingles seductively (or so I imagine, having never been to Paris). The song is my least favourite in the final, but I’m glad it’s there. 7/10.

Ciao I actually hated this at first, but it’s grown on me like a musical fungus and I’m now digging it. The chorus is tailor-made for an arena (and an arm-waving audience of thousands), although the verses are much less memorable (as in I literally can’t recall how they go right now). 7.5/10.

 

My predictions

Realistically, I think half of France’s final songs are out of winning contention – in random order, Mamma Mia, Ailleurs, Rêve de Gamin and Lisboa Jerusalem. That leaves the betting faves Eva and Mercy (also winners of their respective semis) and chasing pair OK ou KO and Ciao. It’ll be interesting to see the results from the two voting parties that haven’t come into play yet – televoters and a beefed-up international jury. The fact that the ultimate decision-makers are different this time makes predicting a winner more difficult…but I would stick with Eva and Mercy as the ones to put your money on.

Lisandro, as France’s reigning Voice champ, has proven to be a televote magnet in the past, and his performance will be one of the strongest (vocally and visually) tonight. Madame Monsieur, meanwhile, are the winners in iTunes’ eyes, and because they’re not my personal favourite they’ll probably win (when I get invested in a song it’s practically a death sentence). As I said, if they do, I won’t be thrilled…but I’ll come to terms with it.

I wouldn’t be shocked to see OK ou KO or Ciao sneak up behind those two with a strong televote, but winning on that alone (if the international jury votes go mostly elsewhere) would be a tough task. The juries, feat. the likes of Armenia, Bulgaria, Israel and Sweden, might opt for the less “Frenchy” stuff á la Eva (giving it even more of a leg up), Ailleurs or Ciao, but to be honest I have no idea how they’ll distribute their points.

Alright, alright! So you want a definitive winner prediction from me, do you? Here it is: in the hope of not jinxing my numero uno Lisandro, I’m going with Madame Monsieur for the win (while still hoping and praying for Lisandro on the DL).

 

If you’re tuning in to the Destination final, stream it from 9pm CET here, here, via YouTube, or on TV if you’re in France, of course. And before then, hit up that comment box and tell me who you think will represent France in Lisbon!

 

 

The most impressive thing about the Czech Republic’s pre-Portugal selection process is that they’re managing to have a national final while simultaneously NOT having a national final.

I.e. there’s a line-up of songs competing against one other to win over juries and televoters, but there’s no live performances and no televised competition element. The jury votes, as I’m sure you know, have already been decided, and Mikolas Josef’s Lie To Me topped the scoreboard (somewhat surprisingly as I wouldn’t have considered it jury-friendly). Here he is alongside the five other potential – but not probable – Czech entries for 2018.

  • High On Love, Debbi
  • Stand Up, Doctor Victor
  • We Rule This World, Eddie Stoilow
  • Fly, Eva Burešova
  • Lie To Me, Mikolas Josef
  • Never Forget, Pavel Callta

For me, this selection is like a buffet where the options are a) five different types of unseasoned steamed vegetables, or b) a ten-tier red velvet cake topped with a spun sugar swan. Who in their right mind wouldn’t go for the cake? The cake in this case being Lie To Me, obviously. Okay, so I can understand why the song might rub some people up the wrong way…especially those opposed to blatant sexual references raunchier than Slavko’s ‘My spaceship is ready to blow, drunk in love, I’m gonna explode’. And people who are afraid of camels.

But as far as I can see, the Czech Republic will either be stuck in the semis at Eurovision again or sail to the final, based on whether Mikolas wins the public vote or not.

I’m not that inspired to review the other five songs, but in an attempt to come across as a fair and accommodating judge, I will.

 

Thoughts + scores

High On Love The most superior of the steamed vegetables is clearly this one. Whenever I see the title I’m reminded of this 2012 banger from Norway, which isn’t good because that was way better. But Debbi does have a pretty catchy pop song up her sleeve (in spite of some seriously annoying lyrics). 7/10.

Stand Up Stand up and leave the room? No problem, Doctor Victor. Bland rock is not my cup of tea, and this is so bland I could wallpaper my house with it. 3/10.

We Rule This World Eddie Stoilow (which is seemingly a band and not just the name of one person, go figure) have also produced something beige. WRTW would probably make the super-final at Dansk MGP, but it’s nowhere near interesting enough to hold the Czech Republic’s ESC hopes on its shoulders. 4/10.

Fly Sometimes a screamy lady ballad appeals to me, if the melody is decent and the screaming lady is screaming in the right way. But I feel like Eva is more or less moaning at me very loudly for three minutes because I ruined her favourite shirt when I did her drycleaning or something. 5/10.

Lie To Me This is the love child of Talk Dirty by Jason Derülo, Problem by Ariana Grande and Strip That Down by Liam Payne (don’t ask me how that’s possible), and I am OBSESSED. It has ‘The One’ written all over it in big, crude Sharpie letters. It could be a disaster when performed live (and there will be no camels present, which is a huge disappointment) but let’s cross that bridge when we come to it. 10/10.

Never Forget The title of this song is ironic. That’s all I’m going to say. 6/10.

  

My predictions

Speaking of saying the bare minimum…I can give you guys a Czech prediction without using any words at all.

What do you think? Does Mikolas have it all sewn up, or is someone else going to miraculously swoop in to succeed Martina Bárta?

 

SELECTION SEASON CONTINUES: What’s up next?

  • Saturday 3/2: Hungary (heat 3), Latvia (semi final 1), Lithuania (heat 4), Malta, Sweden (semi final 1)
  • Sunday 4/2: Romania (heat 3), Switzerland

 

Whatever you’re watching this weekend, enjoy it…but not too much, ‘coz we’ve all got to save our energy for February and (early) March. Assuming I’ve got the energy, I’ll be on Twitter throughout the season. Follow me @EurovisionByJaz for salty comments and tea-spilling (re: songs I hate) interspersed with OTT compliments (re: songs I love). What can I say? I’m a woman of Eurovision extremes.

 

Until next time,

 

 

 

SHINE BRIGHT! Jaz’s JESC 2017 Reviews, Round 4 (Armenia, Ireland, Russia + Serbia)

Today’s the day, everyone who’s into Junior Eurovision! You’d have to be if you’re reading this.

There are just hours until Georgia hosts their first-ever contest, with the jury final done and dusted and a big chunk of votes already in (we still have until 15.59 CET to get our pre-show votes in, so get on it if you’re yet to have your say). What makes things even more exciting is that, even after rehearsals, it’s still an open contest without a totally predictable, probable-runaway winner. So – with due thanks also going to the current method of announcing the results – we should be on the edge of our seats until the very last score is calculated (unless one of the hosts screws things up like Valerie Vella, Queen of Spoilers, did last year). I’m SO excited for this!

I do have another few jobs to do before I can sit back, not relax (TOO EXCITED) and enjoy the show later. One is to make my official predictions for the comp public, which I will be doing on Instagram this afternoon (follow me @EurovisionByJaz…the link is over there in the sidebar). The other job is to squeeze in the final round of 2017 song reviews, of course! Here’s what’s gone down so far:

  • Round 1 feat. Cyprus, Georgia, The Netherlands + Poland
  • Round 2 feat. Albania, Italy, Macedonia + Portugal
  • Round 3 feat. Australia, Belarus, Malta + Ukraine

That means Armenia, Ireland, Russia and Serbia are left – so stay tuned to see what I think of Misha’s Boomerang, Muireann McDonnell’s Súile Glasa, Polina Bogusevich’s Wings and Irina & Jana’s Ceo Svet Je Naš. It’s happening right…

 

…now!

 

Watch it here 

Last year…powerhouse duo Anahit & Mary scored Armenia’s second 2nd place in a row with Tarber – a song I am still listening to on a daily basis and refuse to hear a bad word about.

The 2017 verdict Armenia is one of the most successful JESC countries period, having only finished outside of the top 5 twice in 10 participations. They’re on a particularly impressive run at the moment with a consecutive 3rd, 2nd and 2nd on their performance record. The problem with that, of course (*morphs speedily into Negative Nancy*) is that they’ve set themselves a standard so high, they might need the aid of a professional pole-vaulter to make sure Misha can top it – or at least equal it, since the only way to truly top it would be to win. I will be talking about the rehearsals here, but when it comes to song alone I’d say that Boomerang does have ‘winner’ written all over it. I didn’t feel it at first, but something clicked on listen no. 2 and I began to believe that Misha (well, studio Misha) had everything required in that three minutes to take the new and (some would say) improved JESC trophy home. I’d describe this song Eurovisually as a hybrid of Aram Mp3’s Not Alone – a power ballad that starts off subtly and simply before exploding into a million pieces of ‘Wow! – and Lisa Angell’s N’oubliez Pas, because it’s backed by a pounding militaristic beat. What it adds to that combo is interesting rhythm changes, and a younger vibe thanks to Misha’s delicate vocals (delicate until he unleashes his inner Anahit and/or Mary towards the end). It’s an aurally arresting mixture that suggests Armenia shouldn’t be discounted from the race, as per usual. But PLOT TWIST: from what I’ve heard about their rehearsals (told you I needed to mention the R word), an out-of-character misstep might be in store instead. Live performances can build an ordinary song up or tear a great one down, and though I haven’t watched any rehearsals as normal, reports of questionable vocals, a hoverboard that may not be serving Misha all that well and things just not coming together have me worried. I was going to tip Armenia as a possible winner, but now I’m wondering if they’re going to dip below their current worst-ever result of 8th. Before seeing evidence of that though, I will stick to my guns and not write them off. After all, Armenia has never ended a Junior contest lower than 2nd when they’ve entered a song with a single-word title. COINCIDENCE? Yeah, probably.

Song score 10

Artist score 8

Final score 9

 

 


Watch it here

Last year…Ireland participated for the second time with Bríce ar Bhríce by Zena Donnelly, improving on their debut 12th place with 10th (I predicted it to come last…oops).

The 2017 verdict I have to say, Ireland hasn’t exactly set my soul (or any other part of me) on fire with their JESC entries to date. All three have been good but not great IMO – though in 2015 and now in 2017, it’s more a case of the genres not being my bowl of Irish stew. Muireann is a cool kid who’s been personality plus when interviewed in Tbilisi this week, and there’s no denying she’s got talent. But Súile Glasa just doesn’t do much for me. It’s like a bowl of porridge (what’s with all the food references? If I’m not careful I’ll be discussing the Irish Potato Famine in detail next) without any flavouring. Okay, maybe a little flavouring…it is sweet. And the chorus is the stuff of sing-along dreams even in Irish. AND – check out all of these positives I’m pulling out! – I like the breathy, earth-child sound of Muireann’s voice. But like is as far as my relationship with this song will ever go – it’s in the Friend Zone, people. I am aware that my Music That Will/Will Not Work In A Competition Based On What I Think Of It radar is in good need of a repair job – and that my apathetic attitude towards Súile Glasa isn’t shared by many other Eurofreaks Eurofans. With that in mind, Ireland could be on track to improve on their debut result even further by improving on last year’s – I’m sensing 8th place for Muireann using my virtually non-existent psychic powers. In my personal ranking, it’s a lot lower than that, but not because it’s heinous. To me, it’s another You and Me by Joan Franka (i.e. I just don’t ‘get’ it). And Ireland in JESC so far…well, let’s just say I’m happy to have them at the party, but they’re definitely not the life of it.

Song score 6

Artist score 8

Final score 7

 

 


Watch it here

Last year…The Water of Life Project’s Water of Life pulled in the third-highest kids’ jury vote which propelled them into 4th place overall.

The 2017 verdict I have ADORED Russia at Junior for the last few years. Water of Life, in fact, was my runaway favourite of 2016 and I still love it a year later. Prior to 2015, though, I found them pretty hit-and-miss. I’m telling you all this stuff you probably don’t want to hear to make you question whether or not I’m a fan of Russia’s 2017 entry Wings. The short answer is yes. The slightly longer answer is HECK YES. Now for the longest answer of all: while it’s not another hands-down fave of mine (there are a few other songs I love on a similar level) Polina’s musical bid to win JESC no. 2 for Russia is right at the top of my list (floating around with those other few). This is everything I want in a ballad and more – so much so that I don’t even care about the nonsensical areas of the English lyrics despite being a former English major and staunch advocate of correct grammar. Taking inspiration from the soaring, electronic-edged ballads Sia has made famous, Wings is polished pop perfection with a massive chorus, epic build up to that chorus, a strong story backed up well by visuals in the music video (and on stage, I’m told) and a money note that overshadows all others we’ll hear in Tbilisi. Polina is an absolute powerhouse with all the necessary facial manipulation skills to sell the song to the audience and through the camera lens. I may acknowledge that the use of English in Wings has weaknesses, but that’s purely in the lyrics themselves – I really like the way the languages switch, with the song coming to an end in Russian right where it started. Speaking of the end…how good is it with the repetition of the final chorus line? Overall, Wings packs a memorable punch that I’m praying sees Russia in the top 5 again. Sadly, they seem to have trouble winning no matter how hard they try (something Sergey Lazarev could identify with) and this package doesn’t feel quite like the winning one to me – but that’s mainly because my favourites hardly ever win JESC or ESC and I’ve become pessimistic. The almost impossible could happen, and I’ll be doing my part to help it along by voting for Russia!

Song score 12

Artist score 12

Final score 12

 

 

Watch it here

Last year…poor Dunja Jeličić was out-hoverboarded by Belarus (ouch!) and ended up at the bottom of the leaderboard in U La La Last place.

The 2017 verdict Unlike Armenia, all Serbia has to do at JESC 2017 is not lose in order to outdo their showing in 2016. Unfortunately, that may be a tall order for Irina and Jana…but you know what? They wouldn’t come last if the outcome was up to me. Ceo Svet Je Naš is a cute little throwback to Junior contests of the past – think 2003 to 2005 – with a 1920s flapper feel shoehorned in. I’ve said before that I like it when countries go classic JESC on us, and the same goes for this entry. It’s clearly a kids’ song for a kids’ contest, and wouldn’t double up as an adult Eurovision song like Belarus or Macedonia, which makes it an awesome addition to the line-up. Being so sweet and simplistic, it’s also a breath of fresh air amongst more serious, hard-hitting and dramatic stuff á la Armenia, Poland and Russia. What puts the girls in losing contention isn’t so much the lack of good material – it’s just that by comparison, most of the other 15 songs have more to offer and are more exciting. Even I, who will bop to this while wishing I was wearing some fringe and feathers, am not tempted to vote for it when there are plenty of other songs on offer that practically demand to be supported. It’d be like picking up a sugar cookie from a buffet full of layer cakes and ice-cream sundaes (here I go again with the food analogies). I’m guessing most other people – those of us at home and those on the juries – will feel the same. As a result, I can’t see Irina and Jana charming their way out of the bottom 5. If Montenegro couldn’t do it in 2014 with a throwback duo, I can’t see Serbia doing it now.

Song score 7

Artist score 8

Final score 7.5

 

 

Finally, after four rounds, I get to say it: 16 down, 0 to go! The last mini-ranking for the year looks like this: 

  1. Russia (12)
  2. Armenia (9)
  3. Serbia (7.5)
  4. Ireland (7)

Polina wings her way (HAHAHA not) straight to the top, with Misha not too far behind, and the others fairly far behind…all according to me, obviously. There’s not long at all to wait until we find out who’ll actually come out on top and who’ll be left on the bottom (because somebody has to be).

Now it’s time for The Question I Always Ask Because I’m Nosy.

 

I know I haven’t asked you yet what your overall Junior Eurovision 2017 favourite is – so make sure you do head over to my Instagram and follow me @EurovisionByJaz if you don’t already. When I post my album of rankings and predictions later on today, put yours in the comments or tag me in those you post so I can see them! We can start a social media war over our differing opinions and trade insults that are definitely not kid-friendly…all that fun stuff.

Then it’ll be show time. Give me a Y A S S S! I’ll be hanging out on Twitter during the contest and I hope to see you there too, hashtagging the heck out of #ShineBright.

Enjoy your viewing experience, no matter who wins. I mean, it actually doesn’t matter since we’re going to Minsk next year regardless. Personally, I’m Team Australia (shocking), Georgia, Poland and Russia, so I’ll be crossing my fingers for them. Waving four different flags is a bit much for me to handle at the moment (also, I do not own a Georgian or Russian flag).

 

See you on the other side of JESC!

 

 

 

SHINE BRIGHT! Jaz’s JESC 2017 Reviews, Round 3 (Australia, Belarus, Malta + Ukraine)

If you’re not ready for Junior Eurovision 2017 (which TBH I’m not, considering I’m still frantically trying to get my song reviews done on time), too bad – it’s nearly here! The countdown is in single-digit days, rehearsals have started in Tbilisi’s festively-decorated Olympic Palace, and Mariam Mamadashvili is probably wondering what to have printed on her business cards now that ‘Current JESC Champion’ is about to be void.

In fact, the contest is so close than I have zero time for a classic Jaz Introductory Euroramble™. All I’m going to say is here’s Round 3 of my annual reviews, feat. Australia, Belarus, Malta and Ukraine. Check out my verdicts and vote for your favourite of the four below! 

 

 

Watch it here

Last year…I couldn’t help being happy – though very, VERY confused – when Alexa Curtis finished 5th with We Are. I suspect the absence of a televote had something to do with it.

The 2017 verdict We’re back, bitches! Actually, scratch that, because I should be keeping my language in check when discussing JESC. We’re just…back. As an Australian, it’s hard not to be pleased that our Eurovision invitations are still being extended (even in the face of frequent backlash/mutterings from other countries, which I do understand. But at the same time, IT’S HAPPENING, SO GET OVER IT). Also pleasing is the fact that we’re yet to send a bona-fide dud to the adult or junior contest, and the seriousness of our approach is worth at least one less snide remark, right? I definitely think so when it comes to Isabella’s Speak Up, which is arguably our best JESC entry ever. It doesn’t have My Girls whiff of lyrical cheesiness, or the wishy-washiness of We Are – the lyrics are great, the chorus is catchy and easy to sing along to, the vibe is young without being too young, and it includes one of the best key changes of the year (which Isabella has already proven she can nail live). I honestly feel like I would rate this song no matter which country it was coming from or what language it was sung in. It’s not as bubblegum pop as, say, Kisses and Dancin’ from The Netherlands last year, but it has a similar charm and upbeat energy that makes you smile. All in all, there is very little to pick on re: Australia 2017 – before seeing it live, anyway (rehearsals have obviously started, but my golden rule is NEVER watch them). Isabella will be backed by some dancers, the outfits and graphics will be slick, we’re performing second-to-last…what could go wrong in a contest that’s weaker than the last few? Well, a lot. I have an unfortunate feeling that even though a) Speak Up is our best Junior track so far, way better than We Are, and b) as I just mentioned, 2017 is not the strongest field of songs, we’re not going to make it into the top 5 again. I think we deserve to with this – not necessarily reaching the podium, but 5th or 4th place, sure. I just have this gut feeling that Australia is headed for more of a 6th-8th ending á la 2015. Still, I don’t have the most reliable guts on the planet, so anything could happen. My fingers are extra crossed!

Song score 10

Artist score 10

Final score 10

 

  


Watch it here

Last year…Alexander Minyonok and Muzyka Moikh Pobed received the Christer Björkman douze points of approval, which (when combined with a usage of hoverboards that totally eclipsed Serbia’s) helped him hit the heights of 7th place.

The 2017 verdict This might not apply at adult Eurovision, but you should always keep an eye on Belarus at Junior. They’ve won it twice and done very well for themselves on most other occasions. The trend continues 110% with Helena and I Am The One, and I’m going to cut right to the chase by saying she may actually be the one (someone had to say it). This song is undeniably high-class, and I don’t think many people could call it anything less than flawless without lying a little bit. It’s not even in my personal top three for 2017 and I’m calling it perfection. Beautifully produced – right down to the music video – and big on atmosphere and drama, it does everything a dark pop song should do without being cookie-cutter predictable. Belarusian lyrics + English title = totally fine by me, as are the explosive choruses and moments of light and shade that make the Serbias and Portugals of the year sound flatter than a pancake. Helena’s voice can get a teensy bit grating in the chorus if I’m extra-critical, but as long as she has ultimate control over it and stops it from entering The Screech Zone (it’s like the Twilight Zone, but you need multiple pairs of earplugs to make it out alive) I can deal. Speaking of things that might happen live…I want this performance to be the way I’m picturing it in my head SO BAD. The mystical ball from the MV better be there at least, and dynamic, epilepsy-triggering laser lights basically go without saying. For the costume, I’m thinking boho-robot, but that’s a concept I need to write an explanatory thesis on later. For now, I don’t know what else I can say about Belarus bar the following: the other four or so songs in winning contention better watch their backs. Then again, this could be the pre-show favourite that doesn’t quite meet expectations. There’s only a few days until we find out!

Song score 12

Artist score 12

Final score 12

 

  


Watch it here

Last year…home girl Christina Magrin delivered possibly THE vocal performance of the year, and came 6th with Parachute. I still can’t stand the song…but damn, that voice!

The 2017 verdict If this was the Junior Eurovision Cuteness Contest, Malta would walk it because Gianluca is so, so cute *melts despite not being the biggest fan of kids in general*. But it’s not. Sure, being adorable and charismatic and having impressive eyebrow-waggling ability for a 10-year-old will benefit him, but he needs an A-grade song to secure Malta’s third JESC win since 2013. Does he have it in Dawra Tond? Well, it was better three years ago when Armenia sent it and called it People of the Sun. It is very similar to that bronze medalist of Betty’s, but as with movies and music, the original is usually better. Still, the infectious sunny energy of POTS is worth taking “inspiration” from, so I can’t be too harsh on Dawra Tond. The pros include: a bit of Maltese for the first time since 2010; simple lyrics and phrasing that make this sing-along friendly and a total earworm; a good combo of retro (there’s something Mambo No. 5 about it) and modern dance-pop sounds; and that energetic beat that Malta can’t stay away from for too long (though they’ve won Junior with and without it). Overall the song doesn’t show off Gianluca’s incredible vocal abilities as much as I would have liked, but it does have some big moments. Performing between female ballad-fielders Ukraine and Russia should make Malta stand out, but with Polina being a heavy hitter and a handful of other stronger songs scattered throughout the running order, I wouldn’t bet any money on Gianluca winning (but I’m still pre-predictions, so don’t hold me to that if he does!). Honestly, I don’t want him to, but I could live with a decent finish in the range of 3rd-7th. Any higher and I’ll be forced to post bitter (yet not offensive because KIDS) statuses, tweets and stories all over social media to console myself.

Song score 7

Artist score 12

Final score 9.5

  

 

Watch it here

Last year…Ukraine had something of an off year at JESC, only making it as far as 14th with Sofia Rol’s ballad Planet Craves For Love. The nonsensical Cirque du Soleil staging didn’t help.

The 2017 verdict Ukraine are a bit hit-and-miss with me at Junior, though I’ve liked all of their recent entries (I’ve got no complaints about the 2012-2016 songs on a purely musical level). And hit-and-miss is actually how I feel about Anastasiya’s Don’t Stop specifically. It has grown on me since it won the national final back when dinosaurs still walked the earth (a.k.a. ages ago). But, while there are parts of the song I love, there are other parts that really irritate me – so on the whole I can’t say I’m going to be voting for it. Getting my tick of approval are the verses – nice melody and structure, plus an acoustic-y, chilled-out vibe that gives me life – and anytime the violinist pops up even though that does remind me a bit of Jacques Houdek’s My Friend. However, my main peeve is kind of a big one: the chorus. Anastasiya seems very sweet and she has a nice voice, but whenever an ‘ay-i-ay-i-ay-i-ay’ comes out of her mouth (which is a handful of times in every chorus) the nearest mute button becomes all I can think about. Sometimes you don’t know why you’re annoyed by something…you just are. And sadly, as sweet as she is, Ana is not Gianluca-level cute in that I would forgive her if she stole all of the money out of my purse. There’s always the chance of her new and improved live version winning me over, I guess. Looking at/listening to Don’t Stop as objectively as I can, I think it has the potential to do fairly well in the contest, if not amazingly so. It’s not a winner (if Ukraine think that the key to winning Junior is sending a very small child called Anastasiya, they are wrong) but my notoriously unreliable crystal ball tells me mid to lower top 10 is attainable.

Song score 7

Artist score 8

Final score 7.5

 

 

Well, there’s another four songs I can cross off my list. And here’s the mini-ranking from this round: 

  1. Belarus (12)
  2. Australia (10) 
  3. Malta (9.5)
  4. Ukraine (7.5)

So Helena’s the one AND number one on this occasion, closely followed by Isabella *screams patriotically*. This was a pretty high-scoring round though, so on the miniscule chance that Anastasiya is reading this, she shouldn’t feel bad. That score won’t put her at the bottom of the overall ranking still to come. DRAMA!!

Is Belarus your favourite of today’s four tracks, or is Malta more your cup of tea? Perhaps Australia or Ukraine have served up your preferred kind of pop. Take your pick!

 

NEXT TIME There’s one final round of reviews for me to get through – so who’s left? Armenia, Ireland, Russia and Serbia, that’s who. Keep an eye out for that post to find out who gets douze points from me.

 

Until then,

 

 

 

SHINE BRIGHT! Jaz’s JESC 2017 Reviews, Round 2 (Albania, Italy, Macedonia + Portugal)

Hi there, and welcome to the second episode of my Junior Eurovision reviews for 2017! A few days ago, Round 1 saw Cyprus, Georgia, The Netherlands and Poland get COMPLETELY CRUCIFIED by yours truly (JK, I was actually very nice). With the Tbilisi contest creeping closer and closer, there’s no time to waste – so I’m back with Round 2 today feat. Albania, Italy, Macedonia and Portugal. If you want to be a tree-hugging, choice-making Youtuber who dances through life (and let’s face it, who doesn’t), this post is perfect for you.

Keep reading if you want to know what I think of Ana Kodra’s Don’t Touch My Tree, Maria Iside Fiore’s Scelgo, Mina Blažev’s Dancing Through Life and Mariana Venâncio’s Youtuber. If you don’t, then I have to wonder why you’re here in the first place.

Cue reviews in 3, 2, 1…

 

 

Watch it here

Last year…Albania sent a belter of a ballad called Besoj to Malta – but as adorably shouty as Klesta Qehaja was, she couldn’t sing her way higher than 13th.

The 2017 verdict Some people love it, some people hate it…the slightly weird music Albania often sends to ESC and JESC, that is. Music that isn’t particularly ethnic but is somehow stamped PROPERTY OF ALBANIA – think One Night’s Anger by Hersi. Unusual melodies and a mighty fine atmosphere (which mostly disappears if the lyrics are switched to English) are the key ingredients, and miniscule vocalist with surprising grunt in her vocal Ana Kodra (potentially Albania’s version of Anastasiya Petryk) has a song packed with both. It’s a message song too – presumably about the environment and human mistreatment of it, but to be honest it comes off as Ana being totes possessive about a tree that she legally has no personal claim to whatsoever (it’s not ‘Please be careful around this particular tree ‘cause I like it a lot’, it’s ‘DON’T TOUCH MY TREE IF YOU WANT TO SEE 2018!!!’). Yeah, the aggression is a little off-putting – as are the English lyrics which are possibly the worst and most awkward in the entire contest this year. However…I quite like this anyway. Who else is in the minority with me? *fist bumps all three of you*. As with most Albanian Eurovision-related songs, I can’t really put into words why I like it, but I just do. The melody of the verses is as distinctive as the melody of the chorus, and there’s a tribal feel to the beat and the music that I’m always drawn to (JESC examples = Moldova 2013, and funnily enough, Albania 2015). Ana herself needs to be more in control of her live vocal and be more commanding on stage, especially if she’s stuck out there by herself as per Albanian Junior tradition – that would be a big improvement on the overall effect of Don’t Touch My Tree. But regardless of the negatives and the fact that I know this is going nowhere in the comp, I’m a fan. Call me crazy if you want – it’s probably true because I talk to myself constantly.

Song score 8

Artist score 6

Final score 7

 

 

 
Watch it here

Last year…Unexpectedly, Fiamma Boccia’s Cara Mamma charmed itself into 3rd place. Bravo!

The 2017 verdict Here’s a brief history of my reactions to Italian JESC entries, because one of them is the same as the reaction I’m having to Maria’s Scelgo. 2014 (Vincenzo Cantiello’s Tu Primo Grande Amore) – fell head-over-heels instantly and may have cried when it won; 2015 (Chiara & Martina’s Viva) – never made it out of ‘this is meh’ territory; 2016 (Fiamma’s Cara Mamma) – didn’t think much of it at first but began to hear the appeal after a second or third listen. Now, in 2017, things haven’t come full circle since I’m apparently having another Fiamma moment with Maria. Ranking (then 15) entries after listening to Scelgo once, I had it last – not because I hated it, but because I liked everything else more. Then I decided I needed to give it a fair go as I’d listened to the likes of Russia 50 times and the situation was becoming a bit unfair. So I did, and all of a sudden this song seemed…better. It’s got that typically Italian way about it of sounding like there are twice as many words to be sung than actually fit into the timeframe of the track, but that’s part of the charm. The melody is interesting but not too complicated, and the chorus does have an earworm-y quality to it. I’m not 100% sold on the way they’ve mixed languages, but I love how it’s done right at the end, with the line ‘I choose not to be afraid’ finishing things off in a sweet, cohesive way. As always, this is a classy effort from Italy, but I doubt it will pull in the points to score as well as Cara Mamma (surprisingly) did last year. I just don’t think it’s going to capture juries (or voters…YASSS WE GET TO HAVE OUR SAY AGAIN!) to the same extent. And I get the feeling it could be quite messy live, but I’ll be happy to stand corrected. 

Song score 8

Artist score 8

Final score 8

 

 


Watch it here

Last year…With a brilliant song but maybe not a brilliant song for Junior Eurovision – Love Will Lead Our Way – Martija Stanojković made it to 12th place. I guess love couldn’t lead her all the way.

The 2017 verdict This is all too familiar. From JESC 2016àESC 2017àJESC 2017, Macedonia has sent a string of high-quality, current and catchy pop songs to Eurovision events – but the first two just didn’t work in a competition context. I think last year’s JESC entry was too mature for the contest, right down to the dance moves. Dance Alone suffered from a similar issue (but when you’re too adult for adult Eurovision, some serious reevaluation is required!). Now the same fate seems to be looming for Mina. Dancing Through Life (alone, Jana-style? Not alone, Aram Mp3-style? WE NEED ANSWERS!) is without a doubt – in my opinion, obvs – an epic EDM track with so many hooks crammed into it, you could hang up the coats of the Buranovskiye Babushkis AND all of their extended families. Verses? Catchy. Choruses? Catchy. Chant-along oh-oh-oh bits? CATCHY. The genre is also perfectly suited to Mina’s voice, and with the pounding pace and explosive money note, has all the energy you could want in a song without the ‘hyped up on red cordial’ feel that can crop up at JESC. Sadly, overall this entry belongs more at Eurovision than where it is competing – and unless Macedonia can find a way to make the performance super young and fresh (which would probably jar with the song) I’m worried it’s not going to perform very well on the scoreboard. Sophistication can and does succeed at Junior, but there’s a grey area where youthful stuff works and more mature stuff works. Outside of that, there are songs that are too childish and songs that are too grown-up. Russia, for example, has struck a balance between the two, but Macedonia hasn’t quite managed it. Dancing Through Life is a better prospect than LWLOW, but I will be shocked if it ends up in the top 5. Personally speaking, I love it.

Song score 10

Artist score 8

Final score 9

 

 

Watch it here

Last year…nada. 2017 will mark Portugal’s third appearance at Junior, and we last saw them compete in 2007 (when, for the record, Jorge Leiria came 16th with Só Quero É Cantar).

The 2017 verdict I can’t be the only one who was excited at the prospect of Portugal returning to JESC, after a Poland-esque hiatus. Their very first adult contest win clearly gave them the motivation to give Junior another go, and hopes were high in the Eurofam that they’d deliver something of comparative calibre to Amar Pelos Dois. What we got instead was a kids’ edition of The Social Network Song (if I even need to say ‘kids’ edition’). This time, Youtuber will go all the way with its title intact, which is as sketchy as the EBU allowing Dami Im to sing ‘FaceTime’ when we all know they meant the Apple kind. Potential double standards aside, I have a hard time believing that this song was not composed by Ralph Siegel – that’s how cheesy and passé it is in 2017. However, it was extra cheesy and passé when we heard the demo version performed (if I remember rightly) by the actual adult composer. Mariana, as a child, makes it more palatable and even slightly enjoyable. But the cringe-factor of the “funky” tune and barely-more-than-a-single-word chorus remains. The poor girl can only do so much to salvage the situation. It’s even more of a shame because her voice is strong and she has great control over it. If she can project some more confidence and sell Youtuber to the best of her ability in Tbilisi, she might avoid last place (she’s very precious and I don’t want her to end up there). Ultimately, though I don’t hate this with a passion and acknowledge that it has one or two decent moments, I have to call a spade a spade – this is one of the weakest entries of the year, and it will struggle. I just hope a bad result doesn’t put Portugal off trying again in 2018, because they are capable of great things. Learn from your mistakes, guys!

Song score 6

Artist score 7

Final score 6.5

 

 

Eight down, eight to go – someone high-five me, quick! I feel like I’ve been pretty generous so far with my critiques and scores (maybe it’s my inner Father Christmas). Then again, this is Round 2 of 4 and there are plenty more opportunities for me to be unnecessarily cruel to children. Yay!

Here’s the ranking for this round:

  1. Macedonia (9)
  2. Italy (8)
  3. Albania (7)
  4. Portugal (6.5)

Macedonia takes this one out, with Italy not far behind. Will that be at all reflected in reality next weekend? Considering the tendency of my favourites to drop just out of winning range, probably not.

Speaking of favourites, it’s time for you to choose yours:

 

And don’t forget to leave your own mini-ranking in the comments. Let’s see if we agree on anything or if you’re wrong 😉

 

NEXT TIME Keep your eyes peeled for Round 3 of the JESC 2017 reviews, feat. Australia (I’ll try to keep a lid on my bubbling bias), Belarus, Malta and Ukraine. Who’s done wonders and who’s disappointed? You’ll see my perspective very soon!

 

Until then, much love love and a whole lotta peace peace…

 

 

 

SHINE BRIGHT! Jaz’s JESC 2017 Reviews, Round 1 (Cyprus, Georgia, The Netherlands + Poland)

Gamarjoba, Eurofans who do double duty as Junior Eurofans (if you don’t, then this is your warning to back away from this blog for a while). I’m 72% sure I just greeted you guys in Georgian, which is my way of getting into the spirit of Tbilisi’s first Eurovision event.

There’s less than two weeks until Junior Eurovision 2017, when adorable child/vocal powerhouse Mariam Mamadashvili will hand over the title of reigning contest champ to another pint-sized singing sensation (or four, if The Netherlands wins). That means it’s beyond time for me to start reviewing all sixteen songs competing on the 26th! So let’s breeze past the fact that I haven’t posted since the end of August (my bad…my very, VERY bad) and get this party started.

I’ve pulled four countries out of the special EBJ hat I keep in my closet for such occasions, and they are Cyprus, hosts Georgia, The Netherlands, and Poland (bet you didn’t see that coming. It’s not like I stuck them in the title or anything). Keep reading for my thoughts on Nicole Nicolaou’s I Wanna Be A Star, Grigol Kipshidze’s Voice of the Heart, Fource’s Love Me and Alicja Rega’s Mój Dom. Spoiler alert: one of them just might be my favourite entry of the year.

By the way…I didn’t have time to get an EBJ Junior Jury together this year, but I still wanted to be able to average out the score for each song based on a few factors. I’ve gone simplistic by awarding a standard EBU-regulation point score (1-8, 10 or 12 points) to both the song itself (how I rate it personally) and the artist performing it (their vocal skills, personality on stage etc). The average of those two scores will be each country’s final score. As always, I’ll post a mini ranking at the end of each review round + the full ranking alongside my pre-show predictions just before the contest. Share your own mini ranking in the comments to let me know which entries are hot and which are not in your opinion (but don’t be too mean because we are talking about kids here).

Now let’s go.

  

 

Watch it here

Last year…George Michaelides’ Dance Floor finished 16th (second last). I had a lot of blues to dance away in George’s parallel universe where the world is a dance floor after that.

The 2017 verdict Cyprus has transitioned from George’s cutting-edge but unsuccessful ethnopop to oh-so-2005 – but probably more of a point magnet – ethnopop with Nicole. Her catchy (to say the chorus of I Wanna Be A Star is an earworm would be an epic understatement), super-predictable (a blindfolded 2012-edition Donny Montell would have seen that key change coming) song comes via three-time ESC act Constantinos Christoforou – and given that he seemingly represented Cyprus with the adult version of the same song back in Kyiv in 2005, THAT MAKES SO MUCH SENSE. I guess I should stop going on about how dated IWBAS is, because that’s not a totally bad thing. After all, it means Cyprus is doing what Belarus did last year by bringing back a slice of vintage JESC for us all to feast on (although the Belarusian hoverboards would clearly have never featured in a Junior Eurovision circa 2004). I always appreciate a throwback in a contest that has grown up a lot recently, with a lot of the songs having the potential to double as ESC entries if a few lyrical changes were made. This throwback is a classic kid-spirational anthem with Cyprus stamped all over it, and the high energy + hooks = party time for three minutes. I definitely like it – while definitely not loving it – but I do wonder if Nicole has the charisma and live vocal ability to pull it off onstage. If it doesn’t look young and fun and if it doesn’t sound perfect, the result could be cringeworthy. In the end, I see I Wanna Be A Star outperforming Dance Floor, but only by a few rungs on the leaderboard ladder. I’m thinking 12th-14th, prior to making my official predictions…

Song score 7

Artist score 6

Final score 6.5

 

  

Watch it here

Last year….Mariam Mamadashvili’s Mzeo became Georgia’s third JESC winner in ten years of competing. They seriously need to start putting some effort in (#sarcasm).

The 2017 verdict Host entries – at least when they’ve become host entries via their country winning the year before, which isn’t always the case with JESC – have a lot of pressure placed on them to follow in the footsteps of a peak result…or at least not embarrass themselves by failing miserably off the back of a peak result. Whether they’re hosting or not, Georgia is always a country to keep an eye on when Eurovision’s younger sibling drops by, and they’ve proven yet again that they know how this contest works with Grigol and his Voice of the Heart. It’s a more mature song and vocalist combo than usual, and for the third time in a row the lyrics are 100% Georgian (YAASSS for having full confidence in your native language!). It’s almost like a child-friendly version of Versace On The Floor by Bruno Mars – in fact, the structure and 90s R&B sound are so similar I wouldn’t be surprised to find out that it was directly inspired by that track. As such, since I’m a mahusive fan of both Bruno Mars and 90s R&B, VOTH is parked so far up my street it’s actually on someone’s front lawn. It’s not my favourite (or even second favourite) song in the 2017 comp, but I dig everything about it. Great melody, great build into some spectacular vocal runs that I hope to heck Grigol can replicate live, and an easy-listening feel that begs for atmospheric staging feat. spotlights and LED stars. In terms of measuring up to Mzeo, I don’t expect it to, but I am hoping for a decent 5th-8th finish. And when the audience inevitably claps their butts off for this host entry, I will be doing the same thing from my sofa (while simultaneously sobbing because I’m not in Tbilisi with them *sniff*).

Song score 10

Artist score 10

Final score 10

 

 

 

Watch it here

Last year…Don’t pretend you’ve forgotten about Kisses and Dancin’, or that you’ve forgotten the dance moves. I know I haven’t. As irresistible as it was, it didn’t crack the top 5 in Malta – Kisses finished 8th.

The 2017 verdict Variety is the spice of life (apparently) so the Dutch bounce from girl group to boy band is worth a fist bump. We can expect Fource to be choreographed to within an inch of their pre-pubescent lives at JESC, and if their NF performances are anything to go by their vocals will be pretty tight (unless somebody’s voice breaks at the worst possible moment) – but that’s where the similarities between Kisses and Dancin’ and Love Me come to a screeching halt. Love Me, strangely enough, isn’t as instantly loveable as last year’s song, but after a few listens I’d say it’s just as high-quality. It’s more grown-up, and something you’d hear on mainstream radio if it was entirely in English. The chorus is so simple you don’t have a choice but to belt it out along with the boys (so the English that is used has been used very well) and the instrumental breaks are made for slick, crowd-pumping choreography á la the precision kind I mentioned before. Overall, the song’s energetic, modern and strikes a good balance between youthfulness and sophistication. It’s definitely in the middle on the maturity scale, but even so it reminds me of Macedonia’s too-mature-for-JESC entry last year, Love Will Lead Our Way (I guess when your song has ‘love’ in the title, maturity makes sense). I’m only talking in terms of style, but given Macedonia’s less than impressive result in 2016, that is a worry. Is Love Me dynamic enough to be in it to win it? Not quite, but I’m not discounting these guys. The Netherlands don’t always get the points they deserve at Junior, but when they’re on point anything is possible. Fource’s is a performance I’m extra psyched to see because if it’s cohesive, as the only group act in this year’s contest they’ll stand out for the right reasons.

Song score 8

Artist score 10

Final score 9

 

 

Watch it here

Last year…Poland returned to JESC for the first time since 2004, reaching 11th place (a big leap from their losing streak of 2003/2004) with Olivia Wieczorek and Nie Zapomnij.

The 2017 verdict I wasn’t sure whether to create an air of mystery around this one or just lay all of my cards on the table right away. Eventually (after .5 of a second) I decided to go for the second option, and tell you that the suit of my cards is hearts all the way because OMG I LOVE THIS!! It is stunning. From the first time I heard that tinkly piano intro, I knew I’d found something special – the one song (because my other faves will have less trouble doing well) that I’d be supporting like a woman possessed. Like Georgia, Poland has opted to leave English out of their entry in favour of exotic, unpronounceable-to-the-untrained-speaker Polish, and it’s used in a melodically spine-tingling ballad that sounds more than a little Balkan at times (scoring major love points from me). I also must mention that masterpiece of a key change which, for a split second, makes crystal-clear vocalist Alicja sound like she’s out of tune until you realise she was just transitioning to a powerful second chorus in a way that would challenge singers twice her age. Speaking of Alicja – she may need to work on her charisma and stage presence a teensy bit, but she does emote enough to give Mój Dom the feels it needs to not look like an adult’s song being sung by a teenager. If someone can give her a shot of confidence and a Cinderella-style costume makeover before she steps on the Junior stage, Poland will have achieved perfection. Unfortunately, they aren’t a sure thing for success. I’m hoping this song will be another Tu Primo Grande Amore (or at least come close) but it could just as easily fall by the wayside, a.k.a. the low side of the scoreboard. My fingers will be crossed – once I’m done voting for it – in the hope that other people get the goosebumps I do when I hear it.

Song score 12

Artist score 8

Final score 10

 

 

And Round 1 is DONE! You’ve got to love Junior Eurovision for making the review caseload way lighter than the adult contest does (reviewing 4/16 songs makes you feel much more accomplished than reviewing 4/42 songs).

With the first four JESC 2017 entries criticised (as nicely as possible) and scored by moi, here are the current standings:

  1. Poland (10)
  2. Georgia (10)
  3. The Netherlands (9)
  4. Cyprus (6.5)

So Grigol just misses out on getting a high five from me in favour of Alicja, whose song I’ve bumped ahead because it’s a little more magical. Will Poland manage to beat Georgia, The Netherlands and Cyprus in the actual contest? Probably not…but a girl can dream.

Before we find out for sure the weekend after next, I want to find out something else from you:

 

Once you’ve voted, come on down to the comments and let me know how you’d rank the rest of this random, out-of-the-EBJ-hat bunch who are prepping to shine bright in Tbilisi. You know you want to! It’ll help pass the time between now and Round 2 feat. Albania, Italy, Macedonia and Portugal J

 

Until then…

 


 

 

SONG CONTEST SHOWDOWN | The top 10 of 2016 VS the top 10 of 2017 (+ vote for your favourites!)

I’m back…again!!! I’ve had to announce my comeback after an extended blogging break pretty often in the past, so I figured why stop now?

My excuse is the same as always: even though Eurovision is my one true love, the older you get the busier you tend to be, and the more commitments you tend to have that keep you from sitting in bed in your pajamas writing about Europop (sadly). Having said that, I will do my best to be here on EBJ as often as possible in the lead-up to Junior Eurovision, the start of the 2018 NF season, and beyond. I’m like Valentina Monetta – you can’t get rid of me permanently and I’ve only made it to the Eurovision final once.

Since my last post, a lot of stuff has happened on Planet Eurovision: JESC switched venues (!); Eurovision Asia officially became A Thing™ (!!!) and Louis Walsh admitted that he thought Ireland would float – hot air balloon pun intended – straight through to the final in Kyiv (?!?!?). Even so, today I wanted to talk about something else. More specifically, I wanted to engineer a song contest showdown in which particular pairs of ESC entries would go head-to-head until, as Ryan Dolan might say in this situation, only one survives (from each battle). I actually started a similar series ages ago but accidentally forgot to continue it. Oops.

For no reason other than I felt like it, this song battle reboot will pit the top 10 tracks of Stockholm 2016 against their 2017 counterparts – so that means Jamala VS Salvador Sobral, Sergey Lazarev VS Sunstroke Project, and (amusingly) Frans VS Robin Bengtsson (because Sweden is apparently awesome at finishing 5th). I’m going to weigh them up against each other musically, crown my personal champ and then give you guys the chance to vote for your preferred song from each pair. Make sure you read through to the end (a toilet break may be necessary at some point) to vote for the best overall top 10.

Stockholm VS Kyiv – which city’s left-side scoreboard was superior? Let’s get this showdown started and find out!

 

 

Battle #1 | 1944 by Jamala VS Amar Pelos Dois by Salvador Sobral

They’re both brilliant brunette vocalists who made me burst into tears with their emotional performances. I worship the phenomenal woman-power of one and want to give the other one a bone-crushing hug. But which artist had the better winning song? I’m sorry if you wave your pom-poms for Team Salvadorable, because I have to say IT’S YOU JAMALA. This is my opinion, obviously, and you’re welcome to disagree with it. But I was hypnotised by 1944 from first listen, and when it won it was my #1 entry of the year. Amar Pelos Dois took time to tug at my heartstrings, and it’s not something I’ll press play for as often as I did (and still do) with last year’s winner.

Winner 1944

 

Battle #2 | Sound of Silence by Dami Im VS Beautiful Mess by Kristian Kostov

This is more of an apple-to-apple comparison than most of the other head-to-heads on this list, which actually makes it easier to pick a winner. If I were an Australian who’d be on the Olympic podium for patriotism (if that event existed) then this battle would not be in Bulgaria’s favour. But I like to consider myself pretty objective, so – as kick-ass as Dami’s performance was, and as much as I admire the Sia-esque power pop of Sound of Silence – Kristian’s Beautiful Mess is a better song in my brain. It’s just as strong in studio as it is when you see it on stage, whereas Sound of Silence relied a lot on the pizzazz of the performance to push it into top-two territory.

Winner Beautiful Mess

 

 

#3 | You Are The Only One by Sergey Lazarev VS Hey Mamma by Sunstroke Project

There are a lot of differences between the two songs that have taken home the bronze at Eurovision in the last two years. In a way, YATOO was the Italy 2017 of 2016 – a big longstanding favourite that didn’t follow through in the end (though Sergey came closer than Francesco); while Hey Mamma was a massive surprise in terms of propelling Moldova into the top three for the first time. Personally, I loved Hey Mamma immediately and want to weep with joy every time I remember that it came third, whereas YATOO was a track I hated at first (because I thought it was a terrible ESC throwback) but came to love later. I listen to them both on repeat, but my favourite of the two has to be Hey Mamma because it’s a totally 2017 slice of Europop – with a generous dollop of Epic Sax on the side – that never even had to try  to win me over. Sergey fans, don’t be so mad…if you knew me, you wouldn’t be surprised.

Winner Hey Mamma

 

#4 | If Love Was A Crime by Poli Genova VS City Lights by Blanche

They both wore black and sang (mostly) in English, but that’s where the similarities between Poli and Blanche come to a screeching stop. I guess you could also say that both ILWAC and City Lights were examples of so-cutting-edge-you-might-need-a-BandAid pop music, but the songs have totally different vibes. For the most part, I’m more likely to lean towards an upbeat song that I can awkwardly dance to (my take on Poli’s choreography is unfortunately reminiscent of the Chicken Dance), so even though I do think City Lights is a brilliant song – and I’m so happy Blanche got over her nerves to deliver a performance worthy of the top 5 – ILWAC is too irresistible for me to…well, resist. Summer hit > melancholy electro-bop. Just.

Winner If Love Was A Crime

 

#5 | If I Were Sorry by Frans VS I Can’t Go On by Robin Bengtsson

DAMN YOU, SWEDEN, FOR FORCING ME INTO THIS DECISION BY FINISHING FIFTH TWICE IN A ROW!!! Even if this is your first visit to EBJ, you can probably sense the Swedophile status that makes comparing something Swedish to something else Swedish and deciding which one’s superior a heart-palpitating task for me. There’s never been a Eurovision song from Sweden that I haven’t at least liked (2009’s La Voix is just noise, not a song, so it doesn’t count) and my relationship with their entries from 2016 and 2017 is more than platonic. But…giving in again to my penchant for a danceable piece of pop, I’m declaring I Can’t Go On the winner by one of Robin Bengtsson’s perfectly-groomed chin hairs. That’s because the second I hear it start, I perk up and prepare to sing loudly over the top of him, and If I Were Sorry doesn’t have that power (sorry!).

Winner I Can’t Go On

 

#6 | J’ai Cherché by Amir VS Occidentali’s Karma by Francesco Gabbani

Now THIS might be a controversial battle – either because you guys will be split down the middle, or because it’s actually an easy one for me but that might have some people plotting my death. I like Occidentali’s Karma a lot, and always have (‘always’ = since February when we first heard it), even if I suspected for the longest time that Eurovision 2018 wouldn’t be popping up in Italy. It’s fun, it’s catchy, it makes astute observations AND it has its own dance á la the Macarena…what’s not to like? Nothing. But you know what? I like it rivers, and I love J’ai Cherché oceans. Amir is just adorable (it’s not his fault that his name doesn’t illustrate just how precious he is, unless it’s not too late for ‘Amir-acle’ to catch on) and J’ai Cherché is a masterclass in sunny, uplifting – but not cheesy – folk-pop. It’s one of the few songs you can clap to without feeling like an overly-enthusiastic dad at his kid’s soccer game. C’est magnifique.

Winner J’ai Cherché

 

#7 | LoveWave by Iveta Mukuchyan VS Yodel It! by Ilinca & Alex Florea

This fistfight is a no-brainer for me to call champion on, so I won’t keep you in suspense. Simply put, LoveWave has aged better over the past year-and-a-bit than Yodel It! has in a matter of months – for me, anyway. I have to be in the right mood to listen to Alex and Ilinca doing their yodel-rap duties these days, and if I have even a hint of a headache, forget it. Iveta, while not one of my favourites from last year’s contest, left a more sophisticated and less irritating legacy behind (and she really put the ‘leg’ into legacy).

Winner LoveWave

 

#8 | Color of Your Life by Michał Szpak VS Origo by Joci Pápai

For those of you who’ve forgotten about the epic scoreboard leap Poland made in Stockholm, here’s your reminder (I don’t have room to insert the GIF, so just pretend I did). I don’t begrudge Michał his awesome last-minute result, but in this battle he was bound to lose. Even if he’d turned up at my front door with pleading eyes and a million-dollar bribe (which shockingly, he didn’t), the love I have for Origo would have seen me slam the door in his face – while being careful not to maim any of his majestic man-hairs, of course. Joci Pápai’s ethno-dance dream was and still is my douze pointer of Kyiv’s 42, so nothing short of my all-time favourite ESC entry (Lane Moje by Željko Joksimović, FYI) would have a shot at changing my allegiance.

Winner Origo  

 

#9 | I’ve Been Waiting For This Night by Donny Montell VS Don’t Come Easy by Isaiah

Donny definitely wins the showdown when it comes to song title length, but does victory come easier to Isaiah (HA HA) in terms of song quality? And another question: will I be deported if I say no? Let’s find out. I don’t think many Eurofans would argue that Donny himself and his second Eurovision song have more of an x-factor than Isaiah and his song – ironic given that Isaiah won The X Factor. It’s probably down to Donny’s more extensive stage experience and showier personality, plus an entry that just happens to be more exciting and have more mass appeal. That appeal does extend to me, although I am fond of Don’t Come Easy. But *packs suitcase* I just *heads to port from which I’ll be shipped off to a faraway land for being un-Australian* prefer Donny’s package. No dirty thoughts, please…you know what I mean.

Winner I’ve Been Waiting For This Night  

 

#10 | What’s The Pressure by Laura Tesoro VS Grab The Moment by JOWST

Squeezing into the top 10 in 2016 and 2017 were two great tracks from Belgium and Norway. For the former, it was their second consecutive year on the left side of the scoreboard, while the latter country was clawing their way back up after a DNQ on Swedish soil. But who did 10th place better? I’m pretty torn, to be honest. Laura’s grand final opener put the fun into funk and proved yet again that saxophones are as effective at Eurovision as they are in George Michael’s Careless Whisper (a.k.a. VERY). JOWST, on the other hand, brought something uniquely 2017 to the contest stage with lyrics that I previously crowned my faves of the year. As much as I want to be loyal to Laura, I think I have to go with Grab The Moment because it’s a little cleverer and a lot more original.

Winner Grab The Moment

 

 

Okay…we’ve finally made it through the entire top 10 of both Stockholm ‘16 and Kyiv ’17. Now the main part of the show(down) is over, in true ESC style it’s time for some overall results.

2016 = 5

2017 = 5

DAMMIT. It’s a tie – practically Eurovision 1969 all over again (but on a much, much smaller scale and minus booms + bang-a-bangs). I am going to break this tie though, looking at the entire top 10 of each year and deciding which one was stronger – for me. BRB.

*several hours later*

Okay, I’ve got it. The winner is…

 

 

Maybe I’m a bit biased since I was there (#subtlebrag) but I do think the overall kick-assery of the 2016 top 10 is slightly more forceful – there was practically a residual shoeprint – than the 2017 top 10. Do you agree? If you voted in the polls above, then I’m guessing you won’t mind voting in this one to let me know.

 

You can give me the lowdown on all the super-important choices you made above in the comments. Not gonna lie, I kind of want someone to start a fight with me over “the clear superiority of Sergey in comparison to Sunstroke Project Vol. II”. Just remember, if we all liked the exact same songs to the exact same degree, Eurovision would be extremely predictable and pretty boring.

But obviously, I’d still be obsessed with it.

 

 

 

LAST FIVE TOP FIVE | Portugal (A Luta É Alegria to Amar Pelos Dois)

Well, it’s official: we’re heading to Lisbon, Portugal’s perennially beautiful capital city, for Eurovision 2018!

When I say ‘we’, I don’t necessarily mean ‘you and me’ – I have no idea whether you’re going or not (let me know below!), and my plans for the upcoming contest are up in the air somewhere running around with Nathan Trent. But as Eurovision fans/freaks, we collectively discovered via Tuesday’s RTP press conference that next year’s contest will be held in the MEO Arena, in Lisbon, on May 8th, 10th and 12th.

A massive shocker? Not so much. But even non-surprising news is good news, for those of us who despair during the off-season and need something Eurovisual to be developing as often as possible to feel complete. Of course, there has to be some filler between the end of one contest and the start of another…and that’s where I come in. I’m full of it (filler, that is) this post-contest, pre-NF period, which brings me to today’s post: the start of a brand new series here on EBJ that I hope *crosses fingers, touches wood and prays to the Lordi simultaneously* you guys will enjoy.

For however long I feel like it, every now and then, I’ll be choosing a country currently competing in the ESC and taking a look back at their last five entries (whether they’ve skipped years or not). After reviewing and scoring each song, I’ll finish off by rating them from worst to best on an ultra-professional scale ranging from ‘Don’t play that song again!’ to ‘That sounds good to me!’ (thanks for entering the comp with really appropriate song titles, Nicki French and Josh Dubovie…though the irony of using the name of a dreadful song to highlight great ones has not escaped me). You’ll be able to vote for your favourite of each country’s last five entries too, and share your own ranking. Got it? Awesome.

I couldn’t think of a better or more relevant way to start this Last Five Top Five series than by checking out the Eurovision evolution of reigning champs/hosts-to-be Portugal. They’ve definitely had more misses than hits of late – but which songs are which as far as I’m concerned? Keep reading to find out…and have your personal top five prepared!

 

 

The Stats

  • Last five participations 2011, 2012, 2014, 2015, 2017
  • Last five results 18th (DNQ), 13th (DNQ), 11th (DNQ), 14th (DNQ), 1st
  • Qualification record 1/5
  • Winners 1
  • Top ten places 1
  • Last places 0

 

The Entries

2011 | A Luta É Alegria by Homens Da Luta

I have a fair bit of respect for this song. My reasons for that are threefold: it’s multidimensional, blending traditional Portuguese sounds with folk elements for a unique finished product; it was performed totally in Portuguese, which is always welcome at Eurovision (that goes for any language other than English in this day and age, though I do draw the line at Klingon); and it’s a message song with enough quirk to make it dairy-free (i.e. it’s not cheesy). Having said all of the above, it wasn’t a highlight of the 2011 contest for me, and while it’s certainly not a big blot on Portugal’s participant history, I don’t think it’s a highlight for them either.

My score 6 points

 

2012 | Vida Minha by Filipa Sousa

Portugal went…well, full Portugal back in Baku, with Filipa’s fado number that came pretty close to qualifying (it finished 13th in its semi final). I’ll admit that I have to be in the right mood to really enjoy this genre, but even so, I find this entry utterly average. It’s not quite as dramatic as it needs to be, and the chorus is lacking in the essential catchy quality that you need to succeed. Once again I applaud Portugal for having sent something so true to their musical roots as a country – but like Filipa’s eventual result, Vida Minha is okay, but not great. In MY opinion, obviously.

My score 5 points 

 

2014 | Quero Ser Tua by Suzy

Ethnopop? Now here’s a genre I tend to fall in love with at the drop of a hat (or the beat of a tribal drum) – especially when its flag is flown by someone as effervescent and enthusiastic as Suzy. Quero Ser Tua isn’t ideal for the lactose intolerant among us (meaning there is a hint of cheesiness present) and by 2014 standards, it was a little dated. But I love the fact that it managed to successfully fuse the oh-so-Portuguese sounds that we’re accustomed to with an energetic tempo and dance vibe so irresistible, it probably had Jon Ola Sand tapping his foot under the Official and Very Important EBU Executive Supervisor’s Table.

My score 8 points 

 

2015 | Há Um Mar Que Nos Separa by Leonor Andrade

This is definitely the least stereotypically-Portuguese entry we’ve seen at Eurovision in the last five years that Portugal has competed. That’s not why I like it, but I do like it a lot. Sure, it’s not the most exciting song on the planet given that everything about it is middling – the tempo, the level of dynamism, the staging…everything, bar Leonor’s dominatrix costume which she may or may not have worn to a bunch of questionable parties since. But the melody is really nice, the chorus is sweet, and the Portuguese adds interest to what would be a bog-standard radio track in English.

My score 10 points 

 

2017 | Amar Pelos Dois by Salvador Sobral

Finally, we come to the only truly successful song Portugal have sent to the ESC in recent times – and their most successful song ever. I understand that a lot of fans may not love this, but at the same time I feel compelled to scream ‘HOW CAN YOU NOT LOVE THIS?’. It’s as spellbinding as the entire Harry Potter series, and Salvador is…well, his name doesn’t help make the perfect portmanteau that is ‘Salvadorable’ for nothing. No, Amar Pelos Dois wasn’t my favourite entry of the year, but when something makes you weep in the short space of three minutes (and not because it’s so bad that you can’t contain your sorrow) it’s seriously special.

My score 10 points

 

 

Now I’ve revealed my chronological verdicts on Portugal’s last five ESC entries, I’ll let you in on the not-so-secret secret (since I’ve already allocated my scores) of how they rate on my official Last Five Top Five scale – from ‘Don’t play that song again!’ to ‘That sounds good to me!’ (the super-scientific ends of the spectrum as explained in the intro to this post).

 

 

So it’s parabéns yet again to Salvador Sobral, whose winning song of 2017 stands head and shoulders above anything Portugal have sent to Eurovision in the past – and definitely since 2011. Would you agree with that, or do you prefer the tracks from Homens Da Luta, Filipa Sousa, Suzy or Leonor Andrade? Make your decision and see how it measures up to everyone else’s.

 

 

It’ll be interesting to see what Portugal pulls out of their hat in 2018 as their select their very first host entry. Here’s hoping they can follow Bulgaria’s lead and keep riding their (very) recent wave of victory-dance-worthy results. Who knows – maybe this time next year, Amar Pelos Dois will be second on my LFTF scale.

Speaking of which, share your worst-best Portuguese ranking for 2011-2017 in the comments, and we’ll see if we agree on anything. Just a warning for anyone who might rate the five songs in exactly the same way as I did: THIS WILL BE MY FACE.