It’s lucky these awards aren’t being broadcast on TV, because nobody would have hung around until the ad break dividing parts 1 and 2 was over. What can I say? Life gets busy sometimes, and since nobody as yet has offered to pay me to talk about Eurovision, other things often have to be prioritised so I can continue to have a roof over my head and eat regular meals.
Hopefully this second slice of trophy-giving will be worth the wait for those of you who enjoyed the first. Back then (last week…totally vintage times), I gave numerous back-pats to the artists and songs of Kyiv 2017. This time, the spotlight’s shining on what happened when those songs were taken to the stage by those artists. Every element of the performances – from backdrops, props and dancers to costumes and vocals – has at least one award in its honour, and the winners weren’t all decided by me. Yes, that means there are more People’s Choice results below for you to feast your ESC-admiring eyes on!
So sit back, relax and do it for your lover…’it’ being checking out my performance awards and nothing more. Get your mind out of the gutter.
Honourable Mention/s Estonia Winner United Kingdom
With Lucie being a stage star and all, you’d expect her to project serious emotion via both her facial expressions and flailing limbs (i.e. arm flourishes). She did…but there were times when her inner drama switch was turned up way too high, to the point where she looked like she was in physical pain. There is a border between theatrical stage emoting and Eurovision stage emoting, and I think Lucie stayed in theatre territory when she should have crossed over to the other side. Still, I’m rewarding her here for every angtsy look and death-grip hand gesture she poured into her performance. An A for effort is all yours, Luce.
Honourable Mention/s Bulgaria Winner Norway
There wasn’t half as much hi-tech trickery on the stage/screen in Kyiv as there was in Stockholm – no holograms of naked Belarusians, for instance, could be seen (you can decide if that was a great loss or not). Both Bulgaria and Norway opted for on-screen graphic overlays – the TV equivalent of the little drawings you can do on your Instagram stories – to pimp their performances. But I’m putting Norway in pole position, because they had some technical trickery going on in their audio presentation as well as their visual presentation. I still can’t wrap my head around exactly how JOWST was manipulating those ‘kill, kill, kill, kill’ bits (live sampling/bending/looping/ warping?) but at least he wasn’t just standing there pretending to DJ like we’ve seen in past contests.
Honourable Mention/s Finland Winner Hungary
Getting emotional doesn’t always involve a box of tissues. Joci Pápai’s performance for Hungary wasn’t a sad one per se, but it was the most dynamically emotional of the year in that it featured two very different outpouring feelings. Throughout the verses and choruses of Origo, Joci portrayed the pain of forbidden love and of being a target for prejudice in a very vulnerable, mournful way – then changed gears for the rap, venting his frustration and anger over similar issues. Part of what I love about the song is the range of emotions embedded in it, as well as Joci’s talent for conveying them with authenticity.
Honourable Mention/s Finland Winner Portugal
This was a hard one for me to narrow down, because both Blackbird and Amar Pelos Dois DID involve me fumbling for a box of tissues. But there was a delicateness to Salvador’s rendition of his song that gave me goosebumps as well as wet eyes. The lyrics, too, have the power to destroy an old romantic like myself, despite the fact (or perhaps due to the fact) that he’s professing a love big enough to sustain a two-person relationship, when I can’t even beguile a guy into buying me flowers.
Honourable Mention/s Finland, Hungary Winner Moldova
When a massive part of your appeal revolves around a musical instrument – the sax played by Epic Sax Guy, obviously – you know you’re using it wisely. With both sax and violin providing serious fun for Moldova’s 2 x 3 minutes on stage, Hey Mamma’s live wouldn’t have been the same without them, even though we weren’t actually hearing the boys play (it matters less with instruments like these than when you’re watching someone rip into a solo on a clearly unplugged electric guitar).
Honourable Mention/s The UK’s mirror shell Winner Azerbaijan’s blackboard
You voters out there surprised me a little with this one, but majority rules! Dihaj’s blackboard was definitely a standout addition to 2017’s string of acts-with-props, and made Daz Sampson’s blackboard from 2006 look even tackier than it did at the time. Although I must say, his was more explicitly relevant to his song’s subject matter – between the board, the ladder and the horse-head man, Dihaj has a LOT of explaining to do.
Honourable Mention/s Hungary, Moldova Winner Sweden
For most of the backing singers and/or dancers who weren’t hidden from view, staying in tune and in time would have been the biggest challenges. Robin Bengtsson’s visible backup crew, however – feat. previous Melfest contestant and ESC backer-upper Alvaro Estrella – not only had to provide vocal support and smooth moves, but do both while walking on treadmills. And we thought Ukraine’s hamster wheel dude from 2014 had a tough job! The quartet pulled it off perfectly, though, and had a big hand in Sweden’s fourth consecutive top 5 finish.
Honourable Mention/s Cyprus Winner Sweden
Because treadmills. Too cool for school choreography coupled with an element of danger will win out every time. Handy Hint No. 362: Next time you’re at a party trying to impress someone, why not try moonwalking barefoot on a bed of nails?
Honourable Mention/s France, Portugal Winner United Kingdom
It was a shiny gold showstopper for the UK this year, and though that wouldn’t be my personal pick for best backdrop, I can see the attraction. The graphics were perfectly timed to the music and made the stage virtually disappear, as if Lucie were actually singing in space (not the sexy kind Slavko was referring to, but normal, otherworldly space). The numerous glitter explosions at pivotal moments of Never Give Up On You oozed Eurovision sophistication.
Honourable Mention/s Croatia Winner Israel
You’ll have to forgive me if I’ve forgotten a country in this category, because there were times when it seemed like every second act on stage had found a way to incorporate their giant face/body/boobs (oh, Malta) into their performance. The country that did it best, in my opinion, was Israel, because it wasn’t OTT or used just for flashiness. Super-sized Imri didn’t stay on the screens for the entire song – instead he was used to literally illustrate the ‘breaking me to pieces’ line of I Feel Alive’s chorus. The added bonus was that we all got to stare at not one, but two Imris for a fleeting yet fabulous amount of time.
Honourable Mention/s Romania Winner Croatia
I don’t know if I hate to say this or not, but the ESC isn’t as crazy as it used to be – maybe it’s the influence of recent winners having been pretty pared-back on stage. There weren’t many acts that threw everything they could think of at their staging in 2017, but we can’t say Croatia was one of them. To name a few of their staging elements: violinist, cellist, half-and-half costume, giant Jacques x2, LED lightning, an instrumental duel, pyro jets AND a pyro curtain, massive sunflowers and a rainbow. The pyro operator in particular must have needed a nap after that…I know I did!
Honourable Mention/s Bulgaria, Sweden Winner Moldova
This award goes to the most perfectly-wrapped package of the year – the country that brought their A-game to vocals, costumes, choreography, staging, lighting and anything else you can think of. Obviously, Portugal and Bulgaria were flawless – but Sunstroke Project managed to corral more performance bits and pieces than Salvador and Kristian had to work with into a cohesive and ridiculously fun whole. And it all seemed to come so naturally.
Honourable Mention/s France Winner Italy, United Kingdom
We have a tie! I can’t say I’m surprised that Germany and Spain didn’t even come close to winning this People’s Choice prize. Nor did I see this rush of love for the UK coming, but I do get it. As over-emotional as she got at times, Lucie’s performance was vocally perfect and looked stunning on screen. And who wouldn’t get a kick out of Francesco’s three minutes? If you didn’t raise your arms and do that dance along with Gabbani + Gorilla, I have major concerns about you.
Honourable Mention/s Artsvik, Tamara Gachechiladze Winner O’G3NE
This is NOT an award the Netherlands would have won back in 2015, when Trijntje Oosterhuis’ black dress (*shudder*) was replaced by the reception tent for a Goth wedding (*double shudder*). But the classic little black dresses – plus one catsuit – worn by O’G3NE this year and suitably sparklified for the occasion, were gorgeous. I’m glad they didn’t go too matchy-matchy, and were able to get the girl group look even though every Vol sister wore a different style. Where do I get my own version?
Honourable Mention/s Joci Pápai, Sunstroke Project Winner Robin Bengtsson
One of the minor changes made to Robin’s Melfest performance for Eurovision was a suit swap – matte blue for shiny purple. You’d think I’d be too busy admiring the man IN the suit to notice such a thing, but because it was such a cool costume choice (yes, right down to the lack of socks, which somehow makes the look more crisp) I noticed.
Honourable Mention/s Martina Bárta Winner Lindita
If you read my biggest Eurovision 2017 mistakes post, you’ll already know that my eyes felt violated by the very sight of Lindita’s Vegas bride getup. If you didn’t, then you should know that my eyeballs may never fully recover from the experience of seeing her take to the stage in something so atrocious.
Honourable Mention/s Ksienija Žuk Winner Artsvik
I love braids, but I’ve only mastered the basic kinds – so I’d be keen to have the contact details of whoever worked their magic on Artsvik’s mane. That was art. It should be on display in the Louvre.
Honourable Mention/s Kasia Mós, Lindita Winner Anja Nissen
I know some of you will want to hit me with an inflatable Israeli hammer over this one, but I’m entitled to my (many, many, ESC-related) opinions! Anja just blows me away with the sheer power of her voice every time – there’s a reason she won The Voice here in Australia. Her diva vocal is always ready for action, and it’s so forceful I wouldn’t be surprised if her fire curtain was set off by the woman herself, in a Carrie-like moment of explosive kinetic energy.
Honourable Mention/s Jacques Houdek, Salvador Sobral Winner Kristian Kostov
Again, remember: THIS IS SUBJECTIVE. I was torn between Salvador and Kristian, aware that Salvador’s voice is more unique…but Kristian’s silky smooth, beyond-his-years vocals won my internal battle. He looks so young (and IS so young) and then he opens his mouth and it’s all maturity and polish and confidence, and I’m sold. I’m expecting big stuff from this kid.
Honourable Mention/s Valentina Monetta & Jimmie Wilson Winner O’G3NE
Who else? Even if all 42 acts of 2017 had been groups, O’G3NE would have reigned supreme. Having sung together as siblings for so long, their harmonies are incomparable and absolutely perfect, always. I would happily listen to them all day long, and I’m convinced they could sing That Sounds Good To Me and make it appealing. That’s how good they are!
Honourable Mention/s Anja Nissen, Kasia Mós Winner Lindita
She may have worn a dress designed by the devil himself (or at least the devil’s personal seamstress), but not even that could distract from Lindita’s epic money note, one which first knocked our socks off (though not Robin Bengtsson’s, since he wasn’t wearing any) back in December 2016 when World was Botë and she won Festivali I Këngës. I have to bring back the word amazeballs just to describe it. She should become a deep sea free diver or professional balloon blower-upper with a lung capacity like that.
Honourable Mention/s Georgia Winner Hungary
Don’t get me wrong – Joci’s performance at A Dal was great, and a worthy winner of the NF. But I was worried Hungary would leave it be and not adapt it to fit the far bigger and grander stage of Eurovision. I also thought Joci was a little nervous and restrained back then. Fast forward to May, though, and the confidence and fire jets were out in full force. Hungary were one of only two countries to use the satellite stage too, which proved they’d really thought about how to expand on the A Dal staging. Mission accomplished!
And that concludes the second segment of the EBJEEs ceremony for 2017! Your butts must be pretty numb by now, so I’m sure that’s a relief. Still to come is the third and final part which will feature the awards for The Show: i.e. the hosts, interval acts, postcards and results. That’ll be a short one, so the only butt trouble you’ll have is if you fall asleep after reading it and then wake up with a butt on your hands (is that not the opening line of Verona?).
Between now and then, though, let me know what you thought of today’s awards. Where would your trophies go? Did the People’s Choice Awards pan out your way this time? All polite or constructively critical opinions are welcome in the comments.
As O.Torvald would say, it’s TIIIIIIIIIIIIIIME! The trophies have been polished, the red carpet has been unrolled, and I’m ready to start giving out my Eurovision Excellence Awards to the countries, artists and songs that competed in the 2017 contest.
The ceremony will take place in three parts (since I went a little crazy with the amount of awards this year). Following on from this first installment will be The Performances, then The Show + The Results – but today, I’m acknowledging the musicians and the music that made 2017 so awesome…and in some cases, the opposite. You’ll also find out the full results of five People’s Choice Awards, with the rest to be revealed in Part 2 and Part 3. Thanks to everyone who voted in the PC polls, by the way – there were more of you than I expected, and I’m so grateful for your input. I hope you’re happy with the outcomes, but if you’re not you can’t blame me. #offthehook.
Now, without further ado, I’m going to get the first lot of EBJEE trophies off to their new owners before they get dusty. Sit back, relax and enjoy (or get outraged by) the awards for The Artists + The Songs!
Honourable Mention/s Robin Bengtsson, Salvador Sobral Winner Imri Ziv
He may be hot in an ‘I spend longer in front of the mirror each morning than any girl I know’ kind of way – but hot is hot, right? Those eyes! That smile! Those biceps! Those abs! I won’t go any further down because a) I like to keep things mostly non-smutty around here, and b) you get where I’m going, I’m sure. It’s rumoured that Israel’s finest Imri has a thing for Anja Nissen – and who could blame him – but if she spurns you, Mr. Ziv, it’s highly likely that I’ll be available as a consolation prize.
Honourable Mention/s Amy Vol, Lisa Vol, Shelley Vol (O’G3NE) Winner Anja Nissen
Speaking of the stunning Anja, here she is as the winner of the Hottest She Award (imagine how attractive the kids would be if she and Imri got together!). I couldn’t really choose anyone else despite the tough competition, since I have a massive girl crush on her. She’s the ultimate blonde bombshell, drop-dead gorgeous from top to toe…except when she appeared on the Kyiv stage during rehearsals in that notorious and absolutely hideous circus/swimming costume. But NOBODY could have pulled that off (not unless they were a clown competing in the Synchronised Swimming event at the Olympics). Anyway, I’m bowing down to your beauty, Anja!
Honourable Mention/s Ilinca, Ksienija Žuk Winner Alma
Apparently Alma has a certain je ne sais quois (both the French and Hera Björk puns are intended) that gave her the edge over the other nominees, though not by much. This award probably isn’t what she’d like to have won recently, but the fact that so many Eurofans would be happy to call her their BFF has to be flattering.
Honourable Mention/s Francesco Gabbani, Kristian Kostov Winner Nathan Trent
I have one thing to say about this result: YAAASSSSS! Well done guys, on voting an actual Mr. Nice Guy (nice guys finish last on the televote, but not overall) the winner of this year’s Mr. Congeniality EBJEE. Nathan Trent is a precious angel sent to Earth to bring pure happiness and light into all of our lives, and anyone who dares dispute that should be burnt at the stake. Or be ignored, one of the two.
Honourable Mention/s Kristian Kostov, Sunstroke Project Winner Jacques Houdek
I’m not sure which Jacques to give this trophy to – they might have to share custody of it like a pair of divorced parents with their only child. Regardless, this is an award well deserved by a man – yes, just the one…I’ll let the joke die now – who managed to bring both incredible talent and a LOT of laughter (hvala, Hrvatska, for the comic relief) to this year’s Eurovision. Like Conchita’s facial hair, Jacques’ two voices made him instantly memorable and almost overshadowed every other aspect of his entry. We’ll never see a duet quite like this again.
Honourable Mention/s Nathan Trent, Valentina Monetta & Jimmie Wilson Winner Sunstroke Project
Picking a winner for this award was a no-brainer for me, but I did very briefly ask myself which nominee’s concert I’d be the most keen to sit through. The answer, of course, was Sunstroke Project’s – though technically, I wouldn’t be sitting through it so much as dancing my ass off through it. All three of the guys are party-starters in their own right, and look like they could happily live on stage. They’re energetic, enthusiastic and charismatic, and can get even the most stubborn butts off seats without even trying. Born to entertain? Heck yes.
Honourable Mention/s Blanche Winner Kristian Kostov
This was one of the smallest categories for 2017, and two of the teens ended up monopolising most of the votes – 91%, in fact. Contest runner-up Kristian beats Blanche yet again, and if that’s partly due to his more confident handling of the whole Eurovision experience – as well as his higher placing on the scoreboard – then I’d say it’s the right result. Still, anyone so fresh-faced who can get up on such a big stage and sing their fully-functioning, youthful heart out deserves a high five. Great job, kids.
Honourable Mention/s Gravity, Lights and Shadows Winner Perfect Life
Now, I’m not accusing anyone of plagiarism here. Even if a song is almost identical in some way to another, it doesn’t mean it was purposely plagiarised. Still, you have to wonder about that oh-so-familiar sound layered underneath the lyrics of Levina’s Perfect Life. Everyone has heard David Guetta’s Titanium, and I find it hard to believe that anyone could come up with a beat and riff combo so similar and not think ‘Hang on…I know this from somewhere.’ TBH, it’s a shame that Perfect Life doesn’t sound even more like Titanium – i.e. that it didn’t ramp up and become an equally powerful dance banger.
Honourable Mention/s Amar Pelos Dois, Beautiful Mess Winner Grab The Moment
A predicable pick? Probably not. But Grab The Moment has a set of lyrics that are interesting, full of clever rhymes (no love/above level stuff in sight) and SO neatly phrased and tightly packed. It’s wordier than I usually like my songs to be, but the rap-like delivery helps make it the modern pop masterpiece it is. Plus, there’s loads of room for lyrical interpretation, which is right up my alley as a former English major. This is my highlight: ‘Getting kinda heavy on my shoulders, try to stand straight but I’m boneless, got a pocket full of prose while I’m walking on my toes and I’m coping with a map that is roadless.’ Remind yourself of the rest here.
Honourable Mention/s Skeletons Winner Space
As much as I’m confused (rather than amazed) by “thorn jeans”, I can’t go past Slavko’s Space as the 2017 song with the most WTF words. It’s not that they don’t make sense, because they do. They’re just so…erotically charged. Not to mention all over the place – there’s a ton of space references, obviously, but one minute the lovers in question are Bonnie and Clyde and the next they’re possessed with superpowers. I commend the line in the chorus that connects writing a story with body language *slow clap*. But ‘Wet dreams…come into me from within’? TMI, Montenegro.
Honourable Mention/s Lights and Shadows Winner Amar Pelos Dois
This is a very subjective award, hence why I didn’t make it a People’s Choice. It’s for the entry that I personally didn’t rate too highly pre-contest, but grew to love between then and now. I never disliked eventual winner Amar Pelos Dois, but I didn’t love it and I definitely didn’t get the hype surrounding it (why was it second in the odds? I had no idea). For some reason, though, when I saw Salvador’s performance in the first semi final, I ‘got’ it. I was teary-eyed, my heart was warmed and I finally fell in love with the simplistic, romantic beauty of the song. Better late than never.
Honourable Mention/s Dance Alone, Verona Winner Occidentali’s Karma
This trophy doesn’t have to go to a song that was hyped by fans and then under-performed according to expectations, but this year it is. Occidentali’s Karma was predicted to be a runaway winner by a lot of fans in the lead-up to the show, racked up more views on YouTube than any entry preceding it, and stormed to victory in the OGAE Poll. And then, just like France did last year off the back of winning that poll, it finished 6th. As soon as I saw Francesco’s final performance, I knew that my gut feeling of months previously had been right – Italy wasn’t going to win. Falling away from the top five, for a song with so much expected of it, this was Sognu all over again.
Honourable Mention/s I Can’t Go On, I Feel Alive Winner Hey Mamma
It was the most successful dance track to take part in the Kyiv contest, and now the Sunstroke Project’s Hey Mamma gets another gong to add to the our engraved with ‘Moldova’s Best-Placed ESC Entry Ever.’ I have zero complaints about your choice here, people! There’s something about a good bit of sax that makes dancing more or less irresistible, and as such I can guarantee that this song will frequent the official Euroclub playlist for years to come.
Honourable Mention/s Occidentali’s Karma Winner City Lights
And it’s Belgium by a millimetre! The standard of preview videos was pretty high this year, and I personally wouldn’t have chosen City Lights as my favourite. Still, I can’t fault its stylish, slightly unsettling (in a good way) vibes. The isolation of being ‘all alone in the danger zone’ is expertly brought to the screen, while the titular lights have a mind of their own. Overall, it’s just as cool as the song.
Honourable Mention/s Keep The Faith Winner Fly With Me
Some songs are just so much better to watch than to listen to – they just come to life when performed live. Artsvik’s Fly With Me, a song that is a perfectly good but not great audio track, was given the royal treatment for Eurovision, and that gave me a new respect for it. The backdrop emphasised the ethnicity of the song as did the choreography, while the pyrotechnics upped the drama. Excellent costume choices were the cherry on top.
Honourable Mention/s Space Winner City Lights
And now, vice versa! Belgium’s performances over the past few years have been epic, but there was a question mark over Blanche’s ability to command an audience and take control of her nerves. She faltered in the semi, but in the end pulled off a much, MUCH better performance in the final and earned her 4th place. Even so, City Lights is a radio dream rather than a live one. The slick production and disembodied, distant sound of Blanche’s recorded vocals (minus the distraction of her looking like she wants to run screaming off the stage) is what I love about the song, and it’s just not as impressive in the ESC context.
That’s all for today/tonight, guys. I hope you enjoyed the show, and didn’t get too drunk and end up tripping and falling into a stranger’s lap which turned out to be the lap of Jon Ola Sand. It’s very awkward when that happens, let me tell you.
Who would you have given these awards to? Are you shocked by some of the People’s Choice percentages? Can I discuss Eurovision 2017 right up until Eurovision 2018 without annoying you? Let me know in the comments – it’s free (although every swear word directed at me costs $50).
Until next time, when 2017’s performances will be in the spotlight…
Yes, it’s that time again – when, in the wake of Eurovision and in the midst of PED, a heap of ESC-themed sites feel compelled to hand out some trophies of their own. They may not be fancy, microphone-shaped Kosta Boda glass, but they give every country, artist, backing singer and man with horse mask on the chance of taking one home.
In the immortal words of Martina Bárta, now it’s my turn. The EBJ Eurovision Excellence Awards, as they’ve been branded the past few years, are back! But before I give out any awards personally, I need you guys – yes, YOU (I love that shirt, by the way…it’s totally your colour) – to decide on some winners for me. That’s not because I’m too lazy to choose them myself, but because I love having input from anyone who takes the time to read this blog, and I definitely want to know what you thought were some of the highlights and lowlights of Kyiv 2017. So here we are.
This year, there’s not one…not two…not three…*ten minutes later* but TWELVE People’s Choice Awards up for grabs. I’ve tried to keep the nominees as numerous as possible, but if I haven’t listed someone/something that you REALLY want to vote for, leave me a comment and I will count it as a valid vote. The rules? Well, you can only vote once (on any one device, so feel free to hijack all of the phones/computers/tablets in your household) but you can make multiple choices on each poll – so if you’re struggling to decide, for instance, whether Oleks, Vova or Timur was the best host, just vote for all three.
Who says I’m not generous?
You’ve got one week to vote (and to spread the word so all of your Eurofan friends get to have their say too). Now go forth and pick your personal winners!
She’s friendly, she’s fun, and she’s the female singer of 2017 you’d choose to hang out with above all others. It’s about personality rather than looks for this award (although all of these ladies are beautiful on the outside AND the inside).
Now it’s time to pick the most personable male artist who charmed both fans and the media in Kyiv. You’d take a road trip with him without hesitation, because you’d be guaranteed a great time and a lot of laughs.
Teen Act of the Year
Years and years of experience can come in handy when handling Eurovision…but teenagers can do pretty well for themselves too. All of 2017’s teen acts finished in the top 10, but which one was your favourite?
Dancefloor Filler of the Year
Whether you were in the Euroclub, at a Eurovision party or home alone in your pajamas, there had to be at least one song this year that you could NOT resist dancing to – and you’ll be playing it again any time you need to add some life to a future party!
Best Music Video
We don’t get preview videos from every single country competing in the contest (this is the one area where Sweden shows weakness) but the bunch we do get often bring their A-game. 2017 was no exception – let’s see which video you think is the best of the best.
Check out all of the nominees here.
The Eurovision stage sees more stand-out props and gimmicks than any other, and they (usually) add something special to a performance. Vote for the little – or large – extra something that impressed you the most this year.
Best Use of the Backdrop
The sky is the limit these days when it comes to pimping performances via high-def screenage. It’s a missed opportunity if the background isn’t used to a country’s advantage, but there weren’t many missed opportunities in Kyiv! Which backdrop wowed you when you laid eyes on it?
Best Performance From the Big 5
There are always musical hits and misses from France, Germany, Italy, Spain and the UK – but this award is for the country that stood out on stage when compared to their fellow automatic finalists (the hosts not included).
The Host With The Most
It’s a hard job, choosing between three attractive Ukrainian men – but somebody has to do it! Oleks, Vova and Timur took the reins between them this year, but only one can be crowned the Host With The Most. Take your pick.
Opening/Interval Act of the Year
We were spoiled this year when it came to pre and in-between song entertainment, with Ukraine trotting out a bunch of its biggest stars – including ESC 2016 winner Jamala three times (fine by me). Without comparing anything to Love Love Peace Peace, decide on your no. 1 performance.
Check out all of the nominees here.
OMG Moment of the Year
There were many jaw-on-the-floor occurrences this year, including the moment rehearsal viewers spotted a questionable (a.k.a. penis-like) image front and centre on one of Latvia’s screens (which had to be covered up). Which one had you shaking your head in disbelief?
The ‘How Did THAT Happen?’ Award for Most Shocking Result
Speaking of shocking…even the most talented predictor wouldn’t have seen some of the Eurovision 2017 scoreboard placements coming. Some countries defied expectations while others failed when we thought they’d flourish. Choose your personal WTF result below!
Congrats, your work here is done. Thanks for taking the time to vote…and if you didn’t but you’re still reading this, then GET BACK UP THERE AND DO YOUR DUTY!
Drop by EBJ next week for the full results of the People’s Choice Awards – and find out who won all of the other trophies in the categories of The Artists, The Songs, The Performances, The Show and The Results. Things may kick off a little sooner, so if you want to know exactly when, be sure to subscribe in the sidebar, or follow me on Twitter/Instagram.
Until then, stay fabulous!
I’M NOT DEAD!!! Say yay yay yay! *insert foot shuffle here*
I figured I’d open this post in such a morbid yet somehow still optimistic manner because, as it’s been such a long time since I’ve popped up on my own blog to chat song contests (one in particular), I wanted to confirm that I haven’t been run over by an errant Ukrainian hamster wheel or anything. I’m just slack and/or disorganised. But now I’m BACK and disorganised, which is much better.
Today, it’s time to conclude the EBJEEs for 2016 (sadface/happyface). Better late than never, right? Actually, my motto (as of right this second) is, if you beat the host city announcement, then you’re not too late. And guess what? The EBU is still having a Pitch Perfect-style riff-off (I assume) to determine whether Kyiv, Dnipro or Odessa will be painted Eurovision next May. If they’ve finished up by the time you’re reading this, then I still pipped them at the post. And also, congratulations KyivDniproOdessa! I KNEW you’d be the chosen one. All along. Knewwww it.
Now, let’s unroll that red carpet and find out which performances, costumes and results of Stockholm ’16 are taking home my fancy trophies – plus those you guys handed out by voting in the People’s Choice polls way back when.
Winner Ukraine Honourable Mention/s Australia
There was only one true, that-totally-makes-sense choice I could settle on when selecting this trophy winner: the winner of the whole contest. Tingles down the spine were just one of many effects Jamala’s triumphant performance had on me personally, and countless others I’ve interacted with. Also afflicting those of us who aren’t cold, unfeeling, soulless robots (JK…but how can you watch her in action and feel nothing?): body-spanning goosebumps, hairs from scalp to shins standing on end (what? It was too cold in Stockholm for me to shave my legs) and extremely leaky eyeballs. Nobody can pour pain into a performance like Jamala, and as such, 1944 – on or off the Eurovision stage – reduces me to a sniveling mass of admiration every time.
Winner Ukraine Honourable Mention/s Bosnia & Herzegovina, Serbia
We tend to see different types of drama at Eurovision: for example, the overblown kind created by an artist with overly-expressive eyebrows and the tendency to wave their arms all over the place until at least one backing singer has a black eye; and the kind helped along by dry ice, interpretive dance and violent lighting schemes. Then there’s Academy Award-winning drama, in which a performer feels every word they utter with every fibre of their being, and conveys that both down the camera and to the crowd. Enter Jamala (again). Everything about her performance, vocally and visually, was dramatic without being overly so, and it all culminated in a (crystal clear, totally in tune) screech that, if the ESC were the Oscars, would have secured her a golden statuette for sure.
Winner Russia Honourable Mention/s Australia
Sweden’s win last year ensured that the 2016 contestants would be keen to outdo and/or build on the projection screen concept that Måns’ team so cleverly devised. After all, one winner usually leads to a flood of copycats. A handful of countries pushed the boundaries of technological staging in Stockholm, and at the forefront was undoubtedly Russia. Sure, their stage show was OTT and didn’t really help tell the “story” of You Are The Only One…but I don’t think it was meant to. It was designed to impress the shiz out of us, and it certainly did that. The moment that made it the most innovative – the most unlike anything we’d seen before at Eurovision – was Sergey scaling the screen and then rotating on it, prompting musings of whether he or the prop were the main attraction. It also prompted us to ask ‘He’s still alive, right?’ after that infamous rehearsal fall, but the less said about that, the better. JUST KIDDING – I love talking about it.
Winner Bosnia & Herzegovina Honourable Mention/s Hungary, The Netherlands
As we all know, instruments are used as props more than music-makers at Eurovision nowadays. That doesn’t stop them from being used to great advantage. In the case of Bosnia & Herzegovina 2016, the cello has never been sexier. Ana Rucner let loose with her futuristic one (once she’d shed her rather UN-sexy cellophane cape, that is), and it was epic. And what is a Balkan ballad without at least one instrument bringing it to life? I guess we should ask Montenegro, who figured an ice dancer would be a good substitute back in Copenhagen.
Winner Russia’s projection screen Honourable Mention/s Armenia’s multiple Ivetas
The first People’s Choice Award on this occasion is very well deserved, I’ll admit. Like you guys did, I’ll also give kudos to Russia for putting maximum effort into their entry this year, despite it not paying off to the extent they’d have liked. After all, that screenus maximus was nothing if not an attention-grabber, and it was used very calculatedly to try and outdo the Heroes staging that started it all (that’s not an assumption. I sat and heard Philipp Kirkirov say so during the first Russian press conference). There are a number of ways You Are The Only One could have been performed to amplify it as an entry, but this method gave it a serious ‘wow’ factor.
Winner Bulgaria Honourable Mention/s Azerbaijan, Belgium
Any country that makes the chicken dance cool again (slash cool for the first time in history) should receive a high five at least. Bulgaria assigned the chorus of If Love Was A Crime its own set of moves that quickly became irresistible in terms of attempting to copy them (or was that just me?). Sassy, fun and a little bit off-the-wall – just like Poli herself – they helped make Bulgaria’s appearance in this year’s contest extra memorable.
Winner Ukraine Honourable Mention/s Austria, France, Latvia
In a time when you can back your act with pretty much anything (a naked hologram of yourself frolicking with wolves, for instance), it’s hard to haul yourself to the top of the heap. Ukraine’s collection of colours, textures and trees (well, just the one tree), however, did just that. It complemented the story and dynamics of 1944 so perfectly, I can’t personally look past it. That tree “exploding” out of Jamala at the song’s climax is one heck of an iconic image.
Winner Russia Honourable Mention/s Azerbaijan
The likes of Russia, Ukraine, Belarus and Azerbaijan are famous for throwing everything and the kitchen sink – sometime, several kitchen sinks – at their Eurovision performances. To prove that point, note that only one of them didn’t in 2016 (and note how it worked in their favour). Russia takes this trophy home, though, for putting on a show so in-your-face, it practically screamed ‘VOTE FOR US! WE WANT TO WIN! WE DON’T NEED AN OLYMPIC FIGURE SKATER THIS TIME!’. Factor in the lack of correlation between the lyrics of YATOO and what we saw Sergey getting up to on stage, and you’ve got OTT for the sake of OTT. That’s, like, the highest level of OTT.
Winner Bulgaria, Ukraine Honourable Mention/s Armenia, Russia
To win Eurovision, you need a cohesive package in which all aspects are on point. If having that up your sleeve doesn’t ensure a podium placing, it should at least drag you away from the depths of the dreaded bottom five. That’s what happened to Ukraine and Bulgaria this year – a win for the first time in over a decade and a best-ever result. Excellent vocals? Check. Brilliant songs? Yep. Perfect costumes? You know it. Setting the scene by pimping the stage? Of course. Both countries had it all going on.
Winner Poland’s baffling televote boost Honourable Mention/s Justin Timberlake is announced as an interval act
As someone who was standing in the thick of it i Globen, I can confirm that thousands of jaws required picking up off the floor in the wake of Poland’s leap from last place to the top ten. Of all the stuff we didn’t see coming re: the 2016 contest, this was the most unpredictable – despite Poland’s apparently domineering diaspora (which didn’t help them during the Polish slump period of 2004-2011). But, whether you love, hate or ‘meh’ Color of Your Life, you have to admit that this particular leaderboard leapfrog made for a priceless Eurovision moment (and GIF).
Winner Belgium Honourable Mention/s Bulgaria
Is Laura Tesoro a cyborg programmed to be constantly cheery and have unflagging energy? I think so. Has she ever been to a party and not been the life of it? As if! Can I have a smidgen of her sparkling personality if there’s any to spare? I’ll leave it to her to answer that question.
Winner Australia Honourable Mention/s Azerbaijan, Malta
Call me biased if you want to, but I feel like I’m just stating the obvious when I say that the Steven Khalil-designed, diamonte-encrusted creation Dami Im donned for her performances was STUNNING. The arm bling and sparkly stilettos slathered frosting on a look that said ‘This is what Glinda the Good Witch would wear to her wedding.’ It is also what I would like to wear to my wedding. Or to the supermarket. Whichever aisle I happen to walk down first, basically.
Winner Germany Honourable Mention/s Finland
It’s not often that a costume single-handedly destroys a country’s chances of contest success. The last time that happened was also in Sweden, when Moje 3’s circus clown couture clashed with Ljubav Je Svuda’s good-and-evil concept, untying what could have been a neatly-wrapped package and making a mess instead. Fast forward three years, and Jamie-Lee allowed the same thing to happen to her, refusing to sacrifice – or even tone down/adapt – her love of manga style for the sake of Ghost. A song that good deserved visuals that would have told its story – not detracted from it completely, leading to a discordance that couldn’t be ignored.
Winner Slovenia Honourable Mention/s Armenia
Most of this year’s artists kept their goodies in the jar, if you know what I mean (and I’m guessing you do). Slovenia’s ManuElla wasn’t one of them. Rather than opting for the military-themed, backing singer-assisted costume reveal from ye olden national final days, she decided to take care of everything concerning revealing all on her own. The result was…well, boobage that the brain behind Trijntje Oosterhuis’ slashed-to-the-waist number might consider risqué. I’m not here to shame a fellow female, but wouldn’t an outfit that was less of an anatomy lesson and more ‘blue and red’ have made more sense?
Winner Bulgaria Honourable Mention/s Poland, Spain
An undercut that kicks butt was all it took for our favourite Bulgarian to take out this award. Good golly, Miss Poli – you OWN that half-and-half hairstyle like nobody else. I can’t wait to see what you do when you get bored of it. Maybe we’ll find out when Eurovision 2021 rolls around?
Winner Måns Zelmerlöw Honourable Mention/s Petra Mede
It was the Very Intelligent People (as Petra likes to label her fans) versus the Månsters for this People’s Choice category, and – somewhat shockingly – the latter were the force to be reckoned with. I guess the fact that MZW did double duty as Eurovision’s reigning champ/chief repriser and an all-singing, all-dancing, all-charming co-host gave him a slight edge over Queen Petra.
Winner ‘Love Love, Peace Peace’ Honourable Mention/s The fashion show of flags
I DID NOT FORESEE THIS. I thought ‘Love Love, Peace Peace’ had passed us all by without making any impact whatsoever. It’s not like it was a masterpiece of musical theatre that poked the right amount of fun at the ESC while warning future competitors to steer clear of clichés. I mean, nobody even requested that it be released as a single!
Hashtag sarcasm. Hashtag ‘Love Love, Peace Peace’ is amazeballs and we all know it.
Winner Iceland Honourable Mention/s Estonia
Estonia’s failure to qualify may have upset me the most (I have permanent tear tracks on my face from the flood that ensued when Jüri was left behind in semi 1…sob!) but Iceland missing out shocked me to my very core. I was never the biggest fan of Hear Them Calling, but I was 110% convinced it would sail through to the final in spite of Sergey Lazarev’s performance overshadowing Greta’s. I still can’t believe Iceland was beaten by San Marino. Come to think of it, I can’t believe ANYONE was beaten by San Marino.
Winner Georgia Honourable Mention/s Czech Republic
Midnight Gold was gold as far as I’m concerned, and I’m not a massive psychedelic rock fan by any means. I wanted it to qualify more than Danny Saucedo wanted to win Melodifestivalen 2012, but I didn’t think it actually would. As it turns out, I was wrong, and that’s fine by me. Go Georgia!
Winner Russia Honourable Mention/s Australia
Even if Russia hadn’t been the pre-contest favourite (and during-contest favourite), the thought of them failing to qualify this year would have been a ridiculous one. The thought of Russia not qualifying any year is ridiculous, really – but Sergey was a standout on stage, as we always knew he would be.
Winner San Marino Honourable Mention/s Montenegro
I’m still in shock that Serhat came what can only be described as ‘far too close’ to progressing from Tuesday to Saturday night. But, at the end of the day, he still didn’t make it, and that’s what the Eurovision gods had long since ordained (the 12th place was their version of a belated April Fools’ joke, I assume).
Winner Belgium Honourable Mention/s Israel
You guys chose the transformation of Laura Tesoro as the worthy winner of this trophy. Belgium certainly upped the ante and glitteriness of her performance between NF and IF (international final, obviously), transforming it from something that looked at home on an intimate stage to something that filled a massive one – and filled Globen with masses of energy and positive vibes.
Winner Ukraine Honourable Mention/s Australia, Denmark
Sorry/not sorry, haters…but I’m so dedicated to Team Jamala, I hold conversations exclusively in 1944 lyrics (I can’t wait to go trick-or-treat doorknocking at Halloween and greet homeowners with the likes of ‘When strangers are coming, they come to your house, they kill you all’. How suitably scary!). As such – and because Her Holiness had so much of herself, and so much of her family’s heartbreaking true story invested in her Eurovision entry – I am adamant that Ukraine won fairly, squarely and deservedly. They earned the absolute shiz out of that triumph.
Winner Estonia Honourable Mention/s Italy
In a semi final that had the words ‘San Marino’ printed in the program, the country that would finish in last place should have been easy to predict. Even when Serhat put on something of an endearing performance *she admits reluctantly*, it seemed like Finland’s Sandhja was going to step into seventeenth instead. What I did not expect was for poor, poor Estonia to fall as flat as possible and end up rock bottom. NOT COOL, EUROPE…and not at all deserved.
Winner Denmark Honourable Mention/s Denmark
Everyone else on the planet knew what those who voted for Lighthouse X during DMGP didn’t: that the trio didn’t have a hope in heck of qualifying from a Eurovision semi. They were charming enough to avoid finishing last on the Thursday night – and they didn’t use constipation as inspiration for their choreography, á la Rykka – but they lacked the fire (not even Azerbaijan-level pyro would have saved them) and the x-factor to proceed any further. No crystal ball was needed to foretell that outcome.
Winner Poland Honourable Mention/s San Marino
The bulk of ‘It Should Have Been Margaret!’ t-shirt wearers were stopped in their tracks when Michał was catapulted from the lowest of scoreboard lows to the upper echelons of the top 10, all thanks to the televoting. That moment was many things – shocking and impressive among them – but easily explainable? Nope. I find it hard to believe that Polish diaspora is that influential, and even though I really liked Color of Your Life, I’m also confused by the possibility of such an outpouring of voter-at-home love…especially when the juries completely dismissed Poland. COLL was not a song that made you go ‘Yep, the televoters will LOVE that, but the juries’ll hate it.’ If anything, I’d have had it the other way round. To sum up, *insert giant question mark here*.
And that, my fellow Eurovision freaks, is that! My collapsible table of trophies is empty, and it’s time to roll up that red carpet for another year. I hope you enjoyed the 2016 edition of the EBJEEs in some respect, because I definitely enjoyed bringing it to you (even if it took a little longer than I’d initially planned).
Stay tuned to le blog over the coming weeks if you’re interested in the OGAE Second Chance Contest, the Olympics, random album reviews and lookalikes – I’ve got content concerning all of the above in the pipeline for August (and it IS all ESC-related, I swear).
While you’re waiting for that, why not tell me what you thought of today’s award winners? Did your People’s Choice votes go to waste, or did you get your way? Which performances, costumes and results of Eurovision 2016 do you think deserve some extra credit? Let me know below. I live for your feedback!
Well, I don’t live for it…but I like it.
Until next time,
Good evening Europe, and everywhere else that’s relevant!
You’ve just made the excellent decision to tune in to the super-delayed first episode of the 2016 EBJEEs: that is, the EBJ Eurovision Excellence Awards. There’s no time like way after the official, Justin Timberlake-less Eurovision DVD has been released to do something like this, right? Not when this is the earliest I’ve been able to get around to it. Better late than never, that’s my motto.
So, if you’re ready for the ceremony to begin, great. If not, too bad – it’s (finally) happening. Today/tonight, I’m presenting second-rate statuettes in the categories of The Artists, The Songs and The Singing, including many of the People’s Choice Awards voted on by you fabulous people last week. Get excited!
*Academy Award-worthy intro music plays* Välkommen till…
Winner Freddie Honourable Mention/s Amir, Douwe Bob
It’s award number one (my number oooonnne) and the EBJ Express has already arrived at Objectification Station – and I’m not sorry, no. There was an array of dashing dudes on display at this year’s contest, and as I was actually there (!) I can attest to the true, in-the-flesh attractiveness of each and every one. So, to those of you who thought Serhat was SerHOT, I say this: not even he could compare to the heartthrob ex-basketball player from Hungary. I mean, even in a one-on-one battle between Freddie and Måns Zelmerlöw, Hungary would quite possibly have the edge over Sweden. They’d definitely have a height advantage.
Winner Samra Honourable Mention/s Iveta Mukuchyan
Beauty is in the eye of the beholder, rather than the ear – which is how Samra came to be awarded this trophy by yours truly. She may have suffered from some vocal issues in Stockholm (several of her rehearsals would have had Jemini reaching for earplugs) but she is a stunner, and the cameras would have had zero complaints about focusing on her for three minutes…except that perhaps, three minutes wasn’t long enough to have her in their sights. If I sound lecherous here, it’s because I have a girl crush on Samra the size of Siberia, with symptoms that include a slack jaw and plans to write a dissertation on how someone can look that incredible in a skintight metallic onesie.
Winner Amir Honourable Mention/s Sergey Lazarev
Well, you guys are off to a good start with your picks. I couldn’t have voted better myself! He may not have won Eurovision (although 6th is a win by recent French standards) but Amir absolutely won our hearts – cheesy, but true – with his general adorableness and charm, on and off stage. If there’s one act from ESC history that would be ideal to take home to meet the parents, it’s this guy. My parents are available, Mr. Haddad, if you’re interested…
Winner Poli Genova Honourable Mention/s Zoë, Laura Tesoro, Sanja Vučić
Not unpredictably, Poli out-polled a force-field of girl power to take home the Miss Congeniality trophy. Anyone who wouldn’t jump at the chance to hang out with her, and help her search for any dress of hers that might be missing at the time (Junior Eurovision in-joke alert) is not a person I’d like to associate with. That may sound harsh, but COME ON!!! Poli’s personality and pizzazz is so strong, I’m pretty sure it was responsible for powering her light-up ILWAC costume. Isn’t that what everyone looks for in an amigo?
Winner Laura Tesoro Honourable Mention/s Poli Genova
This award goes to the artist whose onstage charisma and energy eclipsed that of their competition, and who should never give up their career in showbiz because that would be an absolute waste. Belgium’s Laura may still be a teenager, but she performs like a pro from way back. She lit up the Globen stage every time she stepped on it (seriously, I don’t even think the tech guys had anything plugged in during her performances, á la Poli), and was so effervescent I would have blamed it on an illicit substance if she wasn’t so darn innocent. This girl was THE one to watch this year, and she’ll be one to watch for a long time to come.
Winner Ira Losco Honourable Mention/s Dami Im
A Eurovision runner-up returning to the contest will always be a talking point – especially when that runner-up remains the rightful winner in the minds of many fans. But add in the rehearsal week revelation that Ira Losco had a kanelbulle in her oven – and a costume change that, among other things, elegantly emphasised that – and you have a walking water-cooler moment on your hands (and a Walk On Water moment). This was a case of Conchita-itis, in which a country’s artist is a more prominent part of their package than their song.
Winner Laura Tesoro/Zoë Honourable Mention/s Frans
It’s a tie! A tie I could have broken if I’d been bothered. But I think both Laura and Zoë – practically senior citizens compared to runner-up Frans – deserve this award for dealing with the media, performance and competition aspects of the contest like pros. Zoë, in particular, should receive a high five for managing to sing in tune at all times when she probably couldn’t even hear herself over the screaming that followed her wherever she went.
Winner Belgium Honourable Mention/s Bulgaria
Belgium snapped up this award last year too – and yet, white outfits aside, Loïc’s backing brigade couldn’t have been more different from Laura’s. The latter helped elevate the energy of What’s The Pressure in a live context, meaning that what would still have been a brilliant show if Laura had been by herself on stage became THA BOMB, DOT COM. Interacting with her and with the audience, they sang and danced their way straight into the #squadgoals hall of fame.
THE SONGS AND THE SINGING
Winner If I Were Sorry Honourable Mention/s Alter Ego
Songs that sound the same as other songs have not (necessarily) been plagiarized. I’m a firm believer in a grey area existing where musical resemblances are concerned. As such, I’m not saying that Sweden’s 2016 ESC entry was partly stolen from some other random song I never knew existed until someone decided IIWS was a rip-off of it. But there is some aural twinning going on here, and I don’t think that can be denied. Here’s proof.
Winner Hear Them Calling Honourable Mention/s Loin D’ici, Say Yay!
Everyone’s definition of a ‘fanwank’ is probably different – which explains why my decision not to include Italy as a nominee here was met with a little criticism. I do agree with this winner though, on the basis of a fanwank being a song that is drooled over and put up on a pedestal by the Eurovision community, only to crash and burn once it emerges from the pre-show bubble and enters the competition. Austria may have had a happy ending, but Iceland? Not so much.
Winner Sound of Silence Honourable Mention/s Ghost, Play
2016 was a strong year for lyrics that weren’t…well, crap. For lyrics that could actually be enjoyed by a former English major who adores symbolism and detests clichés. The best set of words put to song in my opinion was Australia’s. And no, I’m not letting nationality overtake objectivity right now. There was something simple yet so inventive about the Sound of Silence lyrics, particularly in the verses. My favourite line of the lot would have to be ‘Tidal waves of tears are crashing, no one here to save me drowning.’ The imagery! The metaphors! The non-cheesy rhyme! SO MUCH YES. And, okay…maybe a little bit of bias.
Winner I Didn’t Know Honourable Mention/s Soldiers of Love
Now we travel from the good to the gouda – by which I mean check out the cheese! Not to mention the inconsistencies in tense and a distinct lack of sanity. San Marino/Turkey, what were you thinking allowing lines like ‘I got to be inside your mind and hide into your arms’ (ouch) to represent you on a global platform, in 2016?
Winner If Love Was A Crime Honourable Mention/s What’s The Pressure
Poli’s performance of ILWAC at the Euroclub on Opening Party night (though technically, it was the morning after Opening Party night) was one of my ESC trip highlights, so I’m thrilled to be able to metaphorically present her with this award on behalf of all of y’all. I can confirm that the dancefloor couldn’t have been fuller during her three minutes that evening/morning – though I probably don’t have to, because even if you were in Antarctica at the time, you’d have heard the chants of ‘Oh, day mi lyubovta!’. Epic times. Prepare yourself, future fiancé, because the DJ will be playing this on repeat at our wedding.
Winner Loin D’ici Honourable Mention/s Color of Your Life
In terms of the songs that grew on me ‘more and more each day’ as Serhat would croak from the window of his favourite hangout Sleaze Palace: The Disco, Austria made the most impressive transition. The throwback to a time long gone by that is Loin D’ici irritated the strudel out of me initially, especially when I compared it to the contemporary offerings from Armenia, Latvia and Ukraine. But I was won over by a) its charm as an homage to twee French pop, b) Zoë’s general loveliness, and c) the reaction both she and the song received in the Euroclub and in Globen (it was too cute to resist).
Winner Made of Stars Honourable Mention/s What’s The Pressure
As much as Eurovision these days is about presenting audiences with a live music video rather than a live, concert-style performance (if you want to succeed, that is), there are some songs that feed off a flesh-and-blood crowd and come to life as a result. Made of Stars is one of them. There is a passion in the delivery of the song via Hovi that is lacking when you listen to the studio version, or when you watch the official, drone-dominated video. Those are my thoughts, anyhow. Perhaps it’s the theatricality of song and artist that needs to be seen and heard outside of a box to be appreciated.
Winner Ghost Honourable Mention/s The Last of Our Kind
And then, there’s the other end of the Swarovski-encrusted microphone stand. I personally believe that Germany’s Ghost was one of the best songs in the competition this year, but the mismatched live performance destroyed and detracted from it. Listening to it in studio, without the distraction of Jamie-Lee’s Halloween costume test-run (I think she was supposed to be a cocktail umbrella) is a totally different experience – for the better.
Winner No Degree of Separation Honourable Mention/s You Are The Only One
What is the significance of Francesca’s music video happenings? Who knows. Does anyone care? Nope. It’s beautifully shot and interesting to watch, and there was actual effort put into the making of it. Much better than a budget video or *gasp* no video bar a national final performance. Not that I’m demanding or anything…
Winner Bulgaria Honourable Mention/s Australia, Norway
If I had a gripe about anything to do with Eurovision 2016, it’s the postcards – not because they sucked (they didn’t), but because they just weren’t very memorable. They were beautifully shot, but none of the artists were handcrafting their country’s flag out of foodstuffs, or participating in risky extra-curricular activities in the host city. I’m bestowing the trophy for best of the bunch to Bulgaria though, because watching Poli Genova go about her daily business (albeit a glossy version that includes getting ink done) could never fail to be fascinating.
Winner Michał Szpak Honourable Mention/s Hovi Star, Sergey Lazarev
What do you get when you cross Captain Hook with someone who can carry a song single-handedly without the support of any detectable backing vocalists? Michał Szpak, that’s who. Hovi Star had the emotion and Sergey Lazarev had the singing/dancing combo down pat, but Michał powered through each of his performances of Color of Your Life with ease – and, as I said, without any contribution (as far as I could hear and see) from another singer who’d been stuffed in the wings. The Jedward syndrome-suffering Azerbaijani delegation must have been very jealous indeed.
Winner Dami Im Honourable Mention/s Jamala
There were two ladies who stood head and shoulders above the rest when it came to singing the pants off their respective songs (though not the pants off themselves. That would have been unfortunate for Jamala). Honestly, my vote would have headed in a Ukrainian direction, but Australia topping this poll is obviously reason for a happy dance from me. You can’t argue that Dami is an incredible vocalist, and she managed to give her all for the entire Eurovision fortnight without dropping a single note. You keep doing you, Dami, ‘cause it’s awesome to witness.
Winner Nika Kocharov & Young Georgian Lolitaz
Honourable Mention/s Joe & Jake, Minus One
This one’s a bit of a surprise to me, even though there were no Il Volos to speak of in 2016 and so the bar was set a little lower. Don’t get me wrong – I’m totally pro-Georgia, and Nika and his Lolitaz sounded more or less studio-perfect during their performances. I’m just shocked that the majority of you guys thought so too.
And now, some good news for those of you with numb bums: this evening’s (if it isn’t night time where you are, just pretend) ceremony has reached its conclusion! The EBJEEs will continue in a few days as I present my personal – as well as the remaining People’s Choice – awards in the categories of The Performances, The Costumes and The Results. So don’t return those fancy outfits you undoubtedly hired for the occasion just yet. There’s still a whole lot of Eurovision 2016 left to talk about!
VOTE FOR THE WINNERS: The EBJ Awards for Eurovision Excellence (People’s Choice) polls are now open!
Greetings, guys. As promised – and as you know, 94.6% of the time I keep my promises – it’s time for the preliminary stage of the 2016 EBJ Eurovision Excellence Awards, a.k.a. the People’s Choice polls!
In case that sentence meant nothing to you, allow me to explain: every year, like basically every Eurovision blogger in existence, I hold an online awards ceremony on par with the Oscars to commend the best (and best of the worst) of all things related to the contest just passed (if you’re bored or actually happen to have the will, as unlikely as that is, you can relive the glitz and glamour of last year’s EBJEEs here and here). And because I’m all about sharing the love and letting/forcing you to have your say, I always like to make some of my trophies awardable by people other than myself. So, if you have opinions about Eurovision 2016 and you like to vote on serious matters such as who had the coolest prop at this year’s comp, you’ll enjoy this post.
Based on the feedback from the 2015 People’s Choice vote, there are more nominees in more categories this time – plus, you can vote for multiple nominees instead of choosing just one. Don’t say I’m not Miss Generosity (not a People’s Choice Award, sadly). So limber up those fingers and prepare to make THE MOST IMPORTANT DECISIONS OF YOUR LIFE. No pressure.
Europe, Australia and everywhere else…start voting now!
The ‘he’ you’d never pass up an opportunity to hang out with – thanks to the Euroclub shuttle bus-loads of charm, presence and personality he displayed in Stockholm.
The ‘she’ you’d choose to be your ESC BFF – i.e. the most personable, likeable lady act available.
Teen Act of the Year
This one’s pretty self-explanatory. Which under-20 artist kept your boat most afloat and proved to be the most talented teenager in this year’s line-up?
Fanwank of the Year
Not all of these songs were favourites with the bookies, but they were certainly favourites with the fans – in the lead-up to the contest, on social media and (trust me on this one) in the Euroclub. But which one was the most fanwanky of them all? You decide.
Dancefloor Filler of the Year
You’ll play this song at your wedding when time’s getting on, and your guests are losing the will to woki their popos. Press play and the problem’s solved!
Best Preview Video
Some were flashy, some were quirky and some were super-duper stylish…but which one is your number one? If you need a memory refresher, check out this playlist I prepared earlier.
Best Vocal (Male)
They all sang their hearts out, but vote for the guy who gave you goosebumps with his vocal prowess – or just made you think ‘DAYUM, this dude can sing.’
Best Vocal (Female)
Ditto – only this one’s about girl (vocal) power.
Best Vocals (Duet/Group)
There were only a handful of twos, threes and mores participating in 2016, so it shouldn’t be hard for you to decide which of those acts hit their harmonies just right.
Best Prop or Gimmick
Most countries add a little extra spice to their performance via something their artists do, sit on, stand on, dance around, trip over etc. Give props (HA HA) to the prop or gimmick you saw as superior in Stockholm!
All-Rounder of the Year
Vocals, costumes, choreography; backdrops, song and stage presence – every element matters in a Eurovision entry. Who had the most perfectly-packaged performance that ticked all boxes this year?
The Host With The Most
This is a straight-up, head-to-head, battle-of-the-sexes duel. Petranators and Månsters, pledge your allegiance and help your favourite host take this trophy home.
Jaw-Dropping Moment of the Year
There were OMGs aplenty before and during this year’s comp. If your jaw hit the floor when any of these occurred, this poll wants to know about it.
PS – If you’re not sure about the Moldovan moment, be aware that Lidia’s astronaut *may* have forgotten to remove his delegation accreditation for televised semi final purposes. Oops.
Opening/Interval Act of the Year
For once, the pre and mid-show entertainment at Eurovision was more than multiple annoying interludes interrupting the contest’s exciting parts. From MZW’s reprise with a difference to a US superstar dropping by, there was something for everybody on show. So, which offering gets the biggest high five from you?
Most Improved (From NF to ESC)
Some delegations work tirelessly to reshape and ramp up their song and/or performance, between winning domestically and stepping onto the Eurovision stage. Vote for the act that made the most impressive transition during that time, in your opinion!
And (assuming you took the time to vote in all of those polls) your work here is done! Tack så mycket for your input, and stay tuned to find out if your favourites will be winners that take it all. The EBJEEs, feat. the People’s Choice Awards and plenty of others, are almost here, so hurry up and hire those tuxedoes/show-stopping ball gowns. You know, so you can sit at home in them staring at a screen when I do post the “ceremonies”. Fun!
The 2015 EBJ Awards for Eurovision Excellence | Part 2 (The Performances, The Costumes + The Results)
Pull up a comfortable chair (you’re going to be sitting in it for a while), have food and drink within reach (you’ll need the sustenance), and generally prep yourselves for the second and final installment of the 2015 EBJEEs!
I won’t lie – it’s a mammoth ceremony. But it might just be worth it: if you voted in the People’s Choice polls, you’ll find out today whether your remaining favourites won out in the end. Plus, if you make it all the way through, I’ll give you a gift basket full of gratitude and appreciation for your dedication. You won’t be able to sell it on eBay, but hopefully it will make you feel all warm and fuzzy (once you get the feeling back in your behind after sitting down for so long).
So, without further ado, let’s get cracking!
Winner Guy Sebastian Honourable Mention/s Nadav Guedj, Uzari
You can send threatening notes my way calling me biased, but I’d like to see you argue against Australia’s pride and joy (at this moment in time and exclusively among Eurovision fans) possessing a flawless set of pipes. Even suffering from a cold, as he was in the days leading up to the final, Guy Sebastian demonstrated his usual smooth-as-silk singing technique, and reminded us all why he won Australian Idol back in the day.
Winner Aminata Honourable Mention/s Bojana Stamenov, Polina Gagarina
Barely able to reach the ‘You Must Be THIS Tall To Ride’ marker when queuing for a rollercoaster ride, Aminata’s powerful vocals defy her petite size. Transitioning between crystal-clear high notes and big belters with ease, the control she had over her voice was second to none in this year’s contest as far as I’m concerned. If Beyoncé is #flawless, we’re going to have to come up with a whole new word for Aminata. Aminatamazing? Aminaterrific? The suggestion box is officially open.
Winner Il Volo Honourable Mention/s Genealogy, Mørland & Debrah Scarlett
Singing separately, Gianluca, Ignazio and Piero are mesmerising. Singing together, they send me on a trip to Goosebumpsville, USA, every time (it’s starting to get expensive). The force that is high-quality operatics shouldn’t be underestimated, and high-quality operatics is what we got from the boys whenever they opened their mouths in Vienna. Perfection is spelled I-L V-O-L-O from now on.
Winner Italy Honourable Mention/s Latvia
Let’s talk about Italy for the second time in thirty seconds, shall we? There’s something about an epic vocal performance that sends shivers down my spine. This is particularly true when the performance is given by a trio of hot Italian men…and when one of said men winks at the camera and turns me into a sad excuse for an independent woman who don’t need no man. In addition to the shivers, Il Volo also had every hair on the back of my neck standing up each time they launched into Grande Amore’s explosive chorus. As a result, I resembled a fuzzy triceratops, but it was totally worth it.
Winner Spain Honourable Mention/s Czech Republic, Greece
A dramatic song like Amanecer needs a dramatic performance to go with it, and Spain certainly delivered in that respect. They didn’t rely solely on Edurne’s ability to look super-intense and wave her arms around at every opportunity; instead, they switched the drama into overdrive by adding a costume change, an aggressive dance sequence and a gale from the wind machine into the mix. Subsequently, Spain’s performance rated more highly on the drama scale than an entire year’s worth of Days Of Our Lives episodes.
Winner Austria Honourable Mention/s France, Switzerland
In a move that gave a more literal meaning to Paula and Ovi’s Playing With Fire, The Makemakes’ Dominic set his piano alight at the pivotal point of I Am Yours – a cool (though not temperature-wise) way of spicing up the staging of the cruisy, down-tempo number. It didn’t help Austria score any points, but the risk factor and fresh take on pyrotechnics deserves recognition.
Winner Sweden Honourable Mention/s Lithuania, France
Sweden grabs this People’s Choice Award in very convincing style, with 58% of the votes. It’s not surprising when you consider just how much Måns’ projected stick man and all that jazz had to do with his win. The gimmick made a good song great, and made the performance of that song superior in terms of innovation and creativity.
Winner Greece Honourable Mention/s Georgia, Spain, Switzerland
Maria Elena had everything one needs to pull off a classic Eurovision lady ballad: a big voice; flowing locks; a floor-sweeping gown; and the ability to fake enough anguish to moisten her eyes, but not so much to actually let a tear go and ruin her mascara. All that was required top it off was wind – and boy, did she get it! As much as I want to opt for the logical pun here and say I was blown away by Greece’s performance, I wasn’t. But if it hadn’t been for that manufactured breeze, the climax of One Last Breath would have lacked impact.
Winner Belgium Honourable Mention/s Israel, Sweden
Robotic movements coupled with perfect pirouettes and the occasional face-grab? What a work of art. Belgium’s combo of geometric and organic movements was as complementary to Rhythm Inside as the black-and-white costumes and boxy backdrop. The choreography also played a big part in Loïc and his dance crew snapping at Måns Zelmerlöw’s heels in the creativity stakes.
Winner France Honourable Mention/s Latvia, Poland
Back in 2012, Ukraine neatly sidestepped the six-person stage rule by featuring a crowd of fist-pumping – and it must be said, tacky-looking – party-goers on the screens behind Gaitana. The idea was good, but the execution was poor. Fast forward to 2015, and you’ll see that France took the same idea, and made it work. A digital army of drummers (plus a smaller contingent of living and breathing drummers) appeared behind Lisa Angell, and with that, the last thirty seconds of her performance and its atmosphere were elevated by a mile.
Winner Spain Honourable Mention/s Moldova
No amount of gimmicks is too many – not according to Edurne’s team. It’s a worry when a song is deemed so unentertaining, it needs every backdrop, costume reveal, dance move and wind machine setting known to man to bring it to life (say what you will about Sweden, but at least they limited themselves to lighting and projection). Still, I can’t say I minded the OTT much on this occasion. As I said earlier, Amanecer is a dramatic number, and you have to admire Spain for carrying that through to the staging as well.
Winner The Netherlands Honourable Mention/s The Czech Republic
I’m sure we’d all have forgiven The Netherlands if that horrendous opening shot had been a mistake. But, believe it or not, it was included on purpose. An entire verse of Trijntje eyeballing the camera with netting draped over her face didn’t say ‘I’m on the Eurovision stage and loving it!’ so much as ‘I’m being held hostage by an embittered fisherman who’s threatening to slap me with a sea bass unless his demands are met.’ And yet, rather than feeling sorry for her, all I could do was laugh. ‘WTF?!?’ is an understatement.
Winner Sweden Honourable Mention/s Belgium, Australia, Latvia
This People’s Choice poll was a close one, with Belgium leading until the last minute. Ultimately, it’s contest winner Sweden that can add another trophy to their collection as the All-Rounder of the Year – the country that had the best package of song and performance. Year after year, Sweden puts the ‘vision’ into Eurovision in a big way, and 2015 was no exception. Not only visually spectacular (and I’m not just talking about Måns) but vocally top-notch and full of energy, there was nothing lacking in what they had to offer most recently. This award is well-deserved.
Winner Nina Sublatti Honourable Mention/s Ann Sophie, Genealogy
What with Nina being the fierce, take-no-prisoners kind of woman she is, Georgia needed to dress her in something that said ‘I’m a sexy goth, and if you come near me without my permission I’ll whip a Chinese throwing star at your forehead.’ Thankfully, they did, and I am now crushing on an ESC costume like I did when Maja Keuc made Perspex platforms and provocative body armour a thing in Düsseldorf. I.e. to a crazy extent.
Winner Trijntje Oosterhuis Honourable Mention/s Trijntje Oosterhuis
Well, there was one thing The Netherlands did better than anyone else this year. Upon seeing what Trijntje opted to wear for the show after trying out several alternatives, that haphazardly-cut, boob-baring dress suddenly didn’t look so bad. I guess she’s not one of those people who can wear a bin bag and still look fabulous.
Winner Moldova’s hot cops Honourable Mention/s Ann Sophie
I’m mainly referring to the object of Eduard’s affection (and her teeny-tiny, totally non-regulation police hotpants) here. But the sprayed-on shorts the men were wearing were also grounds for arrest, and for covering the eyes of any children present. How those guys managed to move to the music without something splitting is a mystery.
Winner Debrah Scarlett Honourable Mention/s Loïc Nottet
Adventurous hairstyles were few and far between in Vienna, with nobody even coming close to a Rona Nishliu-style DEAR LORD WHAT IS THAT ON HER HEAD?!? So the conventional but undeniably stunning hairdo of Debrah Scarlett wins this People’s Choice Award. Affixed with an empty pie tin repurposed as artful headwear (zoom in on Norway’s performance and you’ll probably spot some crust crumbs) Debrah’s fiery mane of curls was anything but monstrous. In fact, I’d be lying if I said I didn’t want that mane on my own scalp stat (minus the pie tin).
Winner Conchita Wurst Honourable Mention/s Alice Tumler
This wasn’t a competition, really…at least not a close one. ORF made a big mistake failing to convince Conchita to host the entire show. She’s everything a great host is made of: articulate, humorous, charismatic, and gorgeous to look at (nobody looks more banging in an evening gown).
Winner Denmark Honourable Mention/s Moldova
2015 wasn’t exactly a year of jaw-dropping moments. I can’t say that any of the DNQs had me clutching my chest and feeling faint at the sheer shocking-ness of their occurrence. However, I did have Denmark down as a qualifier, thinking that as usual, the safe and competent song they were fielding would get them into the final. It did not, which was a little surprising…but not devastating, if I’m honest.
Winner Albania Honourable Mention/s Poland
As much as I’m Alive has grown on me in the month or so since Eurovision, I still don’t 100% understand how it got through. Elhaida’s cape game was strong in semi final one, but girl veered right off the in-tune tracks and straight into screech territory for her last thirty seconds on stage. Ouch.
Winner Sweden Honourable Mention/s Russia
For the long-standing bookies’ favourite, there were no questions surrounding qualification. It wasn’t even worth arguing against Sweden winning their semi. We know from the Bergendahl Incident of 2010 that the Swedes can trip up when it comes to making the final, but there was no way 2015 was going to resemble that ABSOLUTE TRAVESTY, thank heavens.
Winner San Marino Honourable Mention/s Portugal
Poor Anita and Michele. Come back next year (after you’ve given Ralph Siegel the flick) and you might have a chance.
Winner Moldova Honourable Mention/s Romania, Switzerland
I don’t know if it’s down to better acoustics in the hall or a voice-box transplant, but Eduard went from putting all his energy into dancing and giving us the vocal performance of nobody’s lifetime, to putting most of his energy into dancing – there was even a backflip thrown in this time – and actually sounding passable. The Jedward Effect of having backing singers do most of the heavy lifting had to have something to do with it.
Winner Australia Honourable Mention/s The Netherlands, Sweden
As awesome/bizarre as it would have been to see Australia win Eurovision, I never really thought it was going to happen with Tonight Again. After Guy’s outstanding live performance, though, a top five placement was not out of the question – and when we nabbed one over Latvia, I felt it was fair (not that I would’ve complained if Australia and Latvia had finished the other way round). When I do the math, 5th seems just right. The song deserved top ten, the performance deserved top five, and the vocal was deserving of the win.
Winner Germany Honourable Mention/s Austria, France
I’ve said this a dozen times already, but even ignoring the fact that Germany wasn’t ranked last in the televoting or jury voting and still ended up at the bottom (no pun intended, if you know what I mean), I remain confused as to how Ann Sophie was so wronged. As if she hadn’t been traumatised enough during the German NF! There was nothing deserving of nul in her sassy, sexy performance, and I for one am outraged that Black Smoke is now the only Eurovision song in history to finish 27th in the final.
Winner Sweden Honourable Mention/s Russia
Aside from a last-minute challenge from Russia, and the possibility of Italy trampling all over their competition, Sweden was the one to beat this year. From the millisecond Måns won Melfest, he was the odds-on favourite to win Eurovision, and he didn’t disappoint those who’d put money on him. I’m not going to lie and say I didn’t think Russia was going to snatch victory (after Polina’s final performance and until halfway through the voting sequence, that’s EXACTLY what I thought was going to happen) but the obvious winner that few of us discounted did turn out to be the actual winner. I don’t think Sweden’s sixth victory blindsided anyone.
Winner Germany Honourable Mention/s Austria
Yep, we’re in agreement – Germany wuz robbed! Since Stefan Raab relinquished control of the German entries, the country’s fortunes have taken a nosedive. As such, we might have expected Ann Sophie to finish mid-table or lower. What none of us expected was to see her sitting as low as possible on the scoreboard, with the host nation and a big fat zero keeping her company. WHAT IS THE WORLD COMING TO? On the plus side, Ann Sophie is now a member of a rather exclusive club of losers, and will be remembered in a way that whoever finished, say, 22nd (I literally had to Google that to remind myself that it was Cyprus) will not.
And that, my European song competition-obsessed friends, is it *insert relieved round of applause here*. There are no more trophies left to hand out to the Class of ’15, which the likes of Lithuania will be sad to hear considering they didn’t get one (not This Time….HAHAHA).
I hope you enjoyed this year’s awards. Thanks again to everyone who voted in the People’s Choice polls – I promise there will be more of those, feat. more nominees, in 2016.
I still have a bit of Vienna-themed business to take care of here on EBJ, before I move on and look ahead to JESC in Bulgaria, and the 61st ESC in A City Yet To Be Named (don’t rush, EBU/SVT…I need more time to conduct accommodation research). There won’t be a dull moment here during the off-season, so do drop by over the coming months. I can assure you that, unlike Ann Sophie and The Makemakes, you’ll never have a nul-point experience!
COMING UP I count down my top ten national finalists who should/could have gone to Vienna; and you’ll be seeing double as all the doppelgangers of ESC 2015 are exposed!
Good evening, ladies and gentlemen. Even if it’s nine o’ clock in the morning where you are, just go with the flow, because this is a special occasion.
Yes, oui, and si – the 2015 EBJEES are here! It’s about time, seeing as Eurovision took place over a month ago and the DVD isn’t far from being released (the official indicator that I’ve taken way too long to get these awards going). Today’s ceremony is the first of two, so try not to crease your formalwear. And please pace yourselves with the champagne.
My final command? Take your seats, because the awards in the categories of The Artists and The Songs are about to be handed out. The results of four People’s Choice Awards will also be revealed, so sit back, relax, and see if your favourites came out on top. Oh, and please excuse the messy formatting at times (technology is not my friend today).
Lights, camera, action!
- Dominic Muhrer (The Makemakes)
- Gianluca Ginoble (Il Volo)
- Guy Sebastian
- Ignazio Boschetto (Il Volo)
- Måns Zelmerlöw
- Piero Barone (Il Volo)
- Stig Rästa
- Vaidas Baumila
Winner Måns Zelmerlöw Honourable Mention/s: Gianluca Ginoble
Okay…so I’m biased. But I find it hard to believe that anyone of any sexual persuasion could look at the shots below and not be affected by the muscular physique, penetrating gaze and strangely alluring meadow of chest hair belonging to our reigning Eurovision champion. Can you buy a flat-pack Måns at IKEA? If not, why not, Sweden? Get on it, and make sure you include the leather pants.
- Ann Sophie
- Elhaida Dani
- Elina Born
- Marjetka Vovk (Maraaya)
- Mélanie René
- Nina Sublatti
- Polina Gagarina
- Tamar Kaprelian (Genealogy)
Winner Edurne Honourable Mention/s Ann Sophie, Elina Born
For the second year in a row, Spain takes the Hottest She trophy home. I don’t know if there’s something in the water over there or if it’s just a coincidence, but either way, Edurne is my número uno girl crush of this year’s contest. I guess it’s not just gentlemen who prefer blondes, on this occasion.
- Dominic Muhrer (The Makemakes)
- Elnur Huseynov
- Gianluca Ginoble (Il Volo)
- Ignazio Boschetto (Il Volo)
- John Karayiannis
- Václav Noid Bárta
Winner Gianluca Ginoble Honourable Mention/s Dominic Muhrer
Each year, I award a gong in honour of the previous year’s winner (so expect one for 2016 in the form of The Butt-Hugger Award For Best-Fitting Trousers). In light of that, how could I bypass a beard-themed award this year? Gianluca’s carefully cultivated stubble wasn’t quite as perfect as Miss Wurst’s, but it upped his sex appeal by a factor of five hundred. Plus, it made him look older than his twenty years, meaning I didn’t feel like such a cougar thinking he was a tasty morsel.
- Essaï Altounian (Genealogy) 2%
- Guy Sebastian 33%
- Il Volo 16%
- John Karayiannis 16%
- Måns Zelmerlöw 16%
- Václav Noid Barta 18%
Winner Guy Sebastian Honourable Mention/s Václav Noid Barta
The people have spoken – and by ‘the people’, I mean you guys, and me, because of course I snuck in a cheeky vote of my own. The first of eight People’s Choice Awards goes to Guy Sebastian, which doesn’t shock me even though I *may* not have voted for him (#teammånsineveryrespectalways). Guy didn’t put a foot wrong with the press from the moment he set foot on Viennese soil, in turn endearing himself to all of us watching interviews and press conferences from home. Even pre-ESC, he was flashing that megawatt smile and working his easy charm at Eurovision In Concert and the like. Way to maintain the Aussie rep of friendliness and approachability, Guy!
- Ann Sophie 1%
- Bianca Nicholas (Electro Velvet) 5%
- Bojana Stamenov 18%
- Elhaida Dani 1%
- Marjetka Vovk (Maraaya) 24%
- Marta Jandová 32%
- Polina Gagarina 14%
- Trijntje Oosterhuis 5%
Winner Marta Jandová Honourable Mention/s Marjetka Vovk
When it comes to the lady of 2015 you guys would want to hang out with, the reasonably clear choice was Marta – and it’s obvious why! Václav’s partner in crime isn’t suffering from a shortage of personality, whether she’s onstage whipping her heels off or offstage joking and laughing with anyone who crosses her path. If she ever posts a personal ad looking for a new best friend, I’ll respond to it for sure. Me and a million others.
- Anti Social Media
- Bojana Stamenov
- Eduard Romanyuta
- Guy Sebastian
- Måns Zelmerlöw
- Nadav Guedj
Winner Nadav Guedj Honourable Mention/s Bojana Stamenov, Guy Sebastian
You might have been expecting me to hand this one to a more seasoned professional. But, at sixteen years old and without the stage experience of most of the other nominees, Nadav can command a stage and pump up a crowd with ease. I’ve got to concede that he’s a natural; that he was born to be on the stage. It’s just a matter of whether that birth took place in 1998 as alleged, or 1988, which seems like the more realistic option.
- Elnur Huseynov (return of the screeching angel of ’08)
- Genealogy (six singers + six continents)
- Guy Sebastian (Aussie representation in Austria)
- Maraaya (headphones here to stay)
- Michele Perniola & Anita Simoncini (from JESC to ESC)
Winner Guy Sebastian Honourable Mention/s Michele Perniola & Anita Simoncini
Australia, competing legitimately in Eurovision? Puh-lease. At least that’s what was thought when the EBU announced it was happening and we all assumed it was a prank. But it wasn’t, and it did happen, with Guy Sebastian at the helm. What better talking point to have associated with an act? Side note: Aussies were threefold on the Stadthalle stage (not counting Guy’s backing group members): think Mary-Jean O’Doherty lending her operatics to Armenia with Genealogy, Katrina Noorbergen songwriting and backup-singing for Russia, and Guy. Obviously.
- Loïc Nottet
- Michele Perniola & Anita Simoncini
- Molly Sterling
- Nadav Guedj
Winner Loïc Nottet Honourable Mention/s Molly Sterling, Nadav Guedj
Not only was he the highest-scoring teenager of them all this year, but Loïc proved himself to be perhaps the most talented one too – co-writing Rhythm Inside and choreographing the accompanying stage show in his capacity as dancer as well as singer. The guy (man? Boy? Kid?) is too cool for school, and one to watch as he continues to build his career.
- Australia’s smooth movers
- Belgium’s all-white troupe
- France’s drummer boys
- Hungary’s peace preachers
- Israel’s dirty dancers
- FYR Macedonia’s MERJ
- Moldova’s hot cops
- Montenegro’s classy choir
Winner Belgium Honourable Mention/s Australia, Israel, Montenegro
It’s easy to give the main artist all the credit for pulling off a great performance. But the vocal support and energy backup singers and/or dancers provide rounds out a performance, and is often invaluable. I’m sure Loïc was grateful for his five double-threats who, dressed all in white, both contrasted with and complemented him as the main artist. They even took over when things got overwhelming and he had to have a mid-song nap on the floor. That’s a top-notch support system right there.
- A Million Voices (sounds like What If by Dina Garipova)
- Heroes (sounds like Lovers On The Sun by David Guetta)
- One Thing I Should Have Done (sounds like More Than Words by Extreme)
- Still In Love With You (sounds like the ‘Thomas the Tank Engine’ theme)
Winner Heroes Honourable Mention/s One Thing I Should Have Done
First things first: I think the claims of plagiarism against Heroes are ridiculous. But every year, there’s one entry that cops flak for being a “carbon copy” of something else (as in it’s slightly similar in the way that certain genres just ARE) and in 2015, that entry was our winning one. I’m giving it this award based on the attention those plagiarism claims received in the press – not because I think Heroes is a rehashed version of Lovers On The Sun (a song which annoys the crap out of me, if truth be told).
- Amanecer, Spain 23%
- A Million Voices, Russia 4%
- Beauty Never Lies, Serbia 6%
- Golden Boy, Israel 11%
- Grande Amore, Italy 17%
- Here For You, Slovenia 9%
- Heroes, Sweden 25%
- Tonight Again, Australia 6%
Winner Heroes Honourable Mention/s Amanecer
Fanwank entries may be drooled over by hardcore ESC fans in the contest lead-up, but they have been known to crash and burn (Kate Ryan’s Je T’adore being the obvious reference point here). Your choice for Fanwank of the Year, however, met pre-show expectations that it was a potential winner by…well, winning. Runner-up Amanecer, on the other hand, was a bit more Je T’adore.
- A Monster Like Me, Norway
- Autumn Leaves, FYR Macedonia
- Heroes, Sweden
- Hour of the Wolf, Azerbaijan
- Love Injected, Latvia
- N’oubliez Pas, France
- Playing With Numbers, Ireland
- Still In Love With You, United Kingdom
Winner A Monster Like Me Honourable Mention/s Love Injected, N’oubliez Pas
The alternative (but boring) title of this award = Best Lyrics. How much merit a song’s lyrics have is super subjective, so keep that in mind as I say that Norway’s lyrics were my favourite, in a year where there were many interesting and insightful words put to music. The words of AMLM are quite sparse and simple, but their moodiness and ambiguity (for heaven’s sake, Mørland, put us out of our misery and tell us what you did in your early youth!) sends shivers down my spine. Debrah’s verse is the highlight.
- A Million Voices, Russia
- A Monster Like Me, Norway
- De La Capăt (All Over Again), Romania
- Grande Amore, Italy
- Hour of the Wolf, Azerbaijan
- N’oubliez Pas, France
- Playing With Numbers, Ireland
Winner Grande Amore Honourable Mention/s A Million Voices, A Monster Like Me
In such a ballad-heavy contest, at least we had some darn good ones to compensate for the depressing, dated ones. This was a tough category, but I have to single out Grande Amore as having the most ballady goodness. Drama, oomph, popera and gorgeous Italian (not to mention gorgeous Italian men) came together to create a crowd-pleaser and a half that ended up raking in televotes like nobody’s business. No other ballad featured more spine-tingling AND explosive moments.
- Adio, Montenegro
- Amanecer, Spain
- Golden Boy, Israel
Winner Golden Boy Honourable Mention/s Adio, Amanecer
It’s not as if there was a truckload of ethno-pop to choose from *sniff*….but fortunately, Israel delivered everything I desire in the genre straight to my front door. Golden Boy is a fun-packed floor-filler (though not THE floor-filler of the year IMO, as you’ll see in a second) that takes full advantage of irresistible Middle-Eastern sounds in order to get us all rump-shaking.
- Beauty Never Lies, Serbia
- Golden Boy, Israel
- Here For You, Slovenia
- Heroes, Sweden
- I Want Your Love, Moldova
- Still In Love With You, United Kingdom
- Tonight Again, Australia
Winner Tonight Again Honourable Mention/s Golden Boy
Call me overly-patriotic if you like…but I can assure you, this winner is at least 67% based on my objective opinion of which song would take a Euroclub from boredom central to buzzing in no time. If you were in the arena, feel free to smugly inform me that Israel or Serbia had way more people on their feet and flailing their limbs about. Meanwhile, I’ll be figuring out which dance move is best suited to the lyric ‘tonight’s so good’.
- Aina Mun Pitää, Finland
- Face The Shadow, Armenia
- One Last Breath, Greece
- Still In Love With You, United Kingdom
- The Way You Are, Denmark
Winner Face The Shadow Honourable Mention/s Aina Mun Pitää
Based on the ratio of how much I hated it when I first heard it (and every time I listened to it up until I witnessed Genealogy’s live performance) to how much I actually almost kind of enjoy it now, Armenia wins this one. If you read my previous post (which of COURSE you did!) then you would have seen Face The Shadow on my list of the best-performed songs of 2015 – and it was the performance that was solely responsible for changing my opinion of the song.
- Face The Shadow, Armenia
- Golden Boy, Israel
- Hope Never Dies, Czech Republic
- Tonight Again, Australia
Winner Tonight Again Honourable Mention/s Face The Shadow
Don’t get me wrong – I reckon the debut Aussie entry is a great song in studio, and a perfect radio track. But it does ascend to superb status when it’s live. Guy is an artist who always appears to be having a ball on stage, and that’s the kind of attitude Tonight Again needs to make it a party-anthem…and to distract us from the fact that it is quite repetitive.
- Autumn Leaves, FYR Macedonia
- Here For You, Slovenia
- Hour of the Wolf, Azerbaijan
- Time, Belarus
- Unbroken, Iceland
- Walk Along, The Netherlands
Winner Here For You Honourable Mention/s Hour of the Wolf, Walk Along
Speaking of perfect radio tracks, here’s one Slovenia prepared earlier! Here For You is an audio dream, but for me personally, Maraaya were unable to keep it from being overly static – and therefore devoid of enough energy – on the stage. This wasn’t a major issue in the Slovenian NF, but was a definite problem on the less intimate ESC stage.
- Amanecer, Spain 20%
- A Monster Like Me, Norway 26%
- De La Capăt (All Over Again), Romania 13%
- Face The Shadow, Armenia 2%
- Grande Amore, Italy 13%
- Love Injected, Latvia 9%
- Still In Love With You, United Kingdom 4%
- Time, Belarus 13%
Winner A Monster Like Me Honourable Mention/s Amanecer
Norway’s unconventional dinner party triumphs over Spain’s CGI everything in this People’s Choice Award – and as I gave my vote to Mørland and Debrah, that’s fine by me. The only bad thing about their glamourous-yet-messy video, in which the duo is cool, calm and collected in the midst of chaos, is that it makes me mourn the loss of a similar atmosphere in Norway’s stage performance. I’m not saying they should have emptied KFC buckets over each other’s heads or anything; but a gloomier, retro-glam look would have upped Monster’s cred as a live song.
Winner Lithuania Honourable Mention/s Italy, Slovenia
To be honest, I wasn’t overly impressed with any of the postcards this year (though the concept of them was cute). But how can I not acknowledge how badass Vaidas and Monika were in taking a literal leap of faith together for the sake of a This Time intro? While other acts were frolicking in fields with wild horses and dancing down Austrian avenues, those two were putting their trust in a cable that could have snapped at any moment (in my mind). One word, two syllables: bravo.
And that’s Part 1 *insert round of applause here*! I’m going to wrap things up before you lose 100% of the feeling in your popo, but I will be back later in the week to reveal the winners of The Performances, The Costumes and The Results EBJEEs.
Don’t miss it, especially if you want to check out the remaining People’s Choice results. And even more especially if you don’t want me to feel sad and lonely and stuff #guilttrip.
Let me know what you think of the winners above, and tell me which awards you’d like to be able to vote for next year. I can promise more polls with more nominees in 2016!
VOTE FOR THE WINNERS | Have your say in the People’s Choice categories of the 2015 EBJ Awards for Eurovision Excellence!
UPDATE: The People’s Choice polls have now closed. Thanks to everyone who voted – there was a pretty impressive turnout by EBJ standards! Drop by in the coming days for Parts 1 and 2 of the Eurovision Excellence Awards, when the results (and winners of a heap of other “trophies”) will be revealed. Subscribe to EBJ if you want your email to let you know exactly when those posts go live!
When Eurovision 2015 came to a close, it left us with one winner and thirty-nine losers spread across Europe (with one down here in Australia). I’m sorry to put it so harshly, but when you’re not winning, you’re technically losing, no matter what Malta’s Amber thinks. Marcel Bezençon Awards aside, only Måns Zelmerlöw departed Vienna with a trophy in his suitcase (though I like to think he insisted on wrapping it in a blanket, cradling it like a baby and singing it lullabies all the way back to Sweden. I know I would have).
I think that’s über unfair. That’s why, for the sixth year running, I’m holding my own ceremony of awards to honour the achievements of the countries, artists and songs that were not champions of the contest itself. I can’t promise Sweden won’t win any of these trophies too, however. Why should they be punished for bringing their A-game?
Anyway, these awards are better known as The EBJ Awards for Eurovision Excellence, and span five fabulous categories: The Artists, The Songs, The Performances, The Costumes and The Results (you can check out the 2014 awards here and here). In each category, there’s at least one gong that goes to the most popular nominee as voted by you (yes, you…have you had a haircut? It looks great. Really flatters your jawline). And today, voting is the task I’d love you to undertake. If my totally personalised and genuine complimenting of your appearance didn’t make you want to do what I tell you to, then you should know that anyone who votes in the polls below will receive a jar of my eternal gratitude in the mail in around 6-8 weeks.
So, if you’re up for it (which I’m sure you are now) it’s time to make some very important decisions – including that of who had the most superbly-styled hair in the Stadthalle (choosing the nominees for that made me miss Guy Sebastian’s old ‘fro like crazy). If you feel like I’ve missed out on nominating a particular country/artist/song for any award, feel free to nominate them yourself in the comments, and I’ll be sure to count that as a vote, because I’m nice like that. Not humble, but nice.
Now go forth and vote, vote, vote for the winners!
And tell your friends to do the same.
The most personable and approachable male artist on the ground in Vienna (who you’d take home to meet your parents in a heartbeat).
The female artist from the Class of ’15 you’d want to be best friends with (and she can meet your parents too).
Fanwank (Pardon My French) of the Year
The song that had hardcore fans frothing at the mouth months before Eurovision even took place.
Best Preview Video
The music video that was visually spectacular, took an entry to another level, and/or gave you serious feels (watch or re-watch all of the nominees here).
Best Stage Prop/Gimmick
The attention-grabbing onstage accompaniment that made the song it was supporting much more memorable.
The All-Rounder of the Year
The country with an act who sang perfectly, whose style was on point, and who had a song that was brilliantly staged and choreographed (i.e. the entry with the total live package).
Hairdo of the Year
The artist with the moussed, flat-ironed and/or teased ‘do that you’re planning to recreate because it was the bomb dot com.
The ‘How Did That Happen?’ Award for Most Shocking Result
The…um, does this one really require an explanation?
Those are your eight People’s Choice Awards for 2015. Thank you so much for voting, if you did. If not, then what are you waiting for?
The polls will be open for about a week, and then the EBJEEs will commence. There are plenty more trophies up for grabs that I’ll be deciding the winners of myself, because I like to be in charge
all the time every now and then. But for now, the fate of the nominees is in your hands.
Lordi help them.
NEXT TIME The awesomeness level of performances in Vienna may have been off the charts, but I’ve managed to narrow a long list of highlights down to ten: my top ten performances of the year, that is. Drop by in a few days’ time and check out the countdown, from #10 to #1.
Eurovision 2014. My awards. Very delayed second half. No further introduction necessary.
DISCLAIMER: The Conchita persona may be a feminine one, but the majestic voice that comes out of her is, biologically, Tom Neuwirth’s. Therefore I’m classifying Conchita’s vocal performance as a man’s. In this category, she sure showed the boys who’s boss. Soft and vulnerable when it needed to be and all-powerful at every other moment, Tom’s voice never wavered – not even during the notoriously second-rate winner’s reprise (which is excusable). I’d have to give the Money Note of the Year Award (if I’d thought of including one) to that final ‘flaaa-aaaaaaa-aaaaaaa-aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaame!!!’ for sure.
Like you thought I was going to pick someone else. I now realise that a lot of what I said above also applies to Sanna. The woman’s got both the soft vulnerability and the lung-busting power down pat. Her vocal was clear as crystal every time I had the pleasure of hearing it (which was many, many times, all of them voluntary) not to mention effortlessly executed. Undo was engineered to show off her voice, and I commend it for a job well done.
Also known as ‘The Goose-Bump Arouser Award’ (for a sexier option) this goes to the performance that had a certain something special; something that connected with me emotionally and gave me the chills. Despite the little sob I had over Sweden in the first semi, I’m giving this to Norway, because Carl had me covered in goosebumps. Plus, I’m fairly sure my spine actually tingled at one point, and unless I had a spider down the back of my jumper (OH DEAR GOD) there’s only one explanation.
To win this award, artists can have made Oscar-worthy facial expressions on stage (hence the title) or been backed by emotional interpretive dance, or…I could go on, but I’m sure you get the picture. In the battle of diva drama fought between Conchita and Ruth Lorenzo, it’s Conchita who has the edge, because she managed to ooze drama despite standing in the same spot for her entire performance. There were minimal arm flourishes and hair flicks, and yet, her three minutes were more dramatic than an entire season of Days of Our Lives (though with the acting level on that show, that doesn’t say much). You go, girlfriend. Just not to drama school, ‘cause you’re already qualified.
Like Conchita without her beard (sorry for mentioning her so much, but it’s gonna carry on all year) who is Tinkara without her flute? Having never seen her minus the flute (apart from in her postcard) I’m starting to wonder if she’s had it surgically attached. It added a nice (albeit mimed) touch to the performance, and the way she wielded it made her look even more like some kind of magical lady-warlock, which worked for me.
You know it’s been a good year for props/gimmicks when you’re torn between a trampoline and a giant hamster wheel. In this case, I’m going for the hamster wheel. Ukraine proved once again that they are the masters of on-stage equipment by taking a pared-down version of Svetlana Loboda’s Hell Machine and pimping it out with a fine specimen of male flesh (i.e. a hot dude) to illustrate – I can only assume – the passing of time. As Greece would have, Ukraine get bonus points for having their singer interact with the prop rather than just sing in front of it.
Normally, I like my wind machines turned up to maximum. I’m talking 130km/h gusts that blow even the most gelled-down hair in history into a frenzy. But this year, I found myself appreciating the subtlety of Armenia’s wind machine use. With Aram Mp3 not in possession of a flowing mane, all the breeze did was give his jacket some lift, but that had a big effect – adding more impact to the dubstep portion of Not Alone. If he’d been blown off the stage by 130km/hr gusts, it wouldn’t have been the same. Although it would have been amusing…
Dance made up the bulk of the Estonian ingredients this year, after all. It may not have
ultimately worked in their favour, but Tanja and her man-friend had moves that deserve applause *insert a smattering here*. Apparently Tanja can sing in any position, and that knowledge was used to advantage as she ran, jumped, lunged, and got thrown around all over the place, all the while contributing more to the total vocal than Jedward did in 2011 and 2012 combined. I’m 90% admiration, 10% envy. Okay…60/40.
Say what you like re: the beard winning the contest, but you can’t deny that Austria’s entry was just as well-groomed in every other respect. As has been the norm for a while now, there was a lot of background screening to work with on the Eurovision stage, and in terms of using that to complement the rest of the elements (song, costume etc) I think Austria nailed it. Their background was gold and fiery and gave Conchita wings so she could literally (pardon the blatant misuse of ‘literally’) rise like a phoenix. If it was predictable, it’s only because we all knew what kind of visuals would suit the song.
If it ain’t broke, don’t fix it. This has been the mantra of many a Swedish entry in the period between Melodifestivalen and Eurovision, with the likes of Eric Saade and Loreen barely changing costume from one to the other, let alone anything else. In the not-so-curious case of Sanna Nielsen, her people hit on a lighting scheme that was simple but so effective, and almost served as a physical prop. So they didn’t sacrifice it for the big show; they just made it even more impressive. I’m now hoping to receive my very own light cage for my birthday this year. Ikea sells those, right?
It isn’t just an overload of props and/or gimmicks that sends a performance into OTT territory (which isn’t always a negative…if you can’t tie your hair to someone else’s and ride a see-saw whilst brandishing a light saber and dancing in unison in front of a giant sun at Eurovision, where can you?). Poland’s entry was choreographed and costumed to perfection, but it’s their determination to be boob-inclusive at all costs that wins them this gong. Those butter-churning, stain-removing girls had pretty much all of their charms on display despite the contest being a family show. I guess a lot of parents no longer have to give their kids the sex talk.
I am a huge fan of your average costume reveal. Plaid pants are ripped off to expose sequined short shorts? Great, thanks InCulto. Three-piece suit becomes evening gown by the end of the song? Best part of Latvia ‘02. But it turns out that not-so-average costume reveals have the ability to freak me out, as demonstrated when Cristina Scarlat became so irritated with her overgrown weave, she went and yanked it right off. I applaud Moldova for trying something new, but if hair-pulling isn’t the final frontier, what is? Navel lint? Splinters? Teeth?
A lot of countries presented us with the total package this year. In fact, more did than didn’t, and disappointingly, there were zero train wrecks. But the country that impressed y’all the most by a long shot was the Netherlands, and though my vote went to Poland, I can see why. Dressed to perfection, Ilse and Waylon performed like the pros they are, using what could have been a very awkward microphone situation to their advantage. It was intimately staged and graphically effective. Let’s hope the trend continues for the Dutch in Austria.
When you think to yourself, ‘How would I dress this act?’ and can’t come up with anything better than the reality, you know costuming has been well-executed (either that or it’s so horrific, you couldn’t imagine anything worse). In this case it’s the former, and I applaud your choice of Best Dressed for 2014. Waylon would have had a hard time going wrong, so it really came down to Ilse – and fortunately, she appeared on stage looking like a country Americana angel. From the retro bouffant hairdo to the tips of her stilettoed pumps, she was glorious.
What happens when you combine button-up track pants and a tuxedo? A fashion faux pas, that’s what. Throw in some wack blue shoes that match your stunning but completely out-of-place chandelier earrings, and you’ve got one steaming hot mess. Oh Tijana. Suitability for the entry aside, she looked lovely from the neck up. From the neck down, though, it was 100% WTF. And now you know exactly where my Barbara Dex vote went this year.
I know, I know – not every song calls for a backless, crystal-encrusted leotard with a feathered mullet skirt and matching platform boots (particularly not Running). But as I’m convinced that Richard Edwards wore the same outfit to Malta’s rehearsals as he did for the live shows, Firelight nabs this one.
Between them, these nominees had just about every body part on display (and if you’re wondering about Twin Twin, I have two words for you…DEM SHORTS). But I’d be crazy if I didn’t recognise Poland as the sauciest by far. Although, it wasn’t so much the Slavic girls’ costumes that were x-rated as the lack thereof.
Because your average maxi dress is much easier on the eye than a part flouncy, part asphyxiating mix of…whatever that gold thing was a mix of. Also going against this creation was the fact that Kasey could hardly move in it, which made her look very uncomfortable on stage.
It may be forehead-pulsingly tight, but Cleo’s high braid feat. festive materials is one hairstyle from this contest that I’m desperate to copy. Unfortunately, I’m lacking the length of hair necessary to pull it off, so I hope it’s still a relevant look in, say, twelve months. #whocares, #gonnadoitanyway.
I really, truly thought Estonia had the final in the bag. The upside to the choreography’s failure to see them through is that I can now insist to anyone who’ll listen (and even those who won’t) that Sandra should have walked Eesti Laul and would have been dangerous in the final she would have made for sure, blah blah blah. Nonetheless, I remain flabbergasted that one of my certainties back at prediction time turned out to be a DNQ.
Third time lucky is a legitimate thing, and Valentina Monetta knows that now. Let’s just hope she didn’t get one taste of glory and wants more next year (there has to be SOMEONE else from San Marino who can sing). ValMon’s qualification got her this trophy because it was the only one that literally made my jaw drop. I didn’t shut my mouth for hours, and was planning on suing the EBU for extreme dehydration.
As we would later discover, this wasn’t Greece’s most successful year (STILL not over it) but even in an off year, they flew into the final with the greatest of ease. They are part of the exclusive 100% Club, which consists of those countries that have never failed to advance from a semi, so it’s always a safe bet when you put cash on them to go through. That’s not to say it’s impossible for them to DNQ, but the day that happened would be a shocking one (and a good one for all the pigs sprouting wings).
As admirably authentic as it was (and bonkers) there was never any hope for Three Minutes To Earth as far as I’m concerned. There was a possibility it wouldn’t come last in its semi, but even that was slim. Still, The Shin and Mariko gave a great performance, so if you’re reading this, guys…don’t hurt me.
In terms of entry quality and results, Armenia (thankfully) made us forget all about Malmö’s double denim incident courtesy of Dorians. 4th may not have been the win they were hoping for, but I think Sirusho would agree that it beats the heck out of 18th.
Hungary is quietly becoming a force to be reckoned with, and their national final A Dal one of the strongest I’ve ever followed. I have this sneaking suspicion we could be heading to Budapest within the next few years. Running’s somewhat unexpected top 5 placing built on this. I think we were all skeptical of the entry’s ability to push past the subject matter and be judged as a ‘package’ – the package being a well-performed, contemporary song that wasn’t nonsensical fluff, lyrically speaking. Fortunately, it was, and that makes me go WOOHOO HUNGARY YOU GO GIRLFRIEND. Et cetera.
Like I said…soooooo not moving on from this travesty. It’s been two months and I still cry myself to sleep, sobbing ‘ri…ii..iiise upp!’. Just kidding. I don’t say that. I only weep. Even Kalomira clone Eleftheria (the only other recent Greek act to not hit the heights of the top 10) did better than Freaky Fortune. I realise this was an open year, and points were going all over the place, but IMO Greece should have been at least where Romania ended up. I guess holograms > trampolines.
There came a point – a sad, sad point – where I knew Sanna wasn’t quite going to go all the way, despite her victory in the OGAE vote. But after her amazeballs performance in semi one, I was convinced that the haters would be left with many unfortunate emotions to undo when she easily made the top 5. The bronze medal represents a great performance by a great act that was just missing that something extra that would have made it a winner.
The last award of the 2014 EBJEEs (I hear your collective sigh of relief) is also a People’s Choice Award. You voted, and it turns out that Molly’s lack of success shocked you more than anybody else’s (or in Russia’s case, shocked you more than the twins getting that high). You’d think we would have learnt to never overestimate the UK after 2011 (though I still maintain Blue were robbed in part) but nope – here we all were again, gushing about a UK entry that wasn’t crap and/or sung by someone who lived in world sans Eurovision. All dreams of Manchester 2015 were dashed when the points just trickled in, in contrast to the flooding they were doing for Austria and the Netherlands.
At long last, I’m done! Hallelujah. Hard rock hallelujah. Thank the Lordi! And other ESC-related puns. My trophy table is now empty, and it’s time to move on to random filler until Junior Eurovision – now with 100% more Greece and Cyprus – comes along. I will be keeping an eye on the Austrian developments over the coming months, i.e. claiming I knew that INSERT CITY NAME HERE would get the hosting honours, so I hope you’ll join me. I promise I’ll be entertaining.
In the meantime…Part 2 of the awards: discuss.
What do you think of my picks and your picks of the performances, costumes and results from Copenhagen?