Selection Season Day 12: The beginning of the end
Oui, we are getting closer and closer to having a full 42 (which may turn into 41, but more on that later…) with only Belgium, Azerbaijan and the UK still to choose/reveal their songs for Iris, Sabina and Engelbert. I’ve been very busy this week, and so today’s post is jam-packed with all I couldn’t cover as it happened. Better late than never, right?
More songs, more reactions
The last seven days have continued the gap-filling for Baku in spectacular fashion, with nine more songs now part of the 2012 family – a family with more offspring than the Brady Bunch and the Octo-Mom combined.
Now, before you read my reactions and abuse me because I forgot to mention Sweden, I must tell you that I always feel the need to give Melodifestivalen a segment all of its own. It is, after all, almost as huge as Eurovision itself (technically huger if you consider the amount of shows/weeks/locations/wind machines involved). So you’ll have to wade through my verdicts on Bosnia, Greece, Moldova, Montenegro, Portugal, Romania, San Marino AND Serbia’s entries to get to Sweden (if you don’t know what happened there a) where have you BEEN? Holidaying in an Amish caravan park? and b) here’s a clue: even a blindfolded Donny Montell would’ve seen it coming). Commence your wading.
Bosnia & Herzegovina (Korake Ti Znam by MayaSar): When I was researching Maya, I listened to her Bosnian hit Nespretno. I was both surprised that she is already an established artist and not just the tartan keyboard lady from Dino Merlin’s performance in Düsseldorf, and taken with how interesting the song was. Interesting is again how I would describe Korake Ti Znam, and not in a bad way. It’s a song that makes you pay attention to figure out where it’s going. I don’t know quite where that is myself, but I know I enjoy the journey. If Maya sounds as good live and solo as she does in studio, hers will be three minutes to look forward to.
Greece (Aphrodisiac by Eleftheria Eleftheriou): With Cyprus in the same semi final, I wonder if Ivi and Eleftheria will cancel each other out (I also wonder why someone would name their daughter ‘Eleftheria’ when their surname was ‘Eleftheriou’, but that’s another matter). With these two countries you’ve got two young and pretty girls singing catchy dance-pop, and though Aphrodisiac has the ethno-pop thing going on, the sameness is present. Will it lead to the downfall of one or both? I personally like Greece’s song better, and I think if only one were to qualify, it would be Greece because it always is. Still, Cyprus does have another strong entry that doesn’t deserve to be overlooked, so hopefully there’s a chance for both to go forward.
Moldova (Lăutar by Pasha Parfeny): This reminds me so much of one of my favourites of Year Oslo – Ovo Je Balkan from Serbia. Consequently I’m loving it. It’s one of those songs verging on the novelty (based mainly on the NF performance) so it has that element of fun, but it’s not a joke of an entry. I’m not easily impressed, but I’m easily pleased, and anything that’s catchy AND ethnic will get my vote. Not literally, of course. Sadly, that is impossible…sob.
Montenegro (Euro Neuro by Rambo Amadeus): This was everything I expected and more, and that’s all I can say. Apart from WHY, Montenegro, WHY?
Portugal (Vida Minha by Filipa Sousa): The fact that I listened to this for the second time about five minutes ago and I can’t remember how it goes is not a good sign. I do remember liking it a little more this time, but I could still take it or leave it, which surprises me since the song was written by Andrej Babić, a Croatian who has written five ESC entries since 2003, all of which I am a fan of.
Romania (Zaleilah by Mandinga): Now this is what I’m talking about – Romania doing catchy, ethnic pop and doing it so well. It’s everything I want in a song really, and it should get the Crystal Hall audience going. I’m not expecting the Zaleilah to become the Macarena of the 2010s, but I’d shake my thing to it if it came on at a party, for sure.
San Marino (Facebook Uh, Oh, Oh by Valentina Monetta): Uh oh indeed. German Ralph Siegel is responsible for some Eurovision brilliance, but this is not an example of that. I do think that if its subject matter was anything, and I mean anything, else, it would be a nice, poppy if not groundbreaking number. But as it stands, Mark Zuckerberg is soon to be mentioned on the ESC stage for the first time. That is if disqualification isn’t on the cards, as many fans are hoping it is, in which case will San Marino be able to come up with an alternative, or will it be bye, bye, Italy Junior? The next few days will tell.
Serbia (Nije Ljubav Stvar by Željko Joksimović): Since the split of Serbia and Montenegro, Serbia has flourished in Eurovision whilst Montenegro has floundered. That is not about to change in 2012. Željko’s entry was the most anticipated, and so had a lot to live up to. For me, it has well and truly succeeded in that mission. I love the instrumental start, the way it builds, ZJ’s always-reliable vocals, and the epic second half. I love it all!
A brief mention of Melodifestivalen
I mean, I want to go on and on about it, but I want you guys to stay awake more. Speaking of staying awake, I managed to do so a week ago as I watched the live stream of the MF final at 3am on Sunday morning. I use the word ‘stream’ very loosely in this context, considering that mine was pausing every ten seconds before catching up with itself (sometimes it’s so hard living in Australia and having a dodgy Internet connection). But all the pixilation was worth the thrill of seeing my favourite final live for the first time. The show was amazing, from Eric Saade’s all-dancing, semi-miming opener, to Sarah Dawn Finer’s hilarious sketch in which she put on such a convincing British accent I did not realise it was her, to Helena Paparizou’s de-schlagered rendition of Popular, the voting, and everything in between.
The real winner of the night was of course Loreen, whose surprise when the final points put her on top was so genuine it made me love her even more. She should have been in the final last year, so I reckon her predictable but deserved win with Euphoria was fated. The song is dance gold (and from the buzz, could be ESC gold also), but the pared-back staging and perfect vocals are what really make the entry special – at least, they will if they are carried through to Baku, which I think is likely. Loreen’s sitting pretty on top of both the digital and physical charts in Sweden right now, but can she get that high at the big show? Stockholm 2013 does have a ring to it.
PS – I have to mention my beloved Danny Saucedo, who was forced to look happy and applaud as he was pipped into second place for the second year running. I wonder if SVT will make him announce the Swedish votes wearing a Loreen t-shirt just to keep things consistent. Poor, poor Danny. Come back next year with an unbeatable song, please!
PPS – If you want to relive Melodifestivalen (and who wouldn’t) the official CD is available online now. I recommend the Scandipop Facebook store for fast shipping and good prices. There you can also pre-order the DVD, set for release on the 30th, something I was quick to do being desperate to see the show sans stoppages.
Forever no more
First, it was ‘We don’t know about Per Sempre’. Then it was ‘Si, si, that’s the one!’. Now, in what we hope is a final decision but understandably may not be, Italy have announced that Nina Zilli will be singing L’amore é Femmina instead of her San Remo Song Festival entry at Eurovision. And just when I was really getting into it!
I do have to say, though, the change of mind is not an entirely horrendous change to have made. L’amore… is very catchy (and dare I say, swinging) and a lot more instant than Per Sempre, so it may have a better chance in the final; although I don’t think many of us saw Raphael Gualazzi’s song making waves last year, and lo and behold, it came second. Perhaps Nina will fail miserably in Baku while, in a parallel universe, Per Sempre Nina will flourish.
Perhaps I should save my predicting for later?
Is that all there is?
No, but there’s not a whole lot more. As mentioned way back in my intro, there are just three countries left who are yet to finalise their entries. Belgium and the UK are pretty set on what they’re doing, but the hosts are not – there’s a rumour of a song tonight and a video Monday, among others. Considering the deadline, this is what should be happening:
Belgium– Saturday the 17th
Azerbaijan (song announcement tonight)/ UK– Monday the 19th
Whether that happens or not, we are coming to the end of Selection Season for another year. I’ve got to say that I’ve really enjoyed it, in all its craziness.
But don’t worry – if, by chance, you like reading EBJ, I’m not going anywhere. In the few months left before Baku, I’ll be taking a look at the best of the 2012 national final runner-ups, reviewing all 42 (or 41) entries and bringing you a month of Düsseldorf in Rewind to recapture the magic of the 56th contest before we arrive at the 57th. Oh, and there is the all-important prediction special, of course. It’s going to be a hectic few months, but I’m always willing to push aside study for blog’s sake!
Posted on March 17, 2012, in Eurovision 2012 and tagged Baku, Eurovision 2012, Facebook, Loreen, Mandinga, MayaSar, Melodifestivalen, national finals, Nina Zilli, San Marino, Sweden, Zeljko Joksimovic. Bookmark the permalink. 1 Comment.