‘CONGRATULATIONS, I HAVE ARRIVED!’ said Melodifestivalen as she strutted into Stockholm this week. After five Saturdays of competition – not the best competition we’ve ever had, but a competition with winners and losers nonetheless – 28 songs have become 12, and we’re about to find out who will represent Sweden at Eurovision 2019.
With reigning champ and future Grammy winner (and I’m not talking about the Swedish Grammis) Benjamin Ingrosso starting the show alongside BFF Felix Sandman, multiple ESC winners making an appearance, and the välkommen return of Lynda Woodruff, we’re in for a treat tonight without even mentioning the competing songs. It’s the last national final night of the season, and I say bring it on. Are you with me? Yes? Then DÅ KÖR VI!!!
Norrsken (Goeksegh) Jon Henrik Fjällgren
Torn Lisa Ajax
Victorious Lina Hedlund
On My Own Bishara
Ashes To Ashes Anna Bergendahl
Chasing Rivers Nano
Hold You Hanna Ferm & LIAMOO
I Do Me Malou Prytz
Too Late For Love John Lundvik
Not With Me Wiktoria
I Do Arvingarna
Well, Christer Björkman wanted a variety show, and what Christer wants, Christer gets (obviously, when he’s the commander-in-chief of such things). We have joik, big ballads, R & B, schlager, country, anthemic pop, bubblegum pop, dansband and a touch of gospel all in one running order. That’s some serious bang for our buck!
Let’s run down the list and I’ll throw in my thoughts on quality, appeal and winning chances along the way. Add yours to the mix in the comments.
Norrsken (Goeksegh), Jon Henrik Fjällgren This isn’t my favourite of Fjällgren’s three Melfest entries. In fact, it’s my least favourite – number one, Jag Är Fri, was peak joik for me. But there’s always something magical about what he brings to the buffet, and as usual he is the most distinctive act in the final. And he serenades a reindeer, so there’s that. While I do think Norrsken will be a good opener – and as much as I’d love Sweden to send something ethnic to Eurovision again – I don’t think it will win, and I’ll be surprised if it takes out a top three place like both of JHF’s previous entries have done. 7/10
Torn, Lisa Ajax I hate to repeat myself (I repeat, I hate to repeat myself) but here’s another artist on their third try who has an inferior song up their sleeve instead of being third time lucky. I know people will be outraged that I prefer both My Heart Wants Me Dead and I Don’t Give A to Torn, BUT I JUST DO OKAY?!?!? Having said that, this is a solid song – but it’s too repetitive, Lisa never seems to nail the big attention-grabbing note, and her styling doesn’t suit the song or the staging. All these little missteps worry me. 7/10
Hello, Mohombi A decent percentage of the Swedish population + me = the biggest (and perhaps only) fans of this. I’ll admit that Mohombi’s falsetto in the first semi final wasn’t exactly flawless, but besides that I think this entry is getting too much hate. The staging is cool and entertaining, without copycatting Heroes too much; the song is contemporary, dynamic and catchy; and Mohombi is very telegenic (that’s me trying to say he’s hot without actually saying he’s hot). Wave a magic wand over those wavery vocals, my friend, and this will be a package you can be proud of. 9/10
Victorious, Lina Hedlund The Party Voice of 2019 is without a doubt this track, and because there’s no way it’s going to win tonight (or even come close), I’m happy to have it add something classically Swedish and a little bit Alcazar to the final. It might come off even more dated than it is right after Hello, but Lina sells it like her life depends on the commission and looks incredible doing it. I know 40 isn’t ancient, but I don’t look half as stunning as she does and I’m still years away from turning 30. You go, girlfriend. 7/10
On My Own, Bishara The Mohombi Effect strikes again, with Bishara being another act I would have sent DTF á la Sweden, but who has been the topic of a heap of hate talk. That’s all kinds of wrong for starters, since he’s only 16 and this is his very first stage/broadcast experience. I think he’s done brilliantly so far, and shown star quality that might see him return to Melfest when his career’s matured. This is a great debut, the lyrical content VS age debate aside (I do agree – there’s no way Bishara should be saying stuff like ‘I don’t know how to live without you baaaaby’ when he’s barely LIVED). Personally, I’m hoping Spotify streams and the ‘Aww!’ factor suggest a top five finish for On My Own. 9/10
Ashes To Ashes, Anna Bergendahl Nobody has a better narrative heading into this final than Sweden’s only Eurovision non-qualifier. Her 2010 rise and fall feels like it happened yesterday, but it’s been almost a decade – and Anna was worth the wait. Ashes To Ashes is far from being a favourite of mine from these last songs standing, but the themes of redemption and resurrection ring so true with her story that I can’t help getting behind it. And I love the stage foliage and Anna’s amazing sparkly catsuit feat. cape. If she ever gets invited to the Academy Awards for some reason, an outfit repeat will be necessary. 7.5/10
Chasing Rivers, Nano Before the first semi, it seemed ridiculous to think that 2017’s televote winner wouldn’t make the final straight away…but here we are, with Nano only scoring his ticket to Friends through Andra Chansen. I actually think this song is on par with Hold On in terms of musical kick-assery. But Nano himself has been off his game for both performances so far, producing average vocals and lacking the down-camera charisma of Mohombi/Bishara/Wiktoria etc. His fate wasn’t to come back and win, clearly. I do hope he joins the three-timer club though – he’s definitely got more to give than this. 8/10
Hold You, Hanna Ferm & LIAMOO It took me a while to warm to this – maybe my standards were too high as a huge fan of both Hanna and LIAMOO. Whatever the case, I have warmed. At this point it’s in my top three of the evening, and I do believe it would make a worthy winner. Hanna is perfection in every department (vocally on point, engaging and drop-dead gorgeous…kind of like myself *flips hair*) and while LIAMOO did fade into the background a bit during the semi performance, rehearsal footage suggests he’s stepped it up and made sure this pairing is a force to be reckoned with. The song is great, the staging is simple but effective, it has broad appeal…all in all, I’d say Hold You is the biggest challenger FTW if we put aside the odds-on favourite (who I’ll get to in a minute). 9/10
I Do Me, Malou Prytz There’s a string of awesome songs in this lineup that starts with Hold You and ends with Not With Me. Am I about to say that I Do Me is the exception? To quote Malou’s stylistic inspiration Cher Horowitz, as if! This is actually right up there in my Melfest 2019 ranking, and I’m still pleasantly surprised it went direkt. It’s so much fun to watch and listen to while marveling at the fact that Malou is younger than Bishara (mind = blown). I adore everything about it and would happily have it win the comp in my fantasy land. 9/10
Too Late For Love, John Lundvik It’s not too late for me to love you, Lundvik, because I always have. Granted, I’d never heard of him before he was announced as a 2018 participant (except in passing re: that Royal Wedding thing) but he arrived last year and has somehow managed to arrive in an even bigger way this year. My Turn was a top-notch (albeit talent show winner) ballad, but trying something upbeat has paid off for John, and in my mind will most likely earn him an engraved plaque on that godawful Melfest trophy. The warmth, charisma and joy he and his backing singers are bringing to the comp is second to none. 9/10
Not With Me, Wiktoria I have a major girl crush on Wiktoria. More so on her hair than anything else (which Bilal Hassani has shown me I could purchase for the right price) but I do think she’s altogether beautiful and talented, and that Not With Me is another quality comp contribution from her. There’s nothing I don’t like about it, unless you count the lyrical clichés which I think are canceled out by her impassioned performance, sleek styling and of course, the Ruth Lorenzo rainfall. I mean, how are you supposed to be properly heartbroken if it isn’t pouring down? Girl is singing in the rain and it is working for me. 9.5/10
I Do, Arvingarna Hasse Andersson…Owe Thornqvist…Rolandz…and now Arvingarna. These guys are occupying the traditional throwback space in this final, and I have no complaints. Songs like I Do would be sorely missed from Melfest (by me, at least) if they never popped up. And since we know this isn’t going to threaten for the win, what’s the harm in shamelessly bopping to dansband pop performed by four middle-aged men with millennial hair? Sounds like a nice way to round up the competitive part of the night to me. 6/10
Who I want to win
To cut a long story short…oh god, I CAN’T cut it short! I’ve just realised how many acts/songs are standing out to me, even though I know some of them aren’t possible winners. If I was held at confetti-cannon-point and forced to choose three, I’d go for Wiktoria, Hanna & LIAMOO and John Lundvik…and then I’d overpower my captor so I could mention Mohombi too, with Bishara and Malou as wildcard backups.
I do want to say that, while I was desperate for Dance You Off to win last year because it had The One written all over it (I may have shed a tear when my dream came true) I don’t feel the same sort of fire about anything in this year’s final. I have feelings, but not feelings so strong that I’m going to cry with happiness again. Maybe next year.
Who WILL win
At this point, it does seem like we have a clear winner in John Lundvik. He’s far and away favourite with the bookmakers and has been sitting pretty on top of the Swedish Spotify Top 50 for weeks. I can’t imagine the international juries – from Australia, Austria, Cyprus, Finland, France, Israel, Portugal and the UK – leaning heavily in any other direction. John has so much personality and his performance feels so genuine (but still polished), who wouldn’t be won over? I’m convinced that it’s not a question of will he win, but how much will he win by. And if I’m right (it does happen occasionally), I’ll be satisfied, if not fangirling like crazy, when it comes to Sweden’s entry for Tel Aviv.
Side note: John representing Sweden as a performer AND the UK as a songwriter would be a first for anyone from anywhere. Take that, Željko ‘I can only host and be a songwriter at the same time’ Joksimović!
Having said that, he’s not totally untouchable – and if the juries do go in a different direction, and/or the Swedish public’s opinions are widely spread, Hanna & LIAMOO could sneak through and top the table. I wouldn’t put it past Wiktoria or even Anna Bergendahl to pull a shock win out of their nonexistent hats either.
Ultimately, I am sticking with Too Late For Love as my official prediction. And I’ve had a crack at guessing the rest of the results. Laugh at me if you must.
- John Lundvik
- Hanna Ferm & LIAMOO
- Anna Bergendahl
- Jon Henrik Fjällgren
- Lisa Ajax
- Malou Prytz
- Lina Hedlund
That brings me to the end of my last Selection Season post for the year. It’s been a hectic but enjoyable season packed with plot twists, contenders and Ukrainian controversy, and I’ll miss it.
Now we enter what is both a boring and exciting time of the Euroyear: the lead-up to Eurovision itself. I’ll be here on the reg, looking back on the NF season and dropping my ESC 2019 reviews. Before that though, follow me on my socials – Twitter especially, @EurovisionByJaz – so we can watch and commentate on Melfest together.
SELECTION SEASON 2019 | The best of three for Darude, Portugal takes their pick + Swedish second chances
Hello and welcome, yet again, to Saturday night. One more week and I won’t have to come up with different ways of introducing the same thing anymore, woohoo!
We’re still a way away from a complete Class of ESC 2019, with not long to go until it MUST be complete – so prepare for a crazy period of last-minute NFs and internally-selected song reveals. This breakdown from ESC Xtra includes all the important info that I’m not about to repeat. But to repeat some of it, here’s what’s happening tonight:
- Finland Uuden Musiikin Kilpailu, final
- Georgia Georgian Idol, final
- Iceland Söngvakeppnin, final
- Moldova O Melodie Pentru Europa, final
- Norway Melodi Grand Prix, final
- Portugal Festival da Canção, final
- Sweden Melodifestivalen, Andra Chansen round
Then on Sunday we have:
- Serbia Beovizija, final
That’s a whole lot in a short space of time. Are you ready for it? If not, maybe I can ease you in with my previews and predictions for the week, feat. Finland, Portugal and Sweden.
Let’s do this!
It’s finally time for the Finns to choose which Darude/Sebastian Rejman song will represent them in Israel, in a selection process that’s a lot like 2018 only with less Saara Aalto. On the menu are:
- Look Away
- Release Me
Remember how last year, Monsters stood out from the trio of UMK songs and we all knew it was The One? Well, this is nothing like that. I don’t think any one of these three songs is more interesting than the others. As album filler tracks/music I’d dance to mindlessly at a music festival (if I was the type of person to go to a music festival) they’re good. As songs competing against each other with one set to compete at Eurovision, however, they’re all too same-same for my liking. Listening to them one after another is the musical equivalent of looking at this:
There are fans out there loving one, two or all three songs, and I’m happy for them (you know what they say about one person’s trash…not that I reckon these tracks are trash). They just don’t stir any strong emotions in me yet. I also wonder about the chances of Darude’s style succeeding at Eurovision when in a sense it is background music. Not to mention how similar the concept is to Light Me Up from Poland last year…though no doubt Finland will pull off a better performance than Gromee and Lukas did. A pissed-off donkey could provide a better overall vocal.
Look Away is my favourite of the three…I think. Superman is also pretty catchy, but still a bit pedestrian for song about flying, and not walking. Both of those songs have more memorable hooks than Release Me, which for me isn’t competitive enough for Eurovision. I’m wanting one of the others to be chosen this evening. How about you?
Which song will go to Tel Aviv? If I had to narrow it down to one – even though I have zero idea what the Finnish public will like best – I’d pick Look Away, and not just because it’s my personal favourite. I feel like it has a little more potential to push ahead and qualify than Superman or Release Me. Mind you, I mean a little. Let’s not pretend the options are drastically different here!
Which song would you happily (or begrudgingly) have as Finland’s ESC 2019 entry?
Leaving two semi finals in its dust, the Festival da Canção final has arrived – and here are the eight remaining acts hoping to make O Jardim’s (undeserved) fate a distant memory:
- A Dois Calema
- Mar Doce Mariana Bragada
- Perfeito Matay
- Pugna Surma
- Igual A Ti NBC
- Mundo A Mudar Madrepaz
- Telemóveis Conan Osíris
- Inércia Ana Cláudia
This line-up is an unusual mixture of boring songs and bizarre songs, with one or two in-betweeners. Portugal does have more than one chance to choose something great though, and if the choice was mine it would be centred on these tracks.
My favourites A Dois, Perfeito, Igual A Ti and Telemóveis. That’s in performance order more than anything else, but A Dois may actually be my favourite from this final (and it has nothing to do with Calema being the two most ridiculously good-looking brothers on the planet). The song isn’t groundbreaking, but it’s just the kind of well-produced, easy-listening r&b pop that I automatically adore…so there. Perfeito, on the other hand, is a timeless classic of a ballad that could be more exciting, but makes up for it with grandeur and powerful vocals from Matay that are indeed perfeito.
Igual A Ti is mid-tempo and, in all honesty, middle of the road – yet there’s something about it that I really like, even recognising that it could have represented Portugal at Eurovision in 1997. The chorus is a crown jewel set in slightly dull metal in need of a shine (I’m not going to win any awards for that metaphor, but you know what I mean). Telemóveis, meanwhile, is the song everyone’s talking about and with good reason. More bizarre than anything I’ve ever seen/heard before but so hypnotic at the same time, it’s a statement piece whether you like it or not. And at the core of it, underneath all the face armour and body paint and epileptic choreography, is a kick-ass vocalist who I could listen to all day long.
Predicting a winner This should be easy, given that there’s one song that stands out by miles. Yet I’m not totally convinced Portugal is prepared to send Telemóveis. It would be the bravest possible choice (besides Pugna, which is too strange even for me and didn’t get a heap of public support in its semi final) but with a bunch of safer options, will they take that risk? The jury might stop it in its unconventional tracks. I can see Matay or NBC beating out Conan because their songs have jury AND televote appeal, rather than swaying one way or the other. Matay in particular is the man I’d bet on to win if that’s how things unfold.
Still, I remember this time two years ago when a certain Salvador Sobral was the main topic of Festival da Canção conversation, and he went on and won. Granted, Amar Pelos Dois is way more conventional than Telemóveis, but my point is that both of these male soloists attracted/are attracting the same levels of attention. In 2019, I’d much prefer Portugal to live dangerously and divisively, especially after last year’s last-place finish in front of the home crowd. I can’t see any song from this final being more successful in Tel Aviv than Telemóveis, purely because it’s so memorable. If the ESC juries rewarded it for being artistic and original and the public responded for similar reasons, Conan could do extremely well – whereas the other likely FdC winners would be lucky to qualify. So I’m going to take a risk too and say that it will be Telemóveis that comes out on top tonight. It’s so crazy that Portugal would be crazy not to pick it.
What do you think? Is Conan too unconventional to be chosen or will this be Portugal’s year to make a statement (that doesn’t involve someone making a pompous speech about “music that actually means something”)?
It’s the second-to-last week of Melodifestivalen and time for four acts to get a second chance via Andra Chansen. We lost a few songs over the past month that I think should be duelling it out for a Friends Arena spot tonight (NOT THAT I’M ANGRY ABOUT IT OR ANYTHING *sets fire to the nearest car with Carrie-style kinetic energy*) but they’re not. So I have to suck it up and appreciate what we’ll (hopefully) have in next Saturday’s final once these battles have been won.
- Army of Us Andreas Johnson VS Ashes To Ashes Anna Bergendahl
- Nakna I Regnet Vlad Reiser VS Chasing Rivers Nano
- Låt Skiten Brinna Martin Stenmarck VS Torn Lisa Ajax
- Who I Am Rebecka Karlsson VS I Do Arvingarna
I’m still mystified as to why Andreas Johnson wasn’t paired with Martin Stenmarck, but I guess a) I don’t know how Christer Björkman’s brain works, and b) there’s always some strange match-ups when it comes to AC. In some ways, predicting the results is easier under these circumstances…and in others, it makes it so much harder. But after I’ve told you who I’d like to win, I’ll give it my best shot.
Who I WANT to win Anna Bergendahl, Nano, Lisa Ajax and Rebecka Karlsson.
Truth be told, I’m not crazy in love with Andreas’ OR Anna’s songs (as a This Is My Life lover, Ashes To Ashes just doesn’t measure up). But Anna is definitely the more exciting option – when I’m feeling particularly bitchy I have been known to refer to her duel opponent as Blandreas Johnson. Plus, I’m happy to see her perform as many times as possible in that amazing outfit. Where do I get one?
The Vlad VS Nano duel is actually the toughest one for me to take, because I really like both songs and wish they both had a chance to make the final. But my pre-existing love for Nano + the extra power and passion in Chasing Rivers compared to Nakna I Regnet makes the 2017 runner-up my preferred pick.
I like Martin and Lisa too, though his song is one of his best Melfest entries and hers isn’t as good as I Don’t Give A IMO. Still, I’m backing Lisa because I love her and her voice, and despite some shaky moments last week (she didn’t nail the money note, that’s for sure) Torn is a powerful package and gives Wiktoria some competition in the lady ballad department.
Last but not least is the weirdest duel of all, yet somehow the most evenly matched and most unpredictable. Rebecka is a great singer with a solid if not next-level song, but the staging and styling for Who I Am didn’t do it any favours. Arvingarna are here doing what they do best, and while it is vintage (a.k.a. dated) it’s well-executed and full of enthusiasm. I’d be okay with either act winning this one, but I’m more likely to listen to Rebecka on Spotify, so…I guess I’ll go for her over the guys. We always need more girl power in the final, right?
Who WILL win Anna Bergendahl, Nano, Lisa Ajax and Arvingarna. I’m pretty certain of Anna and Lisa, almost there with Nano and honestly, unsure of that last duel. Just when I’m feeling confident I remember the infamous Anton Hagman VS Loreen battle that ended as unexpectedly as possible. Let’s not have a repeat of that this year, Sweden…don’t let us down!
Give me your Andra Chansen tips in the comments and we’ll see who gets it right (it’ll be you).
That’s all from me for now. I’ll leave you to brace yourselves for a busy night and a week full of song reveals, as Eurovision 2019 creeps ever closer (which is exciting and not scary like I just made it sound).
Until next time,
In news that will shock no one, it’s Saturday. It’s almost like it comes around every seven days or something! Wild.
On this particular Saturday, ESC NF traffic is pretty high. If you don’t believe me, take a look at tonight’s event list:
- Denmark Dansk Melodi Grand Prix, final
- Hungary A Dal, final
- Lithuania Eurovizijos Atranka, final
- Portugal Festival da Canção, semi final 2
- Sweden Melodifestivalen, semi final 4
- Ukraine Vidbir, final
Not too shabby, is it? DMGP is shockingly mediocre this year (and so is Melodifestivalen, if I’m honest…what’s up Scandinavia?) but a final is always exciting, and the likes of Hungary and Ukraine are on hand to rescue us from the Scandi-crisis. I’m going to cover a bit of both today – a high and a not-so-high via A Dal and Melfest.
What can I say? I’m always going to make Sweden one of my priorities. But first, Hungary!
This is it! A Dal is at its most anticipated point, now that 30 songs have become eight with one disqualification along the way (for which Gergő Oláh must be very grateful). Here are the lucky last songs standing:
- Nyári Zápor Acoustic Planet
- Szótlanság Bence Vavra
- Holnap Bogi Nagy
- Kulcs Fatal Error
- Hozzád Bújnék Gergő Oláh
- Madár, Repülj! Gergő Szekér
- Az Én Apám Joci Pápai
- Roses The Middletonz
It’s a great final lineup, even if it is missing a few of my favourites (on the other hand, the few songs I disliked have also been disposed of). Before I take a stab at guessing the winner and Hungary’s representative at Eurovision 2019, I want to review what’s left while I still have the chance. From my least-loved songs all the way up to my FTW faves, this is my top eight.
Kulcs kicks off my list…at the bottom. Don’t get me wrong, I don’t mind it. I’d just file it away under ‘Songs That Are A Lot Like Viszlat Nyár But Not As Good’, and to me that’s not the sort of song Hungary should send to Tel Aviv (particularly so soon after Viszlat). Fatal Error are a little too frantic and noisy for me to rank them any higher.
Next up I’ve got Nyári Zápor, which has surprised me by a) getting this far in the comp, and b) scoring so well with the jury. It’s a nice, feel-good song that I’m happy to listen to in the car or while I’m housecleaning (I vacuum 47% faster accompanied by music, FYI) but I don’t get the hype coming from A Dal’s panel of music pros. Am I continuing to underestimate Acoustic Planet when I say that if they make the “super final” stage tonight I’ll be surprised? Probably.
Szótlanság is another song I thought would have been eliminated by now, but I have to give props to its (performance) props and Bence’s solid vocals. Apart from that I feel like it’s pretty anonymous compared to most of the other songs – Madár, Repülj! and Roses, for instance, are way more distinctive. But it’s still a decent track.
Heading into my top five and the songs I wouldn’t mind seeing in Israel, here’s Holnap. This flew under the radar pre-performance, only to impress a lot of us once brought to life by Bogi. I’m keeping a close eye on it and wouldn’t count it out of winning contention. It’s a simplistic but beautiful ballad, and the fragility of Bogi’s voice is captivating. She doesn’t need to swing from a hoop suspended six feet off the ground to grab attention…but that actually adds value and interest without cheapening a classy song.
Gergő Oláh is lucky to be in the final at all after Hozzád Bújnék replaced Petruska’s Help Me Out of Here earlier this week. I wanted him there all along, so I can’t help being happy that he’s making up the numbers. Of the two traditional ballads in this eight, Hozzád is the more dynamic and powerful one, and Gergő belts it out without breaking a sweat. He won’t win with it, but that’s okay because until he tops Gyóz A Jő I don’t really want him to.
It’s top three time now, and my (hypothetical) bronze medal goes to Gergő No. 2 with Madár, Repülj!. I was confused by this song at first because it’s all over the place structurally and stylistically, but those are the same things I’ve come to appreciate about it. If it goes to Eurovision, it’s sure to be a standout no matter what else is it’s up against. Side note: Gergő is super cute and I want to fly to Hungary expressly to run my fingers through his hair. Is that weird?
Funnily enough, I’ve ranked what I think is the best song in this final 2nd overall (you’ll get an explanation in a minute). I’m talking about Roses, easily the best effort from András Kalláy-Saunders in A Dal since Running. This song is contemporary, radio-friendly, original and has more hooks than a fishing supplies superstore. To top it off, I thought it might be disastrous when The Middletonz performed it live, but they NAILED it. Sadly it hasn’t had a heap of jury support, but the public vote has been strong – so if they manage to make the top four tonight a win isn’t out of the question.
Last but obviously not least is Az Én Apám. This is a sentimental favourite of mine because it’s Joci Pápai and I could not adore this guy more. His song might be more understated than Roses – and basically everything else left in the comp besides Holnap – but there’s something spellbinding about Joci’s musical style, vocals and authenticity on stage that makes my heart beat faster. And if you Google the lyrical translation of Az Én Apám (non-Hungarian speakers) and don’t experience some feels, why the heck not?!? To sum up, Joci’s sequel to Origo in terms of A Dal entries was always bound to be my most-loved track of the NF.
So there you have it. Unfortunately, I have no say in the actual results tonight. All I can do is predict them, which is the logical next step, so here goes.
Being methodical and looking at the scores from the heats helped me guess last week’s qualifiers pretty accurately, so I’ve done the same this time with the semi scores. If you do it too you’ll end up with these guys as your frontrunners:
- Joci Pápai 36 jury, 9 televote = 45
- Acoustic Planet 37 jury, 8 televote = 45
- Gergő Szekér 34 jury, 9 televote = 43
- Bence Vavra 34 jury, 8 televote = 42
- Bogi Nagy 34 jury, 8 televote = 42
Joci is in prime position despite receiving a slightly lower jury score than Acoustic Planet. Because his public vote score was higher, if both acts make it into the final four with 100% televote deciding the winner, Joci will have the edge. Gergő is a safe bet to accompany Joci and/or Acoustic Planet to that last decider, having had jury AND televote appeal at each point of the process.
This is where it gets tricky. Bence and Bogi can’t be separated based on their semi results, except to say that Bence placed equal 2nd in his semi while Bogi placed 3rd (but that just speaks to a more competitive second semi). And we shouldn’t assume that another act entirely – and I’m thinking of The Middletonz when I say this – won’t rise in the jury’s eyes on this occasion and score themselves a spot in that all-important four. If Roses does do it, the public backing is there (with a 9 on the televote in its semi) to potentially win. As annoying as it is, however, the jury is more likely to roadblock it while paving the way for something they’ve liked better previously.
Let’s get down to business. I’ve made my decision (after way too much INdecision) and this is the top four I’m going with:
- Joci Pápai
- Acoustic Planet
- Gergő Szekér
- Bogi Nagy
Once the A Dal jury input becomes irrelevant and it’s all about that public vote, there’ll probably be a battle between the male soloists. My heart wants Joci to win again and take his magical self to Tel Aviv, but my head is saying it’s Gergő who’s going. And you know what? I won’t have any complaints about that. In fact, if Hungary chooses a song that isn’t Kulcs/Nyári Zápor/Szótlanság, I’ll have the opposite of resting bitch face – and if they choose Roses/Az Én Apám/Madár, Repülj!, I’ll have a new no. 1 in my Eurovision 2019 ranking so far.
But yes, I’m officially predicting victory for Gergő Szekér. How about you?
Moving on to the last straightforward Melfest semi now, and…well, it’s been an underwhelming edition of the show to say the least. I’m easily pleased as Eurofans go and have liked most of the entries. But at the same time, there’s been hardly anything to love with a passion and literally nothing that has made me sit up, take notice and proclaim it The One for 2019.
I’m actually concerned that Sweden could be looking at a 2013-esque result off the back of last year’s televoting disaster. The upper right side of the ESC scoreboard would be a win for some countries, but not for a country that has only finished outside of the top 10 once and won twice in the last eight contests. But I might just be getting ahead of myself.
Let’s look at tonight’s seven. For all I know, The One is right here:
- Stormbringer Pagan Fury
- Känner Dig Anton Hagman
- Torn Lisa Ajax
- I Do Arvingarna
- On My Own Bishara
- Kärleken Finns Kvar Ann-Louise Hanson
- Too Late For Love John Lundvik
It’s a deltävling full of familiar faces, with Anton and Lisa already having competed against each other in the 2017 final. Lisa came out on top then, and I’ll tell you if I think she’ll do the same now or not after I’ve mentioned my personal favourites from this semi.
My top four Too Late for Love, Torn, On My Own and Känner Dig. I knew John Lundvik and Bishara (with Benjamin Ingrosso backing him as a songwriter) would be my 4th semi highlights as soon as their names were announced. That’s because I loved Lundvik last year; and because Bishara is adorable in every way, and as an Ingrosso fangirl from way back their collab was made for me. Lundvik going uptempo and Bishara sticking with what works for his voice/image is working for me so far.
Lisa Ajax is another artist I’ve cheered for previously in Melfest, and though I prefer I Don’t Give A to this latest entry (which you can tell was originally meant for Loreen), I think Torn could be more successful for her. It’s a moody ballad with sparse verses and a belter of a chorus, and I’m curious to see how she handles it live. There won’t be any toilet paper hanging from the roof or useless but pretty raincoats this time, that’s for sure!
And yes, I enjoy a bit of Anton Hagman even if nobody else does. I mean, if he butchers Känner Dig tonight we can just hit mute and look at him, right?
So, who’s going direkt? John Lundvik and Bishara. But take this with a grain of salt because I actually have NO IDEA. Turning to either the odds or the rehearsal poll (which was topped by these two) isn’t helpful when you consider how wrong those indicators have been for the last few shows. I think this prediction is more of what I want than what I’ll get – but Lundvik is a safe bet and the most likely to go DTF. Bishara could be too JESC, or could score well with tweens, teens, mums and grandparents all over Sweden. Based on rehearsal reports I’m not convinced Lisa will have more mass appeal than he does.
Who’s getting a second chance? Arvingarna and Lisa Ajax with the possibility of a Pagan Fury curveball. Arvingarna has their Melfest/ESC history and nostalgic brand of musical Prozac to stand on, and I think they could actually squeeze straight in to the final…but I’ll leave them with AC. Lisa could blow everyone’s minds or underwhelm, and that’s the kind of risky business that deserves a compromise (though I’d happily have her in the final in a way that Wiktoria would not). If one of these guys only gets as far as 5th place, I wouldn’t be shocked to see Stormbringer slip in to Andra Chansen instead.
And that concludes this monster of a prediction post in which I didn’t actually do much predicting. It’s not always the fun part, to be honest.
Let me know what YOU think will happen tonight, anywhere and everywhere in Europe. And don’t forget to follow me on Twitter/Facebook/Instagram @EurovisionByJaz, for catty selection show comments and first impressions of the songs for Tel Aviv as they come along. I’ll follow back if you like to talk about Eurovision and send me some freshly-baked cookies!
Knock knock, who’s there? It’s Saturday again, duh!
When you’re living for the weekends like I do during national final season, it’s a blessing for this day of the week to come around so quickly. And boy, does it have a lot to love on this occasion. Here’s everything happening tonight:
- Croatia Dora, final
- Estonia Eesti Laul, final
- Hungary A Dal, semi final 2
- Iceland Söngvakeppnin, semi final 2
- Latvia Supernova, final
- Lithuania Eurovizijos Atranka, semi final 2
- Portugal Festival da Canção, semi final 1
- Slovenia EMA, final
- Sweden Melodifestivalen, semi final 3
- Ukraine Vidbir, semi final 2
I know what you’re thinking: ‘Is that all?’. But don’t worry, tomorrow night we also have:
- Romania Selecția Națională, final
Do the math on this list of NFs, and you’ll find that Saturday + Sunday = FIVE more songs for Tel Aviv. And isn’t it about time? We’ve waited long enough to get into double digits.
I’m not about to preview/predict all of the above NF action, since I don’t want to send you (or myself) to sleep. I will make a quick wishlist for the countries I won’t be covering though, so listen up universe: Croatia can give me Brutalero or Redemption, Estonia Storm, Latvia Somebody’s Got My Lover or Fire, and Slovenia Kaos. Oh, and if Portugal could send Calema through as well as Conan (so I can figure out what the heck I actually think of Telemóveis) that’d be awesome.
Now, if you want to chat in-depth about Hungary, Sweden and Romania, you came to the right place.
It’s the second last Saturday of A Dal decision-making, after last week’s first semi final saw Acoustic Planet, Bence Vavra, The Middletonz (WOOHOO!) and Petruska (smaller woohoo!) make the final cut. Obviously there’s another hurdle for them to jump over in the final itself – making the all-important top four from which 100% televote will determine the winner – but qualifying to next weekend’s showdown is what everyone wants to do, and those guys have done it. Now there’s just four spots left for the taking, and nine acts after them. Let the (probably heartbreaking) battle begin!
- Kedves Világ! Timi Antal feat. Gergő Demko
- Kulcs Fatal Error
- Egyszer Mocsok 1 Kölykök
- A Remény Hídjai Nomad
- Hozzád Bújnék Gergő Oláh
- Az Én Apám Joci Pápai
- Holnap Bogi Nagy
- Forró Ruby Harlem
- Madár, Repülj! Gergő Szekér
You guys know how obsessed I am with A Dal this year, and though I’ve lost some favourites along the way (JUSTICE FOR VILÁGÍTÓTORONY!) a few more are still in the running and competing in this semi. On the other hand, some of my least favourites are here too, and I’m hoping they’ll be among the sacrificial songs of the night.
Let’s start with the good stuff and work our way through to what will actually happen in Hungary this week, IMO.
My top four In random order, Hozzád Bújnék, Az Én Apám, Holnap and Madár, Repülj! Gergő Oláh is a perennial top pick of mine, and although Hozzád Bújnék is no Győz a Jó, it is a ballistic missile of a ballad that he – pardon my French in advance – sings the shit out of. My beloved Joci is back with a bang (well, more of a gentle tap on the door, but it’s beautiful and impactful nonetheless) and all the raw emotion required to sell such a unique ethno-ballad. Bogi is also armed with a gentle ballad, and the crystal-clear fragility of her voice takes it to another level (though the melody is worth mentioning too). As for Gergő No. 2, which is nothing like Mambo No. 5…well, I wasn’t sure how I felt about Madár, Repülj! at first, but I LOVE it now. It’s distinctive and dramatic without being throwback or an ultra cutting-edge track, and that makes it interesting.
My prediction Given that we know the results of all the heats and semis so far – an A Dal tradition that I enjoy and dislike at the same time – it makes guessing tonight’s final four qualifiers easier. There are five heat winners in this semi alone, however, with some acts having tied FTW. And in the case of Joci and Bogi, who finished equal 1st in the third heat, you cannot separate them – they both scored the same from the jury and from the public. I’m going to give Joci the edge based on his previous history though (and I better not be jinxing him by doing so). Fatal Error stormed to victory in their heat (somehow) so I’d say they were safe finalists…not that they’ve had to compete against any of tonight’s other acts until now. I’m also thinking that Gergő Oláh and Gergő Szekér have a good chance of advancing, since they also tied for the win in their heat. If there’s a wildcard who makes it out of this semi, I think it will be Bogi in place of Gergő Oláh (heaven forbid) or Joci (heaven forbid even more). But I’m locking in my final four as follows: Fatal Error, Gergő Oláh, Gergő Szekér and Joci Pápai. There’s a whole lot of testosterone there and I am not mad about it.
Who would you put money on to make it through to the A Dal final?
How can we be onto the THIRD Melfest semi already? Granted, the second one was a blur for me since I was busy attending Australia Decides at the time (check out my Aussie NF diary here if you haven’t yet) but I’m still shocked. Maybe it’s because – and I hate to say this – the 2019 comp has been a bit of a non-event, at least in terms of the entries (the hosts/interval acts have been fantastisk). Nothing has jumped out at me so far and screamed ‘Winner!’ of Melfest, let alone of Eurovision. Will that change this week with these seven songs?
- Somebody Wants Lovers of Valdaro
- Habibi Dolly Style
- Låt Skiten Brinna Martin Stenmarck
- Victorious Lina Hedlund
- Om Om Och Om Igen Omar
- Who I Am Rebecka Karlsson
- Norrsken Jon Henrik Fjällgren
Based on snippets, no, that’s not going to change. I’m not saying I hate everything on offer here, but there’s a thread of ‘good but not great’ running through the entire line-up that worries me. And yes, I’m even referring to the much-anticipated Norrsken when I say that. But I’ll give this not-quite-magnificent seven the chance to win me over with cracking live performances.
My top four Somebody Wants, Habibi, Om Om Och Om Igen and Who I Am. The Lovers of Valdaro (feat. the guy who wore the heels in Moldova’s Eurovision 2018 performance) are the wildcards from Svensktoppen Nästa, and though I doubt they’ll outdo SMILO’s record of 5th place in a semi (being the highest finish for a Svensktoppen-chosen act), I am digging the beat and production of their song – it should make a great show opener. Habibi is my guilty pleasure and honestly, has the only chorus I could remember after I first listened to the snippets. I like the deviation from bubblegum pop to a more exotic Middle Eastern flavour for Sweden’s version of The Sugababes (because they change members so often, HA HA HA).
Omar definitely has the better song of the FO & O boys competing this year (RIP Oscar Enestad from the running) even if it is a mixed-language copycat of Side To Side/In My Cabana/Woman Like Me. Pop music is derivative, that’s just how the cookie crumbles – and I can’t wait to hear this spiced-up version all the way through. Who I Am rounds out my favourites list based on everything but the lyrics, which are so clichéd I have a hard time excusing it. Still, the power-pop style of the song and Rebecka’s vocal abilities are enough to keep me rooting for her.
My prediction This is a hard one. Last week proved that anything is possible and that the odds are not always correct (in a good way – go Malou!) so I’m not even going to use them as a guide for my guesses. I do happen to know that Jon Henrik is sitting pretty at the top and is as guaranteed of a place in the final as one can be, so NO-BRAINER ALERT. I believe in Rebecka’s potential to also go straight to Friends Arena, or to Andra Chansen at least. Dolly Style are in the mix after winning the audience poll, but I can’t imagine – especially after seeing a shot of their staging – that they’ll place in the top two. For me the last spot is for either Omar (hopefully) or more likely Lina based on her pedigree and the Jessica Andersson effect. Victorious ain’t no Party Voice, but it’s just what you’d expect from one third of Alcazar and that might well be enough. To sum up, I think it’s Jon Henrik Fjällgren/Rebecka Karlsson DTF, and Dolly Style/Lina Hedlund to AC. But feel free to surprise me (again) Sweden.
Which acts will go where in this Melfest deltävling? Let me know what you think in the comments!
Disclaimer: Normally I’d just be discussing Saturday night here, but Romania has inconveniently scheduled their final on a Sunday again (Ester Peony pun not intended, but a declaration of love for her song is coincidentally coming up) and I’ve got to talk about it. In amongst the 12 finalists there is a lot of cookie cutter music, but there’s also a handful of songs so good that I couldn’t stay quiet. Place your bets.
- Renegades Linda Teodosiu
- Right Now Olivier Kaye
- Dear Father Laura Bretan
- Skyscraper Teodora Dinu
- We Are The Ones Claudiu Mirea
- Your Journey Aldo Blaga
- On A Sunday Ester Peony
- Daina Letiția Moisescu and Sensibil Balkan
- Army of Love Bella Santiago
- Destin Trooper
- Without You (Sin Ti) Dya & Lucian Colareza
- Underground Vaida
Selecția Națională isn’t usually one of my go-to NFs, and for those of you who do adore it, sorry – I haven’t suddenly become its number one fan. But like I said, a few SN 2019 songs have caught my attention based on their potential to do very well at Eurovision, and/or how jaw-dropping it was to find them in the Romanian selection to start with.
My favourites Dear Father, On A Sunday, Daina and Army of Love. Laura Bretan is a pocket rocket with form on America’s Got Talent, and watching her semi performance of Dear Father had me shook. There’s something special in this song, and it has great build. Of all my top picks it is my least loved, but it’s the most likely to kick butt on behalf of Romania in Tel Aviv. My most-loved in this line-up is On A Sunday, which is like a musical love child of Ann Sophie’s Black Smoke and Alannah Myles’ Black Velvet. It turns out those are good genes to combine. It’s a song so slick and moody, I can’t believe it’s not competing somewhere in Scandinavia. Ester is flawless live and I wish she was more of a contender.
Daina is Romania doing what I miss Romania doing. They could have sent it to Eurovision in 2005, 2011 or 2018 and it wouldn’t have made a difference (not to me, anyway). Will they send it in 2019? Not a chance, but it’s a killer – not filler – addition to the final. Speaking of which…where there’s smoke there’s Fuego, and Bella’s Army of Love is such a Fuego soundalike that the smoke is stinging my eyes. My ears are all for it though, because it is a banger! Empowering lyrics, ethnic instrumentals and a rap verse in Tagalog make for a rip-off I’d welcome into this year’s ESC family with open arms.
My prediction As much as I’d like to believe there are multiple contenders for this NF, I think the winner has already been signed, sealed and delivered straight through the window she’s shattered with one of her sky-high operatic notes. I mean Laura, of course. Personally I’d prefer Bella, but when I watch Laura’s performance there’s more than one point where I think ‘This is unbeatable.’ The song might not be the greatest to my tastes, but she makes it great and gives me goosebumps in the process. I said this about Kate Miller-Heidke last weekend and I’ll say it again now: If this girl doesn’t win I’ll be flabbergasted. If she does, I’ll be grateful that Australia isn’t in the same semi as Romania.
Whew…aren’t you glad I drew the line at discussing three countries? I’m done now, so if you have any thoughts or predictions for tonight that you need to get off your chest, my comments box is empty and waiting for you to throw stuff into it.
Who’s going to win? Who’s going to get knocked out? Will there be curveballs or will the bookies’ favourites follow through? Wherever it’s happening and whatever your opinion is, I’m ready to hear about it. My response will be more polite if you agree with me though…
See you on the other side of this super Saturday/fun-sized Sunday!
It’s Saturday once again, and you know what that means at this time of year: it’s an NF fest! Believe it or not, the five shows on tonight are nothing compared to some upcoming Saturdays (but more on that later). Here’s what’s happening in a few hours’ time:
- Estonia Eesti Laul, Semi Final 2
- Hungary A Dal, Heat 3
- Latvia Supernova, Heat 2
- Lithuania Eurovizijos Atranka, Heat 4
- Sweden Melodifestivalen, Semi Final 1
My focus today is Hungary and Sweden (apologies to everyone else, but a girl’s got to have priorities) so let’s get straight into it. As always, spill as much tea as you like in the comments re: songs/acts/results/predictions. I’m ready for it!
Time flies when a national final is as awesome as A Dal 2019…isn’t that what people say? There’s got to be some explanation for how we’ve arrived at the third and final Hungarian heat already. There are only six spots left in the semi finals, with ten acts hoping to take them.
- Holnap Bogi Nagy
- Az Én Apá Joci Pápai
- Maradj Még Kyra
- Hazavágyom Leander Kills
- Egyszer Mocsok 1 Kölykök
- Run Baby Run Monyo Project
- Help Me Out of Here Petruska
- Forró Ruby Harlem
- Barát Salvus
- Posztolj USNK
My two least favourite songs are listed above, which is a bummer (find out what they are here) but all is definitely not lost! I’ve been eagerly awaiting this heat for a few reasons, and the main one is spelled J-O-C-I P-Á-P-A-I.
Yes, the man who makes magic every time he opens his mouth is back for another crack at representing Hungary – and though it would be out of character for them to send the same person twice (András Kállay-Saunders is not amused), it’s not totally impossible. Or am I just biased because Origo is one of my favourite Eurovision entries ever and I love everything else that Joci has ever recorded? Check out my top picks from this heat and decide for yourself.
What do you know, I’m starting with Az Én Apam! Plot twist. This is my favourite song competing this evening, and though I’m not going to say it’s as amazing as Origo, it’s just as special and emotional – just in a more understated way. I’m praying for Hungary and the A Dal jury to support it, because if Joci goes the way of Olivér Berkes and gets knocked out immediately, HELL WILL HATH NO FURY LIKE THIS WOMAN SCORNED.
X Factor winners USNK are going gangbusters on YouTube with Posztolj (6.7 million views as I type this) which IMO is deserved for anything with ByeAlex’s name attached to it. The song style isn’t my usual “thing” at all but I love it here – the edginess and intensity of the sound against the social media-themed lyrics makes for a cool contrast. Hungary isn’t averse to rap (which I appreciate) and USNK obviously have public vote pulling power, so this seems like an obvious qualifier. Maybe too obvious…
Leander Kills are one of 2019’s many repeat NF offenders. Since they couldn’t win A Dal with Élet in 2017, they shouldn’t win with Hazavágyom. Having said that, however, they are in with a damn good chance and I would be able to get on board with them as AWS successors. There’s something joyful and unique about Hazavágyom that I like a lot, and I expect the live performance to match – and of course, to be as competent as yesyes were INcompetent (WHY GOD WHY?!?) last week.
Kyra is serving up some diva power-pop in the form of Maradj Meg, and I am here for it. I’m 50/50 on whether her performance will be as on-point as it needs to be or a car crash (or somewhere in-between) but I’ll think positive until she proves me otherwise.
My other two faves in this heat are Help Me Out of Here – the less infectious but still appealing sibling of Petruska’s last entry Trouble In My Mind – and Barát, with Salvus delivering a classic slice of Hungarian rock that will probably follow in the footsteps of A Remény Hídjai and Kulcs by qualifying.
Who’s going through?
I’ve got an okay success rate going for A Dal so far in terms of predictions – 4/6 correct guesses for both heat 1 and heat 2. But I wouldn’t mind going one (or two, ideally) better this week. With the risk of opting for the obvious, I’m thinking it will be Leander Kills, Joci Pápai, USNK, Petruska, Salvus and Mocsok 1 Kölykök (my debatable wildcard) who make it to the semi final stage. In other words, I suspect the girl power level will be very low once the results have come in. If there does happen to be some female fierceness in tonight’s top six, I believe it will be courtesy of Kyra.
That’s enough about Eastern Europe for now (no offence). It’s time to talk Scandinavia, specifically Sweden, and more specifically Melodifestivlalen!
Brace yourselves, people, because Melodifestivalen has hit its first destination for 2019: Göteborg! I’m going to spare you guys another questioning statement about how we can possibly be at this point in time again and how fast the months fly by, et cetera. The fact is that we are here again and I’M SO EXCITED. I hope you are too.
There are returnees aplenty taking part tonight, including two 2017 finalists and (of course) Anna Bergendahl, whose claim to ESC fame I’m not going to mention since I think it’s time to move on (even though it gives her the best comeback narrative of the year). Here they are in running order:
- Chasing Rivers Nano
- No Drama High15
- Not With Me Wiktoria
- Mina Bränder Zeana feat. Anis Don Demina
- Mina Fyra Årstider Arja Saijonmaa
- Hello Mohombi
- Ashes To Ashes Anna Bergendahl
On name value, this is not the most thrilling semi for me personally, but the first one is traditionally not supposed to be (Sweden/Christer Björkman believe in saving the best until last, or at least until later). Even so, I have managed to pluck out four favourite songs.
My top four
Hello, Hello! Mohombi is bringing his A-game to this semi and I am so keen to see him perform. There’s something about this song I get just from the teaser that suggests it could do more in the comp than a lot of fans expect it to. Factor in staging that echoes Måns Zelmerlöw’s for Heroes and you’ve got an entry worth watching out for.
Mina Bränder is the good old ‘Swedish-language radio pop song that Jaz likes but nobody else does’ á la Stark last year. As such I expect Zeana and Anis to crash out of this semi, but only after I have bopped along to their three minutes – especially the chorus, which has a strong scent of Melfest 2005 about it.
Neither Chasing Rivers nor Not With Me seem like they’re the best song their artist has competed with, but as expected both are strong. It’s particularly hard to get a feel for Chasing Rivers by only hearing a minute of it, but it has promise. Wiktoria is trotting out all the heartbreak clichés this time, but because Not With Me reminds me a lot of Isa’s I Will Wait and this is Wiktoria we’re talking about, I have to get behind it.
I know this is a top four, but I have to mention Anna’s Ashes To Ashes. It slips into my 5th place based on the jarring similes that make up the lyrics (like a this, like a that…it’s OTT for me, I’m afraid) but the melody is memorable and her voice is as distinctive as it was in 2010. Lycka till.
Who’s going direkt?
Nano and Anna Bergendahl. It’s hard to tell just how impactful Chasing Rivers will be from the snippet alone, but I think Nano is enough of a force to be reckoned with to place top two tonight…even if Hold On was too much to live up to. Anna might not get the fairytale ending at Friends Arena that she’s after, but I believe she will be there in March. I’ve seen her stage outfit and she deserves to win this semi based purely on how stunning it is.
And who’s off to Andra Chansen?
Wiktoria and Mohombi. If Wiktoria doesn’t go direkt, it’ll be her first time having to fight for a place in the final, but I have a feeling it’ll be her OR Nano to Friends straight away – not both. Mohombi is an artist I was excited about heading into this, but he took me by surprise with the vibe of Hello – I was expecting Bumpy Ride Part II (which wouldn’t have been a bad thing). He did win the rehearsal poll, and if he goes direkt I’ll be psyched…but it’s touch-and-go between the big players in this line-up.
Who do you think will advance to the final or to AC from this first Melfest 2019 semi? Place your (hypothetical) bets in the comments below!
Tel Aviv: Reactions from the week that was
It’s time for me to share my thoughts on what’s happened in the world of Eurovision 2019 since the last time I did the same thing. Three artist announcements and two songs await!
Austria Paenda has been decided as the artist who’ll attempt to top Austria’s surprise 3rd place from Lisbon. She’ll be singing the unreleased Limits, and somehow I’m getting the same feeling from the song title alone that I got from the likes of City Lights – like I just know it’s going to be good. As for Paenda herself…let’s hope she’s more successful than the last blue-haired competitor from that geographical region.
Czech Republic Barbara Mochowa had the voice and (to an extent) the song, but Lake Malawi have something extra – an element of fun and very questionable lyrics – that got them over the line to become the Czech entry for Tel Aviv. We might come to realise this was a mistake, but for me right now I’m pretty pleased about it. Let’s face it, anything that came after Mikolas Josef was going to be a letdown in some way. I would happily have him represent his country every year, particularly if he keeps bangers like Abu Dhabi coming.
Finland My beloved Robin may have turned the ESC ticket down, but world-famous DJ Darude did not. And so Finland brings us the DJ + vocalist combo that we got from Norway in 2017 and Poland in 2018. Fingers crossed Darude and Sebastian Rejman model themselves more after the former than the latter. They’ll present their three potential entries on March 2.
France Against all odds (by which I mean Seemone) Bilal Hassani is France’s chosen one, and I couldn’t be more excited for him – and for myself because Roi is a JAM. I loved his performance in the Destination Eurovision final and I’m glad it was the French public that got their way. Haters back off!
Malta The X Factor concluded with Michela Pace crowned champion and automatic ESC artist for Malta. There’s not much to say at this point other than yes, she can sing, so for Ira Losco’s sake give her a good song.
What’s next for NF season?
- 5/2-8/2 Italy (Sanremo Music Festival, Nights 1-4)
- 8/2 United Kingdom (You Decide, Final)
- 9/2 Australia (Australia Decides, Final), Hungary (A Dal, Semi Final 1), Iceland (Söngvakeppnin, Semi Final 1), Italy (Sanremo Music Festival, Final), Latvia (Supernova, Semi Final), Lithuania (Eurovizijos Atranka, Semi Final 1), Montenegro (Montevizija, Final), Sweden (Melodifestivalen, Semi Final 2), Ukraine (Vidbir, Semi Final 1)
- 10/2 Romania (Selecția Națională, Semi Final 2)
Next Saturday? HOLY CRAP. I’ll be over on the Gold Coast in the Australia Decides audience, so look out for me if you’re watching on TV or online. You’re welcome for the time difference that will allow you to watch our NF without missing any European ones.
Until next time (when I’ll review the Aussie songs and much more),
EUROVISION BY JAZ X EUROVISION UNION | Reacting to another blogger’s top 10 Melodifestivalen entries from the last 10 years
Fun fact: It’s been a hot minute (as in about three years) since I collaborated with anybody via this here blog. So when my talented and equally ESC-centric amigo Anita from Eurovision Union floated the idea of a pre-Melodifestivalen fling between our sites, I was like:
What we decided to do, just before the 2019 competition kicks off this Saturday (!!!) is each make a list of our top 10 favourite Melfest tracks from the last ten years (that length of time was hard enough…having any more songs to choose from would be torture). Then we’d swap our rankings and judge each other’s awful and/or excellent tastes when it comes to Europe’s biggest and best NF. So that’s what we’re doing today, basically!
Here’s Anita’s judgment of MY top 10 Melfest entries, 2009-2018. Check out her site if you haven’t already, because it is a Eurovision news-and-review lover’s fantasy land. And then keep reading mine to see what I think of her top 10 songs.
PS – By the way, we decided to consider songs that won Melfest as Eurovision entries, so we haven’t included any on either of our lists. If we’d forced ourselves to consider Loreen, Måns, Sanna etc, there wouldn’t have been room for anyone else.
#1 | Good Lovin’, Benjamin Ingrosso (2017)
There are two things you need to know about me in case you didn’t already: firstly, I’m a big Benjamin Ingrosso fangirl; and secondly, I was there in Friends Arena two years ago when he performed this song live at the Melfest final (something I drop into conversations as often as possible). I’m telling you this stuff so you’re prepared for the doubly-special place Good Lovin’ has in my heart. Should it have been his winning entry instead of Dance You Off? Definitely not. Were the giant baked-potato-in-foil props a good idea? Not so much. But those things aside, this is just one song in an endless string of slick, catchy and super-streamable Scandipop produced by Benjamin. It was a great Melfest debut for him and I listen to it on a far too regular basis. Nope, can’t fault your taste on this one, Anita.
#2 | Hold On, Nano (2017)
I may as well lay my cards on the table immediately: when I was sitting there in Friends Arena back in 2017 (told you I liked to mention that at every opportunity), it was Nano I wanted to win. Looking at it now, I’m glad Robin Bengtsson got his turn – but in a parallel universe, Hold On made for an awesome Eurovision entry and didn’t need treadmills to do it. One of my favourite things about Nano, this song and his performance of it was that none of it screamed typical Melfest. It was polished but had rough edges, was presented with more shadow than light, and wasn’t fronted by a buff, precision-choreographed teenage male soloist with perfect teeth and a head packed with hair product. Nano gave us something that felt true and stood out for that reason. Overall, his entry was like Rag ‘n’ Bone Man meets Rudimental, and I was totally there for it.
#3 | My Heart Is Refusing Me, Loreen (2011)
The original but not the best – that’s how I’d describe Loreen’s Melfest debut. That’s only because what came after it was Euphoria, and no mere mortal could ever hope to top that (or have something they’d done prior be considered better). MHIRM had substance and style, and it’s aged well enough that it could probably compete in 2019 and nobody would say it was dated. I’ve always liked the slow-burn structure of the song – how it builds into a dance track with a dark-disco feel gradually over three minutes, never making me feel like waiting for the climax to come is boring. Melfest 2011 is actually the first edition of the NF I watched as a fan who actually knew what ‘NU KÖR VI!’ meant, and I remember this song being my top pick at the time…and being devastated when it failed to get out of Andra Chansen. In all honesty, I think it’s a better song than eventual winner Popular, but it probably wouldn’t have the hit the heights of 3rd place at Eurovision.
#4 | Youniverse, Molly Sanden (2016)
Okay, so it wasn’t third time lucky for Molly at Melfest…and we haven’t seen her there since (she’s been too busy releasing epic non-competition music, most of which can be found on her latest album Större). But Youniverse was a solid effort, once you get past the wordplay of the title which messed with my mind at first. The writer and former English major in me loves the imagery and perfectly-rhymed lyrics – I mean, ‘We’re stars wrapped up in skin, the light comes from within’ is practically poetry. And the part of me that appreciates atypical pop songs (as opposed to cookie cutter, ultra-predictable pop songs) applauds the electronic dance-pop of the verses that alternates with the power ballad-esque choruses. There was something missing from the overall Youniverse package that prevented it from stopping Frans – and a few other acts – in his tracks, and it’s not my favourite Melfest entry of Molly’s (that “honour” goes to 2012’s Why Am I Crying?). But it’s sophisticated, unique and as I said, solid.
#5 | Put Your Love On Me, Boris René (2016)
Realistically, I could sum up how I feel about this number in one word, and that word would be YAAASSSSS!!! But you guys know my motto is ‘Why use one word when you could use 1500?’. So here goes. Who would have expected an ex-soccer player to contribute more to the Melfest lineup than some fancy footwork? Boris René delivered that by the truckload, but he also had a) above average vocal abilities, b) tons of charisma, and c) a heart that was IN A LITTER BOX. I don’t care if it’s supposed to be ‘little box’, I hear litter every time. Regardless, this entry is 100% pure joy and makes me so happy whenever I hear it (which is at least once a day, voluntarily). I’m glad Boris used the same formula for his follow-up Her Kiss, which is equally as effective as a musical happy pill. Either song popping up on a top 10 list is just plain old-fashioned good taste.
#6 | To The End, YOHIO (2014)
I bet you thought as this point that I was going to be annoyingly complimentary about all of Anita’s Melodifestivalen favourites. Well, it took a while, but we’ve arrived at one that I don’t dislike exactly…but I definitely don’t think of it as a personal best of mine either. To The End was YOHIO’s attempt to go one better than he did in 2013, when he lost out to Andra Chansen’s very own You by Robin Stjernberg (now there’s a song I love). To me he pulled an Ulrik Munther and tried too hard to succeed, ending up with an entry that didn’t quite recapture the magic of the first. Of course, this is my opinion – and I’m not saying that 2013’s Heartbreak Hotel was the greatest song on the planet – but I much preferred his debut to what came the year after. The show’s results reflected that, with To The End finishing 6th. Though having said that, 2014 was a way, WAY stronger Melfest year than 2013.
#7 | Bröder, Linus Svenning (2014)
Here’s a song that’s more emotionally-charged than most found at Melfest, and I was feeling all of the feels from Linus when he competed with it. The style of the song is great, building on a piano ballad beginning to end as more of a rock/power ballad. And Linus sells it so well, with more vulnerability than you might expect to vibe off someone with so many body modifications. As a package, this reminds me of LIAMOO’s Last Breath in its simplicity and authentic, true-to-the-artist nature. Unfortunately, when Linus came back in 2015, a lot of his authenticity was lost in Forever Starts Today, which tried so hard to be a step up that it backfired. But I digress. I’m supposed to be talking about Bröder, and that gets a big thumbs up from me even if I’m not as obsessed with it now as I was back then.
#8 | Blame It On The Disco, Alcazar (2014)
This is a classic case of knowing your lane and staying in it. Basically, Blame It On The Disco is Alcazar doing what Alcazar have always done and do best, and do I have any complaints about that? Um, no. My personal favourite from their competition back catalogue is Stay The Night (2009), but this is a close second…and to my surprise, it nearly finished second in Melfest. It does have everything one could possibly want from a Swedish schlager song and performance – including sequins, choreography, a key change, pyro, plenty of (machine-made) wind…and of course, the trio entering the stage from within a giant mirror ball. And, if you can manage to look past all of that, the song itself is a pretty good slice of its genre – with a singalong chorus that’s harder to escape than the hedge maze in Harry Potter and the Goblet of Fire. A-ARE WE GONNA PARTY TONIGHT? Well, I couldn’t possibly say no, Alcazar.
#9 | Begging, Anton Ewald (2013)
It pains me to say that I knocked this off my own top 10 list (as reviewed by Anita…hit up the link at the start or end of this post to see it) at the last second. Why I love it so much and what makes it special is that Anton served us a 1950s Hollywood look and dance moves to match, all the while delivering a song that was contrastingly cutting edge. It was an interesting combo at least and an iconic one at most. I don’t want to admit that Anton himself, whose vocals are average but who has the face of a ridiculously attractive angel, at all influences my longstanding appreciation of this track, but I will admit it because I’m only human. His follow-up Natural had the same effect, though I genuinely think both are great dance songs that most other national finals would kill to have on their programs. Begging lived up to its title and actually did have me begging for more.
#10 | Busy Doin’ Nothin’, Ace Wilder (2014)
Am I allowed to say ‘the original but not the best’ again? We all have our preferred song from the Ace Wilder Melfest trilogy, and I’m afraid to confess (literally, in case somebody flies into a rage and tries to attack me) that this one isn’t mine (Wild Child is my favourite, if you must know). Busy Doin’ Nothin’ is a cracker though, and if it hadn’t been for Queen Sanna and the incredible Undo, I would happily have sat back and let Sweden send it to Eurovision. There’s something endearing about a thirty-something woman styled like and armed with all the angst of a hormonal teenager shouting repeatedly that she doesn’t want to adult – which we can all identify with. I know that sounds sarcastic, but I’m serious. When a song is this catchy and current, it can contain both yelling and attitude without either being a dealbreaker.
And that, my friends, is that. I hope you enjoyed my reaction to somebody else’s NF faves, and aren’t too disappointed that there was nothing I could honestly trash. I guess birds of a feather really do flock together, because the girls behind Eurovision Union and Eurovision By Jaz both have great musical taste. In fact, if you check out Anita’s judgment of my top 10, you’ll notice we have a few songs in common. SPOOKY.
One last reminder: see my song picks on Eurovision Union here!
What do YOU think of Anita’s Melfest top 10? Who would make it into your 2009-2018 best-of list? Let me know in the comments.
Until next time,
Have you been trapped in a basement for the past month or so? Maybe you just don’t follow Swedish darling and Eurovision 2018 wonder boy/televote non-magnet Benjamin Ingrosso on social media (the less dramatic option). Either way, you might’ve missed the build up to and eventual release on Friday of Benjamin’s first proper album: a.k.a. Identification.
I, as a tragic Ingrosso fangirl from way back, missed nothing. I’d been clinging on to the pre-release song teasers on Instagram like Salvador Sobral clinging on to the hope that he wouldn’t have to hand the ESC winner trophy to a fast-food-and-fireworks song like Toy (i.e. desperately). I dropped everything to read Scandipop’s comprehensive preview (luckily I wasn’t holding anything fragile, expensive or living at the time), and shook my fist super threateningly at Central European Time for dictating that the album would be released while I was at work. No prizes for guessing what I did the second I got home on Friday…
It’s now been a few days since Identification dropped, and since then I’ve played it more or less nonstop. As a result, I’m beyond ready to review it for anyone who’s interested – but rather than rambling on endlessly about all 12 tracks (which I could, because every single one is DOPE) I’ve decided to pick out my favourite six songs from the album and ramble on about those, and only those.
Behind the naturally cool-as-heck cover art of Identification is Benjamin’s latest single I Wouldn’t Know, Melodifestivalen winner/Eurovision entry/greatest song ever Dance You Off, and ten other slickly-produced pop songs – all co-written by the man himself – ranging from emotional ballads and hazy dream-pop to dancefloor bangers. And here, ladies and gentlemen, is the best of that brilliant bunch according to Jaz. You wouldn’t be here reading this if you didn’t want my opinions, right?
In album tracklist order…
It would have been easy to make Dance You Off the Identification opener, but I’m glad Benjamin didn’t – not when this absolute BANGER was waiting in the wings, equipped to get things started in style. Ingrosso’s trademark falsetto leads to a chorus so infectious, you’ll feel like wearing a surgical face mask and bathing in antibacterial sanitiser after hearing it. Subject-wise the song is almost like a Dance You Off prequel, with Benjamin taking us to the club where he’ll eventually dance this girl off the floor because she’s become a bitch (his side of the story) – only on this occasion, they’re meeting for the first time and she’s looking mighty fine…hence why he can’t make his eyes behave. Honestly, he could have based this song’s lyrics on his desire to judo chop Big Bird from Sesame Street and I’d still rate it. As it is, I’m placing a mental bet on Behave being the follow-up single to I Wouldn’t Know.
I Wouldn’t Know
Speaking of which, here’s I Wouldn’t Know in all its summer-soaked glory – track no. 2 of the album and one of my highlights without a doubt. If this song seems to sound like LA (which it totally does) that’s Benjamin’s excessive time spent in the city creeping in to his music. It’s a pretty upbeat song considering it’s about someone who’s just not that into him (are all these songs about the same person? If so, she must be seriously high-maintenance). Every time I hear the retro, sun-bleached intro, I feel like I’ve been transported to the land of palm trees and shopping streets where Julia Roberts is not welcome until she’s made the full transition from hooker with a heart of gold to Richard Gere’s sophisticated arm candy (and yes, that is a compliment). Cruisy vibes and overall catchiness make this a perfect addition to any holiday roadtrip playlist. Also, ‘Tell me what it’s like to love someone who gives a damn about you, ‘cause I wouldn’t know’? Sick burn, Benjamin.
I’ll Be Fine Somehow
This breakup ballad has none of the danceable qualities of Behave or the ironic happy feels of I Wouldn’t Know, but it’s equally awesome in its own way. It reminds me a little of Benjamin’s first grown-up single Fall In Love, only it’s slower and sounds more like it was influenced by R&B. It tells a typical story that we can all identify with (album title pun not intended, but I’ll roll with it). That includes a little list of the pros and cons of the relationship split in question, summed up in the chorus with this lyric: ‘I miss the way that you feel but I won’t miss the way I felt’. Excuse me while I melt into a puddle of feelings on the floor! My only complaint about this song is that it’s too short. As we Eurovision fans are well aware, three minutes isn’t always sufficient song-wise, and I’ll Be Fine Somehow is over before I’ve had the chance to reflect on all of the horrendous aspects of my love life. I suppose I could just play it ten times in a row…
So Good So Fine When You’re Messing With My Mind
This is what happens when you put Benjamin’s late 80s/early 90s influences in a blender with a bunch of top-tier pop songs and a big scoop of protein powder. Oh, and a profanity bleep for every chorus that only draws more attention to the d-word. There’s no kale or chia seeds in there, but that just makes for a more appetising smoothie. If Dance You Off didn’t do anything for you but you’re still hoping for an Ingrosso track that will make you move, this would be my suggestion – the chorus alone is impossible to sit still to. Coming a close second in the ‘Best of SGSFWYMWMM’ stakes is the fact that every part of the song is interesting and has a unique selling point, but all parts compliment each other like it ain’t no thang (or, to use normal person words, effortlessly). Like Behave, this song would make a great follow-up single to I Wouldn’t Know. HINT HINT.
You can hear the Los Angeles in this one too. Spotlights is basically Benjamin justifying his place in the music industry – and in the spotlight, obviously – in the face of haters who think he’s only where he is in his career thanks to the Wahlgren-Ingrosso legacy (this is something the Kardashians should consider doing if they can gather enough material). And this justification is boxed up in jazz-pop package that Bruno Mars would be proud of. My highlight within-a-highlight here has to be the second verse, because the rhymes are so, so satisfyingly neat. ‘See I was only fifteen, labels didn’t want me, they saw me on the TV, said I didn’t have a story, so I had to prove it, did it with my music, when I become a star they’re gonna say they always knew it’ = bomb wording if ever I’ve seen it. I don’t mind if Benjy’s career did get a boost from that hyphenated family name, because it eventually led to this song’s existence in my life and presence on all of my summer party soundtracks.
Dance You Off
Well, duh! I like to think of Dance You Off as the last official track of Identification, with Happiness being an acoustic tack-on that makes for a nice encore rather than a great grand finale. Fortunately, this song helps Benjamin go out with a bang. You guys know what it sounds like – I don’t need to describe it to you. Will that stop me though? Um, no. The late 80s/early 90s atmosphere is thick, the Michael Jackson influences are clear, and no matter how many times I listen to this track (or watch the mind-blowing performance) I will NEVER understand why the voting Eurovision public responded to it so negatively. It goes without saying that I exclude myself from that narrative, since I voted for Sweden and only Sweden back in May (well, there may have been a few messages sent for Mikolas Josef, but you get my drift). Ultimately it doesn’t really matter. Dance You Off is the gift that keeps on giving, televoting points or *sniff* hardly any televoting points.
Okay – that’s my top six tracks covered, so I’ll press pause on the ramble. But I do want to say one more thing: if you’re yet to give this album a go, get on it ASAP (wherever you usually listen to music digitally). It’s far from being a collection of Dance You Off clones, so if that wasn’t your cup of cocoa but you are a pop lover, you’re still likely to find something Benjamin Ingrosso-branded to enjoy.
I’m going to cheat and recommend two more tracks in addition to my favourite six: No Sleep (which sounds like it was recorded under water with the supervision of The Weeknd, and the result is glorious) and Good Intentions (another one to make you feel like you’re in sunny LA drinking cocktails at a beach party). But, in case you hadn’t guessed, I love this entire album and wouldn’t tell you to avoid any of it.
If you have given Identification a run-through, tell me which tracks floated your boat in the comments. How many stars would you give it? It’s pretty obvious that I’d give it the full five.
Now I’ve got to go play it again, because it’s been several hours and I’m having withdrawals.
Until next time (when I’ll write about something in a less sickeningly complimentary way),
Is it just me who feels like we had a handful of Eurovision 2018 entries five minutes ago and were impatiently waiting for the rest to be locked in? And yet, somehow, the selection season is actually over. We have our 43, and that’s been the situation for a few weeks now.
It’s kind of sad, but there is a bright side – besides another contest being on the cards in the foreseeable future. Before looking back at Kyiv 2017 and looking SIX WEEKS (!) ahead to Lisbon 2018, we now get to glance over at this latest NF season and say ‘How you doin’?’ in a suggestive Joey Tribbiani way to all of the awesome new music we discovered throughout January, February and March (and maybe a little in December too). And today I’m finally ready to present you with my personal list of absolute favourites.
For some reason, I didn’t let myself have total free-rein fun with it (I may be my own boss, but it turns out I’m a strict one). There were conditions. DUN DUN DUN!!!
- This is an obvious one, but I couldn’t choose a song that won the NF it competed in, even if it was my favourite in the field. Once that happens, the song stops being an NF song and becomes a Eurovision entry, after all.
- Secondly, I only let myself choose one song per country, so don’t think you’re about to see me fawn over ten Melfest tracks in a row – it hasn’t happened. It would have been more like 3x Swedish songs, 3x Norwegian, 3x French and 1x token from somewhere else anyway.
Based on these rules, I’ve put together my top 10 and I’m pretty pleased with it. But, since this year offered up so much great stuff, if you make it to the end of this post – or just cut out the middle man and scroll straight through – you’ll find a playlist of my top 10 plus ALL of my other ‘best of the rest’ songs from this season. Feel free to tell me what excellent taste I have in the comments (or at least be polite when you’re criticising it). And don’t forget to leave a list of your NF favourites from 2018 too – I want to know what stood out to you and what you might have preferred to hear/see in Portugal over what will be. Because I’m nosy *hopes it’s part of my charm*.
Now, let’s get into the list!
#10 | Astronaut by Liam Tamne
Unplaced in Eurovision: You Decide (United Kingdom)
I know many of you will want to throw a pie at my face (or in this case, perhaps a plate of bangers and mash) for suggesting that ANYTHING in the You Decide lineup was better than Asanda’s Legends. Don’t get me wrong…that was dope, and in my opinion was probably the best choice the UK could have made for Lisbon (sorry/not SuRie). But while my head knew that much, my heart was with Liam and his Astronaut. Apart from taking the space metaphors a little too far at times, this song appeals to me in every way – from the modern and atmospheric production to the pretty melodies and Liam’s crystal-clear falsetto. In fact, the only thing that really bothers me is the line ‘take your body into space’, which sounds like a threat a serial killer would make to a bound-and-gagged victim after consuming a tray of hash brownies. But (bizarrely) that’s not a deal breaker. You can be my astronaut for sure, Liam (in a platonic way because I know you have a husband).
#9 | Signals by Karui
Unplaced, Dansk Melodi Grand Prix (Denmark)
When Karui didn’t even get a look in to the super final of DMGP this year, it didn’t come as a surprise. She may have turned in a stellar, soulful performance, but Signals is just not the kind of song Denmark would ever choose to send to Eurovision. As a consolation prize, though, it’s totally the kind of song I get a kick out of, and I plan to listen to it on the reg until I find a 2019 Danish reject to replace it. The song is like a less urban version of All My Friends by Snakehips, with bare-bones verses and hypnotic choruses that run smooth like a chocolate fondue (why do I always end up comparing music to food?). It’s the perfect backing track to a low-key house party or a romantic rendezvous – not, I have to admit, a great song to enter in a competition, which is another reason why I didn’t crumple dramatically to the floor when it didn’t go anywhere in DMGP. I still want to hear more stuff like this from Denmark in the future, even if it only serves to end up on a Spotify playlist of mine post-show.
#8 | Ptica by BQL
2nd, EMA (Slovenia)
Okay, so it might have been BQL with Promise that technically came second in EMA…but the semi-final Slovenian version of this song is miles better. In any language, it’s no Heart of Gold (which 110% should have gone to Kyiv despite the boys being more performance-ready this year) but it has the Maraaya Midas touch, and that’s enough to warrant it a spot on my best of the rest list. I just love the cruisy vibe, the acoustic-pop sound, and OF COURSE the light-up guitars (it’s like Poli Genova personally oversaw the instrument-pimping process). Honestly, if BQL return for a third try at representing Slovenia next year with a song less impressive than this, it HAS to be their time. Maybe the musical love child of Heart of Gold and Ptica would do the trick? You’re welcome for the musical inspiration, Maraaya.
#7 | Lelya by Tayanna
2nd, Vidbir (Ukraine)
If there’s one thing we learnt from NF season 2017, it’s that Tayanna can SING…unless she’s got a throat infection. Fortunately she made a triumphant comeback to Vidbir this year, switching from a big dramatic ballad to a fast-paced retro pop banger in the process. As you’ll know if you tuned in to see her in action, she sang so studio-perfectly while dancing her ass off that she had to fend off accusations of lip-syncing on live TV. But she’s not fake – just fierce AF. And so is Lelya, with a catchy chorus and unrelenting energy that helped Tayanna hang on to her 2nd place from a year earlier. I would have preferred her to go to Eurovision on home soil with I Love You (what a host entry that would have been!) and I’m happy with Under The Ladder as Ukraine’s song for Lisbon, but Lelya would have been a worthy entry too. BTW…I’ve linked Tayanna’s semi performance above because, even though she was vocally flawless both times, I really did not like the oversized pantsuit she wore in the final. Seriously.
#6 | My Turn by John Lundvik
3rd, Melodifestivalen (Sweden)
Why are the Melfest performances geoblocked on YouTube? In Australia, anyway. It’s a travesty, is what it is. But I digress. If you read the Selection Season posts that led up to this one (which you totally would have because you just can’t get enough of me, AMIRIGHT?!?) then you might have noticed I transitioned from thinking My Turn was cheesier than a board of brie and camembert, to thinking that it was magnificent (while continuing to acknowledge the cheese). It’s not like it’s Our Choice cheesy (Iceland has a lot to answer for). It’s more of a ‘I just won Idol circa 2002 and this is my uplifting, inspirational winner’s single! Yay for me!’ situation. But it just works. It has all the moments it needs to give me goosebumps, right down to the explosive money note that we all knew would be accompanied by a fire curtain before we even saw John perform it on the Melfest stage. And speaking of which, he performs it so well with so much confidence, it’s hard to hate. Who knows, he may not believe a word he’s singing, but he makes me believe that he does. It so is your turn, John…just not to win Melodifestivalen, obviously.
#5 | Delirium by Isabell Otrębus
9th, Krajowe Eliminajce (Poland)
There’s something about Isabell that isn’t that appealing to Poland – this year in particular, when her NF outing ended with second-last place. I’ll admit that Delirium is a better song to listen to than to watch being performed (making it less than ideal to send to a contest where visuals are as crucial to a successful package as the song). But that’s what I’m ranking here anyway – songs that I have already or will be Spotifying the shiz out of over the next few months/years/centuries (because Delirium gives me enough life to guarantee I’ll live beyond 100). This song is better, I reckon, than Isabell’s 2017 Krajowe entry Voiceless. That was good, but Delirium is great. It’s not quite a pop music masterpiece, but pretty close – everything about it is contemporary, the production (Swedish, surprise surprise) is slick, and the chorus is simple but super catchy. If I’m honest, I would have preferred Poland to send it to Lisbon over Light Me Up, but I also know full well that Gromee and Lukas will fare better than Isabell would have. So I’ll just accept what actually happened, and continue to press play on this whenever the mood takes me (which is about every half an hour).
#4 | Poison (Ari Ari) by Tamar Kaprelian
DNQ, Depi Evratesil (Armenia)
Initially, I was under the impression that this was the ONLY song Armenia should send to Eurovision this year. Then they went and kicked Tamar to the curb at the semi-final stage of Depi Evratesil (THE NERVE!) and chose Qami…which I ended up falling in love with because it gives me all the Renaida-style feels. But rest assured that a) I’m still mad about the Poison rejection, and b) I will never forget what an epic piece of ethno pop it is. And that’s not just by comparison to Genealogy’s Face The Shadow, which was dire. In a parallel universe – and with some staging changes plus a boost from backing vocalists – this would have been an ESC return that gave an entire continent a bad case of the earworms. I mean, that chorus is stickier than super glue! Overall, the song is three minutes of Tamar playing Princess Jasmine in the Armenian production of Aladdin, and hers is an Arabian night I want to relive over and over again. Ari ari-lly love this.
#3 | Scandilove by Ida Maria
Unplaced, Melodi Grand Prix (Norway)
I have to start by saying that I had a hard time choosing my Norway song for this list. I had no doubt there’d be one, I just didn’t know whether it would be Talk To The Hand, Who We Are or Scandilove (and narrowing it down to those three was tricky enough. #firstworldproblems). Ultimately I opted for Scandilove because it’s the Mean Girls of music: endlessly quotable, totally iconic and SO much fun. If you don’t believe me on that first point, allow me to present you with the following lyrical gems: ‘Swim in the ocean, feel the emotion, it’s fucking freeeeezing’; ‘You’re in Scandinavia, biatch’, and of course, ‘Can you make love like a Scandinavian?’ (though I’m still not sure exactly what that entails). The whole thing is so weirdly wonderful, a part of me wishes Norway had taken a non-Rybak risk and bestowed Europe with such a magical gift of song in May. Especially since Ida performed it so perfectly (when I was expecting a car crash) and with all the energy, attitude and costume game we could have hoped for. 1990s Spice Girl pop and 2010s too-cool-for-school Scandi pop – with a sprinkling of ridiculousness – join forces here, and the result is amazing.
#2 | Compass by Alejandro Reyes
2nd, Die Entscheidungsshow (Switzerland)
Now I’m getting into the songs that I not only wanted to win, but nearly got my way with (which is me saying that this song and my #1 both finished second in their respective NFs). I do think Stones is a good song, and that Switzerland was sensible in picking it. But if I’d had the picking power over there (I cannot imagine a scenario in which this would be the case, but just roll with me) I would have gone with Compass in a heartbeat. I was impressed by Switzerland having a potential Eurovision song that was so damn now, it could be the latest thing Shaun Mendes fangirls are freaking out over (rarely something you find in a Swiss NF). Still, I would have dug this like a hole in the sand even if it had been competing in Melodifestivalen surrounded by similarly current radio hits. It’s easy-listening but still has energy; the lyrics are interesting, neatly rhymed and non-cliché; and the chorus is stripped-back (word-wise) but memorable. As a package, Compass comes gift-wrapped in fancy paper with a big fat bow on top. And, as an added bonus, Alejandro is a beautiful sight to behold and can deliver himself to my door gift-wrapped (or not) any time.
#1 | Eva by Lisandro Cuxi
2nd, Destination Eurovision (France)
Eva feels nothing but a heartache…and I was the same when Lisandro was beaten at the last minute by Madame Monsieur in France’s 2018 NF. As with Norway, there was a handful of French possibles that could have ended up on this list, and they did all end up on the playlist you’ll find below (including Emmy Liyana’s OK ou KO and Nassi’s Rêves de Gamin). But I had to make Lisandro’s Eva my number one NF song of the season because not only do I love love LOVE it, it’s also the one song that destroyed me when it finished second, not first. It didn’t help that it looked like it was going to win until, as I said, the last minute (oh, the pain!). But enough about that, since it didn’t win and I’ve now accepted that. As a standalone song outside of a competition, to me Eva is everything. It’s moody, mixes languages without interrupting lyrical or audio flow, tells a story, goes hard on hypnotic beats and power, and is generally an R & B banger that stood out to me from the moment I heard a snippet of it. Lisandro’s smooth-as-silk vocals are the cherry on top of the croissant. More than ever, I wish we could make an exception to the September 1st rule and wheel this one out to represent France in 2019, but the best I can hope for is that Lisandro tries again with a song that’s equally good, or better (if such a thing even exists).
So that’s the cream of the crop for me…but about the rest? Well, here they are alongside my top-tier NF favourites.
How long would your personal playlist be? Would any of my top 10 picks make it into your top 10? Write me a sentence or a story in the comments and let me know!
I’ll be back soon with another pre-Portugal post, and then it’ll be time for the EBJ reviews to kick off (the only time I wish Eurovision wasn’t currently a 40+ country contest is when I have to write about every single entry). Watch out for those, and/or subscribe (in the sidebar), and/or follow me on your standard social media platforms @EurovisionByJaz, for new post alerts. Oh, and ESC-related thoughts complimented by GIFs. What more could you want?
SELECTION SEASON 2018 | A shipload of songs for Portugal, Norway’s Grand Prix + the pointy end of Melfest!
It is with great regret – and to be honest, a little relief – that I say hey to you guys on the last Super Saturday of the 2018 ESC NF season. It feels like five minutes ago that the season started, and all of a sudden we’re in the thirties with our set-in-stone song tally and just days away from having a full house (and using the good old sorting tool to its full potential). The positive part of this, though, is that we are now just TWO MONTHS away from the main event.
No, not my birthday…that’s in September. I’m talking about Eurovision, obviously. Isn’t that all I ever do on this blog?
Before the spotlight hits Lisbon, there is more business to take care of. This is a sedate Saturday when you compare it to the last three or four – but the two finals taking place tonight are big ones.
- Norway (Melodi Grand Prix final)
- Sweden (Melodifestivalen final)
Yep – it’s an all-out Scandifest! And even though I’m mad about it denying me the chance to be on Twitter throughout Melfest if I want to watch MGP afterwards sans spoilers (why did they have to be on the same night, for the love of Loreen?!?) I’m also very, very excited. And very, very keen to get on with talking about a) everything that happened last week re: Portugal’s participating songs, b) Melodi Grand Prix, and c) my beloved Melfest (to think I was in Friends Arena for the final a whole year ago!). So I’ll get straight into it.
After a drip-drop few months of the NF season (Safura pun intended), all of sudden we are DROWNING in songs (albeit drowning in an enjoyable way).
It all started with the results of last Saturday’s finals, which saw five songs selected in Estonia, Finland, Iceland, Poland and San Marino. The role call = La Forza by Elina Nechayeva, Monsters by Saara Aalto, Our Choice by Ari Oláfsson, Light Me Up by Gromee feat. Lukas Meijer, and Who We Are by Jessika feat. Jenifer Brening (a Maltese/German production for San Marino, of course). My least favourite of this bunch by far is Who We Are (and if Norway chooses a much, MUCH superior Who We Are tonight, San Marino will be even worse off) while my top pick of the night was La Forza. I’ll tell you why – assuming I still feel the same way – when the EBJ reviews for 2018 kick off. #cliffhanger.
Sweden’s Melodifestivalen stage has made its last pre-Stockholm pit stop, and the final line-up is complete (obviously, since it’s happening tonight…I’m just mentioning it now). Quashing their competition in each of the four Andra Chansen duels last Saturday were Margaret, Renaida, Felix Sandman and Mendez, paving the way for a Schwarznegger-strong final. For more on that, including my winner prediction, keep reading.
We have our host entry at long last, with Portugal choosing Cláudia Pascoal and her fairy floss hair to defend their Eurovision title with O Jardim. It’s a seriously slow burner of a song, and I definitely need time to figure out how I feel about it – but my first impression is good. Not good enough to make me think Portugal will successfully defend their first-ever win, however.
Later in the week, just when we thought the flood of songs had stopped, in surged Australia, Austria, Azerbaijan, Belgium, Croatia and Ireland, unveiling entries by artists that had been locked in for a long time (Belgium in particular). It’s no surprise that most of my attention was on my own country’s entry (no. 4…who would have thought), but I’m actually not going to say anything about Jessica Mauboy’s We Got Love at this stage. Do I love it? Do I hate it? YOU’LL NEVER KNOW MWAHAHAHAHA until later on when I’ve formed a proper and objective opinion. Sorry, not sorry.
If I could describe the others in one word, though, Cesár Sampson’s Nobody But You would be ‘smooth’, Aisel’s X My Heart ‘underwhelming’, SENNEK’s A Matter of Time ‘interesting’, Franka’s Crazy ’jazzy’, I guess (and I’m glad Croatia isn’t in the same semi as Latvia, because I love Funny Girl and I don’t want two similar songs clamouring for the same points) and Ryan O’Shaughnessy’s Together ‘sweet’. Stay tuned for those 2018 reviews when I’ll say a lot more than that about all 43 entries.
Now it’s time to talk about some potential entries. Let the Scandifest begin!
We’ve known the artists and the songs for a good few months – and now, it’s finally time for Norway’s MGP to pit them against each other live and narrow ten down to one. And those ten are, in case you needed a refresher:
- You Got Me, Stella & Alexandra
- Talk To The Hand, Aleksander Walmann
- Scandilove, Ida Maria
- Light Me Up, Nicoline
- I Like, I Like, I Like, Tom Hugo
- Stop The Music, Charla K
- Tengo Otra, Alejandro Fuentes
- Moren Din, Vidar Villa
- Who We Are, Rebecca
- That’s How You Write A Song, Alexander Rybak
I don’t know about you, but I reckon this final is pretty freaking beautiful, to quote Robin Bengtsson *struts on treadmill and tries to type at the same time*. You did good, Norway – even if Alexander Rybak isn’t adding a surefire hit to the mix as many of us assumed he would.
Here’s my rundown of the songs that are hits, and those that missed the mark (in my opinion, obviously…feel free to disagree in the comments).
My favourite four (a.k.a. Jaz’s personal super final)
Who We Are In the wake of A Monster Like Me, Mørland brings us another musical masterpiece via Rebecca. It’s a power ballad that moves to morph into Sanna Nielsen-style schlager before each chorus, but (plot twist) doesn’t. The lyrics are familiar but not clichéd or a cheesefest, and each part of the song is as memorable as what comes before it – there’s no relying on a strong chorus to carry everything else. AMAZING. This is the MGP song leading the odds at the moment, and if Rebecca can deliver it close to studio-perfect tonight, there’s a good chance we’ll be seeing her on an even bigger stage in May. 9.5/10.
Talk To The Hand I was surprised to see JOWST and Aleksander Walmann so keen to give Eurovision another shot so soon – surprised, but psyched. This time Aleksander is the only billed artist, but we still get to experience JOWST’s brilliant lyrics (Grab The Moment won the EBJ Award for Best Lyrics of 2017, ICYMI). And it’s another catchy, cutting-edge pop track, with a faster pace than the Kyiv 10th-placer. I love it. It’s so much fun, and I will be Spotifying the shiz out of it whether it wins or not. 9.5/10.
Scandilove Speaking of fun…oh my Lordi, this is a party starter. At first I thought it was ridiculous, but all it took was a second listen to get me thinking it was ridiculously epic. It’s unbelievably catchy, bubblegum as heck, and hilariously quotable – ‘Can you make love like a Scandinavian?’, ‘Swim in the ocean, feel the emotion’ and ‘It’s fucking frEEEzing’ are the tip of the iceberg. Sure, it could be an absolute train wreck when performed live, but Ida is innocent until proven guilty. 9/10.
Tengo Otra Who would have thought that the Despacito effect would pop up in Norway’s national final? Or Sweden’s, for that matter? Well, believe it or not, it has – and I’m fine with that when it gives us songs like this. I have no idea what Alejandro is singing about (I’d have better luck if he’d gone with Norwegian) but his melody is exotic and makes me want to dance until sweat is pouring off me and I have to excuse myself to go and down an entire pitcher of sangria. 8.5/10.
The leftovers (a.k.a. the stuff that’s still good, just not great)
That’s How You Write A Song Artist-wise, this is the big one. Song-wise, this is the musical equivalent of a trashy TV movie that’s so bad it’s good. What’s not good is how inaccurate the lyrical instructions are (I think there’s a little more involved in the songwriting process than you’re letting on, Alexander) but who cares when the violin riff is so fantastically cheesy? Fairytale this song is not, but it is my guiltiest guilty pleasure of the whole NF season. 8/10.
Moren Din Up until now, the creepiest mother-related song in the Eurovision bubble was Belgium’s 2014 entry from Axel Hirsoux. Enter Vidar, who wants to get it on with someone else’s (I must stress that) mum and is not shy about making that public knowledge by singing about it on national TV. Subject matter aside, the song is folksy fun and I quite like it – all the more as it’s the only Norwegian-language song competing in MGP this year. 7.5/10.
Stop The Music This is a strange name for a song, but I can’t even make a stupid joke about it along the lines of ‘I wish they had stopped the music’ (HAHAHA not) because it’s a nice song. As ballads go, it’s not the cookie-cutter kind, and I appreciate that. 7.5/10.
You Got Me Holy Haba Haba – Stella’s back! And she’s got her groove back too by the sounds of it (I owe you a congratulatory handshake if you got that reference). Her duet with Alexandra – as opposed to Alexander, Aleksander and Alejandro – is full of energy and packs a decent punch with the chorus, but it doesn’t exactly set my Scandipop-loving soul on fire. 7/10.
Light Me Up This is probably the most nondescript song of the ten. It’s good for radio play or the movie soundtrack of a John Green adaptation, but it’s too lacklustre to compete in a contest. There’s no fight in it. Sorry, Nicoline. 6.5/10.
I Like, I Like, I Like Now here’s a song title I can joke about! It’s not that I don’t like, don’t like, don’t like Tom’s track (though TBH, calling it I Like x1 would have been totally fine) – it’s just one of the few weak links here, and I’d be shocked to see it progress to the super final unless the live performance is miraculously mind-blowing. 6/10.
Making my predictions (a.k.a. embarrassing myself)
Traditionally, the four spots in the Melodi Grand Prix super final/gold final/whatever they’re calling it in 2018 are filled by a few predictable betting favourites, plus a few left-field options that few saw coming (and by ‘few’, I mean ‘me because I’m not very perceptive’). I’m not even sure I would have anticipated Grab The Moment making the cut last year if I’d followed MGP (I was busy swanning around Stockholm at the time). So, I’ve thought long and hard about who I think the final four will be this time…
…which didn’t help at all.
That means it’s stab-in-the-dark time, y’all! And I’m taking a stab at Aleksander Walmann, Vidar Villa, Rebecca and Alexander Rybak being the final four. If Walmann fades into the background after performing in the dreaded second slot, or Vidar isn’t the curveball I suspect he might be (remember En Godt Stekt Pizza?) we could see Ida Maria (if Norway’s feeling frisky) or Stella & Alexandra stepping up instead. Rebecca and Rybak are more or less already there, as far as I’m concerned, but don’t make me bet anything on it.
As for the winner, I do think Rebecca will do it if a) her live vocals are up to scratch, and b) the staging hasn’t been stuffed up and does Who We Are justice. That means the music video should definitely NOT be replicated on stage, as cool of a concept as it is.
What do you think? Am I crazy for not naming Rybak the runaway winner, or is there someone I’ve overlooked? Who do you want to represent Norway in Lisbon? Let me know below.
It’s here. After five cities, four semis and one second chance round, Melodifestivalen has arrived in Stockholm, and the capital is prepping for a final that has turned out to be pretty fantastisk considering the overall, weaker-than-usual standard of this year’s competition. 12 songs remain, and outside of victories on the Spotify charts, only one can win. So who’s going to Eurovision?
- Everyday, Mendez
- All The Feels, Renaida
- A Bitter Lullaby, Martin Almgren
- My Turn, John Lundvik
- Party Voice, Jessica Andersson
- Last Breath, LIAMOO
- Shuffla, Samir & Viktor
- For You, Mariette
- Every Single Day, Felix Sandman
- In My Cabana, Margaret
- Dance You Off, Benjamin Ingrosso
- Fuldans, Rolandz
That golden ticket to the ESC is still up for grabs. There’s no crystal-clear winner forging ahead far enough to make betting on them worthwhile (at least for a scaredy cat with a fragile bank account balance like me). Benjamin is leading the odds and won the audience poll; Felix is topping the charts and gaining more support by the second; Mariette or John Lundvik could still surprise; and LIAMOO might be a miracle worker who raps his way to first place.
A lot is going to come down to who Sweden votes for now that the best songs are in direct competition, and what the international juries take to as well (so we probably won’t see Samir & Viktor shuffla in Lisbon). Before I make my best possible winner prediction, I want to run down the full list of tonight’s twelve songs: not in performance or even alphabetical order (gasp!) but by how much I want them to win. Tell me if you feel the same – or not – in the comments.
Nej, tack…the songs I DON’T want to win Melfest 2018
A Bitter Lullaby I think there is a place for this in the final, and as long as it isn’t first place (which is about as likely as San Marino winning Eurovision this year) I can make peace with it being there. The song has grown on me since listen no. 1, but I still see it being too vanilla to get Sweden a result on par with what they’re accustomed to. 6.5/10.
Party Voice Melfest wouldn’t be Melfest without a touch of schlager, and since Jessica is one of only four females competing tonight, Party Voice is representing schlager and girl power in Stockholm. But, like Christer Björkman, I do NOT want a song like this winning through to the ESC and setting Sweden back 15-20 years. Again, it’s not going to happen…but I just want to make my feelings clear (while dancing like a mother). 7/10.
For You It’s not Mariette’s fault that she had so much pressure on her to produce a clear Melfest winner. Nonetheless, she didn’t. I think she’s almost out of contention for the win (if she couldn’t do it with A Million Years, she shouldn’t be able to with For You). The song and the performance are good, but missing the x factor. 7/10.
Fuldans I can’t be mad that Rolandz went direkt – didn’t we all see it coming? They are officially the Owe Thornqvist of 2018, right down to being handed performance slot 12 in the final. As with Boogieman Blues, I’d be lying if I said I got zero enjoyment out of Fuldans. Knowing it shouldn’t and won’t come anywhere near winning means I’m not worrying about it much. 6/10.
The songs I could get on board with (or should I say ‘All Aboard’ with?)
Everyday This is a bop. So much so that I can forgive the line ‘We were always meant to be’ (seriously, couldn’t they come up with anything else?). The chorus is possibly the catchiest of the year, and the colourful, frivolous staging contrasts well with Mendez’ all-black ensemble. 8/10.
All The Feels Fiercest, most flawless female in the final alert! I’m so thankful Renaida made it out of Andra Chansen so we get to witness her smash it on stage again. All The Feels is addictive, contemporary and perfectly choreographed. The odds aren’t in its favour to win, but if it did I would be happier than Nathan Trent after a lottery win. 8.5/10.
Shuffla They’re leading the pack on Spotify – and it’s understandable – but as with Rolandz, it will be the international juries who drag Samir & Viktor down a scoreboard they might have topped if Sweden had 100% of the power. I’m not super keen on a Shuffla win, so that’s okay with me. Still, imagine the energy this would bring to Eurovision, and how jättebra it would be to have Sweden send a song in Swedish for the first time since 1998! 7/10.
Every Single Day Comparing this song – and Felix himself – to Frans’ win with If I Were Sorry is easy. I ended up loving and supporting that in Stockholm (right down to wearing Frans’ face on my t-shirt) and I can see myself doing the same thing if the Sandman becomes the second-ever winner to come out of Andra Chansen. At this point, though, I like this song, but love others. 8/10.
The songs I want to win
My Turn How did I go from labeling this as a total by-the-numbers cheeseboard to adoring it when I’ve only listened to it once since semi 1? Your guess is as good as mine. But there’s something about the melody, power, and John’s beautiful face that’s worked magic on me. Don’t underestimate this one! 9/10.
Last Breath I get that rap isn’t for everyone, but it’s what LIAMOO does best and that makes his performance of Last Breath authentic and moving. The staging is simple but complementary, and the song is dynamic thanks to the uplifting chorus that gives rap-haters a break from the more intense verses. As Sanna Nielsen would say, I’m in love. 9/10.
In My Cabana But of COURSE. I don’t care if Margaret sings like a drunk pack-a-day smoker (although she has come a long way from her Polish NF performance of Cool Me Down). This song is the bomb dot com – a tropical-reggae-pop banger with numerous insanely catchy bits. Oh boy, oh boy. 9.5/10.
Dance You Off Last but not least, it’s my boy Benjamin with a slick R & B/dance track and the most epic staging I have ever seen. Together they’re an ESC-ready package that I’ll be cheering for tonight so loudly I’ll wake up everyone else in my house, and you’ll probably hear me even if you’re in Friends Arena. 9.5/10.
Predicting the winner, with sweaty palms (and sweaty other places)
I’m going to keep this (kind of) short. Realistically, I think there are four songs that are in it to win it – My Turn, Last Breath, Every Single Day and Dance You Off. As I said before, Samir & Viktor will be dragged down by the international juries, whereas I think Swedish love for Mariette will be decreased now there are stronger songs and performances in play.
Last Breath is too divisive to win, in my opinion – as much as I’d enjoy that. My Turn is probably not current enough. That leaves a likely top two of Benjamin and Felix (who have a bromance going on that Shakespeare would write a sonnet about if he were alive today) and I’m having trouble deciding what’s more likely: the song I actually want to win winning (Dance You Off ) or an Andra Chansen qualifier winning again (Every Single Day). All I feel 100% confident in saying is that Sweden will be sending their fourth guy in a row to Eurovision (so could we please get some girl power á la Sverige in 2019?).
That being said, YOU HAVE TO MAKE AN ACTUAL PREDICTION, JAZ!!! So, for the win, I’m settling on *drumroll*…
Felix. Because I don’t want to jinx Benjamin, but also because I got this feeling inside my bones (Justin Timberlake knows).
Who’s your pick to fly the Swedish flag in Lisbon? Do we agree, or do we have to agree to disagree?
NF UPDATE: What’s Up Next (The Last NF of the Season, Noooooooooo!)
- 11/3 Lithuania (Eurovizija final)
And we still have song reveals from Bulgaria, Georgia, Israel, Macedonia and Russia to look forward to. Are we spoiled or what?
I think I’d better stop the Scandifest now since I could probably publish all of the above as an encyclopedia-thick novel (that nobody would want to read). I hope you enjoy Melfest or MGP if you’re watching one/both tonight, and that you don’t decide to be Eurovision Satan and DM me spoilers from Norway on social media. Have a heart!
Until next time, when the real ESC countdown begins…
Holy guacamole, guys! If you thought the last four or five Saturdays were busy when it came to the ESC NF calendar…then you’re not entirely wrong, they totally were. But this Saturday is on another level, because we’re about to find ourselves with five more songs for Lisbon. FIVE, I TELL YOU!!! THAT’S FOUR MORE THAN ONE!!!
In addition – and I won’t use aggressive all-caps on you this time – Lithuania is edging ever closer to the end of Eurovizija (so they say, but I’ll believe it when I see it) and Sweden’s penultimate Melfest show has arrived. Nights like this are exactly why ‘Super Saturday’ was coined, and I am pumped. Are you?
Here’s a rundown of the evening:
- Estonia (Eesti Laul final)
- Finland (UMK final)
- Iceland (Söngvakeppnin final)
- Lithuania (Eurovizija heat 8)
- Poland (Krajowe Eliminacje final)
- San Marino (1in360 final)
- Sweden (Melodifestivalen Andra Chansen round)
As usual, I’m going to review everything major that went down in ESC terms this week, and I’ll also be talking Estonian eventfulness and Swedish shenanigans (that’s Eesti Laul and Melodifestivalen, for those of you who’d prefer I speak like a normal person). Sorry if you were hoping for a UMK (Monsters please), Poland (Delirium please), etc ramble. Maybe next year, if my time management skills have become superhuman by then!
Let’s rewind to last Saturday, which saw Hungary, Latvia, Moldova, Slovenia and Ukraine take their picks for Portugal. Enrolling in the Class of 2018 were: AWS with Viszlát Nyár; Laura Rizzotto with Funny Girl; DoReDos with My Lucky Day; Lea Sirk with Hvala, Ne!; and Mélovin with Under The Ladder. Along the way we lost BQl and Tayanna, who’ve now finished second two years running in EMA and Vidbir respectively – but it wasn’t for nothing. My favourite choice of last Saturday night was Latvia’s (as they continue to bring it for the fourth year in a row…we’ll see if they get rewarded this time). Having not had the time to follow Supernova at all this season, I had no idea what to expect when I checked out Laura’s winning performance. Afterwards, all I could think was ‘Wow!’ – so you could say it took me (pleasantly) by surprise.
Over in Sweden, the fourth and final semi of Melodifestivalen ended with direkt qualifications for Mariette (shocking) and Rolandz (*sigh*), plus Andra Chansen tickets for Felix Sandman and Olivia Eliasson. It wasn’t a jaw-dropper of a show by any means – Mariette was the favourite, Rolandz obviously is the Owe Thornqvist of 2018 (as I suspected) and Felix will probably get to the final via the scenic route – and it doesn’t look like this week’s AC round will see any major surprises either…OR WILL IT?!? More on that later on in this post.
The NF action didn’t all go down on Saturday: Sunday night was Armenia and Romania’s turn to crown a couple of champions. Armenia could have gone any which way after pre-Depi Evratesil fave Tamar Kaprelian didn’t even advance to the final – and they opted for the first song performed on the night, Qami by Sevak Khanagyan. Now, I do want to keep my poker face on as much as possible until I officially review the entries for Lisbon, but I just have to say that I totally forgive Armenia for letting Tamar go (i.e. we may have lost a bop, but we’ve gained a GORGEOUS ballad in its place). As for Romania, who settled on Goodbye by The Humans…well, I think I need some grow time on that one. The lack of yodeling is something we’ll all have to get used to.
The week ended with two ‘ta-da!’ moments – a.k.a. on Friday, Cyprus and The Netherlands unveiled their entries at last. Eleni Foureira’s Fuego is the ethnopop banger I’ve/we’ve all been waiting for, and once again I think Cyprus has the competitive edge over Greece (I’m still not over Gravity finishing lower than This Is Love last year. JUSTICE MUST BE SERVED). Waylon’s Outlaw In ‘Em – revealed as his Eurovision pick after five consecutive nights of musical possibilities – is not an ethnopop banger (shocking). Instead it’s a full-on, no-holds-barred twang-a-langin’ country anthem in which he is sporadically possessed by Jon Bon Jovi circa 1987. I’ll leave you to wonder (until review time) whether that’s a pro or a con as far as I’m concerned.
I wanted to talk a little bit about Eesti Laul, which isn’t an NF I usually follow from go to whoa – I’ve barely had time to glance at it this year – but it can always be relied on to spit out some really interesting songs that would never be mistaken for Melfest rejects (they’re just so inherently Estonian somehow).
A few semi finals ago there were 20 potential successors to Koit & Laura’s Verona in play; now, 10 remain (DUN DUN DUN!) and tonight is the night for Estonia to name the best one (hopefully, although we all have a different opinion of which one that is) winner.
- Young, Karl Kristjan & Karl Killing feat. Wateva
- Sky, Eliis Pärna & Gerli Padar
- Knock Knock, Nika
- Thousand Words, Sibyl Vane
- Home, Stig Rästa
- Laura (Walk With Me), Vajé
- La Forza, Elina Netšajeva
- (Can’t Keep Calling) Misty, Frankie Animal
- Drop That Boogie, Iiris & Agoh
- Welcome To My World, Evestus
The top three in the odds are Elina, Stig and Vajé (well, they were when I wrote this), but are any of those acts in my personal top three? Short answer: yes. Long answer: keep reading.
La Forza I initially listened to this after hearing Eurofans left, right and centre raving about it, and I didn’t feel it much at first (probably because my expectations were higher than Elina’s glass-shattering soprano notes). But a few listens later, my skin is goosebumping during the chorus. Elina’s performance looks and sounds like nothing else in Eesti Laul 2018, and nothing else in Eurovision 2018 at this point. She is stunning, vocally flawless, and the wearer of a skirt bigger than Aliona Moon’s and just as arresting.
Home Ott Lepland did it to me in 2012, and now it’s Stig who’s making me want to fly to Tallinn ASAP and propose to him on the spot. What a romantic! As always, I’m surprised to see him back in the comp considering he looks like he stumbled across it by accident but decided to just roll with the punches. That aside, I adore this song. It’s sweet and heartfelt without being gag material (FYI, Stig, this is me telling you that I’m currently free for GoT viewings).
Young This is too cute, gosh darn it! One of the Karls even has BRACES, for heaven’s sake (I think it’s one of the Karls…there are a lot of cooks in this kitchen and I’m confused). No, it’s not the most distinctive song on the planet (and it won’t win tonight) but it’s fresh and fun, which gets a YAASSS from me.
Who’s going to win it?
I don’t want to discount anyone and look stupid later (which has already happened a handful of times this selection season), but in my mind the most likely winners are Stig and Elina (not to be mistaken for the Stig and Elina duo of 2015). And I can narrow it down even further than that, because I just don’t think Home is powerful enough to outshine La Forza – though that depends on what Estonia is looking for. Stig gets the authentic, singer-songwriter vote; Elina has the ‘wow!’ moments (La Forza is one long ‘wow!’ moment in itself, actually). I’m thinking it’ll be wow over ‘aww!’ this time.
Oh, and to cover my butt…my underdog winner prediction would be Sibyl Vane or Frankie Animal.
What do you think? Who’s getting on the plane to Portugal on behalf of Estonia, and will their microphone work once they get there?
Kristianstad is the name (does Sweden has a Kostovstad tucked away somewhere?) and Andra Chansen is the game, people. The eight songs that finished 3rd and 4th in their respective Melfest semis throughout February will be chopped in half tonight, with four acts to join Benjamin Ingrosso, John Lundvik, Samir & Viktor, LIAMOO, Martin Almgren, Jessica Andersson, Mariette and *takes a breath* Rolandz in the final. The AC round is often made up of both the obvious and the WTF (results-wise), making it well worth watching even if you’re impatient for the final to just get here already.
Speaking of things just happening already, I’m going to get straight into the duels and share my thoughts on who I’d like to win, and who probably will.
Duel 1: In My Cabana, Margaret VS Cuba Libre, Moncho
First up, two songs that both make me want to go on holiday to a tropical island. Given that Moncho couldn’t have been paired with Mendez for a duel, In My Cabana VS Cuba Libre is the next best thing. There should be a clear winner here – i.e. if Margaret doesn’t walk away with victory in this battle, then there will be something very weird going on in the world (or at least on Planet Eurovision). Then again, I never expected Moncho to get to Andra Chansen in the first place…so I shouldn’t underestimate him again. Still, it’s GOT to be Margaret.
Who should win (IMO) Margaret
Who WILL win Margaret
Duel 2: All The Feels, Renaida VS Never Learn, Olivia Eliasson
Here we have a female soloist in black and fluorescent sports-chic, singing a slick and modern dance-pop song, versus a female soloist in black and fluorescent sports-chic, singing a slick and modern dance-pop song. Well, you can’t say Renaida and OIivia aren’t evenly matched. Having both in the final wouldn’t make a lot of sense, although I do like both songs. But Renaida is the superior performer – her energy and confidence sell All The Feels at a price I’m more than willing to pay, whereas Olivia struggled to perform Never Learn with conviction. I do think this could be the most closely-fought duel of the night considering how similar the options are – sometimes it’s a lot easier choosing between pizza and cake than choosing between pizza and pizza.
Who should win (IMO) Renaida
Who WILL win Renaida
Duel 3: Every Single Day, Felix Sandman VS Songburning, Mimi Werner
We all have our painful AC duels – the ones that are bittersweet because we love both songs and want them both to score a spot in the final. This is mine for the year, in case you hadn’t guessed. I love Felix and his Frans impersonation (Felix is totally sorry, though) plus the bare-bones staging that made the whole thing feel genuine. And yep, I also love Mimi’s country cracker that was staged to perfection (colour scheme, backup drummers and fire curtain were all on point) even if her vocal was wobbly at times. Oof. At the end of the day, my heart (the one in my chest, not the on-screen Melfest app one that drives me INSANE) says Felix a little louder than it says Mimi. Based on his impressive Spotify stream count (it’s more like a flood) and Mimi’s lack thereof, I’d say we’ll be seeing Mr. Sandman in Stockholm next Saturday.
Who should win (IMO) Felix
Who WILL win Felix
Duel 4: Patrick Swayze, Sigrid Bernson VS Everyday by Mendez
Sunny slice of Scandipop goes head-to-head with Latin pop summer song – but who comes out on top? I have been back and forth on this one more times than Sanna Nielsen has filled out Melfest application forms. My personal preference is Mendez, but Sigrid and the effervescent Patrick Swayze have grown on me since the Karlstad semi. And I just don’t know what will win out in the end! SEND HELP.
Who should win (IMO) Mendez
Who WILL win Mendez…or Sigrid. One of the two for sure.
I’ve showed you mine, now you have to show me yours! Who would you bet on to make it out of Andra Chansen tonight?
NF UPDATE: What’s up next?
- 4/3 Portugal (Festival da Canção final)
- 10/3 Norway (Melodi Grand Prix final), Sweden (Melodifestivalen final)
- 11/3 Lithuania (Eurovizija final)
We are so close to the end of national final season, which is sad – but there’s something satisfying about having a freshly-full house of Eurovision entries to talk about. May the best songs win this weekend (the best according to me, that is, because I’m selfish and want things to go my way musically), and may you enjoy whatever you choose to watch!