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SELECTION SEASON 2018 | A results rundown, Malta’s musical half-marathon + the Swedish spectacular starts again!

Welcome to another triple S – Selection Season Saturday! This is the first SSS of what will be a frantic February on the Eurovision NF calendar. Seriously, BRACE YOURSELVES. We do get to ease into things though, with five pan-European heats, semis and finals happening tonight instead of 500 (or what feels like 500. Those Saturdays are still to come).

Those five ESC warm-ups are in Hungary (A Dal Heat 3), Latvia (Supernova semi 1), Lithuania (Eurovizija Heat 4), Malta (MESC final) and *screams* Sweden (Melodifestivalen Heat 1). I cannot believe Melfest is kicking off again – this time last year, I was figuring out what to shove in my suitcase before flying off to Stockholm for the final. I might be watching from afar in Australia this time around, but that doesn’t mean I’m not practically peeing my pants with excitement. In case it’s not obvious enough, I’m a Melfest freak and will definitely be sacrificing all other NFs for Sweden’s over the coming month-and-a-half (unless Dansk MGP turns out to be unmissable). And, naturally, I’m going to discuss Melfest’s first heat/deltävling in detail in this post – plus run my eye over all the pre-Eurovision results and internal selections from the past seven days, AND ramble on about Malta for a while too.

Let’s get started…and finished, so you can hit up my comments box with your opinions + predictions before this evening’s shows get underway.

  

Cyprus stopped the rumour mill turning fast by announcing Eleni Foureira (not Helena Paparizou) as their act for 2018. She’s heading to Lisbon with Fuego, which will be unveiled in March – but it was written by pop powerhouse Alex P, the man behind Yassou Maria by Sarbel, Always by Aysel and Arash, and La La Love by Ivi Adamou. In other words, he’s yet to send a dud track to Eurovision, and my hopes are sky-high for this latest entry. All I know about Eleni at this stage is that she’s tried to represent Greece a handful of times in the past…so if Greece is beaten by Cyprus this year, they’ll have no one to blame but themselves!

The Czech Republic MERCIFULLY chose Mikolas Josef and Lie To Me as their (clearly best-ever) entry on Monday, which eased my French pain a little (I’ll talk about that in second). This song is so catchy, so irresistible, and yes – so inappropriate. It’ll be interesting to see how much of the lyrical content Mikolas will have to rewrite/tweak (Robin Bengtsson can offer advice on how to seamlessly transition from ‘f**king’ to ‘freaking’) to satisfy the EBU. Can he please keep the bamboo bit? It’s brilliant.

Oh, France. Sacre bleu! Okay, so I’m not mad at them for making Mercy by Madame Monsieur the Destination Eurovision winner last Saturday – it’s a great song with a great story to tell. The only reason my heart still hurts is because I was major-league invested in Lisandro Cuxi’s Eva, and to see him put in the flawless performance he did only to get pipped in the public vote put the Eva into devastating. On the plus side, my winner prediction was correct. Woohoo/sadface.

We have an artist and a to-be-heard song from Ireland, with Britain’s Got Talent alum Ryan O’Shaughnessy (who according to Wikipedia is the nephew of Gary O’Shaughnessy, representative of Ireland in 2001…is this the truth?) off to Portugal with Together. I hope it’s not lame like the title would suggest – Ryan’s described it as a power ballad with a gospel feel, which to me sounds like a Sam Smith knockoff (I would not be opposed to that BTW).

 Spain tested all of us who feel uncomfortable when witnessing a PDA by selecting Alfred & Amaia, newly minted #couplegoals, to pick up where Slovenia’s Platin left off in 2004. MWAH. Their song Tu Canción is sweet, and I hope they don’t break up before the contest…if they do, their performance might look more like this:

 

Anyway…

 

 

What would we do without the mammoth, Mediterranean Bank-sponsored Maltese national final in our lives? Granted, it’s not as mammoth as it used to be (and I’m not even sure MedBank are involved these days), but MESC still has its own unique attractions – the cheesy lyrical content, numerous Borgs and Micallefs, and artists who just keep coming back no matter how many times they don’t make it to Eurovision (you know I’m thinking of Deborah C). I wouldn’t want it any other way (so please don’t get offended if you’re Maltese or pro-Malta…I’m just calling things as I see them in an affectionate way, K?).

This year, sixteen acts will be whittled down to one in a single night – brutal! It will probably take the entire night, though. As a sloth in a human suit, I can totally relate to Malta taking things slooooowly. Here’s the line-up for this evening: 

  1. Dai Laga, AIDAN
  2. Rocket, Miriana Conte
  3. Supernovas, Jasmine Abela
  4. Call 2morrow, Matthew Anthony
  5. One Step At A Time, Danica Muscat
  6. Breaking Point, Dwett
  7. Love Renegade, Lawrence Gray
  8. Song For Dad, Richard & Joe Micallef
  9. First Time, Tiziana Calleja
  10. Back To Life, Eleanor Cassar
  11. Beyond Blue Horizons, Rhiannon
  12. Heart of Gold, Brooke
  13. Taboo, Christabelle
  14. Turn It Up, Deborah C
  15. We Can Run, Avenue Sky
  16. Evolution, Petra 

There are actually not that many returnees in this bunch, but Deborah C is worth about five with the amount of times she’s had a bash at the comp. There are a handful of new faces too, and that seems to have come hand-in-hand with some songs that aren’t what we’re used to hearing from our favourite tiny island. So which ones am I hoping will appear on Spotify so I can listen to them because I want to, not because I have to?

 

My top 5

Rocket I feel like I’m at a party for one having this as my favourite, but I reckon it’s underrated. Ultra-catchy, youthful enough for 16-year-old Miriana without sounding like it should be at JESC rather than MESC, and lyrically adequate (as in they make sense and don’t resort to love/above type stuff), it’s got everything going for it. Wouldn’t be out of place in a Melfest semi. 9/10.

Heart of Gold As much of a Wiktoria Lay Me Down tribute as this is, there’s a reason we all fell head-over-heels for that. Some of the same country-pop charm pops up here, as does the weirdest lyrical concept in history – ‘You’re a pack of wolves with a heart of gold’. WOT?!? Still, sometimes all I need to enjoy something is an infectious tune, and HOG’s got one. 8.5/10.

Call 2morrow I can’t believe I’m rooting for a song with a painfully 2000s number in the title. I mean, I literally messaged this exact phrase to my friends on my Nokia 3310 when I was 13. But regardless, the song itself is surprisingly un-Malta and on the right side of alt-pop to appeal to me. Points added for ‘Does your body still remember my bed’; points off for the use of the word ‘cuddle’. 8/10.

Song For Dad This is so corny and so cheesy, I’ve taken to calling it a musical quesadilla. But I am a big fan of Mexican food, so that doesn’t mean I’m totally turned off by Richard & Joe’s familial love-fest (just partially turned off by the clichéd lyrics re: standing by someone’s side when times get tough and blah blah blah *reaches for a sick bag*). The folksy feel and melody are pretty palatable, and I’m always a sucker for Richard’s singing voice. 7.5/10.

Taboo Firstly, I’ve got to say it: this is not Christabelle at her best. Secondly I’ll say that she’s still decent, even without a song on par with the sensational Rush from 2015. Clunky, mixed-metaphor lyrics (a trend for MESC 2018 apparently) and a dated dubstep breakdown do not stop Taboo from being one of the most memorable and modern tracks competing tonight. 7.5/10.

 

Predicting the winner

MESC is often an easy nut to crack when it comes to predicting the outcome, but an occasional curveball (plus my strangely amateurish prediction skills…only been doing it for 12 years, guys) zaps my confidence a bit.

My top three educated guesses for the win are Jasmine Abela (we share a name! I have to show her some love), Richard & Joe and Brooke, with Christabelle trailing behind because I just don’t see Taboo as winner material. If I were a betting woman, I’d be dropping my cash on Brooke. It seems like it might be third time lucky for her.

Will Malta gravitate towards Jasmine’s power ballad, Richard & Joe’s sugar overload or Brooke’s expensive and heavy aortic pump (Heart of Gold has more of a ring to it, I’ll admit) OR will I be wrong for the first time this selection season? Tune in to the MESC 2018 final from 21:00 CET here to find out – and while you’re waiting for the show to start (assuming you’re a weirdo who’d willingly sacrifice a Melfest semi for MESC) let me know who your tip is to represent Malta in Lisbon below.

 

 

If anyone tries to tell you that Melodifestivalen ISN’T the cream of the NF crop, they are a) delusional, b) lying, or c) have their own opinion which is totally fine, each to their own etc. But my favourite selection show has always been Melfest, and my unconditional love was strengthened even more by my final visit in 2017 (FYI I will be mentioning it every chance I get this season). Needless to say, even though I already said it in the intro, I am pumped like a bicycle tyre for the six-week extravaganza to start again. Tonight’s first heat will see seven acts – including vintage Eurovision legend Kikki Danielsson – go head-to-head in Karlstad for two final places and two second chances.

  1. Patrick Swayze, Sigrid Bernson
  2. My Turn, John Lundvik
  3. All The Feels, Renaida
  4. Livet På En Pinne, Edward Blom
  5. Osby Tennessee, Kikki Danielsson
  6. Solen Lever Kvar Hos Dig, Kamferdrops
  7. Dance You Off, Benjamin Ingrosso

The Eurofan community has been mouthing off about the “weakness” of this heat (based, might I add, on audio snippets and rehearsal glimpses) but my motto is that first impressions never last. Besides, it only takes one amazing song to succeed or even win Eurovision – which isn’t SVT’s first priority at this stage anyway. The priority is to put on another ratings-magnet variety show for us all to dissect on Twitter. One step at a time, people.

I do feel like the best of Melfest 2018 is yet to come, but I’ve warmed up to a lot of the songs in this heat despite that. Have you? Speak up in the comments!

 

My top 4

Dance You Off Benjamin’s Melfest debut last year was an awesome one IMO, and if I were ten years younger I would 110% have a poster of him on my wall. DYO sounds more like Good Lovin’ than his post-Melfest 2017 singles did, and that’s fine because he can do no wrong. I’m very keen to see his performance, which has been choreographed by Robin Bengtsson’s treadmill consultant.*

*I made this job title up, but WHAT A CAREER THAT WOULD BE!

Based on his song title, Benjamin won’t be doing this on stage.

Solen Lever Kvar Hos Dig It’s like Jamie-Lee Kriewitz took up residence on Kamferdrops’ face and just stayed there, isn’t it? That aside, there’s something dreamy about this track that makes me want to hear more. It’s schlager, 2018-style. In the club. With sequined tracksuits.

My Turn A good power ballad can do wonders, and this sounds like it could be a darn good PB. It stands out for the right reasons even in the slot of death (which is more like a lot of grievous bodily harm in a seven-song show).

All The Feels Well, at least there’s not a hashtag shoehorned into the title as well. When you have all the feels, I guess you just have to express it through song – and Renaida’s expression is nicely in keeping with the Dua Lipa/Zara Larsson badass lady pop genre.

 

So, who’s going direkt til final? Benjamin Ingrosso + John Lundvik. Benjamin was the hot fave for this heat (pun actually not intended) but it was John who won the audience poll post-rehearsals. I thought he was being underrated, so that’s a relief. If he and Mr. Ingrosso do go direkt, I’ll be happy.

And who’s off to Andra Chansen? Edward Blom + Kamferdrops. Edward sounds like he’s putting on the kind of Broadway-esque, “humorous” performance usually put on by the host/s before the actual competition starts, and since I think it’s ridiculous I wouldn’t put it past Sweden to send it to AC. Kamferdrops, my spidey senses tell me, could be left out of the top four entirely, but nobody’s really fighting for fourth place, so I’m having a wishful guess. Otherwise it could be Renaida squeaking through.

 

What do you think? Can you predict how Sweden will vote, or are you as unsure as I am?

  

 

NF UPDATE: WHAT’S NEXT?

Here’s what’s on offer in the lead-up to the next Super Saturday.

  • Sunday 4/2 Romania: (Selecția Națională semi 3), Switzerland (Entscheidungsshow final)
  • Tuesday 6/2 Italy (Sanremo night 1)
  • Wednesday 7/2 Italy (Sanremo night 2), United Kingdom (You Decide final)
  • Thursday 8/2 Italy (Sanremo night 3)
  • Friday 9/2 Italy (Sanremo night 4), San Marino (1in360 night 1)

Which show are you most excited for?

 

 

Well, I reckon I’ve said enough for one night. Aren’t you glad I didn’t review every NF of the evening? My typing fingers sure are.

I’m off now to get my traditional power nap before that pesky alarm goes off at 3am (livin’ that unfortunate time zone life as always). Don’t forget to join yours truly on Twitter then so we can try to out-zinger each other (Vocals! Costumes! Props! Results! David Lindgren’s antics! There’s so much stuff to critique) – just follow me @EurovisionByJaz. It’s going to be a fun one, guys!

 

Until then,

 

 

 

SELECTION SEASON 2017 | Talking all things Estonia, Sweden + Spain on the most super-sized NF weekend so far!

Bonjour, mesdames et messieurs! I feel like I can use that as a greeting with some relevance, since France dropped their Eurovision 2017 entry on us earlier in the week, just in time to steal some of Germany’s thunder. Not that Germany had that much to steal in the first place, but more on that in another post (for now, I’ll just say that red, white and blue > red, black and yellow). My point is, any opportunity one gets to throw around some random, stereotypical French should be taken. Oui oui!  

France is just about the only country where there ISN’T any NF action going on this weekend – a weekend so full of finals (and heats, and semis…all the good stuff), there’s not enough room for all of them to trend on Twitter. Feast your soon-to-be-weary eyes on this lot: 

  • 11/2 Estonia’s Eesti Laul – semi final one (feat. Lenna Kuurmaa, Elina Born + Ivo Linna)
  • 11/2 Ukraine’s untitled NF – semi final two (feat. Kuznetsov + Ilaria)
  • 11/2 Italy’s Sanremo Music Festival – the final (feat. Michele Bravi, Elodie + Alessio Bernabei)
  • 11/2 Hungary’s A Dal – semi final two (feat. Ádám Szabó, Kállay Saunders Band + Roma Soul)
  • 11/2 Sweden’s Melodifestivalen – semi final two (feat. Mariette, Lisa Ajax + Benjamin Ingrosso)
  • 11/2 Lithuania’s Eurovizijos – heat six (feat. Mia, Sasha Song + Aistė Pilvelytė)
  • 11/2 Spain’s Objetivo Eurovisión – the final (feat. LeKlein, Paula Rojo + Mirela)
  • 12/2 Latvia’s Supernova – heat two (feat. Markus Riva + My Radiant You)
  • 13/2 Israel’s Rising Star – the final (feat. Julietta, Diana Golbi, Beatbox Element + Imri Ziv)

Visit eurovision.tv for all of the live-streaming links. And because it might be lonely and want to have a cup of coffee and a chat with you.

What will you be watching? You’ve got about as much chance of catching everything at once as I do of covering it all here – so I guess we’ll both have to pick our priorities.

To be honest – as if the title of this post wasn’t a giveaway – I’ve already decided where my loyalties lie. So, if you want some verdicts on/predictions for Eesti Laul, Melodifestivalen and Objetivo Eurovisión, you’ve come to the right blog.

Let’s muse about the music!

 

 

Estonia: Elina Born is back as Eesti Laul begins…but is she In Or Out?

It’s a good thing there isn’t a prize for Best Blog Subtitle, ‘cause I wouldn’t be winning any for that one. Blame Elina Born, who went and signed herself up for Eesti Laul as a soloist – for the second time – with a Stig Rästa song that begs to be used in many punny ways (it’s the new That Sounds Good To Me). Girl has said Goodbye To Yesterday and hello to a shot at competing in Kyiv, and her quest begins tonight with the first semi final of Estonia’s always enjoyable NF.

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Of course, she’s not the only act competing this evening, so I shouldn’t devote too much screen space to her alone. Elina will be the second of ten acts to perform, and here’s a rundown of them all: 

  1. Slingshot by Lenna Kuurmaa
  2. In Or Out by Elina Born
  3. Everything But You by Carl-Philip
  4. Suur Ioterii by Ivo Linna
  5. Feel Me Now by Ariadne
  6. Supernatural by Uku Suviste
  7. Hey Kiddo by Laura Prits
  8. Have You Now by Karl-Kristjan & Whogaux feat. Maian
  9. Valan Pisaraid by Janno Reim & Kosmos
  10. Hurricane by Leemet Onno

As usual, Estonia is providing us with an interesting set of songs, many of which take some second or third listens to figure out (it’s a pre-selection of acquired tastes, IMO, which is not a bad thing because it speaks for the complexity of what ERT program the show with). Sadly, I don’t have the luxury of being able to listen more than once – and in some cases, my first impressions are based on snippets (with a Eurotrip three weeks away and other commitments calling, time is like thunder short for me at the moment). Here are the semi one songs that stood out to me with minimal exposure.

My top five In Or Out, Everything But You, Feel Me Now, Supernatural + Have You Now. My favourites from this shortlist would be In Or Out (the trumpeting might be passé, but it’s still enjoyable) and Have You Now (which is obviously an Estonian tribute to The Chainsmokers). There’s nothing super-duper dated – or plain terrible – in the whole semi, though. Not even Ivo Linna is acting his age, musically-speaking.

Predicting the ACTUAL top five Slingshot, In Or Out, Feel Me Now, Hey Kiddo + Have You Now. I won’t say where I pulled this prediction from (in the interest of maintaining some degree of ladylike elegance) but let’s just say it’s unreliable. On the other hand, if it turns out to be 60%-100% right, I’ll claim that I produced it after a careful, educated analysis. K?

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I doubt Elina will be pulling her hair in frustration after tonight…unless that’s how she celebrates too.

 

Do you think Eesti Laul’s off to a good start? Is there someone in this first semi who can do what Juri Pöötsmann couldn’t and get Estonia to the Eurovision final again (without giving the impression that their hobbies include dismemberment, and preserving vital organs in formaldehyde)? Let me know in the comments.

  

 

Sweden: Melfest makes it to Malmö for a big-deal Deltävling 2

That’s right – we’re taking a trip back to Malmö Arena, where those of us who were otherwise engaged during Petra Mede’s Melfest hosting gig may have first laid eyes on her when she owned Eurovision in 2013. Unfortunately, some might say, tonight ain’t about Petra – it’s about the seven acts who all want to follow in Ace Wilder and Nano’s footsteps (I assume) since they lead straight to Friends Arena in Stockholm, and the Melfest final. 

  1. A Million Years by Mariette
  2. Himmel Och Hav by Roger Pontare
  3. Up by Etzia
  4. Vart Haru Varit by Allyawan
  5. Hearts Align by Dismissed
  6. I Don’t Give A by Lisa Ajax
  7. Good Lovin’ by Benjamin Ingrosso

deltavling-2-melodifestivalen-2017-lyrics-performances

 

We’re down one returnee from last week, with Mariette, Roger Pontare and Lisa Ajax in the mix. In Göteborg, just two of the four comeback acts progressed, and with only one real contender standing/dancing in the way of Mariette etc’s direkt and AC spots, can they all make it through? SHOULD they? Melodifestivalen raises some tough questions. Luckily, they’ll be answered later, but I’ll have a go at filling in the blanks in the meantime.

 

My top four

    • A Million Years – Is this better than Don’t Stop Believing? I don’t think so, but it’s similarly  intriguing and contemporary. The lyrics are a little cliché, and that ticks me off as a writer who goes out of their way to avoid clichés. I really need access to the complete package before I make my mind up about Mariette 2.0. Potential for greatness is here, though.
    • Vart Haru Varit – This is Adrijana’s Amare with a male singer and a slight increase in mass appeal. It’ll probably make just as much of an impression as Amare did (i.e. none whatsoever) but dang it, I love Swedish hip-hop!
    • I Don’t Give A – In case you missed the barely detectable F-bomb (times ten) in Lisa’s sequel to My Heart Wants Me Dead, yes, it exists (#sarcasm). It’s not necessary in a song that lacks the Zara Larsson attitude and style I was expecting. Still, expletives aside, there’s pros a-plenty to be found in I Don’t Give A. The pop ballad style lets Lisa show off her amazing vocals, and all in all it’s very ‘now’. Well, I think it is. I’m not too tuned in to what the youths of today are into *returns to knitting an intricate sweater for my dog*.
    • Good Lovin’ – Maybe I’m biased, given that I practically had a heart attack when my beloved (in a platonic way as he’s a bit too young for me) Benjamin was announced as a Melfester for 2017…but THIS KICKS BUTT. It’s everything I want in a pop song and more. It also manages to be both what I was expecting, and something completely different. Slick, smooth, and well-sung. Så brå.
benjamin-ingrosso-lyrics-text-good-lovin-melodifestivalen

His mum’s done Melfest four times, so I think fabulousness (and great hair) must be in his genes.

 

The rest

  • Himmel Och Hav – I actually toyed with having Roger in my top four thanks to the great atmosphere and ethnicity of this track. As someone who never fell hard for When Spirits Are Calling My Name, I could learn to like this more than that. GASP!
  • Up – I know this isn’t culturally similar to Kizunguzungu, but it’s easy to compare the vibes of the two. I can’t see Etzia sharing SaRaha’s success in a) going through to Andra Chansen, and b) getting out of it. Up is catchy, but pretty pedestrian overall.
  • Hearts Align – This is okay. It’s fine. The performance and costuming choices will be the biggest talking point though. No chance of direkt for Dismissed, methinks.

 

On that note, it’s time to make a few predictions. Last week I somehow managed to be 100% correct, so I’m going to do my best not to ruin that this time. 

Who’s going direkt? Mariette + Lisa Ajax. Based on such data as Facebook likes, Mariette seems to be the Nano of this week’s show (swap the man bun for dreadlocks and the difference is undetectable) in that the heat is hers to lose. Lisa’s song might divide voters (unless the f-word is on par with ‘darn it!’ in Sweden) but I have no doubt she’ll nail it live, and it’s big enough to leave a lasting impression. The swearing actually makes the song more memorable, I must say.

Who’s off to Andra Chansen? Benjamin Ingrosso + Dismissed. I desperately want Ingrosso to go straight through, but girl power is likely to pip him at the post. Fourth place could go to Roger Pontare if Sweden is still feeling his flow, but I suspect it might go to Dismissed as Hearts Align screams Andra Chansen to me.

 

In the immortal words of Elaiza, is it right or is it wrong? Do you think you know who’ll go where when the results of Deltävling 2 are revealed? Tell me more!

 

  

Spain: Which of the six singers will fill Barei’s dancing shoes?

Si, amigos – Objetivo Eurovisión is back, albeit without Brequette (maybe 2018 is your year, queen). The line-up is much more diverse than it was in 2016, which makes the outcome harder to predict. But we can’t complain about variety and (reasonable) quality all round…can we?

oe17

  1. Do It For Your Lover by Manel Navarro
  2. Ouch! by LeKlein
  3. Lo Que Nunca Fue by Paula Rojo
  4. Spin My Head by Mario Jefferson
  5. Momento Critico by Maika
  6. Contigo by Mirela

I don’t know about you, but I can clearly divide up these six songs: there’s two that I absolutely adore, two that I quite like, and two that I wouldn’t miss if I never heard them again. And I have no idea whether Spain will think along the same lines, or choose a song that has no chance of reversing their Eurovision fortunes. One thing’s for sure – I’ll be sitting on the edge of my seat while waiting for them to make up their collective mind.

 

My top six

  1. Ouch! – This song is ridiculously sublime. I can’t take LeKlein’s screams of ‘ouuuuuuuch’ seriously (she sounds exactly like me whenever I stub my toe on something) but I love everything else about her potential ESC entry. I love the grammatically awkward lyrics, the melody of the verses, the power and anthemic quality of the chorus, the polished production…it’s all very bueno. Now, if only she could carry it off live without numerous unstable vocal moments…
  2. Contigo – It’s no Nada Es Comparable A Ti (not only my fave NF effort from Mirela, but one of my fave NF songs ever) but then again, it’s not supposed to be. It’s an instantly infectious, ethno-pop triumph that needs to be a World Cup theme ASAP. The lyrics might be rubbish (I speak zero Spanish and have not yet Google-translated them) but who cares? Sometimes you just want to get up and dance and have a good time – a fiesta then a siesta – without considering the meaningfulness of lyrical content. Contigo is perfect for that purpose.
  3. Spin My Head – I feel like having your head spun up (as opposed to around) would be painful, but Mario seems to be welcoming it. Again, this isn’t going to win any awards for substance, but I would wave my hands in the air like I just didn’t care to it in a club (or in the supermarket. Whenever, wherever, as Shakira would say). The Spanglish chorus is decent when it could have been a disaster.
  4. Do It For Your Lover – Speaking of Spanglish, here’s a mixed-language version of The Lazy Song by Bruno Mars. That’s not a negative, but I do wish Manel was offering up something more original. I also wish ‘do it for your lover’ wasn’t repeated nearly THIRTY times in three minutes. What is ‘it’, anyway?
  5. Momento Critico – Maika is not a woman I’d want to mess with, so in case she ever reads this, I’m going to point out the positives of her Objetivo song. It’s unashamedly rocky. It has attitude. It’s somewhat memorable (although I have forgotten how it goes now that I think about it. But I know I thought it was kind of memorable). It’s not bad. Please don’t come at me with an industrial-sized blowtorch, Maika.
  6. Lo Que Nunca Fue – Boring. Sweet and cute and charming in a countrified way, sure, but this leaves no impression on me whatsoever. It’s totally forgettable, and if there’s a hook in it, I can’t hear it. All of this means it’ll probably win.

 

Who SHOULD win LeKlein or Mirela. Yes, they’re my personal top picks, but I genuinely believe they have the best odds out of the six of making Spain’s trip to Ukraine worth it. I’m not saying they’re Eurovision winners, but if either one wins tonight and takes advantage of the gap between now and the contest (to revamp and maybe take a few singing lessons) anything’s possible. 

Who WILL win I want to scream ‘SEND HELP!’ on this one, because I cannot decide. I’m not even convinced that one of my preferred two will win. I’m going to rule out Maika and Mario. Paula and Manel are my dark horses. The failure of Maria Isabel’s ethno-pop to get far last year gives me doubts about Mirela…so that leaves LeKlein. She’s already proven she appeals to the public (winning the Eurocasting round is why she’s in OE) and if she produces a more polished live rendition of Ouch! tonight, she could win this too. Or not, and I’m just wishful thinking.

 

In a shocking turn of events, I want to know what you think about the Spanish show. What’s good, what’s bad and what’s even worse in your opinion? And, more importantly, who’s going to win? You’ve got a 1 in 6 chance of getting it right!

 

Whatever you’re watching this evening (or tomorrow morning, if you’ve also been screwed over by your time zone), I hope to see you on Twitter for some 140-character or less fun times. We Eurofans know how to party, even if it’s just on social media.

 

May the best songs win (or qualify)!

 

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Siegfrids, Svensson and SAY WHAT?!?!? My reaction to all the artists of Melodifestivalen 2017

For those of us who place Melodifestivalen up on a pedestal, right next to Eurovision (because we believe it to be equally as epic) today was practically Christmas.

For today was the day we all received 28 gifts of varying shapes and sizes, in the form of the artists competing in the national final of dreams in February/March 2017. I was particularly keen to unwrap these gifts given I’m actually attending Melfest for the first time next year (!!!) and will have the chance to see twelve of the artists in the flesh come finalen…and then have some press charges in the wake of me inappropriately touching them.

Just kidding.

Anyway, after months of rumours that ran right up to the start of this morning’s press conference – hosted by the adorable David Lindgren sans Clara Henry and Hasse Andersson – we now know exactly who will and who won’t be popping up in the four semi finals. Many confirmations of what we already knew were made; blanks were neatly filled in by returnees and newbies alike; and one of the biggest bombshells in Melfest artist-announcement history was dropped.

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Here they are: the terrific 28 for 2017. (Photo: Jessica Gow)

 

Let’s run through the entire list of participants and songs, and I’ll unload my initial thoughts and impressions along the way. I apologise in advance for any spelling mistakes, incorrect information or general incoherent rambling that you might encounter here. I’m both delirious with excitement and rushing to get this post up while it’s still relevant, so I’m not at the top of my game just nu.

 

 

Semi 1 | Göteborg

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  • Amare, Adrijana
  • Her Kiss, Boris René
  • Hold On, Nano
  • Mitt Liv, Charlotte Perrelli
  • One More Night, Dinah Nah
  • Road Trip, De Vet Du
  • Wild Child, Ace Wilder

We knew Adrijana, Charlotte Perrelli, De Vet Du and Ace Wilder were shoo-ins already, so the most pleasant surprises in this first roll-call – for me, at least – were Boris René and Dinah Nah.

Boris ended up being one of my favourites from this year’s comp, and I still can’t help dancing enthusiastically when Put Your Love On Me comes on shuffle (as well as shouting ‘IN A LITTERBOX’ loudly enough for my neighbours to hear and subsequently consider moving to Siberia). Suffice to say I can’t wait to discover what he has in store for us for his second shot.

Dinah Nah was heavily rumoured to return in 2016, but evidently she needed more time to find a track that might get her to the final again. I am very glad to see that her hair is still pink.

I know I should be peeing my pants with excitement about Ace Wilder, but to be honest, I wish she’d taken some more time away like Dinah did – I’m not sure I can handle her two years in a row. But I’ll reserve (most of) my judgments until we hear what she has to offer.

Apparently Charlotte Perrelli doesn’t want to win Melfest on this occasion, but has her reasons for giving it another go after The Girl failed to even make Andra Chansen in 2012. I’m guessing she won’t be disappointed if her aim is not to go to Eurovision for the third time.

I’m clueless re: Adrijana and Nano, so perhaps one of them will be the exotic stranger who has me head-over-heels for their entry (then sobbing into my specially-commissioned sequined Kleenex when it finishes last). It happens every year!

 

 

Semi 2 | Malmö  

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  • A Million Years, Mariette
  • Good Loovin’, Benjamin Ingrosso
  • Hearts Align, Dismissed
  • Himmel Och Hav, Roger Pontare
  • I Don’t Give A, Lisa Ajax
  • Up, Etzia
  • Vart Haru Varit, Allyawan

The second semi will feature just as many big hitters as the first – such as Mariette (who took home the bronze medal in the Year of Måns), Roger Pontare (a Melfest and Eurovision veteran who last represented Sweden on home soil in 2000), and Lisa Ajax (the Idol winner who also won her semi this year over eventual runner-up Oscar Zia).

I can’t say I’m as excited – on names alone – for this round. But I am pretty keen to hear from the debutants. Benjamin Ingrosso, who comes from a family of serious musical heavyweights (Pernilla Wahlgren is his mother, for starters) is one I’ll definitely be watching. And listening to, obviously. Despite the totally unnecessary extra ‘o’ in his song title (#petpeeve).

 

 

Semi 3 | Växjö 

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  • Boogieman Blues, Owe Thörnqvist
  • Crucified, Bella & Filippa
  • Gotta Thing, The Fooo Conspiracy
  • Gravity, Jasmine Kara
  • I Can’t Go On, Robin Bengtsson
  • Kiss You Goodbye, Anton Hagman
  • Snurra Min Jord, Krista Siegfrids

Again, the majority of artists competing in this semi were rumoured by the always reliable Aftonbladet. But that doesn’t make it any less awesome to have my main man Robin Bengtsson back in the mix after his success earlier in the year (when he beat Ace Wilder to win Deltävling 1). If he’s armed with a song that is anywhere near as superb as Constellation Prize, then we are in for a treat come week three. It’s highly likely, as I Can’t Go On was written by two of the three songwriters behind Sanna Nielsen’s Undo, plus my other fave Robin – Robin Stjernberg. *screams internally*.

At 87, Owe Thörnqvist will become the oldest Melfest competitor ever. That’s assuming he lives long enough (I don’t mean to be pessimistic, but he barely made it onto the press conference stage without faceplanting and breaking a hip). If he doesn’t fall off the perch within the next few months, I have a feeling he could be the Hasse Andersson of 2017 and be catapulted further in the comp than I’d prefer via an outpouring of affection from the Swedish public. Hasse Andersson, of course, is also the Hasse Andersson of 2017, seeing as he’s co-hosting the show.

I’ll be flag-waving for The Fooo Conspiracy (despite being about ten years past the average age of their fan demographic) because BOYBAND ALERT, and Jasmine Kara because…well, we Jasmins/Jasmines have to stick together. I reserve the right to retract these pledges of support should these acts’ songs be…well, crap.

I must mention the gorgeousness that is Krista Siegfrids. Our girl from Sweden via Finland has come back for another crack at securing a ticket to Friends Arena, singing again in Swedish (bad move? We’ll have to wait and see). No matter where her journey ends – Växjö, Kyiv, or anywhere in-between – she’s always fun to have around, and I suspect she’ll be hungrier for success this time. That means she should have a song up her stylish sleeve that’s a step up from the good-but-not-great Faller. Fingers crossed!

 

 

Semi 4 | Skellefteå 

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  • As I Lay Me Down, Wiktoria
  • Bound To Fall, Les Gordons
  • Du Får Inte Ändra På Mig, Sara Varga and Juha Mulari
  • En Värld Full Av Strider, Jon Henrik Fjällgren feat. Aninia
  • När Ingen Ser, Axel Schylström
  • Running With Lions, Alice Svensson
  • Statements, Loreen

Well, well, well. We know SVT like to save a name bigger than any found in the Welsh phone directory for the last semi final. But they not only outdid themselves on that front for 2017 – they also managed to keep it a secret to ensure that all of our jaws would end up on the floor.

Holy dala horses, Queen Loreen is back! With, I might add, the coolest of minimal song titles AND the songwriting dream team of Segerstad and the Debs joining her in the credits. Anyone who says they saw this coming is either a psychic or a liar (or both), and anyone who doesn’t think it will be a contender FTW needs to have their vital signs checked. It will be the toughest of tasks for Loreen to top Euphoria, but she could be the second coming of Johnny Logan that we’ve all been waiting for. Johnny Logan with a septum piercing.

Wiktoria is making an unsurprising return, but will she have wow-factor staging to elevate her entry this time? I’m interested to find out. Save Me wasn’t right up my street song-wise, so I’m hoping she’s changed things up and gone for a power ballad. The girl can SING, so she could easily handle a Céline Dion update (i.e. something like Isa’s I Will Wait).

Also reappearing in the lineup is Sara Varga, who made it in and out of Andra Chansen in 2011 with Spring För Livet, but she’s not alone. She’s also not alone in making a comeback in partnership with another artist, as Jon Henrik Fjällgren has done the same. The man who nearly put paid to MZW’s trip to Vienna is teaming up with Aninia (Google will tell you all you need to know about her, because I can’t) and I reckon the result will be original, to say the least. It’s such a relief that we’ll be able to say stuff like ‘Are you joiking?’ on Twitter again without people getting (too) annoyed.

Jon Henrik and Loreen aside, the name that most excites/intrigues me is Alice Svensson, another Idol alum who was beaten to the crown by Kevin Borg (he of Maltese national final fame). I’m basing this almost exclusively on the title of her song (that plus previous musical releases are all we have to go on at the moment) because is Running With Lions not totally badass? Both the act itself and the string of words, I mean. Bring it on!

 

 

Those are my initial thoughts on the 28 acts unveiled this morning – now it’s time for you to have your say. Are you happy with the peeps preparing to battle it out in Europe’s favourite national final? Which songs are you most excited to hear when the time comes? Do you think Loreen will walk it (or crab-dance it), given her history and supreme songwriting team? Whatever you’re thinking, put it in writing in the comments. The countdown to Melfest 2017 is officially on, guys, so let’s keep the conversation going!

 

 

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