Before I had a looksee at my play stats of the Baku 42, I had zero expectations. What with my ever-changing moods and the bias my iPod seems to have towards particular songs when it’s on shuffle mode (I swear those things have minds of their own and will one day rise up and take control of planet Earth) there was no guarantee that the entries I rated the highest a year ago would make equally high appearances on this list. It turns out that, while some of them clawed their way up, songs that I didn’t realise I had a penchant for bumped others way down. I’ll let you decide which are which, as I present to you the 20 entries of 2012 that I’ve listened to most since May.
#1 | Love Unlimited by Sofi Marinova
If you happened to be drinking when you read this, I apologise for the liquid you just spat out all over yourself in shock and/or horror. Then again, if you’ve read me before you should know that I am probably the #1 fan of this song, worldwide. I don’t think Sofi herself loves it as much as I do (although she has had to sing it a billion times, so the boredom must have set in by now). So why have I played it more times than any other of the 2012 entries? Well, I just think it’s incredibly catchy (great to dance wildly to in the comfort of any place where there are no other humans present), I love the mixed languages in the chorus (great for singing along to in the same situation) and I find it super motivating (great for jogging to, etc). What a useful song it is.
#2 | Waterline by Jedward
#3 | Euphoria by Loreen
#4 | Zaleilah by Mandinga
#5 | Kuula by Ott Lepland
#6 | När Jag Blundar by Pernilla Karlsson
I want to compare this to Hungary ’13, being the simple, quiet and pretty but not too well-liked song that it is, that I and a few others I know LOVE. But Kedvesem has actually proved itself more popular than I expected, so you’re on your own, Pernilla. I think this song is really beautiful, well constructed and has a lovely sentiment (having been written by Pernilla’s brother for their mother and all). It gets me all misty-eyed even though I have no idea what she’s singing about because I never bothered to translate the lyrics #mybad. But they say music is the universal language, so if I can get the emotion without knowing what’s being said, that’s acceptable, right?
#7 | Love Me Back by Can Bonomo
#8 | Aphrodisiac by Eleftheria Eleftheriou
#9 | Verjamem by Eva Boto
#10 | Be My Guest by Gaitana
#11 | La La Love by Ivi Adamou
Here’s a song I didn’t think douze-worthy at first, but have gotten more and more obsessed with over the last year. It’s a good thing we’ll have this genuine Cypriot gem and the awesome stage show that accompanied it to cling on to while Despina Olympiou takes to the Malmö stage and bores us all to death (more on that in my upcoming reviews). La La Love wound up 16th in the final, which is an excellent result for Cyprus (it’s practically a win, like it would be for Austria, Switzerland, and co) although once it had qualified I was predicting it to do better. Maybe Ivi’s average vocal was to blame; though that didn’t stop Eric Saade from coming 3rd…
#12 | Quédate Conmigo by Pastora Soler
#13 | Standing Still by Roman Lob
#14 | Woki Mit Deim Popo by Trackshittaz
#15 | Nije Ljubav Stvar by Željko Joksimović
#16 | Sound Of Our Hearts by Compact Disco
#17 | We Are The Heroes by Litesound
This, even in its post-NF disco-lite version, is SO much better than the tropical trash (albeit damn catchy tropical trash) Belarus are sending this year. The unfortunate thing is that Alyona will likely be much more successful than Litesound, and then she’ll knock on their doors and point and laugh at them because they “stole” her ticket to Eurovision 2012 and she’ll have gotten her revenge. Or perhaps not. Anyway, back to We Are The Heroes: another song written expressly to motivate me when I’m on the treadmill and this close to bailing. Thanks, guys.
#18 | Nebo by Nina Badrić
#19 | Laŭtar by Pasha Parfeny
#20 | When The Music Dies by Sabina Babayeva
Rounding out my most-played list is Baku’s host entry. I have long suspected that Sabs was referring to Running Scared as the thing that made the music die. But that’s irrelevant. This isn’t my favourite entry from Azerbaijan, but it’s one I’m still liking all these months later. I didn’t think it was going to do as well as it did, but I think we’ve all learnt that the power of Azerbaijan-representing, Swedish-penned ballads cannot be underestimated.
I’ve showed you mine – show me yours? Which entries of last year have you been playing on repeat?