Selection Season Day 10: March Madness!
A busy week has/still is leading up to a ripper weekend in a faraway land I like to call EurovisionNationalFinalville. Who’d have thought that Mad March would take over from Frantic February as the craziest four weeks on the ESC pre-selection calendar? There’s so much happening I don’t even have time to finish this senten
Estonia, Italy, Lithuania, Spain and Slovakia: my thoughts
This past week has been one of few surprises* (on the national final front, anyway), with Lithuania selecting the odds-on favourite for Baku, Spain picking their song for Pastora Soler from a choice of three (ergo, nothing too shocking there) and Italy deciding that si, Nina Zilli will perform her San Remo Song Festival entry in the final come May 26th. Estonia’s choice was again, unsurprising, but that may be because I didn’t manage to have a listen to all of the finalists and so could not honestly say ‘OMG, what HAPPENED? Whatshername Thingie’s song was soooooooo much better!’ or something like that. What I didn’t expect of these countries was to be generally thrilled with their decisions.
* Slovakia actually announcing their entry & entrant when they said they would was a bit of an unforeseen event. Perhaps the age of us all making fun of their ever-changing mind is over?
Estonia (Kuula by Ott Lepland): You can go ahead and say this is boring, it’s going nowhere, blah blah blah, but I won’t care. I am a ballad-loving lady – under most circumstances – and I sure love this one. There’s something about the chorus that is truly spine-tingling (and no, I wasn’t sitting on a fuse box when I listened to it), and I think it might be part due to the language, so my fingers are crossed for it to remain in Estonian. The last time Estonia sent a song in their native tongue, it came 6th, whereas their last few entries, both in English, have flopped…is that an indication of what’s to come?
Italy (Per Sempre by Nina Zilli): And so the bleating begins about what is ‘too good for Eurovision’. What haters don’t realise (considering the only Eurovision they know saw Bucks’ Fizz, Verka Seduchka and Dustin the Turkey battling it out for the trophy) is that nothing is too good for the contest. Obviously there are some songs too bad for it, a fact that all but several countries each year seem to be aware of. Sure, Per Sempre is a classy, classic song without a whiff of schlager or bouzouki, but it’s actually very Eurovision – it just harks back to an older era. That’s not to say it’s dated. I like to think of it as being a compromise between the classic and the contemporary, with the Penelope Cruz-esque Nina giving it some extra spice.
Lithuania (Love is Blind by Donny Montell): Donny – who I thought was an Irish immigrant, but actually uses a stage name – entered the Lithuanian selection in 2011 with Best Friends, a duet with Sasha Son that IMO should have won. Fast forward twelve months and Donny’s got himself a solo spot in the big show; although he sounds so much like Sasha they may as well be doing another duet. My thumbs are up for his song, which starts off as a ballad before becoming a funky disco tune to which, as Donny is testament to, you can do one-handed cartwheels. However they are down for that blindfold. I get the symbolism, but D, you look more ridiculous than Eric Solbakken in his Milan Stanković wig.
Spain (Quedate Conmigo by Pastora Soler): In my years of Eurovision watching, I have enjoyed some of the Spanish songs, but never enough to manufacture and then wave a flag to support them. Well, folks, consider me a changed woman, because in 2012 I will be donning the red and yellow and yelling ‘Viva la Spagna!’ at the top of my lungs until my parents tell me to shut up, at which point the flag will make an appearance, because I LOVE this song. It’s one of exceptional quality that starts humbly, but builds into an anthemic, powerful, punch-packing ballad sung perfectly by the phenomenal Pastora. It’s amazing how she sung so well at the NF, seemingly without worrying about wardrobe malfunctions (if you check out the dress she wore at the weekend you’ll know what I mean). I’m fully prepared for you all to trash this since I have just gabbed on for an eternity about how much I adore it, by the way.
Slovakia (Don’t Close Your Eyes by Max Jason Mai): The OCD part of me is not happy with the rest of me reviewing Slovakia after Spain, but this one is hot off the press (at the time of writing, that is). Just a few hours ago, the Slovak broadcaster announced Max as the artist and DCYE as the song that will represent them this year. The reaction has been positive so far, but I’m not sold – on the song, anyway. It’s mainstream soft-rock, not unpleasant to the ear, but lacking that special, catchy something. Max, on the other hand, is very, very pleasant to the ear…and the eye. Call me shallow, but I bet there’s a gajillion ladies and gents who will agree with me, and on their behalf I plan to start a petition to get him to perform topless.
Russia: will they pull out the big guns or the grannies?
Like Melodifestivalen, Russia’s national final has become a two-horse race, but instead of Loreen-and-Danny, the names have way more syllables. In news that made me squeal in a frightfully girlish manner, Dima Bilan is back with ½ of Tatu, Yulia Volkova, by his side in a bid to take on Eurovision for the third time. I know some of you will be sick of Dima and every other artist who just won’t leave the contest alone, but I’m a huge fan of his, so I’m hoping it won’t be much of a challenge for him and his lady friend (presumably one of many) to kick some Russian butt tonight (I have also heard a snippet of the song and it’s right up my street).
I am aware of nana power, however. Without wanting to offend the other finalists, the only real Dima/Yulia competition* comes in the form of a gang of grannies who won many fans over in the 2010 NF, mainly, I assume, because they were grannies. Though the song did have something…anyway, Buranovskiye Babushki are back, and I reckon they could do some damage to Dima’s chances.
* If someone other than Dima/Yulia or the grannies should win, I apologise in advance, and commend them for beating such heavyweights. You go girl/boyfriend!
My top two-nine
Normal people would wait until tomorrow and then do a top 30, but as you would have gathered if you’re a regular reader, I am not normal (not when it comes to Eurovision). Already I’m finding it hard to separate the good ones from the other good ones, so much so that those I love go pretty much from #1 to #18.
My top 10 is full of ballads, including one that has succeeded in knocking Norway(sorry Tooji) off the premier spot. Take a look and let me know which songs are your favourites at the moment.
Coming up: Super Saturday!
Not one, not two, not even three, but FOUR countries – Portugal, Romania, Serbia and Sweden – will select on Saturday, with Sunday bringing us the NF from Moldova. Naturally all that is very exciting, but for me, the most exciting events are Zeljko Joksimovic’s song presentation in Serbia and Sweden’s grand finale. I’m planning to stay up to the wee hours of the morning and watch Melodifestivalen live for the first time. Anyone else crazy enough?
Please tune in (or log in…I suppose that would be more appropriate?) on Saturday for my thoughts and predictions on all of the above. I promise they’ll be worth a look!
Which country are you excited to see select this weekend?
PS – I almost forgot to mention Armenia’s withdrawal from the competition today. I’m sure most of us are saddened but not surprised by this news…let’s hope the country will be back and ready to win in 2013.
Posted on March 7, 2012, in Eurovision 2012 and tagged Armenia, Baku, Buranovskiye Babushki, Dima Bilan, Donny Montell, Estonia, Eurovision 2012, Italy, Lithuania, national finals, news, Nina Zilli, Pastora Soler, Russia, Slovakia, Spain. Bookmark the permalink. 6 Comments.