‘CONGRATULATIONS, I HAVE ARRIVED!’ said Melodifestivalen as she strutted into Stockholm this week. After five Saturdays of competition – not the best competition we’ve ever had, but a competition with winners and losers nonetheless – 28 songs have become 12, and we’re about to find out who will represent Sweden at Eurovision 2019.
With reigning champ and future Grammy winner (and I’m not talking about the Swedish Grammis) Benjamin Ingrosso starting the show alongside BFF Felix Sandman, multiple ESC winners making an appearance, and the välkommen return of Lynda Woodruff, we’re in for a treat tonight without even mentioning the competing songs. It’s the last national final night of the season, and I say bring it on. Are you with me? Yes? Then DÅ KÖR VI!!!
Norrsken (Goeksegh) Jon Henrik Fjällgren
Torn Lisa Ajax
Victorious Lina Hedlund
On My Own Bishara
Ashes To Ashes Anna Bergendahl
Chasing Rivers Nano
Hold You Hanna Ferm & LIAMOO
I Do Me Malou Prytz
Too Late For Love John Lundvik
Not With Me Wiktoria
I Do Arvingarna
Well, Christer Björkman wanted a variety show, and what Christer wants, Christer gets (obviously, when he’s the commander-in-chief of such things). We have joik, big ballads, R & B, schlager, country, anthemic pop, bubblegum pop, dansband and a touch of gospel all in one running order. That’s some serious bang for our buck!
Let’s run down the list and I’ll throw in my thoughts on quality, appeal and winning chances along the way. Add yours to the mix in the comments.
Norrsken (Goeksegh), Jon Henrik Fjällgren This isn’t my favourite of Fjällgren’s three Melfest entries. In fact, it’s my least favourite – number one, Jag Är Fri, was peak joik for me. But there’s always something magical about what he brings to the buffet, and as usual he is the most distinctive act in the final. And he serenades a reindeer, so there’s that. While I do think Norrsken will be a good opener – and as much as I’d love Sweden to send something ethnic to Eurovision again – I don’t think it will win, and I’ll be surprised if it takes out a top three place like both of JHF’s previous entries have done. 7/10
Torn, Lisa Ajax I hate to repeat myself (I repeat, I hate to repeat myself) but here’s another artist on their third try who has an inferior song up their sleeve instead of being third time lucky. I know people will be outraged that I prefer both My Heart Wants Me Dead and I Don’t Give A to Torn, BUT I JUST DO OKAY?!?!? Having said that, this is a solid song – but it’s too repetitive, Lisa never seems to nail the big attention-grabbing note, and her styling doesn’t suit the song or the staging. All these little missteps worry me. 7/10
Hello, Mohombi A decent percentage of the Swedish population + me = the biggest (and perhaps only) fans of this. I’ll admit that Mohombi’s falsetto in the first semi final wasn’t exactly flawless, but besides that I think this entry is getting too much hate. The staging is cool and entertaining, without copycatting Heroes too much; the song is contemporary, dynamic and catchy; and Mohombi is very telegenic (that’s me trying to say he’s hot without actually saying he’s hot). Wave a magic wand over those wavery vocals, my friend, and this will be a package you can be proud of. 9/10
Victorious, Lina Hedlund The Party Voice of 2019 is without a doubt this track, and because there’s no way it’s going to win tonight (or even come close), I’m happy to have it add something classically Swedish and a little bit Alcazar to the final. It might come off even more dated than it is right after Hello, but Lina sells it like her life depends on the commission and looks incredible doing it. I know 40 isn’t ancient, but I don’t look half as stunning as she does and I’m still years away from turning 30. You go, girlfriend. 7/10
On My Own, Bishara The Mohombi Effect strikes again, with Bishara being another act I would have sent DTF á la Sweden, but who has been the topic of a heap of hate talk. That’s all kinds of wrong for starters, since he’s only 16 and this is his very first stage/broadcast experience. I think he’s done brilliantly so far, and shown star quality that might see him return to Melfest when his career’s matured. This is a great debut, the lyrical content VS age debate aside (I do agree – there’s no way Bishara should be saying stuff like ‘I don’t know how to live without you baaaaby’ when he’s barely LIVED). Personally, I’m hoping Spotify streams and the ‘Aww!’ factor suggest a top five finish for On My Own. 9/10
Ashes To Ashes, Anna Bergendahl Nobody has a better narrative heading into this final than Sweden’s only Eurovision non-qualifier. Her 2010 rise and fall feels like it happened yesterday, but it’s been almost a decade – and Anna was worth the wait. Ashes To Ashes is far from being a favourite of mine from these last songs standing, but the themes of redemption and resurrection ring so true with her story that I can’t help getting behind it. And I love the stage foliage and Anna’s amazing sparkly catsuit feat. cape. If she ever gets invited to the Academy Awards for some reason, an outfit repeat will be necessary. 7.5/10
Chasing Rivers, Nano Before the first semi, it seemed ridiculous to think that 2017’s televote winner wouldn’t make the final straight away…but here we are, with Nano only scoring his ticket to Friends through Andra Chansen. I actually think this song is on par with Hold On in terms of musical kick-assery. But Nano himself has been off his game for both performances so far, producing average vocals and lacking the down-camera charisma of Mohombi/Bishara/Wiktoria etc. His fate wasn’t to come back and win, clearly. I do hope he joins the three-timer club though – he’s definitely got more to give than this. 8/10
Hold You, Hanna Ferm & LIAMOO It took me a while to warm to this – maybe my standards were too high as a huge fan of both Hanna and LIAMOO. Whatever the case, I have warmed. At this point it’s in my top three of the evening, and I do believe it would make a worthy winner. Hanna is perfection in every department (vocally on point, engaging and drop-dead gorgeous…kind of like myself *flips hair*) and while LIAMOO did fade into the background a bit during the semi performance, rehearsal footage suggests he’s stepped it up and made sure this pairing is a force to be reckoned with. The song is great, the staging is simple but effective, it has broad appeal…all in all, I’d say Hold You is the biggest challenger FTW if we put aside the odds-on favourite (who I’ll get to in a minute). 9/10
I Do Me, Malou Prytz There’s a string of awesome songs in this lineup that starts with Hold You and ends with Not With Me. Am I about to say that I Do Me is the exception? To quote Malou’s stylistic inspiration Cher Horowitz, as if! This is actually right up there in my Melfest 2019 ranking, and I’m still pleasantly surprised it went direkt. It’s so much fun to watch and listen to while marveling at the fact that Malou is younger than Bishara (mind = blown). I adore everything about it and would happily have it win the comp in my fantasy land. 9/10
Too Late For Love, John Lundvik It’s not too late for me to love you, Lundvik, because I always have. Granted, I’d never heard of him before he was announced as a 2018 participant (except in passing re: that Royal Wedding thing) but he arrived last year and has somehow managed to arrive in an even bigger way this year. My Turn was a top-notch (albeit talent show winner) ballad, but trying something upbeat has paid off for John, and in my mind will most likely earn him an engraved plaque on that godawful Melfest trophy. The warmth, charisma and joy he and his backing singers are bringing to the comp is second to none. 9/10
Not With Me, Wiktoria I have a major girl crush on Wiktoria. More so on her hair than anything else (which Bilal Hassani has shown me I could purchase for the right price) but I do think she’s altogether beautiful and talented, and that Not With Me is another quality comp contribution from her. There’s nothing I don’t like about it, unless you count the lyrical clichés which I think are canceled out by her impassioned performance, sleek styling and of course, the Ruth Lorenzo rainfall. I mean, how are you supposed to be properly heartbroken if it isn’t pouring down? Girl is singing in the rain and it is working for me. 9.5/10
I Do, Arvingarna Hasse Andersson…Owe Thornqvist…Rolandz…and now Arvingarna. These guys are occupying the traditional throwback space in this final, and I have no complaints. Songs like I Do would be sorely missed from Melfest (by me, at least) if they never popped up. And since we know this isn’t going to threaten for the win, what’s the harm in shamelessly bopping to dansband pop performed by four middle-aged men with millennial hair? Sounds like a nice way to round up the competitive part of the night to me. 6/10
Who I want to win
To cut a long story short…oh god, I CAN’T cut it short! I’ve just realised how many acts/songs are standing out to me, even though I know some of them aren’t possible winners. If I was held at confetti-cannon-point and forced to choose three, I’d go for Wiktoria, Hanna & LIAMOO and John Lundvik…and then I’d overpower my captor so I could mention Mohombi too, with Bishara and Malou as wildcard backups.
I do want to say that, while I was desperate for Dance You Off to win last year because it had The One written all over it (I may have shed a tear when my dream came true) I don’t feel the same sort of fire about anything in this year’s final. I have feelings, but not feelings so strong that I’m going to cry with happiness again. Maybe next year.
Who WILL win
At this point, it does seem like we have a clear winner in John Lundvik. He’s far and away favourite with the bookmakers and has been sitting pretty on top of the Swedish Spotify Top 50 for weeks. I can’t imagine the international juries – from Australia, Austria, Cyprus, Finland, France, Israel, Portugal and the UK – leaning heavily in any other direction. John has so much personality and his performance feels so genuine (but still polished), who wouldn’t be won over? I’m convinced that it’s not a question of will he win, but how much will he win by. And if I’m right (it does happen occasionally), I’ll be satisfied, if not fangirling like crazy, when it comes to Sweden’s entry for Tel Aviv.
Side note: John representing Sweden as a performer AND the UK as a songwriter would be a first for anyone from anywhere. Take that, Željko ‘I can only host and be a songwriter at the same time’ Joksimović!
Having said that, he’s not totally untouchable – and if the juries do go in a different direction, and/or the Swedish public’s opinions are widely spread, Hanna & LIAMOO could sneak through and top the table. I wouldn’t put it past Wiktoria or even Anna Bergendahl to pull a shock win out of their nonexistent hats either.
Ultimately, I am sticking with Too Late For Love as my official prediction. And I’ve had a crack at guessing the rest of the results. Laugh at me if you must.
- John Lundvik
- Hanna Ferm & LIAMOO
- Anna Bergendahl
- Jon Henrik Fjällgren
- Lisa Ajax
- Malou Prytz
- Lina Hedlund
That brings me to the end of my last Selection Season post for the year. It’s been a hectic but enjoyable season packed with plot twists, contenders and Ukrainian controversy, and I’ll miss it.
Now we enter what is both a boring and exciting time of the Euroyear: the lead-up to Eurovision itself. I’ll be here on the reg, looking back on the NF season and dropping my ESC 2019 reviews. Before that though, follow me on my socials – Twitter especially, @EurovisionByJaz – so we can watch and commentate on Melfest together.
It’s Saturday once again, and you know what that means at this time of year: it’s an NF fest! Believe it or not, the five shows on tonight are nothing compared to some upcoming Saturdays (but more on that later). Here’s what’s happening in a few hours’ time:
- Estonia Eesti Laul, Semi Final 2
- Hungary A Dal, Heat 3
- Latvia Supernova, Heat 2
- Lithuania Eurovizijos Atranka, Heat 4
- Sweden Melodifestivalen, Semi Final 1
My focus today is Hungary and Sweden (apologies to everyone else, but a girl’s got to have priorities) so let’s get straight into it. As always, spill as much tea as you like in the comments re: songs/acts/results/predictions. I’m ready for it!
Time flies when a national final is as awesome as A Dal 2019…isn’t that what people say? There’s got to be some explanation for how we’ve arrived at the third and final Hungarian heat already. There are only six spots left in the semi finals, with ten acts hoping to take them.
- Holnap Bogi Nagy
- Az Én Apá Joci Pápai
- Maradj Még Kyra
- Hazavágyom Leander Kills
- Egyszer Mocsok 1 Kölykök
- Run Baby Run Monyo Project
- Help Me Out of Here Petruska
- Forró Ruby Harlem
- Barát Salvus
- Posztolj USNK
My two least favourite songs are listed above, which is a bummer (find out what they are here) but all is definitely not lost! I’ve been eagerly awaiting this heat for a few reasons, and the main one is spelled J-O-C-I P-Á-P-A-I.
Yes, the man who makes magic every time he opens his mouth is back for another crack at representing Hungary – and though it would be out of character for them to send the same person twice (András Kállay-Saunders is not amused), it’s not totally impossible. Or am I just biased because Origo is one of my favourite Eurovision entries ever and I love everything else that Joci has ever recorded? Check out my top picks from this heat and decide for yourself.
What do you know, I’m starting with Az Én Apam! Plot twist. This is my favourite song competing this evening, and though I’m not going to say it’s as amazing as Origo, it’s just as special and emotional – just in a more understated way. I’m praying for Hungary and the A Dal jury to support it, because if Joci goes the way of Olivér Berkes and gets knocked out immediately, HELL WILL HATH NO FURY LIKE THIS WOMAN SCORNED.
X Factor winners USNK are going gangbusters on YouTube with Posztolj (6.7 million views as I type this) which IMO is deserved for anything with ByeAlex’s name attached to it. The song style isn’t my usual “thing” at all but I love it here – the edginess and intensity of the sound against the social media-themed lyrics makes for a cool contrast. Hungary isn’t averse to rap (which I appreciate) and USNK obviously have public vote pulling power, so this seems like an obvious qualifier. Maybe too obvious…
Leander Kills are one of 2019’s many repeat NF offenders. Since they couldn’t win A Dal with Élet in 2017, they shouldn’t win with Hazavágyom. Having said that, however, they are in with a damn good chance and I would be able to get on board with them as AWS successors. There’s something joyful and unique about Hazavágyom that I like a lot, and I expect the live performance to match – and of course, to be as competent as yesyes were INcompetent (WHY GOD WHY?!?) last week.
Kyra is serving up some diva power-pop in the form of Maradj Meg, and I am here for it. I’m 50/50 on whether her performance will be as on-point as it needs to be or a car crash (or somewhere in-between) but I’ll think positive until she proves me otherwise.
My other two faves in this heat are Help Me Out of Here – the less infectious but still appealing sibling of Petruska’s last entry Trouble In My Mind – and Barát, with Salvus delivering a classic slice of Hungarian rock that will probably follow in the footsteps of A Remény Hídjai and Kulcs by qualifying.
Who’s going through?
I’ve got an okay success rate going for A Dal so far in terms of predictions – 4/6 correct guesses for both heat 1 and heat 2. But I wouldn’t mind going one (or two, ideally) better this week. With the risk of opting for the obvious, I’m thinking it will be Leander Kills, Joci Pápai, USNK, Petruska, Salvus and Mocsok 1 Kölykök (my debatable wildcard) who make it to the semi final stage. In other words, I suspect the girl power level will be very low once the results have come in. If there does happen to be some female fierceness in tonight’s top six, I believe it will be courtesy of Kyra.
That’s enough about Eastern Europe for now (no offence). It’s time to talk Scandinavia, specifically Sweden, and more specifically Melodifestivlalen!
Brace yourselves, people, because Melodifestivalen has hit its first destination for 2019: Göteborg! I’m going to spare you guys another questioning statement about how we can possibly be at this point in time again and how fast the months fly by, et cetera. The fact is that we are here again and I’M SO EXCITED. I hope you are too.
There are returnees aplenty taking part tonight, including two 2017 finalists and (of course) Anna Bergendahl, whose claim to ESC fame I’m not going to mention since I think it’s time to move on (even though it gives her the best comeback narrative of the year). Here they are in running order:
- Chasing Rivers Nano
- No Drama High15
- Not With Me Wiktoria
- Mina Bränder Zeana feat. Anis Don Demina
- Mina Fyra Årstider Arja Saijonmaa
- Hello Mohombi
- Ashes To Ashes Anna Bergendahl
On name value, this is not the most thrilling semi for me personally, but the first one is traditionally not supposed to be (Sweden/Christer Björkman believe in saving the best until last, or at least until later). Even so, I have managed to pluck out four favourite songs.
My top four
Hello, Hello! Mohombi is bringing his A-game to this semi and I am so keen to see him perform. There’s something about this song I get just from the teaser that suggests it could do more in the comp than a lot of fans expect it to. Factor in staging that echoes Måns Zelmerlöw’s for Heroes and you’ve got an entry worth watching out for.
Mina Bränder is the good old ‘Swedish-language radio pop song that Jaz likes but nobody else does’ á la Stark last year. As such I expect Zeana and Anis to crash out of this semi, but only after I have bopped along to their three minutes – especially the chorus, which has a strong scent of Melfest 2005 about it.
Neither Chasing Rivers nor Not With Me seem like they’re the best song their artist has competed with, but as expected both are strong. It’s particularly hard to get a feel for Chasing Rivers by only hearing a minute of it, but it has promise. Wiktoria is trotting out all the heartbreak clichés this time, but because Not With Me reminds me a lot of Isa’s I Will Wait and this is Wiktoria we’re talking about, I have to get behind it.
I know this is a top four, but I have to mention Anna’s Ashes To Ashes. It slips into my 5th place based on the jarring similes that make up the lyrics (like a this, like a that…it’s OTT for me, I’m afraid) but the melody is memorable and her voice is as distinctive as it was in 2010. Lycka till.
Who’s going direkt?
Nano and Anna Bergendahl. It’s hard to tell just how impactful Chasing Rivers will be from the snippet alone, but I think Nano is enough of a force to be reckoned with to place top two tonight…even if Hold On was too much to live up to. Anna might not get the fairytale ending at Friends Arena that she’s after, but I believe she will be there in March. I’ve seen her stage outfit and she deserves to win this semi based purely on how stunning it is.
And who’s off to Andra Chansen?
Wiktoria and Mohombi. If Wiktoria doesn’t go direkt, it’ll be her first time having to fight for a place in the final, but I have a feeling it’ll be her OR Nano to Friends straight away – not both. Mohombi is an artist I was excited about heading into this, but he took me by surprise with the vibe of Hello – I was expecting Bumpy Ride Part II (which wouldn’t have been a bad thing). He did win the rehearsal poll, and if he goes direkt I’ll be psyched…but it’s touch-and-go between the big players in this line-up.
Who do you think will advance to the final or to AC from this first Melfest 2019 semi? Place your (hypothetical) bets in the comments below!
Tel Aviv: Reactions from the week that was
It’s time for me to share my thoughts on what’s happened in the world of Eurovision 2019 since the last time I did the same thing. Three artist announcements and two songs await!
Austria Paenda has been decided as the artist who’ll attempt to top Austria’s surprise 3rd place from Lisbon. She’ll be singing the unreleased Limits, and somehow I’m getting the same feeling from the song title alone that I got from the likes of City Lights – like I just know it’s going to be good. As for Paenda herself…let’s hope she’s more successful than the last blue-haired competitor from that geographical region.
Czech Republic Barbara Mochowa had the voice and (to an extent) the song, but Lake Malawi have something extra – an element of fun and very questionable lyrics – that got them over the line to become the Czech entry for Tel Aviv. We might come to realise this was a mistake, but for me right now I’m pretty pleased about it. Let’s face it, anything that came after Mikolas Josef was going to be a letdown in some way. I would happily have him represent his country every year, particularly if he keeps bangers like Abu Dhabi coming.
Finland My beloved Robin may have turned the ESC ticket down, but world-famous DJ Darude did not. And so Finland brings us the DJ + vocalist combo that we got from Norway in 2017 and Poland in 2018. Fingers crossed Darude and Sebastian Rejman model themselves more after the former than the latter. They’ll present their three potential entries on March 2.
France Against all odds (by which I mean Seemone) Bilal Hassani is France’s chosen one, and I couldn’t be more excited for him – and for myself because Roi is a JAM. I loved his performance in the Destination Eurovision final and I’m glad it was the French public that got their way. Haters back off!
Malta The X Factor concluded with Michela Pace crowned champion and automatic ESC artist for Malta. There’s not much to say at this point other than yes, she can sing, so for Ira Losco’s sake give her a good song.
What’s next for NF season?
- 5/2-8/2 Italy (Sanremo Music Festival, Nights 1-4)
- 8/2 United Kingdom (You Decide, Final)
- 9/2 Australia (Australia Decides, Final), Hungary (A Dal, Semi Final 1), Iceland (Söngvakeppnin, Semi Final 1), Italy (Sanremo Music Festival, Final), Latvia (Supernova, Semi Final), Lithuania (Eurovizijos Atranka, Semi Final 1), Montenegro (Montevizija, Final), Sweden (Melodifestivalen, Semi Final 2), Ukraine (Vidbir, Semi Final 1)
- 10/2 Romania (Selecția Națională, Semi Final 2)
Next Saturday? HOLY CRAP. I’ll be over on the Gold Coast in the Australia Decides audience, so look out for me if you’re watching on TV or online. You’re welcome for the time difference that will allow you to watch our NF without missing any European ones.
Until next time (when I’ll review the Aussie songs and much more),
For those of us who place Melodifestivalen up on a pedestal, right next to Eurovision (because we believe it to be equally as epic) today was practically Christmas.
For today was the day we all received 28 gifts of varying shapes and sizes, in the form of the artists competing in the national final of dreams in February/March 2017. I was particularly keen to unwrap these gifts given I’m actually attending Melfest for the first time next year (!!!) and will have the chance to see twelve of the artists in the flesh come finalen…and then have some press charges in the wake of me inappropriately touching them.
Anyway, after months of rumours that ran right up to the start of this morning’s press conference – hosted by the adorable David Lindgren sans Clara Henry and Hasse Andersson – we now know exactly who will and who won’t be popping up in the four semi finals. Many confirmations of what we already knew were made; blanks were neatly filled in by returnees and newbies alike; and one of the biggest bombshells in Melfest artist-announcement history was dropped.
Let’s run through the entire list of participants and songs, and I’ll unload my initial thoughts and impressions along the way. I apologise in advance for any spelling mistakes, incorrect information or general incoherent rambling that you might encounter here. I’m both delirious with excitement and rushing to get this post up while it’s still relevant, so I’m not at the top of my game just nu.
Semi 1 | Göteborg
- Amare, Adrijana
- Her Kiss, Boris René
- Hold On, Nano
- Mitt Liv, Charlotte Perrelli
- One More Night, Dinah Nah
- Road Trip, De Vet Du
- Wild Child, Ace Wilder
We knew Adrijana, Charlotte Perrelli, De Vet Du and Ace Wilder were shoo-ins already, so the most pleasant surprises in this first roll-call – for me, at least – were Boris René and Dinah Nah.
Boris ended up being one of my favourites from this year’s comp, and I still can’t help dancing enthusiastically when Put Your Love On Me comes on shuffle (as well as shouting ‘IN A LITTERBOX’ loudly enough for my neighbours to hear and subsequently consider moving to Siberia). Suffice to say I can’t wait to discover what he has in store for us for his second shot.
Dinah Nah was heavily rumoured to return in 2016, but evidently she needed more time to find a track that might get her to the final again. I am very glad to see that her hair is still pink.
I know I should be peeing my pants with excitement about Ace Wilder, but to be honest, I wish she’d taken some more time away like Dinah did – I’m not sure I can handle her two years in a row. But I’ll reserve (most of) my judgments until we hear what she has to offer.
Apparently Charlotte Perrelli doesn’t want to win Melfest on this occasion, but has her reasons for giving it another go after The Girl failed to even make Andra Chansen in 2012. I’m guessing she won’t be disappointed if her aim is not to go to Eurovision for the third time.
I’m clueless re: Adrijana and Nano, so perhaps one of them will be the exotic stranger who has me head-over-heels for their entry (then sobbing into my specially-commissioned sequined Kleenex when it finishes last). It happens every year!
Semi 2 | Malmö
- A Million Years, Mariette
- Good Loovin’, Benjamin Ingrosso
- Hearts Align, Dismissed
- Himmel Och Hav, Roger Pontare
- I Don’t Give A, Lisa Ajax
- Up, Etzia
- Vart Haru Varit, Allyawan
The second semi will feature just as many big hitters as the first – such as Mariette (who took home the bronze medal in the Year of Måns), Roger Pontare (a Melfest and Eurovision veteran who last represented Sweden on home soil in 2000), and Lisa Ajax (the Idol winner who also won her semi this year over eventual runner-up Oscar Zia).
I can’t say I’m as excited – on names alone – for this round. But I am pretty keen to hear from the debutants. Benjamin Ingrosso, who comes from a family of serious musical heavyweights (Pernilla Wahlgren is his mother, for starters) is one I’ll definitely be watching. And listening to, obviously. Despite the totally unnecessary extra ‘o’ in his song title (#petpeeve).
Semi 3 | Växjö
- Boogieman Blues, Owe Thörnqvist
- Crucified, Bella & Filippa
- Gotta Thing, The Fooo Conspiracy
- Gravity, Jasmine Kara
- I Can’t Go On, Robin Bengtsson
- Kiss You Goodbye, Anton Hagman
- Snurra Min Jord, Krista Siegfrids
Again, the majority of artists competing in this semi were rumoured by the always reliable Aftonbladet. But that doesn’t make it any less awesome to have my main man Robin Bengtsson back in the mix after his success earlier in the year (when he beat Ace Wilder to win Deltävling 1). If he’s armed with a song that is anywhere near as superb as Constellation Prize, then we are in for a treat come week three. It’s highly likely, as I Can’t Go On was written by two of the three songwriters behind Sanna Nielsen’s Undo, plus my other fave Robin – Robin Stjernberg. *screams internally*.
At 87, Owe Thörnqvist will become the oldest Melfest competitor ever. That’s assuming he lives long enough (I don’t mean to be pessimistic, but he barely made it onto the press conference stage without faceplanting and breaking a hip). If he doesn’t fall off the perch within the next few months, I have a feeling he could be the Hasse Andersson of 2017 and be catapulted further in the comp than I’d prefer via an outpouring of affection from the Swedish public. Hasse Andersson, of course, is also the Hasse Andersson of 2017, seeing as he’s co-hosting the show.
I’ll be flag-waving for The Fooo Conspiracy (despite being about ten years past the average age of their fan demographic) because BOYBAND ALERT, and Jasmine Kara because…well, we Jasmins/Jasmines have to stick together. I reserve the right to retract these pledges of support should these acts’ songs be…well, crap.
I must mention the gorgeousness that is Krista Siegfrids. Our girl from Sweden via Finland has come back for another crack at securing a ticket to Friends Arena, singing again in Swedish (bad move? We’ll have to wait and see). No matter where her journey ends – Växjö, Kyiv, or anywhere in-between – she’s always fun to have around, and I suspect she’ll be hungrier for success this time. That means she should have a song up her stylish sleeve that’s a step up from the good-but-not-great Faller. Fingers crossed!
Semi 4 | Skellefteå
- As I Lay Me Down, Wiktoria
- Bound To Fall, Les Gordons
- Du Får Inte Ändra På Mig, Sara Varga and Juha Mulari
- En Värld Full Av Strider, Jon Henrik Fjällgren feat. Aninia
- När Ingen Ser, Axel Schylström
- Running With Lions, Alice Svensson
- Statements, Loreen
Well, well, well. We know SVT like to save a name bigger than any found in the Welsh phone directory for the last semi final. But they not only outdid themselves on that front for 2017 – they also managed to keep it a secret to ensure that all of our jaws would end up on the floor.
Holy dala horses, Queen Loreen is back! With, I might add, the coolest of minimal song titles AND the songwriting dream team of Segerstad and the Debs joining her in the credits. Anyone who says they saw this coming is either a psychic or a liar (or both), and anyone who doesn’t think it will be a contender FTW needs to have their vital signs checked. It will be the toughest of tasks for Loreen to top Euphoria, but she could be the second coming of Johnny Logan that we’ve all been waiting for. Johnny Logan with a septum piercing.
Wiktoria is making an unsurprising return, but will she have wow-factor staging to elevate her entry this time? I’m interested to find out. Save Me wasn’t right up my street song-wise, so I’m hoping she’s changed things up and gone for a power ballad. The girl can SING, so she could easily handle a Céline Dion update (i.e. something like Isa’s I Will Wait).
Also reappearing in the lineup is Sara Varga, who made it in and out of Andra Chansen in 2011 with Spring För Livet, but she’s not alone. She’s also not alone in making a comeback in partnership with another artist, as Jon Henrik Fjällgren has done the same. The man who nearly put paid to MZW’s trip to Vienna is teaming up with Aninia (Google will tell you all you need to know about her, because I can’t) and I reckon the result will be original, to say the least. It’s such a relief that we’ll be able to say stuff like ‘Are you joiking?’ on Twitter again without people getting (too) annoyed.
Jon Henrik and Loreen aside, the name that most excites/intrigues me is Alice Svensson, another Idol alum who was beaten to the crown by Kevin Borg (he of Maltese national final fame). I’m basing this almost exclusively on the title of her song (that plus previous musical releases are all we have to go on at the moment) because is Running With Lions not totally badass? Both the act itself and the string of words, I mean. Bring it on!
Those are my initial thoughts on the 28 acts unveiled this morning – now it’s time for you to have your say. Are you happy with the peeps preparing to battle it out in Europe’s favourite national final? Which songs are you most excited to hear when the time comes? Do you think Loreen will walk it (or crab-dance it), given her history and supreme songwriting team? Whatever you’re thinking, put it in writing in the comments. The countdown to Melfest 2017 is officially on, guys, so let’s keep the conversation going!
It’s a bittersweet symphony, this life. After five Saturdays of frenetic and not-so-frenetic (in the case of After Dark) app voting, wanton wind machine usage, and results that made us say ‘Um…really?’, Melodifestivalen 2016 has reached its final stage…literally.
The traveling circus has set up shop in Stockholm (as Eurovision will in a matter of months) and the original line-up of 28 – if we’re including the booted Anna Book – has been narrowed down to 12 (presumably, the others have been fed to the lions by now). It is exciting, anticipating this imminent last installment, but it’s also depressing to imagine life after Sweden’s 2016 ESC entrant is named and famed. Seriously, what did we do in those dark days prior to Deltävling 1? I don’t know, but we’re going to have to start doing it again as of Sunday *sniffs pathetically with head buried in latest edition of Scan magazine*.
For now, though, let’s forget about things that are not Melfest-related, and focus on what’s ahead of us – i.e. things that ARE Melfest-related. When I say that, I mean it – I’m choosing to forgo discussing such things as 1) Australia’s second-ever adult ESC entry, and 2) Lithuania also selecting their song this evening, to give the Swedish selection the attention it deserves. I expect my honorary Swedish citizenship, hand-signed in glitter pen by Christer Björkman, to arrive in the post any day now.
As Ace Wilder would say, don’t worry – I’ll get back to Dami Im and (probably) Donny Montell in due course. But just nu, let’s preview and predict one of the greatest and most competitive Melfest finals in recent history!
- Håll Om Mig Hårt by Panetoz
- My Heart Wants Me Dead by Lisa Ajax
- We Are Your Tomorrow by David Lindgren
- Kizunguzungu by SaRaha
- Human by Oscar Zia
- Don’t Worry by Ace Wilder
- Constellation Prize by Robin Bengtsson
- Youniverse by Molly Sandén
- Put Your Love On Me by Boris René
- If I Were Sorry by Frans
- Save Me by Wiktoria
- Bada Nakna by Samir & Viktor
That’s certainly a good-looking, good-listening programme. And that’s not even factoring in the star-powered interval act SVT have planned for us (more on that later). There are so many songs and acts I want to see succeed this evening, and only a few I wouldn’t be devastated to see fail. You can find out which are which without further ado. 3, 2, 1, review!
Håll Om Mig Hårt by Panetoz
My verdict I’ve said it before, and I’ll say it again – these guys make me so happy, and all they have to do is exist (and ideally, release some music every now and then). It’s no surprise that I was jumping for joy when they emerged victorious from their Andra Chansen battle last weekend. Håll Om Mig Hårt is weaker than 2014’s Efter Solsken, but it’s still the same brand of effervescent, crowd-pleasing tropical pop, and there could be no better opener for tonight’s final. Will it win? Of course not. Will it even come close? Nope. But will we enjoy it whether we want to or not? Obviously.
My ranking 7th
Predicted ranking 12th
Would it work at Eurovision? No
My Heart Wants Me Dead by Lisa Ajax
My verdict Stringing toilet paper from the ceiling has never looked so glamorous! No, Lisa didn’t get the best of deals when SVT were budgeting to cover staging costs. But that doesn’t stop MHWMD from being a killer pop ballad performed with aplomb by Sweden’s 2014 Idol champ (marinated in on-trend metallics). I love everything about this song, bar the lack of more dynamic staging. Zara Larsson would be proud to have this track in her repertoire.
My ranking 6th
Predicted ranking 9th
Would it work at Eurovision? Yes
We Are Your Tomorrow by David Lindgren
My verdict David is the epitome of an Eric Saade-endorsed manboy. He’s adorable, in other words. But how he managed to go direkt yet again is a mystery to me, particularly when his song is just so…nice. Nice, competent and reasonably catchy, but nothing more. There’s no real substance to it, and it’s not going to be a contender now we’ve reached the pointy end of the comp. Sweden might have an affinity with this guy, but the international juries won’t – and even Swedish voters have the likes of Frans and Robin on hand to choose over David this time. Which is fine…I’m happy to console him when he fails miserably.
My ranking 11th
Predicted ranking 11th
Would it work at Eurovision? No
Kizunguzungu by SaRaha
My verdict Yes, this is Waka Waka + Aleo + Haba Haba in a tidy three minute capsule; and yes, despite the African overtones, it’s Swedish pop-by-numbers right down (or should I say, right up?) to the key change. But it’s also so high-energy and so much fun that I’m irresistibly drawn to it. Plus, I am yet to find a better word than ‘kizunguzungu’ emerge from 2016. You do give me kizunguzungu, SaRaha…as a result of too much DAMNED DANCING.
My ranking 9th
Predicted ranking 7th
Would it work at Eurovision? Yes
Human by Oscar Zia
My verdict Cards on the table: this is my favourite. And I can’t help thinking it would be the best Melfest-turned-Eurovision song Sweden could possibly pick tonight, even if there’s little to no chance they’ll actually pick it. Oscar isn’t the world’s best vocalist, but his charisma, the power of Human, and the Academy Award-worthy cinematography of his staging (camera shots have never been used so effectively) compensate for that. He looks like a 50s film star on stage, but the rest of his entry is totally contemporary – and together, it’s a magic combo. Still, it’ll be a miracle of Paula and Ovi proportions if he manages to win.
My ranking 1st
Predicted ranking 8th
Would it work at Eurovision? Yes
Don’t Worry by Ace Wilder
My verdict Way back when Ace was the outright favourite to win Melfest, I wanted to love her comeback entry so I wouldn’t mind when she walked away with the victory. A lot has changed since then, including the fact that there’s a new kid on the block who’s likely to pip her at the post. What hasn’t changed is my attitude towards Ace herself – I still find her as unlikable as I did in 2014, when she was the devil to Sanna’s angel as they both perched on Melfest’s padded shoulders. I do, however, love Don’t Worry. But I don’t think it’s a winner. Simple as that.
My ranking 8th
Predicted ranking 2nd
Would it work at Eurovision? Yes
Constellation Prize by Robin Bengtsson
My verdict It’s apt that Robin sings ‘You’re a star’ in the chorus of Constellation Prize (I still can’t wrap my head around that title) because he was the star of semi final one. Armed with a harmonica that he was definitely playing *wink* and eyes that could convince me to do pretty much anything (one lingering look, and I’d beat Frans to robbing a bank and the post office too), Robin charmed us all then, and he’ll be doing the same tonight. I hope he nabs a great result, if topping the table is out of the question (which is isn’t, necessarily). If he can hypnotise the international juries with those peepers, AND rank highly with the Swedish public, he could be the second Robin to represent Sweden on home soil. Stranger things have happened.
My ranking 2nd
Predicted ranking 3rd
Would it work at Eurovision? Yes
Youniverse by Molly Sandén
My verdict Molly can do no wrong as far as I’m concerned. She is flawless, and proved it when she put in a final-worthy performance a few weeks back. Granted, Youniverse is not the landslide-win type of song I was expecting given that Molly and her man-candy Danny Saucedo co-wrote it, but it still kicks butt. This is a tough year, and it will be an uphill struggle rather than an easy stroll for Molly to take it out. I’d be ecstatic if she did, but she might need to try a few more times to find the perfect formula – and/or drop by when the competition’s not so fierce.
My ranking 3rd
Predicted ranking 4th
Would it work at Eurovision? Yes
Put Your Love On Me by Boris René
My verdict Whether in a little box or a litter box (once you’ve heard that, you can’t un-hear it) Boris has my heart for sure. This is my jam of the year so far, and I’m stoked we get to experience the pure joy of it once again in the final. Proving that you don’t need showy staging to have get places, Boris uses the fancy footwork from his football past to full advantage, and that helps make him a worthy participant tonight. I’m sad to say that he’ll probably end up in the bottom six of the twelve – but he should be proud to have made a successful Melfest debut, and in doing do, put a smile on the face of everyone who isn’t a soulless robot. Go ahead, Boris – putcha love on me!
My ranking 5th
Predicted ranking 10th
Would it work at Eurovision? No
If I Were Sorry by Frans
My verdict If we’re destined to have a runaway winner, it will be Frans. Having topped the Spotify and Sverigetopplistan charts and been the odds-on favourite since his semi performance, he’s on the right track to outwit, outplay and outlast much bigger names, which I’m quite pleased about (it makes Melfest less predictable in a way, and means it’s still a launching pad for relative unknowns/former child stars). There is a charm and authenticity to If I Were Sorry – an air of ‘no, we’re not trying too hard for once’ – that we last saw in Robin Stjernberg’s You, and that makes it dangerous. I know it’s not hugely popular outside of Sweden, but I think it will be a cool choice if it does what’s expected. But…will the non-Swedish jury members warm to it, or just think ‘WTF?’.
My ranking 4th
Predicted ranking 1st
Would it work at Eurovision? Yes
Save Me by Wiktoria
My verdict Contrary to IIWS, Save Me is all about what happens to/on Wiktoria on stage. The girl is an amazing singer, and I want her hair chopped off and glued to my scalp stat (in a non-creepy way) but without those incredible body projections, she would need someone to save her. Don’t get me wrong – I am a fan of this song (it’s the kind of thing I imagine Taylor Swift would have been releasing right now if she’d remained within the realms of country music). But I’d be far less keen to sit through it if Wiktoria simply stood and sung, sans the series of projections. With those in her corner, I’m expecting her to debut successfully by squeezing into the top 5.
My ranking 10th
Predicted ranking 5th
Would it work at Eurovision? Yes
Bada Nakna by Samir & Viktor
My verdict I’m happy to hear that these boys will be as close to nakna as possible on primetime television tonight. Why not venture all the way down Trash Avenue? After all, it would be un-Samir & Viktor-like to show restraint (and not nipples). These two are the weakest singers in the field, and Bada Nakna is no Groupie. As a result, they won’t be heading back to Stockholm for ESC purposes unless they’re hitting up the Euroclub. That’s expressly why we should just sit back and enjoy the final song to be performed tonight…in all its moist, shirtless, pantless glory.
My ranking 12th
Predicted ranking 6th
Would it work at Eurovision? No
Okay…so that likely took you as long to read as it will take the Mello final to start, happen and finish. But that’s SVT’s fault for having so many songs competing. In summary, my predicted scoreboard (minus any actual scores, because I don’t want to make that much of a fool of myself) looks like this:
- Samir & Viktor
I do think that ultimately, Frans will be our winner for 2016. But his is not necessarily an open-and-shut case kind of victory like Måns’ of twelve months ago. Back then, MZW had the sort of mass appeal that won him both the international jury vote and the televote. But in 2014, Sanna Nielsen placed second in the jury vote and won the televote; and in 2013, Robin Stjernberg did the opposite, winning the jury vote and placing second with the Swedish public. My point is (yes, I have one!) that Frans will most likely win the televote, but if he’s placed second or lower with the juries, he may not win the whole shebang. It’s hard to guess which act the juries would opt for instead, but you could argue that the likes of Ace, Robin, Molly and Oscar have more mass appeal, and might be more easily “gotten” by non-Swedes. And if the points/percentages are right, we could see a close call feat. Frans with a metaphorical silver medal round his neck.
So who, if anyone, has the best chance of toppling the favourite? Ace or Robin, with Wiktoria as an outsider. I’d love to say that Oscar – my main Melfest man – could hit the heights required to score an ESC ticket, but it seems there’s too much in the way (third time lucky in 2018, perhaps?). There really are a ton of great songs in this final, and too few top five places (five, funnily enough) to be allocated accordingly. Samir & Viktor should come last in my opinion, but they won’t. Any other act really doesn’t deserve that dishonour. I’ve predicted Panetoz because, as wonderful as they will be as the show’s opening act, I think the fun will fizzle out come voting time when Swedish voters get serious (and I don’t think the juries will rank them particularly highly either). I get the impression they’ll just be happy to be there, having made it this far though.
What do you think? Are there some shocks and surprises in store for us in Sweden, or will Melfest turn out to be massively predictable after all? Place your bets, people!
Now, to finish off, I’m going to bask in the ambience of Europe’s most epic NF for a little longer as I identify what I’m most looking forward to seeing and hearing in Friends Arena in a few hours’ time:
- Oscar Zia in action I haven’t laid eyes on his kick-ass performance since his semi-final (though I have snuck in a few plays of Human in studio) so I’m dying to see it again. I do think we’re human, and I would like to take a look once again, Oscar.
- Molly lost in her Youniverse Because who wouldn’t want to watch the Mollmeister do what she does best and generally be all of our beauty and talent goals in flesh-and-blood form? Anyone else also hoping Danny will show his beautiful face on this occasion?
- Lynda Woodruff’s triumphant return SHE’S BACK! I can’t get enough of Sarah Dawn Finer, as herself or in character as the EBU’s most incompetent employee. The big question is, will she work in a mention of Azerjaiben?
- The Melfest medley of a lifetime SDF again. Magnus Carlsson. Nanne Grönvall. Anton Ewald. BWO. These are just some of the artists from Melfests of yesteryear who’ll be taking to the stage to reprise their entries while we wait for the votes to be tallied. I CANNOT CONTAIN MY EXCITEMENT. Interval acts don’t usually have me peeing my pants at the prospect of witnessing them, but this one’s different. Sorry for the over-share.
- The moment vi har ett resultat I don’t want to hear Gina Dirawi utter that phrase for the last time, but I do want to suffer through the agony of the voting sequence. Remember, it’s the kind of process we’ll be seeing at Eurovision, so think of the drawn-out tension as a dress rehearsal for May.
Aaaaaaaaaaaand I’m done. There is more I could say on the subject of M to the E to the L to the O to the…well, you get the idea. But then I’d need to print it, bind it and market it as serious bedtime reading, and that’s too much hassle.
Speaking of bedtime…I’d better go have my last pre-Melfest power nap. I might see you on Twitter later for the main event, but if not, enjoy your Saturday whether you’re watching Melfest, watching Lithuania’s Eurovizijos (?) or doing something else entirely (???). We have so few Eurovision entries left to be picked/premiered, so let’s hope we get a few great ones tonight!
Until next time,