Just because national final season ended back in March doesn’t mean we should forget about it, right? After all, every year brings with it a fresh batch of boss music for us fans to add to our respective playlists, and the happy-dances danced as a result of that can last forever. AND this is all before Eurovision itself even begins! I think I speak for all of us when I say – as a totally unknown band called ABBA once said – thank you for the music, NF season.
There’s no better way to top off a thanks than with a top 10, in my opinion – so here we are. It might seem like I’m just crazy late in posting this countdown, but now is a good time to pay tribute to the 2017 selection season: firstly, because it’s Thursday and I’m a big supporter of #ThrowbackThursday (check my Instagram if you don’t believe me); and secondly, because it’s not long until the results of this year’s OGAE Second Chance Contest are revealed. It turns out that half of my favourite tracks from the recent run of national finals were chosen to compete in the SCC, so I guess I’m not as alternative as I thought. Damn.
The lone rule for this list? I only allowed myself to pick one song from any particular country – so you’re not about to see Melfest song after Melfest song. Keep reading to find out which Eurovision could-have-beens I fell in love with this season, and how I think they would have fared in Kyiv compared to the songs that actually ended up there. And don’t forget to share your personal favourite songs in the comments!
#10 | Two Faces by Michéle (Switzerland)
NF result 3rd, Die Entscheidungsshow
Is it better than Apollo? No, but…apples and oranges.
Would it have done better in Kyiv? Definitely not, though I like to think it would have been staged better than Apollo.
I’m sorry to have to say this, but I know I’m not the only one who’s come to expect a certain level of sub-standardness when reviewing the Swiss national finalists each year. 2017 was an exception in that the final bunch of songs – bar one – were actually more than mediocre. My favourite, Apollo aside, was pocket rocket Michéle’s Two Faces, which took me by surprise given how mod-pop it is. It’s not a perfect production, and my inner jury’s still out on whether the ‘sugar and salt’ analogy is good or awkward…but damn, this is catchy. And even though it does sound radio-friendly, I’ve never heard anything quite like it before.
#9 | Helppo Elämä by Lauri Yrhjola (Finland)
NF result 8th, Uuden Musiikin Kilpailu
Is it better than Blackbird? No, but again it’s hard to compare the two.
Would it have done better in Kyiv? Probably not.
If this song was sung in English (or Swedish), it would have been right at home in the Melodifestivalen line-up. That’s a big compliment from me meaning it’s a) slickly produced pop, b) minty-fresh radio material, and c) gets stuck in your head like it’s made of super glue. The fact that it’s in Finnish, though, further set it apart in the UMK field, and adds to the aloof kind of cool it projects. The fusion of country twang and electro sounds is very Avicii, and gives it an automatic x-factor. For me, it was the NF character that speaks its own language (literally) and has little hope of winning, but will inevitably end up on my selection season playlist. There’s at least one of those in every national final.
Watch the NF performance here.
#8 | I Wish I Loved You More by Holly Brewer (United Kingdom)
NF result Unknown, Eurovision: You Decide
Is it better than Never Give Up On You? No, but it’s less of an identity-crisis song.
Would it have done better in Kyiv? Nope.
You guys know mama loves her female power ballads (when they’re good ones…I am fairly discerning). Why do you think I was such an enthusiastic member of Team Denmark this year? Speaking of blonde powerhouse vocalists, here’s Holly Brewer, who sang the shiz out of the sensational PB that is I Wish I Loved You More. I can admit that this sort of song had its heyday circa 2007, but the genre never stopped floating my boat. I love that IWILYM promises to become something dynamic and explosive, and then delivers – first with big + bold choruses, then with that money note that you KNOW is coming, but it still packs a punch when it arrives. It’s a knockout (and so is Holly, on whom I have a raging girl crush).
#7 | Heart of Gold by BQL
NF result 2nd, EMA
Is it better than On My Way ? HELL YEAH!
Would it have done better in Kyiv? HELL YEAH!
BQL (made up of two musos who are apparently blood brothers…who’d have guessed?) broke hearts throughout the Euroverse when they failed to get Slovenia’s golden ticket in 2017 – Slovenia’s fault, obvs. Okay, so their live performance was a little rough around the edges, while Omar Naber’s was flawless (it was another Margaret/Michał Szpak situation). And Heart of Gold itself is a bit all-over-the-place as a song, needing a restructure and a revamp. But like everything created by Maraaya, it has SO much going for it. Simple but effective lyrics, and not one, but about five epic melodies, for example. If it had won EMA and undergone a pre-ESC facelift, wonderful things might have happened to a country that has now chosen two questionable entries in a row.
Watch the NF performance here.
#6 | One by Ida Una (Denmark)
NF result 2nd, Dansk Melodi Grand Prix
Is it better than Where I Am? Not according to moi.
Would it have done better in Kyiv? I have to say yes (but I don’t want to).
Here’s a prime example of the safe, sugary pop songs that dominate DMGP – and this one is actually about love and peace (I don’t know if Måns and Petra would approve or be appalled). I’m not normally a supporter of either cookie-cutter music or lame lyrics, but I have totally dug the vibe of Ida Una’s One since day one. The lyrics are the main drawback, because everything else is very Scandi-2017…and how about the insane singalong-ability of the chorus? It turns one word into ten syllables, making it a surefire hook without it being too simplistic. I was pretty convinced this track was going to Kyiv because it’s right up Denmark’s street, and I wouldn’t have minded that result since the song is right up my street too.
#5 | Places by Ulrikke (Norway)
NF result 4th, Melodi Grand Prix
Is it better than Grab The Moment? No, but it’s a close call.
Would it have done better in Kyiv? I think it would have finished just outside the top 10, so no.
I wouldn’t willingly swap Grab The Moment – one of my true ESC 2017 loves – for anything. But if I had to for some random reason, I’d have sent Ulrikke’s Places to Ukraine in a heartbeat. That’d be on the condition that Norway totally rethought the MGP staging of the song, which wasn’t nearly ‘tropical beach party WOOHOO’ enough. Places itself, though, is a JAM – a summer jam that I’m being forced to play in winter as I imagine being by the ocean. My buzzwords for this countdown have been ‘current’ and ‘catchy’, and I have to use them again to describe this because it has bucketloads of both. More so than Dansk MGP and Melodifestivalen, Norsk MGP tends to deliver on pop with a bit of edge, and pop that’s very now – not squeaky-clean, sugary or safe. Places is an excellent example of that, I reckon.
Watch the NF performance here.
#4 | Hold On by Nano (Sweden)
NF result 2nd, Melodifestivalen
Is it better than I Can’t Go On? In some ways, yes. In others, no.
Would it have done better in Kyiv? Nope – I think it would have done the same thing.
As you may or may not know (have I mentioned it often enough? I’m not sure…) I was in the audience for the Melfest final this year – and holy Herreys, it was amazing! I didn’t quite get the happy ending I was hoping for, however, as someone supporting Nano rather than Robin. Don’t get me wrong (Bengtsson lyrical pun intended), Sweden NEVER puts a foot wrong at Eurovision IMO (2009 excepted). But Hold On gets to me in a goosebumpy way that the perfectly-polished I Can’t Go On never did. Maybe it’s because it seems more authentic, or because it’s more dynamic and powerful. Or maybe it’s just a cracking song that appeals a teensy bit more to my tastes. Whatever the case, I can’t help being disappointed that Nano was Sweden’s choice to go to Eurovision, but got pipped at the post anyway.
#3 | I Love You by Tayanna (Ukraine)
NF result 2nd, Vidbir
Is it better than Time? Absolutely.
Would it have done better in Kyiv? For sure, providing Tayanna’s throat was in full functioning order at the time.
There were a handful of massively missed opportunities during the 2017 selection season, and sadly, host country Ukraine was responsible for one of them. I can understand how it happened, though. The Ukrainian final was super strong, with Tayanna, Mélovin and Rozhden being my personal standouts – but Tayanna’s incredible power ballad (here I go again with the PB love) was the cream of the crop…prior to that final. Tragically, her vocal ability was compromised by some sort of illness when she needed it most, leading to a performance full of cringe-worthy moments. That’s not the performance above – I had to choose the video of Tayanna at her best since it helps me to daydream about how I Love You would have been one of the best and most wildly-applauded host entries of recent times. Oh, and how it would have given Ukraine a respectable result without forcing another fork-out of contest hosting funds.
#2 | Ouch! By LeKlein (Spain)
NF result 3rd, Objetivo Eurovisión
Is it better than Do It For Your Lover? Well, yeah. I’d say ‘What isn’t?’ but that would be unnecessarily cruel to Manel and also not technically true.
Would it have done better in Kyiv? You bet your butt it would have!
EPIC ERROR ALERT NO. 3!!! Call this a controversial call, but if Spain made any mistake at their NF this year (which they did, though when I say ‘Spain’ I mean the Objetivo judging panel) it wasn’t picking Manel over Mirela. It was leaving LeKlein in 3rd, which definitely made me say Ouch! She might not have been everybody’s cup of sangria, but I’m convinced Ouch! was the best option for Spain in 2017, and would have secured them a spot on the left side of the scoreboard (I can say that with authority because there’s no way of proving me wrong). This song is an anthem of rock-electro-pop proportions, with a sense of fun and a simple hook that would have been memorable in the Eurovision final for sure. Unless, that is, I’m the minority and everyone else would have seen an aggressive androgynous woman yelling at them down the camera for three minutes #possible.
Watch the NF performance here.
#1 | Deák by Spoon 21 (Hungary)
NF result DNQ (semi-final), A Dal
Is it better than Origo? It’s equally epic.
Would it have done better in Kyiv? No.
Funnily enough, I’m glad this song – my favourite find from the 2017 season – didn’t end up at the ESC. Spoon 21’s live performance just wasn’t up to scratch, and that was all to do with vocals. Hungary still would have sent my number one entry of the year if they’d sent Deák instead of Origo, but you’ll never catch me disputing Joci Pápai’s place in the contest. Still, as a song for listening to (ten times a day) Deák is superb. It’s the most K-pop sounding NF song I’ve ever heard, and I love it for that. It’s unique, infectious and gets a zillion cool points just by being in Hungarian. And speaking of cool points, I feel like a cooler person just listening to it – it’s a little bit hipster but mainstream enough to have mass appeal. All in all, it’s a kickass track that proves Spoon 21 – who entered A Dal 2015 with something completely different – isn’t a one-trick pony boy band.
Watch the NF performance here.
So, how did I do? Do you think any of these songs would have made better Eurovision entries than what we actually got? Which musical masterpieces from A Dal to Vidbir and every NF in-between got you excited this year? If you have something (nice) to say, say it in the comments box below J
I’d better go now – it’s time for daily listen no. 10 of Déak, and I can’t keep Spoon 21 waiting.
SELECTION SEASON 2017 | Talking all things Estonia, Sweden + Spain on the most super-sized NF weekend so far!
Bonjour, mesdames et messieurs! I feel like I can use that as a greeting with some relevance, since France dropped their Eurovision 2017 entry on us earlier in the week, just in time to steal some of Germany’s thunder. Not that Germany had that much to steal in the first place, but more on that in another post (for now, I’ll just say that red, white and blue > red, black and yellow). My point is, any opportunity one gets to throw around some random, stereotypical French should be taken. Oui oui!
France is just about the only country where there ISN’T any NF action going on this weekend – a weekend so full of finals (and heats, and semis…all the good stuff), there’s not enough room for all of them to trend on Twitter. Feast your soon-to-be-weary eyes on this lot:
- 11/2 Estonia’s Eesti Laul – semi final one (feat. Lenna Kuurmaa, Elina Born + Ivo Linna)
- 11/2 Ukraine’s untitled NF – semi final two (feat. Kuznetsov + Ilaria)
- 11/2 Italy’s Sanremo Music Festival – the final (feat. Michele Bravi, Elodie + Alessio Bernabei)
- 11/2 Hungary’s A Dal – semi final two (feat. Ádám Szabó, Kállay Saunders Band + Roma Soul)
- 11/2 Sweden’s Melodifestivalen – semi final two (feat. Mariette, Lisa Ajax + Benjamin Ingrosso)
- 11/2 Lithuania’s Eurovizijos – heat six (feat. Mia, Sasha Song + Aistė Pilvelytė)
- 11/2 Spain’s Objetivo Eurovisión – the final (feat. LeKlein, Paula Rojo + Mirela)
- 12/2 Latvia’s Supernova – heat two (feat. Markus Riva + My Radiant You)
- 13/2 Israel’s Rising Star – the final (feat. Julietta, Diana Golbi, Beatbox Element + Imri Ziv)
Visit eurovision.tv for all of the live-streaming links. And because it might be lonely and want to have a cup of coffee and a chat with you.
What will you be watching? You’ve got about as much chance of catching everything at once as I do of covering it all here – so I guess we’ll both have to pick our priorities.
To be honest – as if the title of this post wasn’t a giveaway – I’ve already decided where my loyalties lie. So, if you want some verdicts on/predictions for Eesti Laul, Melodifestivalen and Objetivo Eurovisión, you’ve come to the right blog.
Let’s muse about the music!
Estonia: Elina Born is back as Eesti Laul begins…but is she In Or Out?
It’s a good thing there isn’t a prize for Best Blog Subtitle, ‘cause I wouldn’t be winning any for that one. Blame Elina Born, who went and signed herself up for Eesti Laul as a soloist – for the second time – with a Stig Rästa song that begs to be used in many punny ways (it’s the new That Sounds Good To Me). Girl has said Goodbye To Yesterday and hello to a shot at competing in Kyiv, and her quest begins tonight with the first semi final of Estonia’s always enjoyable NF.
Of course, she’s not the only act competing this evening, so I shouldn’t devote too much screen space to her alone. Elina will be the second of ten acts to perform, and here’s a rundown of them all:
- Slingshot by Lenna Kuurmaa
- In Or Out by Elina Born
- Everything But You by Carl-Philip
- Suur Ioterii by Ivo Linna
- Feel Me Now by Ariadne
- Supernatural by Uku Suviste
- Hey Kiddo by Laura Prits
- Have You Now by Karl-Kristjan & Whogaux feat. Maian
- Valan Pisaraid by Janno Reim & Kosmos
- Hurricane by Leemet Onno
As usual, Estonia is providing us with an interesting set of songs, many of which take some second or third listens to figure out (it’s a pre-selection of acquired tastes, IMO, which is not a bad thing because it speaks for the complexity of what ERT program the show with). Sadly, I don’t have the luxury of being able to listen more than once – and in some cases, my first impressions are based on snippets (with a Eurotrip three weeks away and other commitments calling, time is like thunder short for me at the moment). Here are the semi one songs that stood out to me with minimal exposure.
My top five In Or Out, Everything But You, Feel Me Now, Supernatural + Have You Now. My favourites from this shortlist would be In Or Out (the trumpeting might be passé, but it’s still enjoyable) and Have You Now (which is obviously an Estonian tribute to The Chainsmokers). There’s nothing super-duper dated – or plain terrible – in the whole semi, though. Not even Ivo Linna is acting his age, musically-speaking.
Predicting the ACTUAL top five Slingshot, In Or Out, Feel Me Now, Hey Kiddo + Have You Now. I won’t say where I pulled this prediction from (in the interest of maintaining some degree of ladylike elegance) but let’s just say it’s unreliable. On the other hand, if it turns out to be 60%-100% right, I’ll claim that I produced it after a careful, educated analysis. K?
Do you think Eesti Laul’s off to a good start? Is there someone in this first semi who can do what Juri Pöötsmann couldn’t and get Estonia to the Eurovision final again (without giving the impression that their hobbies include dismemberment, and preserving vital organs in formaldehyde)? Let me know in the comments.
Sweden: Melfest makes it to Malmö for a big-deal Deltävling 2
That’s right – we’re taking a trip back to Malmö Arena, where those of us who were otherwise engaged during Petra Mede’s Melfest hosting gig may have first laid eyes on her when she owned Eurovision in 2013. Unfortunately, some might say, tonight ain’t about Petra – it’s about the seven acts who all want to follow in Ace Wilder and Nano’s footsteps (I assume) since they lead straight to Friends Arena in Stockholm, and the Melfest final.
- A Million Years by Mariette
- Himmel Och Hav by Roger Pontare
- Up by Etzia
- Vart Haru Varit by Allyawan
- Hearts Align by Dismissed
- I Don’t Give A by Lisa Ajax
- Good Lovin’ by Benjamin Ingrosso
We’re down one returnee from last week, with Mariette, Roger Pontare and Lisa Ajax in the mix. In Göteborg, just two of the four comeback acts progressed, and with only one real contender standing/dancing in the way of Mariette etc’s direkt and AC spots, can they all make it through? SHOULD they? Melodifestivalen raises some tough questions. Luckily, they’ll be answered later, but I’ll have a go at filling in the blanks in the meantime.
My top four
- A Million Years – Is this better than Don’t Stop Believing? I don’t think so, but it’s similarly intriguing and contemporary. The lyrics are a little cliché, and that ticks me off as a writer who goes out of their way to avoid clichés. I really need access to the complete package before I make my mind up about Mariette 2.0. Potential for greatness is here, though.
- Vart Haru Varit – This is Adrijana’s Amare with a male singer and a slight increase in mass appeal. It’ll probably make just as much of an impression as Amare did (i.e. none whatsoever) but dang it, I love Swedish hip-hop!
- I Don’t Give A – In case you missed the barely detectable F-bomb (times ten) in Lisa’s sequel to My Heart Wants Me Dead, yes, it exists (#sarcasm). It’s not necessary in a song that lacks the Zara Larsson attitude and style I was expecting. Still, expletives aside, there’s pros a-plenty to be found in I Don’t Give A. The pop ballad style lets Lisa show off her amazing vocals, and all in all it’s very ‘now’. Well, I think it is. I’m not too tuned in to what the youths of today are into *returns to knitting an intricate sweater for my dog*.
- Good Lovin’ – Maybe I’m biased, given that I practically had a heart attack when my beloved (in a platonic way as he’s a bit too young for me) Benjamin was announced as a Melfester for 2017…but THIS KICKS BUTT. It’s everything I want in a pop song and more. It also manages to be both what I was expecting, and something completely different. Slick, smooth, and well-sung. Så brå.
- Himmel Och Hav – I actually toyed with having Roger in my top four thanks to the great atmosphere and ethnicity of this track. As someone who never fell hard for When Spirits Are Calling My Name, I could learn to like this more than that. GASP!
- Up – I know this isn’t culturally similar to Kizunguzungu, but it’s easy to compare the vibes of the two. I can’t see Etzia sharing SaRaha’s success in a) going through to Andra Chansen, and b) getting out of it. Up is catchy, but pretty pedestrian overall.
- Hearts Align – This is okay. It’s fine. The performance and costuming choices will be the biggest talking point though. No chance of direkt for Dismissed, methinks.
On that note, it’s time to make a few predictions. Last week I somehow managed to be 100% correct, so I’m going to do my best not to ruin that this time.
Who’s going direkt? Mariette + Lisa Ajax. Based on such data as Facebook likes, Mariette seems to be the Nano of this week’s show (swap the man bun for dreadlocks and the difference is undetectable) in that the heat is hers to lose. Lisa’s song might divide voters (unless the f-word is on par with ‘darn it!’ in Sweden) but I have no doubt she’ll nail it live, and it’s big enough to leave a lasting impression. The swearing actually makes the song more memorable, I must say.
Who’s off to Andra Chansen? Benjamin Ingrosso + Dismissed. I desperately want Ingrosso to go straight through, but girl power is likely to pip him at the post. Fourth place could go to Roger Pontare if Sweden is still feeling his flow, but I suspect it might go to Dismissed as Hearts Align screams Andra Chansen to me.
In the immortal words of Elaiza, is it right or is it wrong? Do you think you know who’ll go where when the results of Deltävling 2 are revealed? Tell me more!
Spain: Which of the six singers will fill Barei’s dancing shoes?
Si, amigos – Objetivo Eurovisión is back, albeit without Brequette (maybe 2018 is your year, queen). The line-up is much more diverse than it was in 2016, which makes the outcome harder to predict. But we can’t complain about variety and (reasonable) quality all round…can we?
- Do It For Your Lover by Manel Navarro
- Ouch! by LeKlein
- Lo Que Nunca Fue by Paula Rojo
- Spin My Head by Mario Jefferson
- Momento Critico by Maika
- Contigo by Mirela
I don’t know about you, but I can clearly divide up these six songs: there’s two that I absolutely adore, two that I quite like, and two that I wouldn’t miss if I never heard them again. And I have no idea whether Spain will think along the same lines, or choose a song that has no chance of reversing their Eurovision fortunes. One thing’s for sure – I’ll be sitting on the edge of my seat while waiting for them to make up their collective mind.
My top six
- Ouch! – This song is ridiculously sublime. I can’t take LeKlein’s screams of ‘ouuuuuuuch’ seriously (she sounds exactly like me whenever I stub my toe on something) but I love everything else about her potential ESC entry. I love the grammatically awkward lyrics, the melody of the verses, the power and anthemic quality of the chorus, the polished production…it’s all very bueno. Now, if only she could carry it off live without numerous unstable vocal moments…
- Contigo – It’s no Nada Es Comparable A Ti (not only my fave NF effort from Mirela, but one of my fave NF songs ever) but then again, it’s not supposed to be. It’s an instantly infectious, ethno-pop triumph that needs to be a World Cup theme ASAP. The lyrics might be rubbish (I speak zero Spanish and have not yet Google-translated them) but who cares? Sometimes you just want to get up and dance and have a good time – a fiesta then a siesta – without considering the meaningfulness of lyrical content. Contigo is perfect for that purpose.
- Spin My Head – I feel like having your head spun up (as opposed to around) would be painful, but Mario seems to be welcoming it. Again, this isn’t going to win any awards for substance, but I would wave my hands in the air like I just didn’t care to it in a club (or in the supermarket. Whenever, wherever, as Shakira would say). The Spanglish chorus is decent when it could have been a disaster.
- Do It For Your Lover – Speaking of Spanglish, here’s a mixed-language version of The Lazy Song by Bruno Mars. That’s not a negative, but I do wish Manel was offering up something more original. I also wish ‘do it for your lover’ wasn’t repeated nearly THIRTY times in three minutes. What is ‘it’, anyway?
- Momento Critico – Maika is not a woman I’d want to mess with, so in case she ever reads this, I’m going to point out the positives of her Objetivo song. It’s unashamedly rocky. It has attitude. It’s somewhat memorable (although I have forgotten how it goes now that I think about it. But I know I thought it was kind of memorable). It’s not bad. Please don’t come at me with an industrial-sized blowtorch, Maika.
- Lo Que Nunca Fue – Boring. Sweet and cute and charming in a countrified way, sure, but this leaves no impression on me whatsoever. It’s totally forgettable, and if there’s a hook in it, I can’t hear it. All of this means it’ll probably win.
Who SHOULD win LeKlein or Mirela. Yes, they’re my personal top picks, but I genuinely believe they have the best odds out of the six of making Spain’s trip to Ukraine worth it. I’m not saying they’re Eurovision winners, but if either one wins tonight and takes advantage of the gap between now and the contest (to revamp and maybe take a few singing lessons) anything’s possible.
Who WILL win I want to scream ‘SEND HELP!’ on this one, because I cannot decide. I’m not even convinced that one of my preferred two will win. I’m going to rule out Maika and Mario. Paula and Manel are my dark horses. The failure of Maria Isabel’s ethno-pop to get far last year gives me doubts about Mirela…so that leaves LeKlein. She’s already proven she appeals to the public (winning the Eurocasting round is why she’s in OE) and if she produces a more polished live rendition of Ouch! tonight, she could win this too. Or not, and I’m just wishful thinking.
In a shocking turn of events, I want to know what you think about the Spanish show. What’s good, what’s bad and what’s even worse in your opinion? And, more importantly, who’s going to win? You’ve got a 1 in 6 chance of getting it right!
Whatever you’re watching this evening (or tomorrow morning, if you’ve also been screwed over by your time zone), I hope to see you on Twitter for some 140-character or less fun times. We Eurofans know how to party, even if it’s just on social media.
May the best songs win (or qualify)!