A (Final) Supersized Serving of Scandipop: My Top 50 Melodifestivalen Entries, 2006-2015! (The Top 10)
Meghan Trainor might be all about that bass, but me? I’m more about that Melodifestivalen. The search for Måns Zelmerlöw’s successor began on Saturday, with Ace Wilder (predictably) and Robin ‘Bedroom Eyes’ Bengtsson going direkt till final, and the duos of Albin and Mattias/Samir and Viktor heading off to Andra Chansen. Melfest has certainly started on a good note (if I may make a musical pun without you throwing yourself through the nearest window), but I suspect the show’s best is yet to come. That makes me even more excited to set my next super-early Sunday alarm, so bring it, SVT!
Speaking of which…I’m doing a bit of ye olde ‘bringing’ myself today. But rather than bringing you two hours of camp, poptastic entertainment feat. several glorious utterances of the phrase ‘Sverige, vi har ett resultat’, I’m FINALLY bringing you the conclusion to my Melfest Top 50 countdown. I guess I can still say ‘Vi har ett resultat’ – it’s just that the resultat in this case is my Top 10 from 2006-2015.
Forty other Melfest entries from that period have graced my list so far. In case you’ve forgotten which, here’s a recap:
- #11 Heroes by Måns Zelmerlöw (2015)
- #12 Why Am I Crying? by Molly Sandén (2012)
- #13 This Is My Life by Anna Bergendahl (2010)
- #14 In The Club by Danny Saucedo (2011)
- #15 Try Again by Dilba (2011)
- #16 My Heart Is Refusing Me by Loreen (2011)
- #17 Keep On Walking by Salem Al Fakir (2010)
- #18 Efter Solsken by Panetoz (2014)
- #19 Det Rår Vi Inte För by Behrang Miri feat. Victor Crone (2015)
- #20 Echo by Outtrigger (2014)
- #21 Aldrig Aldrig by Andreas Lundstedt (2012)
- #22 Empty Room by Sanna Nielsen (2008)
- #23 Better Or Worse by Julia Alvgard (2011)
- #24 Baby Goodbye by EMD (2009)
- #25 Busy Doin’ Nothin’ by Ace Wilder (2014)
- #26 Alla by Sofia (2009)
- #27 Like Suicide by Christian Walz (2011)
- #28 Temple of Love by BWO (2006)
- #29 The Boy Can Dance by Afro-Dite (2012)
- #30 Där Och Då Med Digby Emelie Irewald (2015)
- #31 Euphoria by Loreen (2012)
- #32 Yes We Can by Oscar Zia (2014)
- #33 Living To Die by Andreas Johnson (2015)
- #34 One By One by Elize Ryd and Rickard Söderberg (2015)
- #35 Red by EKO (2014)
- #36 Möt Mig I Gamla Stan by Magnus Carlsson (2015)
- #37 Around The World by Dr. Alban and Jessica Folcker (2014)
- #38 Bröder by Linus Svenning (2014)
- #39 I’ll Be Fine by Molly Pettersson Hammar (2015)
- #40 För Din Skull by Kalle Johansson (2015)
- #41 Falling by State of Drama (2013)
- #42 Sean Den Förste Banan by Sean Banan (2012)
- #43 Hello Goodbye by Tone Damli and Erik Segerstedt (2013)
- #44 Begging by Anton Ewald (2013)
- #45 Stormande Hav by Timoteij (2012)
- #46 Stay The Night by Alcazar (2009)
- #47 Make Me (La La La) by Dinah Nah (2015)
- #48 Don’t Stop Believing by Mariette (2015)
- #49 På Väg by Abalone Dots (2012)
- #50 Jag Är Fri (Manne Leam Frijje) by Jon Henrik Fjällgren (2015)
Och nu, without further ado, here is…
#10 | Why Start A Fire? by Lisa Miskovsky (2012)
The overwhelming fan favourite of Melfest 2012 may have been Loreen, but personally, I have more of a soft spot for Miss Miskovsky (among other 2012 alumni). I know, I know – I’m a terrible person, and I’ve just bought myself a one-way ticket to Eurovision purgatory as punishment. But before you consider dropping any atomic glitter bombs on my head, hear me out. I know as well as you do that Euphoria was the right representative for Sweden at Eurovision in Baku, and it’s definitely one of my all-time favourite winning songs. But when I look/listen back at Melfest that year, I find that there’s something about the guitar-driven, electro-tinged Why Start A Fire? – something ethereal and otherworldly – that hits me right in the goosebump generator (wherever that is). Euphoria never achieved quite the same thing. Lyrically intriguing and melodically stunning, Lisa’s self-penned entry had me hypnotised from the first time I heard it in full. Its place on this list is a declaration of love it deserves.
#9 | Mystery by Dead By April (2012)
When Outtrigger’s Echo popped up in part two of this countdown, I told you guys I had a thing for Melfest rock. As you can see, I wasn’t kidding. I’m not saying I adore everything about Echo or Mystery (the throat-stripping screams in each track are far from being my cup of tea) but…come to think of it, the screaming is the only thing I’m not a fan of. Mystery made a big impact on me when DBA took on Melfest, and not just because I had an obsessive crush on lead singer (at the time) Zandro (and his tattoos). The song is well-written and was well-performed, with Zandro’s clear-cut vocals contrasting nicely with Stoffe Andersson’s death growls (‘death growls’ = a phrase I never expected would be defined for me by Melodifestivalen). There’s both vulnerability and aggressiveness to be heard here, and that makes for a dynamic listening experience. When you want to rock out, AND lament a lost love or a Netflix-related neck injury (for example) at the same time, Mystery is the perfect outlet.
#8 | You by Robin Stjernberg (2013)
Just thinking back to the days when Robin became the first Melfest winner to detour through Andra Chansen has happy tears moistening my eyes – so take everything I’m about to say with a grain of sentimentality. You was one of the most authentic, least forced winners Melodifestivalen has ever crowned. It wasn’t a formulaic cookie-cutter pop song trying desperately to come out on top – it was just one man + a pleasantly subdued neutral palette + a touching-but-not-cloying tribute + THAT VOICE. Oh, and a fire curtain. And all of that ended up creating an unexpected champion, via the most magical voting sequence ever recorded on film. Robin’s win felt so right. You is a song that builds and then builds some more, rising from a solid foundation of acoustic guitar and soft vocals to an explosive (literally, when you consider that fire curtain) conclusion, preceded by a show-stopping note from Robin that declared ‘I’m a contender!’. And shattered glassware from the north to the south of Sweden. It may not have shattered any records at Eurovision, but it will always be one of my most-loved host entries.
#7 | Bedroom by Alvaro Estrella (2014)
Aaaaand BOOM (boom boom boo-boo-boom) – just like that, you can say goodbye to sentimentality, and hello to my completely superficial love for a song about sex. Lyrical content such as ‘shoes off in the driveway, shirts off in the doorway, pants off in the hallway’ isn’t exactly the height of sophistication and significance, but it doesn’t have to be when a song’s this catchy. It wasn’t until I heard the Bedroom snippet prior to Melfest 2014’s first semi that I thought ‘THIS is what I’m talking about. THIS is why I devote all the time I’m not thinking about Eurovision to thinking about Sweden’s preselection.’ Because when I’m not weeping into a copy of SCAN Magazine over the raw beauty of a power ballad, I’m dancing wildly in my Bedroom to stuff like this. Alvaro suffers from Eric Saade Syndrome – he’s not a great live vocalist, but he can bust a move and churn out chart hits with ease. His Melfest entry was made for the dance floor, and is basically three minutes of proof that Swedish songwriters should continue to be in constant global demand.
#6 | Förlåt Mig by Mattias Andréasson (2012)
Is there any genre that doesn’t sound sensational i Svenska? The first non-English number in my top 10 is also an R & B song, and I don’t reckon it would have made an appearance at all if it’d been sung in English by ex-EMD member Mattias. Förlåt Mig (‘Forgive Me’) is so slick and well-produced in studio, it couldn’t quite live up to itself live (I’m convinced that those Kate Ryan light sabers are a bad-luck charm) which may explain why it didn’t progress past its semi. Or perhaps I’m just the only person on the planet who thinks it’s the shiz, and should have at LEAST made it to Andra Chansen. If I had to single out one thing I really commend about this song, it would be the way it manages not to repeat itself, in spite of its straightforward sstructure. What I mean by that (because that made zero sense) is, while the verses and the chorus and that other bit before the final chorus *forgets everything she was taught about song construction in music class* together form a cohesive whole, they’re all unique. This isn’t a ‘heard half of it, heard all of it’ kind of song – and that, combined with its general awesomeness, gets my fist bump of approval.
#5 | Undo by Sanna Nielsen (2014)
There are two kinds of people: those who think Sanna was handed a pity win after her seventh attempt to take home the Melfest trophy; and those who think the time was right because she won with her strongest contribution to the competition. There are no prizes for guessing which camp my tent’s pitched in. I have been besotted with Undo from the moment I met it, and I firmly believe it to be one of Melfest’s – and Eurovision’s – greatest-ever ballads. Helping that mindset along is the fragility Sanna conveyed during each and every performance of the song. Thanks to her crystal-clear voice that is seemingly expelled at the push of a button (I think it’s on the back of her neck, like those Barbie dolls that have “growing” hair), she didn’t really have to focus on nailing her vocal. What she could focus on was making us believe her heartbreak was as fresh in Denmark as it had been during Deltävling 2 back in Sweden. And that, my friends, is what made for the dictionary definition of ‘spine-tingling’ produced by Undo. That and THE MOMENT!!! before the second chorus, which sent the wow factor shooting straight into the stratosphere.
#4 | Kom by Timoteij (2010)
Do you ever just sit and think about all of the things you’d never have discovered if it wasn’t for Melodifestivalen? No? Well, I do. And one of the main things I think about is the glorious girl band Timoteij. Their signature blend of Celtic instrumentals and Europop has led to a string of hits, and it all started with Kom (‘Come’, in case you didn’t see that Kom-ing). If this song is any indication, then Swedish-born ethno-pop can totally hold its own against the Armenian/Spanish/Turkish equivalents. The iconic opening riff ignites a sense of mystery that carries on through the rest of the song, interwoven with a pulsing, toe-tapping beat. The chorus is simple, but so effective; the melody is irresistible; and the ubiquitous key change arrives at the perfect moment. And that rolecall of redeeming features doesn’t even take into account the power of Timoteij harmonies (which, when on point, could poke a hole in a house brick). Even in a super-strong Melfest final, it’s hard (for me) to believe this finished fifth, and not higher.
#3 | Soldiers by Ulrik Munther (2012)
This track, co-written and performed by Peter Pan Ulrik for his Melfest debut (he’d go on to try way too hard to win the following year, only to end up 3rd again) was THE arena anthem of 2012 – if we’re talking down-tempo arena anthems, as the up-tempo trophy obviously goes to Loreen and her Euphoria. Heavy on instruments – guitars, drums, and a harmonica that gave an authentic bluesy feel to a polished pop song – it relied on sincerity and sing-along power (plus that angelic, seemingly prepubescent face of Mr. Munther’s), rather than flashiness, to harness votes. Remind you of anything? Say, Melfest 2016’s freshly-qualified Constellation Prize? It should. Soldiers is such a great song in all aspects of song…ness (songery?). The melody is memorable, the structure makes for a smoothly-navigated but not-too-predictable three minutes, and the lyrics have substance (but not so much that I have no idea what the manboy in the flat cap is on about). In an epic edition of Melfest, this was my standout entry.
#2 | Hela Natten by Josef Johansson (2014)
(No decent videos of this performance appear to be available on Youtube, y’all. Apologies.)
There are certain songs that I gravitate towards because they’re catchy. Then, there are those that make me feel all the feelings that tend to give one goosebumps. Relatively unknown prior to his Melodifestivalen debut, Josef Johansson provided us with a song that was the best of both worlds – a total tune, and a heartstring-puller. That’s what makes Hela Natten (‘All Night’) magic. No, it didn’t get anywhere in its semi, but it left an impression on me that has outlasted the impression left by any other participating songs from 2014 that did progress. The song’s build-up to explosive moments is stellar, ensuring the chorus packs punch whenever it pops up. And the introduction of a choir during the last thirty seconds or so was inspired, giving Josef the vocal support he needed to make the final stretch of the song bigger and (almost) better than the rest. I also credit this song for kick-starting my fangirling of Josef’s subsequent releases, like Blickar Kan Mörda, which was completely different to Hela Natten – i.e. a true testament to Josef’s artistic versatility.
And now, after two previous installments of Scandipop-oriented gushing, and my #10-#2 countdown above, it’s time to say hej to what is probably a rather predictable number one.
My favourite Melodifestivalen entry from 2006-2015 is…
#1 | You’re Out Of My Life by Darin (2010)
YEAH IT IS! If you’ve read virtually any of my past posts, you’ll know that ’04 Idol runner-up Darin is my personal pinnacle of popstardom. He’s a bit of a musical chameleon, and I’ve loved every stage of his career – his folksy phase of 2015/16, for instance, has seen me flog his latest album Fjärilar I Magen like my life depends on it. When Darin decided to give Melfest a go in 2010, he was in more of a power ballad phase, and that’s how he came to be partnered with You’re Out of My Life. If Sanna’s Undo is the female ballad to end all other female ballads, then YOOML is its male counterpart. I can’t even describe in detail why I love it as much as I do (you’ll be relieved to learn) – it’s just undying, could-listen-to-it-on-repeat-forever love. So if you don’t understand why I even find this song listenable, and you head down to the comments to say so, don’t expect me to emerge from my love bubble long enough to notice. The rose-coloured glasses have been super-glued to my face by the magnificence of Darin’s attempt to get to Eurovision.
Okay…so that was the written equivalent of the London Marathon. If you crossed the finish line, congratulations. If you just scrolled down to see how lengthy this post was and swiftly thought ‘As if!’ upon finding out, here’s what you missed:
- #1 You’re Out of My Life by Darin (2010)
- #2 Hela Natten by Josef Johansson (2014)
- #3 Soldiers by Ulrik Munther (2012)
- #4 Kom by Timoteij (2010)
- #5 Undo by Sanna Nielsen (2014)
- #6 Förlåt Mig by Mattias Andréasson (2012)
- #7 Bedroom by Alvaro Estrella (2014)
- #8 You by Robin Stjernberg (2013)
- #9 Mystery by Dead By April (2012)
- #10 Why Start A Fire? by Lisa Miskovsky (2012)
What are your thoughts on my Top 10? Would any of this back-catalogue Melfest music make your shortlist? If not, which entries would? If you’ve got something to say, I’m hanging out to hear it.
While I’m waiting for your words, I’ll be figuring out how to handle the upcoming Super Saturday – one that makes the six-show evening just gone seem sedate by comparison. Join me on the weekend to see if the stress sent me into meltdown mode, leaving me unable to string a sentence together; or if I managed to rank, review and predict in spite of the pressure. If Laura Tesoro is still wondering what the pressure is, somebody had better tell her that it’s THIS FREAKIN’ SATURDAY.
Until THIS FREAKIN’ SATURDAY…
It’s February, and that means national final season is about to shift into overdrive. THAT means those of us in unfortunate timezones will be having many late nights/early mornings in the weeks to come, while others tune into Dansk MGP or A Dal or *insert NF of choice here* over their cereal bowls. Then there’s those lucky people who get to experience NF season at a totally respectable prime-time, post-dinner slot on TV. I hate those people.
No matter the situation or dress code (2am in mismatched pajamas WOOHOO!) there are fun times ahead, and the funnest (yes, I am aware that’s not a word) time of all, in my inarguably correct opinion, is coming up this Saturday, live from Sweden. Well, more specifically, Göteborg, Sweden.
Yes, that’s right…Melodifestivalen is (almost) upon us again! Having graduated uni (for the second and final time) on the weekend, with the aftermath being a frighteningly unknowable future, Melfest is the bright spot on my horizon at the moment. I cannot wait to watch Her Royal Amazingness Sanna Nielsen and That Guy Who’s Her Co-Host commandeer the festivities. During the first semi final, said festivities will include the comeback of a Mr. Eric Saade, who’s confident he can Sting his competition into submission and represent Sweden in Eurovision once again.
The show is going to be epic, no doubt, and I thought I’d ring it in by revisiting last year’s also-fabulous edition. This post is a timely one, but it doubles as good filler as we wait until we can do a top 10 ranking of the Eurovision 2015 entries (the thought of doing a top 9 irritates me). It’s one of my famed (AHAHAHAHAHAHAHA) Retro Rankings, but rather than using a past Eurovision as the basis, I’m taking Melodifestivalen 2014 and turning it into a personal top 32. Whether you’ve forgotten what last year’s comp had to offer or you’re listening to the album right now and are 110% ready to fight me if I don’t have Ace Wilder on top (which I don’t, sorrynotsorry) I hope you enjoy the following. Give me your top 32, top 10 or just your favourites of Melfest ’14 in the comments. Please?
Before we begin, a brief, alphabetised recap of the comp:
#1 | Hela Natten by Josef Johansson – I fell in love with this on the first listen, and I pretty much haven’t stopped listening to it since. It didn’t even get to Andra Chansen, but the soaring, stadium-anthem quality and weighty lyrics make for a winner by Jaz standards. I’ve also become über-attached to Josef himself over the past twelve months, as he’s proved to be a very versatile artist. Check out his post-Melfest singles Blickar Kan Mörda and Tysta Leken (a cover version that I think outdoes the original) for proof.
#2 | Undo by Sanna Nielsen – Obviously. There will never be a more golden moment for me than Sanna’s marginal win in last year’s comp, after six previous attempts. I’ve always been of the opinion that Undo is her best Melfest entry, and its success at Eurovision is something of a testament to that. Her voice is both pure and powerful, giving the ballad an air of vulnerability and defiance at the same time. I sing it in the car, the shower, the toile-er, I mean, the kitchen…everywhere, basically. Sanna gave me a sad that I actually don’t want to undo.
#3 | Bedroom by Alvaro Estrella – Man, Sweden let some gems slip through their texting-and-dialling fingers in 2014! In an NF of such high quality though, it’s virtually impossible to send every great song to the final. Some would argue that Bedroom is hardly one of those greats, but filthy lyrics and all, I absolutely LOVE it. So what if you wouldn’t want it as your wedding song for fear of offending your great aunt Mildred (and for many other reasons)? It’s an irresistible slice of dance-pop in the vein of Moves Like Jagger, and I reckon it could easily fill any floor with drunk, shoeless guests. You know, if that’s what you were after.
#4 | Echo by Outtrigger – For the second time, Melfest made me love screamy rock, which is something I detest as a rule. Dead By April’s Mystery was my musical crush of 2012, and Echo became its 2014 counterpart. I don’t know exactly why I like this so much, but a lot of the appeal lies in the chorus that was made for headbanging. This can be awkward when you’re hearing the song in the middle of a supermarket as opposed to a mosh pit, but rock music ain’t about avoiding strange looks in public.
#5 | Busy Doin’ Nothin’ by Ace Wilder – I’ll admit, this would have been the more cutting-edge, daring choice for Sweden to send to Copenhagen. Vocally, it would have been less impressive than Undo, but when a song’s this catchy, I for one am too busy fist-pumping and trying not to fall to my death as I dance atop the nearest piece of furniture to pay much attention to the performer’s vocal chops.
#6 | Around The World by Dr. Alban & Jessica Folcker
#7 | Survivor by Helena Paparizou
#8 | Red by EKO – If the idea of a lite, 80s synth version of Margaret Berger’s I Feed You My Love is up your alley, then you probably enjoyed this as much as I did. EKO won their way into Melfest via the pre-NF contest for new talent, and while they continued the tradition of those winners failing to qualify from their semi final, they found a fan in me with Red.
#9 | Efter Solsken by Panetoz
#10 | Yes We Can by Oscar Zia – Once upon a time I was obsessed with High School Musical, and as this song has ‘Disney Original Movie soundtrack’ written all over it, I can’t help giving it the thumbs up. Less Disney is the scandalous mention of dancing in underwear and letting the people stare, which sounds a bit like a strip club-type situation. But that’s not a bad thing, since it stops things from getting too sickly sweet.
#11 | Love Trigger by J.E.M
#12 | Natural by Anton Ewald
#13 | Bröder by Linus Svenning – Linus is back this year and singing in English, but I doubt his song will carry as much meaning and emotion as Bröder, which gets me right in the feels every time. As Yoda would most likely say if he were a Melfest fan, lovely song this is.
#14 | Hollow by Janet Leon
#15 | Aleo by Mahan Moin
#16 | Blame It On The Disco by Alcazar – Yes, it was Stay The Night with a different title, but that song did fairly well for them in Melfest, and this one did even better. I guess it’s true that if something isn’t broken, don’t bother to fix it. Here we have classic Alcazar, i.e. cheesy disco-pop with an obligatory key change (or five hundred) and it’s one heck of a guilty pleasure.
#17 | När Änglarna Går Hem by Martin Stenmarck
#18 | Ta Mig by Linda Bengtzing
#19 | Set Yourself Free by Little Great Things
#20 | All We Are by State of Drama – This band brought the standard of the 2013 comp up a little with Falling, but in a stronger year with a weaker song, they couldn’t come back with a bang. All We Are is competent, but pretty bland.
#21 | Burning Alive by Shirley Clamp
#22 | I Am Somebody by Pink Pistols
#23 | Glow by Manda
#24 | Casanova by Elisa Lindström – I really disliked this the first time I heard it, and I’m not about to gush over it now. However, I will compliment how happy, cute and energetic it is. It’s like a quokka in song form.
#25 | To The End by YOHIO
#26 | Fight Me If You Dare by IDA
#27 | Songbird by Ellen Benediktson – This is not my preferred style of music at all, and apparently it wasn’t Ellen’s either since she’s returning with something different and more ‘her’. For me, this is a case of knowing the song is well-written and generally good, but not being able to connect with it.
#28 | En Enkel Sång by CajsaStina Åkerström
#29 | Raise Your Hands by Ammotrack
#30 | En Himmelsk Sång by Ellinore Holmer
#31 | Bygdens Son by Sylvester Schlegel
#32 | Hallelujah by The Refreshments – Can somebody please explain to me Sweden’s preoccupation with rockabilly? Perhaps it’s just SVT’s quest for variety, but every year a track like this sneaks into the lineup and leaves me scratching my head, and more often than not, hitting the Mute button.
Well, that’s that, and now I’ve shown you mine, you’re welcome to show me yours! If you’re up for it, also let me know who you’ll be cheering for in Melodifestivalen’s first semi on Saturday night. I’m Team Saade with a little Behrang Miri on the side, but who knows which artists will produce gems that I’ll be fawning over in a year.
Until next time…
Hey hey, it’s Saturday! No, this post isn’t about the TV show of the same name that you will know if you’re a fellow Australian. It’s actually about Eurovision (shocking). At last, we have a Saturday that is truly super, with multiple entries being decided and one being debuted. As such, there’s no time to waste with long intros. I’ll make up for that next time with an extra long and extra boring intro, but for now…lights, camera, action!
Hungary…for Eurovision victory?
Since they rejoined the Eurovision family in 2011 (when the last memory we had of them was an over-tanned dance machine wearing the tightest pants ever manufactured) Hungary has been on form. Sure, they haven’t constantly hit the highest of heights, but they’ve qualified for the final every year since Kati Wolf of the Bouffant Hairdo, and made top 10-worthy magic with Kedvesem last year (still my one true love). ByeAlex got me excited to see what his country would produce next, and then so did all the fans who said the A Dal lineup for 2014 was über awesome. As such, I couldn’t resist having a sneak listen to the final eight, chosen after quarter and semi finals – despite my earlier decision to leave Hungary as a total surprise. So yeah. I did. And here they are.
- Running Out of Time by Victor Király
- We All by Bogi
- The Last One by New Level Empire
- Csak A Zene by Depresszió
- Running by Kállay-Saunders
- It Can’t Be Over by Fool Moon
- Brave New World by Dénes Pál
- A Legnagyobb Hős by HoneyBeast
The video of snippets I watched told me that yes, the level is pretty high. A few of the songs grabbed me immediately, and the rest stroked me gently on the shoulder as if to say ‘you could grow to love us’. If I had to pick favourites based on just a taste, these would be my most delicious picks:
Running Out of Time – cute but not cheesy pop with a chorus that sticks.
The Last One – it’s kind of dance and kind of not. The mystery intrigues me.
Running – this guy did very well in A Dal last year, but I like this song much better.
It Can’t Be Over – I do love me some Group Cosmos, but if this wins it could well be the best a cappella entry to have graced the ESC stage.
So who’s going to try and out-score Kedvesem in Copenhagen? I guess a more important question is, should I step back and leave the predicting to those of you who’ve heard the songs in their entirety? I think yes. I would be happy for any of my preferences to win, so let me know below if that’s likely to happen, or if I’m going to have to learn to love something else. How high do you think Hungary can go at Eurovision this year?
Hola, Mira Quién Va A Eurovisión!
That’s ‘Look Who’s Going To Eurovision’, if Google Translate is correct. I have to hand it to Spain for being extremely organised without seeming to be at all. They had their songs, they had their NF date, and we knew nothing about either of them until very recently. Since then, however, we’ve all listened to and passed mostly positive judgment on the five prospective entries, and tonight is the moment of truth. Which one of these ridiculously good-looking Spaniards will fly the red and gold in May?
- Más (Run) by Brequette
- Estrella Fugaz by La Dama
- Dancing In The Rain by Ruth Lorenzo
- Aunque Se Acabe El Mundo by Jorge González
- Seguir Sin Ti by Raúl
We have dance, we have ballads, and we have key changes. We also have a lot of awkward Spanglish which seems unnecessary, but that can be taken care of later (it better be *shakes fist threateningly*). There are great, good, and not-so-good elements in all of them, but there is one that stands out for me. If I had the power, I’d rank them as follows:
- Más (Run)
- Aunque Se Acabe El Mundo
- Estrella Fugaz
- Dancing In The Rain
- Seguir Sin Ti
Si – Brequette’s the one, as far as I’m concerned. I’m not convinced she could do a Pastora Soler, but her song is the only one that doesn’t put me off with something dated or cliché (such as the painful key change in Raúl’s song). It does bear a resemblance to a certain other song, and if it wins the cries of plagiarism will be heard around the world because that’s what people do these days (just STAHP!) but let’s face it, most songs do sound like other songs in some way (so JUST STAHP!).
Going by the predictions of the masses, tonight is ultimately a catfight between Brequette and Ruth Lorenzo, so it will be interesting to see how the results pan out. I do believe it will be one of the two that ends up on top, and even if that one is Ruth I can make peace with it. What about you? Who should Spain select and who should they steer clear of?
Sweden – have they saved the best for last?
It’s hard to comprehend that we’ve already arrived at the last semi of Melodifestivalen. Time flies when you’re enduring the agonizing wait between national finals that are actually final.
The Örnsköldsvik semi includes a lot of returning artists, i.e. Alcazar and last year’s surprise success, Anton Ewald (a.k.a. one of my many future husbands). But do big guns come armed with big songs? Listen and decide for yourself here.
- Blame It On The Disco by Alcazar
- Fight Me If You Dare by I.D.A
- Hollow by Janet Leon
- Raise Your Hands by Ammotrack
- Hela Natten by Josef Johansson
- Ta Mig by Linda Bengtzing
- En Himmelsk Sång by Ellinore Holmer
- Natural by Anton Ewald
I think Sweden has almost saved the best for last. This semi’s just a little weaker than last week’s, which I thought was the best so far. The returning artists are bringing it for the most part, and there are a few newcomer surprises too. Here’s my top 4:
Hollow – this is hard to compare to Janet’s last entry Heartstrings, but I think I prefer this. It’s a pop ballad that is less depressing than the title would have you believe.
Hela Natten – say hello to my hands-down favourite of the semi! Josef looks like a younger version of Darin (Swedish superstar/Melfest alumni/my beloved) and his song could have been lifted from a Darin album easily. His voice is different though, and if he’s a good live performer this could be amazing in the arena.
Ta Mig – Linda has swapped schlager for electronic pop with a rock edge, and it works for her. Song-wise, I’d rather E Det Fel På Mig (her last effort) but this has appeal.
Natural – Anton’s Begging was a surprise success last year, and he’s the favourite of favourites in this semi. Natural isn’t quite as original, but it’s a perfectly wonderful club banger. I hope his backing singers are up to the task of carrying him, Eric Saade-style…
Now, to predict. I’ve been trying to figure out why my Melfest predictions always feel wrong no matter how I configure them. I’ve come to the conclusion that I just don’t know how Sweden thinks, so I’m constantly uncertain. Oh well…embrace the uncertainty!
To the final: Linda and Anton
To Andra Chansen: Alcazar and Janet
I might be putting too much faith in the returning artist gimmick there. We’ll see. I’m actually hoping for yet another favourite + underdog pairing to go straight to the final. Anton and Josef, anyone?
Meanwhile, elsewhere in Europe…
There are a couple of other things happening tonight, but they’re hardly worth mentioning. All we’re getting out of them is THREE MORE SONGS, PEOPLE! Gosh! Why are you being so blasé about it?
Oh wait, that was me.
- Latvia’s Dziesma final (another one as yet unfollowed by moi) is ready to roll with 12 songs in the running to represent. I’ve never considered Latvia’s NF one not to be missed, and in missing it again, all I know is that one half of PeR obviously didn’t take their Malmö fail too hard, since he’s back already to have another shot. And also that Samanta Tina is becoming the Latvian equivalent of Sanna Nielsen, so if she wins tonight I’ll take it as a good omen for Sanna.
- FYR Macedonia is presenting their (freshly changed) song tonight after internally selecting Tijana Dapčević around the same time dinosaurs began to walk the earth. Instead of premiering the initially selected Pobeda, they’ll be premiering the English version of Tamu Kaj Što Pripagjam…at least from what I gather. It’s called To The Sky, which I suppose is a better name for a competition song than To The Bottom of the Scoreboard With Zero Points. My fingers are crossed for a gem.
- Lithuania’s mammoth quest to find their entry/rep continues with show no. 456386858711…haven’t we all lost count? This time, something significant IS taking place, with the song (but not the artist) to be determined. That’s as far as I can see, anyway. It’s Confusion Central over there in Lithuania.
Yikes – I think that’s enough to satisfy even the most demanding ESC fan. The only bad thing is that, if you don’t want to fry your brain, you’ve got to choose which NF/presentation to tune in to. Whatever you watch, enjoy it, and may your favourite win! Unless it’s different to mine, in which case stuff you, I want mine to win.
What? Honesty is the best policy.
See you on the other side of Saturday…