Category Archives: Eurovision 2006
Normally, TWT is totally random, but I thought it would be appropriate to make the one and only Sweden the focus as Malmö approaches (it’s now nearly three months away, FYI!). So if you’re not in the mood to get all nostalgic over the Land of ABBA, this is your warning.
Anyway, on with the Time-Warp.
Where: Athens, Greece
It wasn’t a case of ‘third time lucky’ for Sweden’s Eurovision queen Carola when she appeared on the contest stage yet again in Athens. Not that it needed to be – she’d already placed 3rd on her first try and won on her second (what a showoff). No, she wasn’t Invincible, but she was pretty darn close.
From 2002 to 2006, this year’s host country sent basically the same entry five times over, but they didn’t always succeed. In Kyiv, Martin Stenmarck’s rock-schlager number Las Vegas had only managed to drag its leather-clad self into 20th position by the end of the night. But it was schlager all the way the following year, which begged the question: did the Swedish public vote for Carola’s song or Carola herself? It’s easy to see how Invincible may not have won Melodifestivalen if someone less well-known and with less Eurovision success (anyone but Johnny Logan) had been singing it.
Either way, it was Carola who literally flew the flag – or at least her backup singers did – for Sweden in 06, and she certainly lived up to her reliable reputation, showing experience that younger competitors from the likes of Macedonia and Moldova couldn’t mimic. Add that to her faultless vocal, nifty “costume reveal” and timely dance moves, and it isn’t too hard to see how she ended the grand final in 5th – more than enough to secure Sweden a place in the 2007 final.
Could she crack the top five for a fourth time? Who knows, maybe we’ll find out sometime in the next few years. Like Dana International for Israel, Carola for Sweden is never off the table.
What do you think? Did Carola earn her place on the scoreboard, or did she snatch it from someone who deserved it more??
The tackiest performance
Boom Boom Boomerang by Schmetterlinge (Austria 1977)
Love City Groove by Love City Groove (United Kingdom 1995)
Time To Party by The Jet Set (Poland 2007)
Leto Svet by Kreisiraadio (Estonia 2008)
Baila El Chiki Chiki by Rodolfo Chikilicuatre (Spain 2008)
But the tackiest is:
Loca by Arsenium, Natalia Gordienko & Connect-R (Moldova 2006)
Where do I start?
a) average vocals; b) hideous costumes; c) a terrible multi-coloured walk-through shark fin prop thing; d) the gratuitous removal of said hideous costumes; e) ridiculous choreography; f) a SCOOTER!
Give me, give me a bucket!
Winner of the first contest you watched
There must be loads of people out there embarrassed to admit that they watch Eurovision. As for me – well, I must say I’m embarrassed too. But not because I’m a tad obsessed with the contest, but because I…well…okay.
I’ve only been watching since 2006!
I can’t remember what I spent my time on before then – it feels like I’ve been waiting on May forever. I found the ESC by accident, having lived for fifteen years in a house, in Australia, with a family who may or may not have heard of it but didn’t see fit to ever mention it, whatever the case. But once I stumbled on Lordi that particular May evening, having always been attracted to any international competition that wasn’t sport related (yes, even Miss Universe!), I was sold. It was true love, and we have been together for five blissful years now. Perhaps we’ll renew our vows in another five? Or perhaps I’ll stop referring to Eurovision as my husband. Anyway, I think my blog is a testament to my comparatively brief, but nonetheless manic (er, I meant,dedicated) following. Now, enjoy Hard Rock Hallelujah.
All you Eurovisionaries may or may not be aware of the weekly podcasts from ESC Insight, and their accompanying website, one that takes an in-depth look at the contest through feature articles, reviews and more (www.escinsight.com). If you haven’t visited iTunes to subscribe to the podcasts, put it at the top of your priority list, because they are great! They began by judging the 2010 entries, but have expanded to keep us all up to date with the latest Düsseldorf developments, gossip, national finals and everything else that is Eurovision-related. At the moment, the podcasts are mainly devoted to the subject of winners, in what they call the Ultimate Jukebox Jury, in which four winners (and occasionally a well-reputed wildcard) are pitted against each other on the long road to determining THE greatest Eurovision song EVER! Hurrah!
I’ve been enjoying these UJJ’s immensely, so much so that they got me wondering: which winner would I deem the best of them all? We all have those songs which we like better than others, and those that didn’t really make an impact on us. It was difficult for me to pick my absolute favourite, so I’ve spent a bit of time compiling a list of my top ten winners ever instead (which involved a great amount of last-minute switching) which I have scored in the good old-fashioned ESC way. There is a numero uno song that I’m not sure many people will agree with, but remember these are my opinions. If you have one, which I’m sure you do, share your top ten with me here or on Facebook (just search for Eurovision By Jaz =D). So, I present to you Part 1 of Jaz’s Terrific Ten:
#10. 1974/ Waterloo/ ABBA
I can’t see many a top ten Eurovision winner list existing without Waterloo, the quintessential ESC song, on it! There may be cries of outrage at my only deigning to place it at number ten, but it’s my prerogative (I say, sticking my tongue out).
The song is irresistibly catchy and was well-sung and performed by the then relatively unknown Swedish supergroup. Its mark on Eurovision has never faded – think of how many entries (and not just those from Sweden) have emulated this one since then and up to now. More than a decade ago, Charlotte Nilsson’s 1999 victory was with a song that reeks of Waterloo. Even in 2010, Sieneke’s Smurf song for the Netherlands filled the Telenor Arena with a very similar sound. Waterloo is a classic winner, and I don’t think any amount of attempted replication by Scandinavia and beyond will ever measure up. One point goes to ABBA in my countdown.
#9. 2007/ Molitva/ Marija Šerifovic
2007 was a year when, unlike 2009, few could have predicted the outcome of Eurovision. The majority of press and fan attention was focused on a fabulous tin-foil encased, Maybelline guinea pig named Verka Seduchka and whether or not his/her song was indeed bidding goodbye to Russia. And yet it was a drastically different song and performer who took out the top prize that May in Helsinki.
Molitva is my idea of a stellar ballad, one that I didn’t find clichéd, despite the fact that in essence it was ridden with them (flute interlude, loveheart gimmick, backup singers rallying behind emoting soloist…). It is anthemic, it is powerful, and it was belted out by a faultless vocalist in a dapper suit. In comparison to Verka, the whole thing was very understated and serious, but they were both great songs. In the end though, I think Serbia was the right winner. Two points.
#8. 2000/ Fly On the Wings of Love/ Olsen Brothers
This is another song (featuring pan flutes) that almost came out of nowhere to win. I must mention that I do prefer Alsou’s Solo over FOTWOL and wish a little bit that it had won instead…but having said that, there is something about the Olsen brothers’ humble song that I just love. They may have been middle-aged back then – I can only assume they’re in nursing homes now – but hey, they employed the use of a vocoder years before Kanye West decided it was worthy of his genius (though not before Cher. Darn you Cher…) and I liked it! The chorus is great to sing along to in the car/shower/middle of dinner etc which is always a point-scorer for ESC songs, and the rest is simple and repetitive but catchy enough to catch your attention. Or mine, at least. Three points for the Danish duo.
#7. 2006/ Hard Rock Hallelujah/ Lordi
Ask someone to name a Eurovision winner from the last five years and it’s highly likely you’ll receive one of two responses: a) A vacant look and a ‘Euro-what what?’; or b) ‘The monsters from Finland!’ or something to that effect. Yes, 2006 brought us one of the most unforgettable winners in Lordi, and a song that somehow managed to appeal to even the hardcore pop fans like moi. Hard Rock Hallelujah stood miles out from the rest of the entries despite what I believe was a strong year. I’m betting that after 40+ years of failure to win, very few Finns thought that a heavy rock song performed by Lord of the Rings extras who had forgotten to remove their costumes would be the one to clinch it.
Once again there is just something about the song, even when you remove the visual, that is special. For me, it’s the one where I take my hair out, put my hands in the air like I just don’t care, and do some neck-injuring head banging…generally alone. In my lounge room (mosh pit for one, anyone?). It just goes from level to level, getting better as it goes along. And it sure packs a hell pf a punch in three minutes. A monstrous four points to you, Lordi.
#6. 1963/ Dansevise/ Grethe & Jørgen Ingmann
Denmark’s first winner and a very unusual song make 6th position on my list. James Bond movies come to mind when I hear it – there’s an air of mystery and intrigue in the sound. After seven years of relatively similar winners (no discredit to them), this broke the mould simply because it wasn’t quite a ballad and it wasn’t quite a happy-clappy tune either. It’s very surreal. Yeah, I can definitely see 007 romancing a woman (shirtless) or deep-sea diving (shirtless) to this. Or even having a fitful dream. Still shirtless.
There are not many Eurovision songs pre-1980 that I love, perhaps due to my age, my taste or coincidence. But Dansevise gets me every time. Five points.
So there you have it – points 1-5 have been allocated and my justifications made. But which five songs have scored the big points with me? You’ll have to wait and see! Drop by again soon if you want to know ‘my number one’*.
* It isn’t My Number One, FYI.
DON’T BE ALARMED! This is not a post devoted to Lithuania’s Eurovision entry from 2006. Though it was apt to borrow some lyrics for this title, so LT United – cheers.
This is what it’s really about:
Happy voting =)
(PS – Just in case your wondering, my pick is a tie between 2006 and 2010…but I love them all really)
After Greece’s stunning first victory the previous year, Eurovision 2006 provided hope to all the countries who had not yet managed to triumph. 37 nations lined up this year – two less than 2005, but with the addition of Armenia, also hoping to make a splash.
Greece’s ancient culture and beautiful scenery provided the backdrop for this year’s contest, hosted by Greek-born US TV personality Maria Menounos, and superstar Sakis Rouvas, who had represented Greece at Eurovision 2004, coming in third. The lights came up in the Athens Olympic Indoor Hall on Saturday the 18th of May to the familiar face of Helena Paparizou for a reprise of her winning song.
Switzerland opened the show with an anthem penned by dynamic duo Bernd Meinunger and Ralph Seigel, their fifteenth collaboration. The song, performed by multicultural sextet Six4One, lacked originality and impact, as did song number two from Moldova. Despite Arsenium’s fame (he had reached number one on the charts in many countries in 2004 with the group O-ZONE) and the appeal of Natalia Gordienko’s mild striptease, ‘Loca’ fell flat, and, characteristic of the songs performed in second place, ended up in a dismally low one.
Latvia brought something a little different to the proceedings, with acclaimed a cappella group Cosmos taking to the stage in dapper white suits to sing ‘Hear Your Heart’. Using only their mouths for instruments and with the help of a robot (the first appearance of such a gimmick on the Eurovision stage), the group carried off the modest song with style, and finished by releasing a heart-shaped helium balloon into the air. The crowd applauded wildly, but perhaps had forgotten about the song by the time voting was to undertaken, as it failed to reach the top ten.
After a disappointing result in 2005, Spain pulled out the big guns by employing the mega-famous girl group Las Ketchup to represent them. Three of the four sisters who arrived in Athens were responsible for 2002’s infectious dancefloor hit ‘Asereje (The Ketchup Song)’. Perhaps another gastronomically-themed tune would elevate them to the heights of contest glory…or perhaps not. ‘Bloody Mary’ was carried off with aplomb by the girls, who used office chairs to great effect during the song. But in the end, it was not to be their year. There has been much controversy during the televoting age regarding partisan voting, and this may have been a case of such, with only Andorra and Portugal ready to support Spain.
‘We Are The Winners’ by the all-male LT United, was a not-so-subtle attempt at vote swaying by Lithuania, with equally ambiguous lyrics such as ‘We are the winners of Eurovision’ and ‘vote for the winners’ being repeated several times throughout. Strangely enough, the audience seemed to love it, although there was a fair share of booing going on too. A finish in the top half would have been impressive for any song of the novelty persuasion, but in an uncharacteristic turn of events for the country, 162 points were garnered and 6th place achieved.
Greece had picked Anna Vissi, a woman with more Eurovision experience than most, but the home country was overshadowed by the most intriguing act seen since Dana International. The one in question was metal monsters Lordi, from Finland. Since 1961 the Finns had been desperately fighting to be at the top of the scoreboard, instead, for the most part, ending up at the other end. It was not likely that this group of other worldly creatures could change their fortune. And yet, the press flocked to Finland, and their heavy rock, but still commercial track ‘Hard Rock Hallelujah’ was one of the favourites. Lordi gave what was undoubtedly the best performance of the night, raising the roof off the stadium, and receiving the biggest reception of the evening. They still had to bypass some tough competitors in order to win, however.
Ireland’s Brian Kennedy was a novelist and had had the honour of singing Eurovision’s 1000th song in the semi-final. . Sweden brought back another familiar face. Back in 1991, in her second Eurovision attempt, Carola had only just edged out France to win, and she was back for more. ‘Invincible’ was a sprinkle of schlager pop and very Swedish, performed by the ageless Carola and translated into English for the final. Her voice was as strong as it had been all those years ago and it was clear that Europe loved her. It was not to be a second win for Carola or Sweden, but the fifth place acquired was nothing to be sneezed at.
Armenia’s first entry came from their three-time singer of the year Andre. It was a very slick performance, using choreography, and props such as elastics and a table, to full advantage, and was a great example of the ethnic-pop fusions that dominate Eurovision nowadays. Armenia’s great result was a sign of things to come. They haven’t missed out on a top ten spot since.
Once the voting commenced, Finland’s popularity became emphasised. However they had some tough competition, from Romania, Bosnia & Herzegovina, and Russia’s Dima Bilan whose stage show had included a woman emerging from inside a piano. But 8 lots of twelve points for Finland were too much for the others, and with a total of 292, they had achieved the highest winning score in history, and were the first, and only, to date, hard rock song ever to win. Russia came in second some fifty points away, with Bosnia & Herzegovina, Romania and Sweden rounding out the top five.
And so it was that another country got the chance to showcase themselves to the whole of Europe, and in what fashion! Lordi’s win will always be a memorable one, for many reasons, perhaps none more so than their appearance. This certainly made the continent wonder exactly what they were in for in 2007…