Pitting two Eurovision songs against each other to determine which is the best for no particular reason is such an original idea, said NO ONE EVER. But that won’t stop me from inflicting my own version on you poor, unsuspecting readers. Muahahaha!
What makes my version different (to some of the others, maybe) is that each round will have a theme – for example, songs by the same artist – to make things more interesting (again, maybe). I’ll be picking my personal winners, justifying those decisions, and then asking you to discuss my taste or lack thereof in the comments. Now if that isn’t fun, I don’t know what is.
Soon I’ll be launching a series of posts that recap Baku, so today’s debut round of song battles is aptly pitting a bunch of last year’s entries against their counterparts of 2013. From Azerbaijan to Croatia and Norway to the UK, which countries are sending better songs to the ESC this time around? Check out my thoughts, then leave your own below.
Azerbaijan’s When The Music Dies by Sabina Babayeva VS Hold Me by Farid Mammadov
Still flabbergasted by Ell & Nikki’s win in 2011 (let’s just say I was never an active member of the ‘I ❤ Running Scared’ fan club) I managed to get on board with what Azerbaijan put forward as host country last year. Heck, I wasn’t just on board – I was cartwheeling up and down the deck and making a general nuisance of myself. But I just don’t see the winning potential in Hold Me, which means it’ll probably go on and win.
Albania’s Suus by Rona Nishliu VS Identitet by Adrian & Bledar
I think I’ve droned on about Rona on enough occasions for you guys to know I love her. But there’s always room for more droning, as far as I’m concerned! Suus is a very original and very emotional song, and with her crazy vocals it was magic on stage. Having said that, Identitet has grown on me, and I can’t believe I’m saying this, but I’m glad it didn’t get disqualified.
Belarus’ We Are The Heroes by Litesound VS Solayoh by Alyona Lanskaya
Neither of these were originally supposed to go to Eurovision (let’s all have a slow clap for the trustworthy Belarusian NF system, shall we?) and of course, it was Alyona who was sent packing – or not, rather – in favour of cheat-free Litesound. In 2012, this was a blessing, but in 2013 I was not amused. That’s why WATH is my pick of this battle, whether in its initial rock form or post-remix disco version.
Bulgaria’s Love Unlimited by Sofi Marinova VS Samo Shampioni by Elitsa & Stoyan
Sofi and Elitsa are both women with voices of an acquired taste (unless you are instantly attracted to high-pitched shrieking) but the infectious, language-stuffed Love Unlimited trumps in the song department. I thought that was one of Bulgaria’s best ever entries, and as it just missed out on qualifying, it seems I wasn’t the only one.
Croatia’s Nebo by Nina Badrić VS Mižerja by Klapa s Mora
Hi. My name’s Jaz and I am the only person I know who liked Croatia’s entry last year (but don’t worry, I did NOT like Nina’s dress/trash bag. I have some standards). What can I say? I enjoy any song with bells in the background. Ding dong.
Germany’s Standing Still by Roman Lob VS Glorious by Cascada
This is really a matter of subtlety versus in-your-face, and for me, in-your-face wins. I can’t help shaking my thing to Glorious, and it’s one of the songs I’m most excited to see live at Eurovision (‘live’ in this case meaning ‘on TV’). Standing Still is a nice song and I think Germany deserved its top 10 placing in Baku, but I need more ‘oomph’ to be 110% satisfied.
Hungary’s Sound of Our Hearts by Compact Disco VS Kedvesem by ByeAlex
Hungary haven’t scored as well as they should have over the last few years IMO, and I have a feeling it’s going to happen again with ByeAlex’s absolute gem of a song. I take back what I said just then about ‘oomph’ in this case, because this is a simple but stunning song. I love Hungarian to bits as a musical language.
Italy’s L’amore É Femmina by Nina Zilli VS L’ezzenziale by Marco Mengoni
The Italy we see at the ESC is always classy, and I don’t think you could ever call one of their entries outright bad. I’m fond of Nina’s retro Italinglish number, but I’m head over heels for Marco. Er, I mean, L’essenziale. There’s something about Italian ballads that gets to me, and I think this is the best of the songs Italy has sent since their comeback.
Norway’s Stay by Tooji VS I Feed You My Love by Margaret Berger
I felt like a mother being forced to choose which of her children she loves more with this one (which in my mother’s case is an easy decision. My brother just doesn’t measure up) but the decision has been made. My obsession with Stay has faded a little since it won NMGP, but I have to stay loyal to it, since it was my favourite entry of 2012 and I spent so many hours trying to comprehend it losing the final. I still love ya, Margs.
Slovenia’s Verjamem by Eva Boto VS Straight Into Love by Hannah
An atmospheric ballad like Verjamem was a very Serbia-like thing for Slovenia to come out with, which makes sense since one of its composers also composed Molitva. Despite the similarities, I think it had its individual charms, and it’s certainly got more drama than Straight Into Love.
Ukraine’s Be My Guest by Gaitana VS Gravity by Zlata Ognevich
Ukraine rarely fails to impress me. They just ‘get’ Eurovision, and they always send a top-notch artist who can belt one out (or more, if required). Zlata may be the Queen of Belters, and although Gravity lacks the quirky fun factor of her last attempt to represent her country, The Kukushka, it’s a definite contender for victory. I will be very surprised if it doesn’t considerably improve on Gaitana’s result.
The UK’s Love Will Set You Free by Engelbert Humperdinck VS Believe In Me by Bonnie Tyler
Another year, another big name from the UK with a slightly too old-fashioned ballad. Still, at least they’re going younger. At this rate we should get an entrant under the age of 30 by 2025. But let’s not be ageist, not when this year’s song is a lot better than the last. It is to me, anyway – I tried to love Love Will Set You Free, but eventually the charade became too much and I had to call it quits. Believe In Me is more current and a lot catchier, and after a couple of listens I was willing to wave a Union Jack with genuine enthusiasm.
So that’s that; but what exactly does ‘that’ tell you? Well, the overall result of the duels is as follows:
58% of my winners came from 2012
42% of my winners came from 2013
If those numbers are any indication, the standard of 2012 was higher than the standard of 2013 in my book, though not by a massive margin.
Now it’s your turn to battle. I want to know if you totally agree with me, partly agree with me…or think I’m bonkers with a side serving of very poor judgment when it comes to the above duels. Which songs would be your winners?