Holy guacamole, guys! If you thought the last four or five Saturdays were busy when it came to the ESC NF calendar…then you’re not entirely wrong, they totally were. But this Saturday is on another level, because we’re about to find ourselves with five more songs for Lisbon. FIVE, I TELL YOU!!! THAT’S FOUR MORE THAN ONE!!!
In addition – and I won’t use aggressive all-caps on you this time – Lithuania is edging ever closer to the end of Eurovizija (so they say, but I’ll believe it when I see it) and Sweden’s penultimate Melfest show has arrived. Nights like this are exactly why ‘Super Saturday’ was coined, and I am pumped. Are you?
Here’s a rundown of the evening:
- Estonia (Eesti Laul final)
- Finland (UMK final)
- Iceland (Söngvakeppnin final)
- Lithuania (Eurovizija heat 8)
- Poland (Krajowe Eliminacje final)
- San Marino (1in360 final)
- Sweden (Melodifestivalen Andra Chansen round)
As usual, I’m going to review everything major that went down in ESC terms this week, and I’ll also be talking Estonian eventfulness and Swedish shenanigans (that’s Eesti Laul and Melodifestivalen, for those of you who’d prefer I speak like a normal person). Sorry if you were hoping for a UMK (Monsters please), Poland (Delirium please), etc ramble. Maybe next year, if my time management skills have become superhuman by then!
Let’s rewind to last Saturday, which saw Hungary, Latvia, Moldova, Slovenia and Ukraine take their picks for Portugal. Enrolling in the Class of 2018 were: AWS with Viszlát Nyár; Laura Rizzotto with Funny Girl; DoReDos with My Lucky Day; Lea Sirk with Hvala, Ne!; and Mélovin with Under The Ladder. Along the way we lost BQl and Tayanna, who’ve now finished second two years running in EMA and Vidbir respectively – but it wasn’t for nothing. My favourite choice of last Saturday night was Latvia’s (as they continue to bring it for the fourth year in a row…we’ll see if they get rewarded this time). Having not had the time to follow Supernova at all this season, I had no idea what to expect when I checked out Laura’s winning performance. Afterwards, all I could think was ‘Wow!’ – so you could say it took me (pleasantly) by surprise.
Over in Sweden, the fourth and final semi of Melodifestivalen ended with direkt qualifications for Mariette (shocking) and Rolandz (*sigh*), plus Andra Chansen tickets for Felix Sandman and Olivia Eliasson. It wasn’t a jaw-dropper of a show by any means – Mariette was the favourite, Rolandz obviously is the Owe Thornqvist of 2018 (as I suspected) and Felix will probably get to the final via the scenic route – and it doesn’t look like this week’s AC round will see any major surprises either…OR WILL IT?!? More on that later on in this post.
The NF action didn’t all go down on Saturday: Sunday night was Armenia and Romania’s turn to crown a couple of champions. Armenia could have gone any which way after pre-Depi Evratesil fave Tamar Kaprelian didn’t even advance to the final – and they opted for the first song performed on the night, Qami by Sevak Khanagyan. Now, I do want to keep my poker face on as much as possible until I officially review the entries for Lisbon, but I just have to say that I totally forgive Armenia for letting Tamar go (i.e. we may have lost a bop, but we’ve gained a GORGEOUS ballad in its place). As for Romania, who settled on Goodbye by The Humans…well, I think I need some grow time on that one. The lack of yodeling is something we’ll all have to get used to.
The week ended with two ‘ta-da!’ moments – a.k.a. on Friday, Cyprus and The Netherlands unveiled their entries at last. Eleni Foureira’s Fuego is the ethnopop banger I’ve/we’ve all been waiting for, and once again I think Cyprus has the competitive edge over Greece (I’m still not over Gravity finishing lower than This Is Love last year. JUSTICE MUST BE SERVED). Waylon’s Outlaw In ‘Em – revealed as his Eurovision pick after five consecutive nights of musical possibilities – is not an ethnopop banger (shocking). Instead it’s a full-on, no-holds-barred twang-a-langin’ country anthem in which he is sporadically possessed by Jon Bon Jovi circa 1987. I’ll leave you to wonder (until review time) whether that’s a pro or a con as far as I’m concerned.
I wanted to talk a little bit about Eesti Laul, which isn’t an NF I usually follow from go to whoa – I’ve barely had time to glance at it this year – but it can always be relied on to spit out some really interesting songs that would never be mistaken for Melfest rejects (they’re just so inherently Estonian somehow).
A few semi finals ago there were 20 potential successors to Koit & Laura’s Verona in play; now, 10 remain (DUN DUN DUN!) and tonight is the night for Estonia to name the best one (hopefully, although we all have a different opinion of which one that is) winner.
- Young, Karl Kristjan & Karl Killing feat. Wateva
- Sky, Eliis Pärna & Gerli Padar
- Knock Knock, Nika
- Thousand Words, Sibyl Vane
- Home, Stig Rästa
- Laura (Walk With Me), Vajé
- La Forza, Elina Netšajeva
- (Can’t Keep Calling) Misty, Frankie Animal
- Drop That Boogie, Iiris & Agoh
- Welcome To My World, Evestus
The top three in the odds are Elina, Stig and Vajé (well, they were when I wrote this), but are any of those acts in my personal top three? Short answer: yes. Long answer: keep reading.
La Forza I initially listened to this after hearing Eurofans left, right and centre raving about it, and I didn’t feel it much at first (probably because my expectations were higher than Elina’s glass-shattering soprano notes). But a few listens later, my skin is goosebumping during the chorus. Elina’s performance looks and sounds like nothing else in Eesti Laul 2018, and nothing else in Eurovision 2018 at this point. She is stunning, vocally flawless, and the wearer of a skirt bigger than Aliona Moon’s and just as arresting.
Home Ott Lepland did it to me in 2012, and now it’s Stig who’s making me want to fly to Tallinn ASAP and propose to him on the spot. What a romantic! As always, I’m surprised to see him back in the comp considering he looks like he stumbled across it by accident but decided to just roll with the punches. That aside, I adore this song. It’s sweet and heartfelt without being gag material (FYI, Stig, this is me telling you that I’m currently free for GoT viewings).
Young This is too cute, gosh darn it! One of the Karls even has BRACES, for heaven’s sake (I think it’s one of the Karls…there are a lot of cooks in this kitchen and I’m confused). No, it’s not the most distinctive song on the planet (and it won’t win tonight) but it’s fresh and fun, which gets a YAASSS from me.
Who’s going to win it?
I don’t want to discount anyone and look stupid later (which has already happened a handful of times this selection season), but in my mind the most likely winners are Stig and Elina (not to be mistaken for the Stig and Elina duo of 2015). And I can narrow it down even further than that, because I just don’t think Home is powerful enough to outshine La Forza – though that depends on what Estonia is looking for. Stig gets the authentic, singer-songwriter vote; Elina has the ‘wow!’ moments (La Forza is one long ‘wow!’ moment in itself, actually). I’m thinking it’ll be wow over ‘aww!’ this time.
Oh, and to cover my butt…my underdog winner prediction would be Sibyl Vane or Frankie Animal.
What do you think? Who’s getting on the plane to Portugal on behalf of Estonia, and will their microphone work once they get there?
Kristianstad is the name (does Sweden has a Kostovstad tucked away somewhere?) and Andra Chansen is the game, people. The eight songs that finished 3rd and 4th in their respective Melfest semis throughout February will be chopped in half tonight, with four acts to join Benjamin Ingrosso, John Lundvik, Samir & Viktor, LIAMOO, Martin Almgren, Jessica Andersson, Mariette and *takes a breath* Rolandz in the final. The AC round is often made up of both the obvious and the WTF (results-wise), making it well worth watching even if you’re impatient for the final to just get here already.
Speaking of things just happening already, I’m going to get straight into the duels and share my thoughts on who I’d like to win, and who probably will.
Duel 1: In My Cabana, Margaret VS Cuba Libre, Moncho
First up, two songs that both make me want to go on holiday to a tropical island. Given that Moncho couldn’t have been paired with Mendez for a duel, In My Cabana VS Cuba Libre is the next best thing. There should be a clear winner here – i.e. if Margaret doesn’t walk away with victory in this battle, then there will be something very weird going on in the world (or at least on Planet Eurovision). Then again, I never expected Moncho to get to Andra Chansen in the first place…so I shouldn’t underestimate him again. Still, it’s GOT to be Margaret.
Who should win (IMO) Margaret
Who WILL win Margaret
Duel 2: All The Feels, Renaida VS Never Learn, Olivia Eliasson
Here we have a female soloist in black and fluorescent sports-chic, singing a slick and modern dance-pop song, versus a female soloist in black and fluorescent sports-chic, singing a slick and modern dance-pop song. Well, you can’t say Renaida and OIivia aren’t evenly matched. Having both in the final wouldn’t make a lot of sense, although I do like both songs. But Renaida is the superior performer – her energy and confidence sell All The Feels at a price I’m more than willing to pay, whereas Olivia struggled to perform Never Learn with conviction. I do think this could be the most closely-fought duel of the night considering how similar the options are – sometimes it’s a lot easier choosing between pizza and cake than choosing between pizza and pizza.
Who should win (IMO) Renaida
Who WILL win Renaida
Duel 3: Every Single Day, Felix Sandman VS Songburning, Mimi Werner
We all have our painful AC duels – the ones that are bittersweet because we love both songs and want them both to score a spot in the final. This is mine for the year, in case you hadn’t guessed. I love Felix and his Frans impersonation (Felix is totally sorry, though) plus the bare-bones staging that made the whole thing feel genuine. And yep, I also love Mimi’s country cracker that was staged to perfection (colour scheme, backup drummers and fire curtain were all on point) even if her vocal was wobbly at times. Oof. At the end of the day, my heart (the one in my chest, not the on-screen Melfest app one that drives me INSANE) says Felix a little louder than it says Mimi. Based on his impressive Spotify stream count (it’s more like a flood) and Mimi’s lack thereof, I’d say we’ll be seeing Mr. Sandman in Stockholm next Saturday.
Who should win (IMO) Felix
Who WILL win Felix
Duel 4: Patrick Swayze, Sigrid Bernson VS Everyday by Mendez
Sunny slice of Scandipop goes head-to-head with Latin pop summer song – but who comes out on top? I have been back and forth on this one more times than Sanna Nielsen has filled out Melfest application forms. My personal preference is Mendez, but Sigrid and the effervescent Patrick Swayze have grown on me since the Karlstad semi. And I just don’t know what will win out in the end! SEND HELP.
Who should win (IMO) Mendez
Who WILL win Mendez…or Sigrid. One of the two for sure.
I’ve showed you mine, now you have to show me yours! Who would you bet on to make it out of Andra Chansen tonight?
NF UPDATE: What’s up next?
- 4/3 Portugal (Festival da Canção final)
- 10/3 Norway (Melodi Grand Prix final), Sweden (Melodifestivalen final)
- 11/3 Lithuania (Eurovizija final)
We are so close to the end of national final season, which is sad – but there’s something satisfying about having a freshly-full house of Eurovision entries to talk about. May the best songs win this weekend (the best according to me, that is, because I’m selfish and want things to go my way musically), and may you enjoy whatever you choose to watch!
For most people, today is Tuesday. For some people, it may still be Monday. For other people – the really slack ones who didn’t get the memo that I’d posted this and just happened to stumble across it belatedly (subscribe or stop by my social media to avoid such disasters by receiving new post alerts *SHAMELESS PLUG*) – it could be any old day of the week. But for me, it’s June 28, and that’s kind of a big deal.
Why? Because seven years ago today (!) I decided to inflict my obsession with/ability to talk constantly about Eurovision upon the world, via a blog that would become known as Eurovision By Jaz…since that’s what I decided to call it that day, duh. Back then in 2009, I couldn’t have foreseen that I’d still be running the blog in my own haphazard manner after so much time had passed – let alone off the back of an ACTUAL TRIP to the contest after ten years of frenzied fangirling (I still have to pinch myself on the hour every hour to remind myself that I was in Stockholm). The reason I’m still around is simple, though: I do it for the love. I mean, if I did for popularity and adoration I would’ve lost the will years ago.
Here and now, in case you were wondering, I’m certain that as long as I enjoy chatting all things ESC with you guys, and as long as at least one person out there seems to be a fan of my material (besides me), I’ll be here doing what I do. I.e. criticising contestants’ costume choices and objectifying whoever happens to be the hottest guy of the latest contest line-up (in 2016, I’ve moved on from Måns to Freddie, FYI). If you’re willing to come along for the ride, I can guarantee a safe, yet entertaining and occasionally controversial journey through the years to come.
Before I let loose and blow my own kazoo (not a euphemism), I want to thank anyone who’s reading this intro. If you are, it means you’ve taken the time to drop by EBJ, probably out of habit or to see if it’s your cup of kaffe. You might have been with me from the beginning, be a recent reader, or be someone who’s sick of me already and plans to stick with Wiwi Bloggs exclusively from now on – I don’t mind whichever way. I’m just grateful for your visit and confident that you must be a pretty cool person since you’re attracted to rather than repulsed by the word ‘Eurovision’.
Now, to kick off my 7th birthday (blogday?) celebrations, here’s a substandard graphic I prepared earlier!
I’ve decided to celebrate this milestone with a countdown that’s not your usual countdown. It’s not a Top 10, for starters – it’s actually a Top 7, and (brace yourselves for a theme to emerge here) it will feature my personal top 7 songs that have placed seventh in the ESC since EBJ began. In other words, I’m about to rank, from my least loved to my most loved, the seventh placers of 2010-2016. Given that I started blogging just after Eurovision 2009, Sakis Rouvas Vol. 2 will not be included in this list. But, as I know he’d be devastated to be un-invited so unceremoniously from this partay (and be likely to release a song entitledThis Is (Not) Our Night), I’m going to use him to rate each of the seven entries using a system I like to call ‘The Sakis Head Scale’.
You can see why.
If you’re keen to rate any of the following tracks – or ANY seventh-placed song from Eurovision history, for that matter – using the Sakis Head Scale/conventional 0-12 points (ugh, how normal), head to the comments section below. Alternatively, tweet me @EurovisionByJaz using the hashtag #shareyour7, and tell me which sixth runner-up is your favourite…or least favourite.
Without further ado (you know how I love ado, but I’ll restrain myself on this occasion), let’s kick off the countdown!
#7 | ‘May the winter stay away from my harvest night and day…’
Apricot Stone by Eva Rivas (Armenia 2010)
I fully expect to be pelted with apricot stones and verbal abuse over this one. I wasn’t surprised by Armenia’s lower-end-of-the-top-ten finish in Oslo, but that doesn’t mean I ‘got’ Apricot Stone. It’s not a bad song, per se – but push my buttons, it does not. It reminded me a bit of the Dutch entry two years previously, and that (Hind’s Your Heart Belongs To Me, for anyone having a brain-blank) was dated in 2008. Based on that, I never found the Armenian version very fresh – especially its chorus. And I hate to say this, because I’m totally pro-Rapunzel letting down her hair…but Eva’s super lengthy locks kind of freaked me out.
#6 | ‘Watch my dance, head up high, hands like wings and I’ll fly…’
Watch My Dance by Loukas Giorkas feat. Stereo Mike (Greece 2011)
Ah, Greece and their love of fusing rap with…not rap. There has to be some irony in the fact that they blended rap and ethnic sounds better in 2016 than in 2011, yet lost their 100% qualification record this year and finished seventh five years ago. If I remember correctly, a lot of us fans were convinced that Loukas and Stereo Mike (now known as Spotify Mike, most likely) would be Greece’s downfall, and that included me at the time. Nowadays, I like this song more than I did then, but it’s still too intense and too melodramatic for me to play that often – not to mention jarring enough to resemble an edit of a movie put together by a monkey. All in all, I prefer it when Greece takes a lighter approach to their rap fusion entries, á la Rise Up (#ROBBED). Though I’m not unwilling to watch Loukas’ dance, if he’s still after an audience and will be shirtless.
#5 | ‘My life is on a string when I see you smile, our love will last a thousand miles…’
Shine by the Tolmachevy Sisters (Russia 2014)
Here’s a song that I hated when I first heard it, only to find myself humming along shortly thereafter. I guess there’s no shortage of wonders an oversized see-saw can work, particularly when combined with twins who temporarily become conjoined via their ponytails. To be honest, I still don’t think Shine is a great song – it certainly has nothing on the duo’s Junior Eurovision winner Vesinniy Jazz – but there’s something nice about the melody and the way the girls harmonise (as only identical twins can) that had it growing on me even before the giant papier mâché sun was unfolded by a Portuguese national finalist (naturally). In fact, I have it stuck in my head right now.
#4 | ‘I didn’t want to wake you up, my love was never gonna be enough…’
Goodbye To Yesterday by Elina Born & Stig Rästa (Estonia 2015)
The song that won Eesti Laul by a landslide last year couldn’t do the same at Eurovision, but 7th? Totally respectable, especially given the unfortunate and unjust outcome of Estonia’s entry in Stockholm. Goodbye To Yesterday is one of many fine feathers in Stig Rästa’s compositional cap, and while it wasn’t up there with my personal douze-pointers in 2015, I can’t deny that it has something special. The dynamic between the two characters in the song’s story makes for a perfect duet, and the song itself is one that feels both retro and fresh. And who could resist a lyric like ‘As I got outside, I smiled to the dog’? Not me, that’s for sure. Or the dog, I’m guessing.
#3 | ‘You shook my life like an earthquake, now I’m waking up…’
LoveWave by Iveta Mukuchyan (Armenia 2016)
And here we have the latest track to reach the seventh rung of Eurovision’s top 10 ladder – one that makes me hopeful for a future in which cutting-edge, experimental music outnumbers stale cookie-cutter-type stuff in the contest. When a song doesn’t grab me straight away, but intrigues (rather than horrifies) me, I’m happy, because I know I’m going to love it eventually. LoveWave is initially disarming with its spoken-word start, but it makes you wonder where it’s headed and what kind of ground it’s about to break (so to speak). Ultimately, it’s a powerful punch-packer of a track, fronted by the femme fatale figure of Iveta who sells it vocally and visually. You can’t tell me this doesn’t kick Apricot Stone’s ass.
#2 | ‘I am a lonely sailor drinking the night away, my ship is made from hope, she’s searching for your bay…’
Love Me Back by Can Bonomo (Turkey 2012)
The last time we saw Turkey compete in the ESC, they gave me everything I want in my ethno-pop. That includes a) a generous dollop of traditional sounds that set the song apart from its rivals; b) three minutes of fun and frivolity without any ‘this is a novelty act and it can’t be taken seriously’ vibes; and c) back-up dancers who can transform their costumes into a sailboat at a second’s notice. Basically, it’s the whole package. Catchy, unique and easy to sing along to (or yell drunkenly over in the midst of an enthusiastic round of the Eurovision Drinking Game), Love Me Back is also a masterclass in how to make a cultural mark on the contest without alienating anyone…besides people prone to seasickness.
#1 | ‘While the world breaks into pieces, I compose new places and desires which also belong to you…’
L’Essenziale by Marco Mengoni (Italy 2013)
If you hadn’t guessed already, given that only one 2010-2016 7th-placer is yet to be mentioned, Italy takes out the top spot with one of my favourite Eurovision songs of ALL TIME (if your name is Kanye West, don’t bother trying to dispute that). An entry that truly puts the ‘song’ into Eurovision Song Contest, L’Essenziale is lyrically and melodically magic, and comes equipped with a message that doesn’t make your skin crawl thanks to its cheesiness (yes, Russia, it CAN be done without resorting to love love, peace peace). I would marry this song if that were at all possible, I’m so crazy about it. Although, if Marco is available, I’d rather marry him instead. Then he could serenade me with the song whenever I wanted. That’s not too much to ask, is it?
Well, I’ve shared my seven – a song for every year I’ve been blogging here at EBJ. Holy Hard Rock Hallelujah! Remember, if you want to do the same, I’d consider it a birthday gift and therefore wouldn’t be offended by the lack of fruit baskets being delivered to my door. You should also feel free to tell me what you thought of my ranking. How would you rearrange it? Was seventh place too good or not good enough for these tracks? Exactly how offended are you right now?
While you’re letting me know, I’ll be off raising a glass to myself…and, of course, planning seven more years’ worth of Eurovisual entertainment for anyone who currently reads or will someday stumble upon this site. I hope you enjoy what’s to come as much as I’m going to enjoy creating it for you (if the Sakis heads are any indication, I’ll have an epic time).