Just like that (a whole week ago now), Minsk’s second Junior Eurovision is done and dusted. I still have some residual Resting Sadface, even though we in the Eurovision world have already moved on to the momentous Melodifestivalen artist announcement and unveiling of Tel Aviv’s first act via Armenia (my thoughts on those things are still to come…be patient).
I say ‘we’, but I love JESC so much I’m not ready to move on yet. Hence why I’m here to look back at Sunday’s comp way after everyone else. Me being miles behind the rest of humanity is one of my many charms. Right?
Honestly, my highlight of JESC 2018 was Polina Bogusevich standing on the stage in a gorgeous gown, looking more sophisticated and glamorous than I ever will and belting out an impeccable reprise of Wings. But there were a lot of other high points too, plus a typically tense voting sequence that produced some interesting results. I’m going to go through it all right here, right now.
If you need a refresher or just want to watch the whole thing again (I’ve watched it three times and might need to go in for a fourth ASAP) here’s the show in full:
And now, let’s get into reviewing the performances – from Ukraine to Poland and every country in-between – and all of the results.
Ukraine Darina kicked the show off with intensity, attitude, and a performance artists three times her age would be proud of. The quick camera cuts at the beginning were totally in keeping with the edginess of the song. Styling on point, vocals impeccable. I feel too uncool to even listen to the song, let alone watch the performance, but I’m going to keep doing it anyway.
Portugal This was cute, but looked and sounded pretty unpolished after Ukraine. I liked the phone screen/social media concept, but I couldn’t take the “boomerang” effect seriously – it just looked like a mistake. All in all it was three minutes of second gear, but Rita is full of personality and that shone through. Any moments she was in the armchair were the best ones.
Kazakhstan The music video was epic, but Daneliya’s performance was underwhelming. Don’t get me wrong, she’s amazing, but her vocals were patchier than usual and I didn’t feel much fight coming from her. When she was on her game, it was stunning. Sadly though, I think a tweaked version of the NF staging would have been better.
Albania Efi is a tiny pink and glittery ball of energy, and I adore her. Her enthusiasm and sass at age 10 eclipses mine at age 27, and she had the crowd in her command from the second the music started. She’s not the strongest vocalist but was definitely in tune and giving Barbie her all. My only complaint is how short the performance seemed, because I wanted it go on forever.
Russia I always thought Unbreakable sounded like a JESC winner (maybe too much) and it did come across that way. With Anna front and centre surrounded by her band, it was all very Polina Gagarina, which is a compliment. She sounded solid. I’m torn on the double denim – María Isabel 2004 vibes, anyone? – but the pink extensions were a nice choice.
The Netherlands Like a takeaway pizza, this was covered in cheese and I enjoyed it immensely. Max and Anne are so cute together and have great chemistry. Vocally they were slicker than at their NF. Okay, so the giant versions of the duo on the rear stage screens had a super-high cringe factor, but somehow I found the whole package as endearing as ever.
Azerbaijan The JESC version of this song was nowhere near as good as the original – I wish Fidan had stuck with the full ballad. My other negative was her outfit (half disco, half bridesmaid). The best part of her performance was undoubtedly her vocals, which were angelic and as crystal clear as the Kosta Boda trophy she did not win. She’s precious. And a teenager now, apparently?!?
Belarus You guys know I’m biased on this one, but I honestly felt Daniel lived up to my (very high) expectations. This was impressive, and the staging was so Sweden-like that I’m sure Christer Björkman would have given it a douze if we’d had him as a guest judge again. Daniel is a star in the making and I hope to see him representing Belarus at the ESC in a few years.
Ireland Taylor is such a nice kid, and everything about his presence on stage made me want to wave an Irish flag in time with I.O.U (but I don’t own one so I didn’t). This was so much fun and didn’t try to be more sophisticated than it is. I’m convinced that if this entry had competed in the early to mid 2000s, it would have made the top 5.
Serbia If you read my reviews, you’ll know Svet is not a song I like much. But Bojana turned out a spectacular, faultless performance, and I was impressed big time. Great costuming? Check. Gorgeous LED graphics? Check. Vocal perfection? Check. It still felt like a looooong three minutes – the song just drags – but I was happier to watch than I had been just to listen.
Italy Melissa and Marco put on a show that was so cute, my cold, cynical heart defrosted like I’d stuck it in a microwave, and I felt the urge to run through a flowery meadow and blow bubbles and stuff. There was nothing that I didn’t love about this. They sang beautifully and their rapport is something to ‘Aww’ over. So I did.
Australia Jael is my homegirl, and she did me proud! The lighting at the start was top-notch and I wish that Sanna Nielsen vibe had been used more throughout, but I’m not too bothered. I have a conspiracy theory that her dress was sewn from offcuts of Dami Im’s, and we know there’s magic in that. Best armography of the night right here, folks.
Georgia If you were questioning how Tamar stood up to older and more experienced singers on The X Factor, I bet you aren’t any more. She was phenomenal, and her staging/styling couldn’t have been better. This was a more grown-up Georgia than we’re used to, and it worked wonders. Was it just me or was there a Japanese influence here? LOVE.
Israel This is how you make a performance interesting without making your singer move a muscle. Children Like These is a stunning (cover) song and Noam was pitch-perfect. All he had to do was stand there and sing, and let the camera, graphics and lighting do the rest of the work. I was spellbound, just as I knew I would be.
France If this is what France produces after a fourteen-year hiatus, maybe they shouldn’t come back to JESC until 2032 (I’m kidding of course, they’ve got to be there in 2019). Angélina’s vocals weren’t the strongest of the night, but the mise en scène was perfect and she was the cutest little leading lady ever. Great props and choreography. C’est magnifique!
Macedonia Like Kazakhstan, I wanted Macedonia to deliver a flawless performance but it didn’t quite happen. Still, this was staged beautifully by Macedonian standards (sorry, but it’s true) with the highlights being the costume change, the LED snowfall and the moment Marija held up her snowflake and the lights went down. When her vocals were at their best, they were spine-tingling.
Armenia It was 17 songs’ time before I could no longer resist the temptation to dance (sitting in bed, in my pajamas…it was super late at night okay?). Armenia used Levon’s NF performance as a template but made it bigger and better – and he was on fire. No fading energy or running out of breath like before. Tell me what was wrong with this and I’ll tell you why YOU’RE wrong.
Wales This was such a nice debut for Wales. Think back to how boring Perta was at the selection stage then fast forward to last Sunday, and I think you’ll agree that Wales made the most of it. I’m not 100% on the costume choice, but the choreography was A+. Manw is a really engaging performer and I would have watched two hours of just her on the stage.
Malta This was pretty much what I expected, only with more questionable fashion (party tracksuit alert) and to compensate, more sensational vocals than I was prepared for. Like every other kid who’s represented Malta at JESC since Gaia Cauchi, Ela is insanely talented at this singing business. Her dancers added interest when I was worried they’d look out of place.
Poland Last but not least (quite the opposite, as it turned out) Roksana hit the stage with what was definitely a confusing performance to watch. If there was a cohesive concept in there, I couldn’t pick it out. Still, the bomb song that is Anyone I Want To Be and Roxie’s beyond solid performing arts skills outshone the OTT surrounding her. A random but excellent closer.
My top 5 performances
Armenia Nobody had more sass, swag and charisma all rolled into one than Levon. There wasn’t a second where he looked lost on the massive stage, and not a second when I wasn’t loving – or should I say ‘L.O.V.I.N.G’? – his performance.
Australia What can I say…I’m patriotic. I was worried that keeping Jael on a podium leaving just her voice and arms to do the talking would be a mistake, but she didn’t need to move to absolutely nail it. The glittery dress was the cherry on top.
Belarus What can I say…I’m biased. I loved Time from the first listen, think Daniel’s a superstar and consider this three minutes the coolest of the night. If this exact performance was slotted into the ESC, the only surprise would come from people going ‘Is this really BELARUS?’.
France So much cute. This was like a group of friends having the best time ever, coincidentally in front of a huge crowd and millions of online/TV viewers. It couldn’t have been more in keeping with the song’s subject matter. Trés bien.
Georgia Georgia and Tamar slayed every single aspect of this performance, and it’s another one that could have competed at adult Eurovision without any changes. The styling in particular was amazing. Bravo.
I’m not going to dive too deep into facts and figures, since I’m days late getting this wrap-up done and you’ll have had your fill of that stuff by now (why won’t someone pay me to talk about Eurovision already so I don’t have to waste time at my actual job to make money?). We know our top 10 looked like this:
I wasn’t expecting Poland to quite get there with the win, but I obviously underestimated the power of Roksana’s fans (all 200 000+ on Instagram alone at the time…she’s now on 300 000+). Anyone I Want To Be was arguably the best song of the contest (though not my favourite) but was it performed better than everything else? I don’t think so. I’m going to say that the current JESC voting system needs work, but I’m excited for Poland to have won something, and I think it would be wrong to drag Roxie for having too much support.
France in 2nd is fabulous and totally deserved. If that’s not motivation enough to come back next year and attempt to go one better, I don’t know what is. Australia rounding out the podium places obviously makes me a very, very happy Jaz – I was expecting lower top 10 at most. Yes, juries love us, but those people out there taking that out on Jael need to just NOT.
After Melissa and Marco’s performance, a decent top 10 result was what I was hoping for and it’s what I got (I even ended up voting for Italy spur of the moment). Georgia and Armenia should have been higher in my opinion. L.E.V.O.N finishing lower than Boomerang and actually scoring Armenia’s worst ever result is ridiculous. Then again, the fact that 9th out of 20 is their poorest showing says great things about Armenia.
Other results outside of the top 10 that “surprised” me (because I don’t want to say ‘pissed me off’ when we’re discussing a children’s contest) include Belarus in 11th – you guys know they were my favourite, and I really think they earned a place in the 6th-9th range at least. Macedonia finishing 12th for the third year running and the 8th time in total is…well, pretty hilarious, but I would have loved Marija to squeeze into the top 10 too. Albania was underrated as far as I’m concerned, but that doesn’t take away from Efi being a teeny queen who we should all be bowing down to. Finally, Wales scoring zero from the juries and coming last overall is an injustice. HOW?!?!?
Okay, I think that’s enough complaining from me. I’m going to wrap things up by celebrating our winner Roksana, who Pole-vaulted into first place at the end of a seriously intense points presentation. I hope ‘Junior Eurovision winner’ qualifies as anyone she wants to be. Congrats to her and to Poland for finally winning a musical Eurovision event. I’m already looking forward to a show (hopefully) hosted in a place we’ve never had a JESC before next November.
Let me know what you thought of JESC 2018 in the comments!
Wherever you are in the world and whatever time it is there, a) hello and b) thanks for coming back to read more of my Junior Eurovision 2018 reviews!
I’m squeezing them in at this point since the contest is happening this weekend…I know, it’s super shocking that I, Jaz, your hot mess of a Eurovision aficionado, am having issues getting things done on time. But once you’ve recovered from said shock, I’m going to shock you even more by getting straight into today’s round of reviews. Obviously this one includes the songs from Australia, France, Malta, Poland and Wales, so you might want to prepare yourself for all the girl power.
Keep scrollin’ on (Maltese wordplay intended) to see what I think of Jael, Angélina, Ela, Roksana and Manw’s JESC contributions and chances, as they take to the stage for the first time to rehearse. Could I be reviewing a potential winner here? Tell me what you think and how excited you are for Junior Eurovision (on a scale of 1 to almost peeing your pants) in the comments.
We’re back! It’s attempt no. 4 for us Aussies to win Junior Eurovision, and with our results reading better by the year (8th, 5th and 3rd so far) there’s a lot of pressure on Jael to do just that. Now, you can call me biased if you want – I won’t be able to deny it – but I really think we’re in with a shot this time. If not to go all the way, then to do pretty well for ourselves at the very least.
Champion is right there with Speak Up in terms of greatness (only as a power ballad, it’s got a different energy) and it leaves My Girls, and We Are especially, in its dust. Sounding a lot like Beyoncé’s Halo and featuring an arguably better chorus, it may be derivative for a song that’s advising us all to live like we’re original – but by-the-numbers pop is what Australia has delivered to JESC’s doorstep every time, and it’s continued to work in our favour (adult Eurovision = another story). Anyway, the lyrics are no more generic than the English verses/choruses of most of the other entries…or a lot of the lyrics in general if you Google Translate them. This is a song contest for kids we’re talking about, so uplifting messages about being yourself and shooting for the stars and stuff are always going to outnumber deep and meaningful musical ponderings re: the meaning of life and the inevitable existential crisis that hits you when you turn 13 (or was that just me?).
Besides, the real star attraction of this show is Jael herself – she’s got the vocal power of reigning Junior Champion (HA HA) Polina Bogusevich without the English pronunciation handicap. And this song is perfect for her voice. Those tones plus the majestic melody could equal a spine-tingling three minutes on the Minsk stage, assuming that Jael brings her vocal A-game when it counts and we don’t screw up, undercook or overdo her staging (I say we, but I’m taking zero responsibility if it happens). Australia hasn’t exactly been the best role model for live presentations at Junior, so I’m hoping the delegation has built on last year’s interesting-but-not-OTT production for Isabella. If they have, I don’t see how we couldn’t finish on the upper left side of the scoreboard. But like I said, I’m biased. 10 points.
Bonjour! Longtime JESC fans will remember that France had a fleeting affair with Eurovision’s younger sibling (which sounds wrong, but you know what I mean). It started in 2004 and ended in…well, 2004, when they sent the Frenchiest Song Ever™ to Lillehammer – Si En Voulait Bien by Thomas Pontier. Beginner’s luck and a generally great entry scored them 6th place, but they dropped out regardless and haven’t graced a JESC with their presence since. Until now, obviously. The question is, has that extended vacation been beneficial or has it put them out of touch with what Junior Eurovision is about these days?
For me, France was worth waiting for. Adorable Angélina and Jamais Sans Toi are EXACTLY what I want from a JESC package. She is so cute (and if her parents are inexplicably looking to put her up for adoption, I’ll take her for sure) with all the charm and confidence a kid needs to handle a big performance like the one she’ll be giving in Minsk. And the song is, like Mary Poppins, practically perfect in every way. It’s catchy, energetic and summery; the mix of languages is seamless; it’s contemporary; and it’s neither too junior nor too adult. Basically, all I can hear is the sound of boxes being ticked. France has done everything right with this whether it was on purpose or not, and I salute them for that. The only thing they could potentially mess up is the staging, and since Thomas’ song didn’t require anything but bare-bones presentation, all we can look to if we want to gauge their skills is adult Eurovision. Jamais Sans Toi is not unlike a kid version of Alma’s Requiem, with a similar energy, vibe and sound…and Alma’s staging was underwhelming. Let’s hope France learnt from it and are throwing some backing dancers Angélina’s way (not literally). At the very least they need to make sure she doesn’t get swallowed up by a big stage and/or dizzying aerial shots of Paris. I will be the prayer emoji in human form until I’ve seen this performance.
For now I’m going to wrap things up with a plot twist: in spite of everything I’ve just said, France isn’t currently right at the top of my JESC 2018 ranking. But that’s just testament to how epic this edition of the contest is. I’ve got Angélina about 7th as of right this second, and I’m still going to give her 10 points.
With two JESC trophies in their display cabinet and a bunch of other respectable results to their name, Malta shouldn’t be underestimated in this contest. Sure, I personally overestimated them last year, thinking that Dawra Tond was a possible/probable winner (when it eventually finished 9th…oops). But still, this is an island that gives Junior all they’ve got, every year. Ask me if I think they’ve done the same in 2018 and I’ll hesitate for five minutes before saying ‘I thiiiiink so?’.
Marchin’ On actually fits the mould of every Australian JESC entry ever more than it does previous Maltese songs – we Aussies are the lyrical cliché masters after all, and Ela belts out some big ones. ‘As one army we’ll give our all, fearless, not afraid to fall’? ‘Find the light that shines bright deep within’? You’d think countries with English as a main language could be more creative than that. But hey, I’m not here to criticise children (too much). Lyrics like those – and the grammatical disaster that is ‘Whether if you’re big or small’ – aside, there is something appealing about Marchin’ On overall. The melody is nice, the atmosphere is uplifting and the chorus is catchy and memorable. Ela is a great vocalist too, though she’ll be hard pressed to outdo the mind-blowing performances of Gaia Cauchi, Destiny Chukunyere and Christina Magrin in that department (I’m convinced that both Maltese and Georgian kids get deported if they can’t sing). There might be a bit of x-factor missing here, and in what has shaped up to be a super competitive contest, I don’t know if this has the steam to move ahead of six or eight other contenders. Yet I still have a sneaking suspicion Malta will do quite well in Minsk.
Assuming their staging is on point, the only obstacles to success would be a) the big bunch of contender countries I just mentioned, and b) Marchin’ On being kind of unsure of itself. It’s mid-tempo, not really a power ballad but definitely not a piano ballad, and missing a “moment” – Ela’s vocal gymnastics towards the end seem a bit desperate and tacked on just because she can pull them off. Okay, so maybe she won’t do that well – and I’ve talked myself out of a third Maltese win, I think – but there’s a possible spot for her on the lower left side of the scoreboard. Upper right at least. To clarify, my predicted range for Malta at this stage is 8th-13th, and my score for them is 7 points.
Poland is one country that’s made a cracking comeback to a Eurovision event – kind of like Bulgaria at adult Eurovision, but on a smaller scale (and with a little less success). They dropped out of JESC after two consecutive last places in 2003 and 2004, and didn’t return until 2016. Since then they’ve sent two stunning ballads and two sensational female soloists to the contest, with Alicja Rega achieving their best result ever last year (though I think Mój Dom deserved to be higher than 8th because HOLY KIELBASA, IT’S AMAZING!!!). It’s female soloist no. 3 for Poland in Minsk, but The Voice Kids winner Roksana isn’t packing a big ballad in her suitcase.
Funnily enough, when the song title was revealed I assumed Anyone I Want To Be was definitely going to be a ballad, and a cheesy one at that – but I was wrong. It’s actually hard to categorise this song (at least in one or two words) so I’m going to say it’s ‘contemporary radio-friendly pop with urban and rock influences and a whole lot of attitude’. So much attitude that Roksana’s almost too nice to pull it off, but I think she just manages to get away with it. I’m a big fan of this track in general – it’s catchy, fun and has some edge, making it totally age-appropriate but not unappealing to voters and jurors who are *ahem* a little way away from their childhood/teenage years, like myself. I especially love the pre-chorus and any of the parts that are in Polish. That leads me to my only real issue with AIWTB, which is the pretty messy mix of languages. There’s English and Polish all over the place, and it makes the whole thing feel less than cohesive. I would have preferred the entire song to be in Polish, at least up until the last chorus (a more traditional trend of shoehorning English into LOTE entries). But the song is good enough in every other way for me to ignore the bilingual elephant in the room.
It’s great to see Poland doing something different after the last few ballads they’ve sent, without reverting to dated pop or the lacklustre stuff that saw them finish dead last twice back in the early Junior Eurovision days. I just hope they can stage this in the right way, because it needs something less basic than the ‘stand there and sing in front of a pretty LED background’ formula that worked fine for Nie Zapomnij and Mój Dom. I’m thinking backing dancers, lots of colour and possibly the theft of the Netherlands’ costumes from 2016. It will be interesting to see what is done with this, but I have high hopes. We know Roksana can sing – you don’t win The Voice by wailing like we all did when Finland didn’t qualify to the ESC final last year – and she’s singing a very good song. So, if the performance is in keeping with singer and song quality, there’s no reason why Poland couldn’t potentially equal or better that 8th place from Tbilisi. I do prefer Mój Dom – that’s a douze pointer for me – but AIWTB is worth a round of applause and a top 10 result. 8 points.
After Kazakhstan, Wales’ RSVP to the JESC 2018 party was the biggest jaw-dropper of the year. There’d been rumours of participation in the past, but it was far from being a done deal that they’d compete in either JESC or the ESC…until now, when anything is possible (and I mean ANYTHING, in a world where Bulgaria can just up and withdraw from Eurovision at the top of their game). So here we are with Berta by Manw, a song that has (thankfully) been revamped and is ready to represent Wales – if not win, or even come close – for the first time.
Now, I’m all about that ‘the more the merrier’ mentality, but I was hoping Wales would make more of a splash with their debut when the day finally came. Now it’s here, I am a little disappointed (particularly when I think about what Kazakhstan is bringing to the table – i.e. a song that could win the entire contest). There’s nothing majorly wrong with Berta. It’s a nice song actually: dreamy and soothing, with a chorus that makes Welsh sound very pretty (because truth be told, it’s not the prettiest language on the planet). And Manw’s voice is perfectly suited to this type of song. But in terms of competition songs that can attract enough attention to rise above the rest, it’s missing something. Drama? A catchier hook? Variety? I’m not sure, but I know it’s not bringing its musical A-game. I can’t imagine Berta outshining the likes of L.E.V.O.N, Your Voice, Ózińe Sen, Samen, Say Love…I could carry on, but that would make Manw feel bad if she miraculously happened to read this.
In all fairness, I have been wrong about this kind of thing before – and there are always songs that do far better in JESC than expected – but I will be in a state of shock for months if Wales makes the top 5, or even the top 10. Either way, they should come back next year and give it another go, because it’s hard to understand exactly what works at Junior Eurovision on the first try. As an Australian, I can admit that we didn’t get it initially, and even now we’re still figuring it out. And Wales has to be commended for putting on a national final in their attempt to figure it out, and ending up with an entry that’s decent if not dangerous. I like Berta and I will listen to it post-show, but I won’t be voting for it. 6 points.
15 down, 5 to go! With another group of this year’s participating songs critiqued by yours truly, here’s the mini-ranking for this round:
- France (10)
- Australia (10)
- Poland (8)
- Malta (7)
- Wales (6)
As much as the biased fan inside me wants to put Australia on top, I have to bump Angélina above Jael by a croissant crumb because Jamais Sans Toi is just so infectious, fun and summery (and as we’re heading into summer here in Australia, I guess I’m in a sunny mood). Poland is sitting pretty in the middle with a strong 8 points, followed fairly closely by Malta and Wales. I’ve mentioned again and again how high-quality I think this competition is, and the fact that my least-liked song of the day is one I still enjoy and can give a reasonable score to is proof of that.
How about you? Is this 16th edition of Junior Eurovision floating your boat more buoyantly than ever before, or do you reckon we’ve had better contests in the past? Which of today’s reviewed entries is your personal favourite, and could any of them win the whole thing? Let me know below.
NEXT TIME By process of elimination, you’ll know which countries I’m yet to review – and in a few days’ time the wait will be over! Step right up Albania, Ireland, Italy, Macedonia and Ukraine, because I’m shining my spotlight on all of you…and y’all know I believe that honesty is the best policy.
See you then!