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FRIDAY FAST FIVE | The JESC 2015 artists who should graduate to the ESC, ASAP!

Happy Friday, guys! Or, for all of you residing in the US of A and anywhere else where Black Friday is a thing (they try to make it a thing here in Australia, but it hasn’t really taken off), HAPPY BLACK FRIDAY! It’s definitely a Happy Friday for me, because yesterday, after several hours of heart palpitations, yelling expletives at my computer screen and sobbing into the Swedish flag I carry with me at all times, I managed to score some Eurovision tickets.

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OH MY LORDI. Honestly, I’m more relieved that the ordeal of attempting to get them is over than ecstatic that I managed to nab a ticket to both broadcast semis – as you’ll know by now, whether you were in the dreaded Waiting Room of Death or not, the ticket quest was very traumatic. But I have my tickets next to me as I type this, and every time I look at them (and stroke them lovingly from time to time), I feel a flash of excitement. Congratulations to all of you who also got your hands on a ticket or two (or three, damn you), and to those of you who didn’t, or who are planning to try again in the new year for the show you missed out on: I will see you there. Assuming I will have concluded the course of therapy I’ve enrolled in to get over yesterday, of course.

It’s also a good Friday for me and my fellow Aussies thanks to tomorrow being the day of the delayed JESC 2015 broadcast, with our brand new pair of commentators narrating the proceedings (and probably taking the piss a little too often for my liking, but I’ll try to ignore that). I’m in no mood to stop talking about JESC ’15 until the credits roll on that replay, hence the topic of today’s post. So, if you’re not a fan of Eurovision’s younger sibling, you’ll have to humour me a little longer.

Let’s get into this Fast Friday Five* before I’ve officially rambled on for so long that it’s no longer Friday (confession: it’s already Saturday over here anyway). Here are five Junior acts from this year who I’d love to see and hear at Eurovision in the future.

 

*I’m now thinking that this might be the first time I’ve posted an FFF, so in case that’s true, here’s a definition: A Fast Friday Five is a short, sweet and unranked version of a top 10 list, for which I’ll select five randomly ordered favourites from any given ESC (or JESC, in this instance) category and ask you for yours in return. Just so you know.

 

Albania’s Mishela Rapo

If Mishela allowed her already-mature voice to mature even more, ditched the adorable but very childlike Mullet Gown of Multilingual Greetings (© Jaz, 2015) and popped up in Festivali I Këngës with a tropical-pop song sans the repetitiveness of Dambaje, she’d have great shot at representing Albania in the big show. Even more so if Albania loosened their purse strings and gave her some backing dancers (she doesn’t need any backing singers…not visible ones, anyway).

The earliest we’ll see her in the ESC 2017

 

 

Belarus’ Ruslan Aslanov

You guys know this kid can do no wrong as far as I’m concerned. What can I say? He’s the Vincenzo Cantiello of 2015 (only without a trophy to prove it). At age thirteen, he’s got the vocal chops, stage presence and effortless ability to emote of someone twice his age, and if we assume his voice will have broken by the time he’s sixteen (since it thankfully didn’t on the JESC stage), Belarus would be mad not to force him, at glitter cannon-point, to enter Eurofest.

The earliest we’ll see him in the ESC 2018

 

 

Malta’s Destiny Chukunyere

This little list wouldn’t be complete without our winner, who sang all of her competition under the (dinky, child-sized green room) table last weekend. She could also destroy many an adult vocalist despite being three years younger than one must be to participate in the ESC. If it wasn’t for that pesky age rule, Destiny would be the bookies’ top pick to represent her island home in Stockholm, I’m sure.

The earliest we’ll see her in the ESC 2018

 

 

Armenia’s Mika

I’ve said it once, and now I’ll say it again – Mika is a star in the making. He has more personality in his four-foot-something self than the entire cohort of Eurovision 2015 competitors (not that they were boring…he’s just that stocked up with the stuff). He’s said he’d be happy to represent Armenia in the adult contest, so all we have to do is sit back and wait three-and-a-half years for him to come of age and for that pink suit to be altered accordingly.

The earliest we’ll see him in the ESC 2019

 

 

Slovenia’s Lina Kuduzović

Last but not least, it’s Slovenia’s Got Talent winner Lina, whose voice is so studio perfect live, hearing it raises the same question asked when Federica Falzon launched into Diamonds at JESC 2014 – is this for real? Another thing I love about Lina is how much she seems to enjoy herself when she’s on stage. She’s not a show-off or a try-hard – she just gets up there, sings her heart out and smiles the entire time. We need her to spread some joy at Eurovision (and perhaps score Slovenia another top three placing!).

The earliest we’ll see her in the ESC 2019

 

 

So, now I’ve shown you mine, you’re pretty much obligated to show me yours. Count them on one hand, then let me know which JESC 2015 tweens and teens you’d like to see have a bash at Eurovision once they’ve hit the big 1-6!

Considering how insanely talented some of them are now, imagine how phenomenal they’ll be with a few more years of practice…*refuses to due to intense fear of feeling useless and unskilled in comparison to a bunch of teenagers*

 

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Malta fulfill their Destiny: Looking over the performances (and the leaderboard) of JESC 2015

Since Junior Eurovision 2015 came to a conclusion on Saturday night, I’m sure you’re already aware that we have our winner. Even if you’re repulsed by the mere mention of mini-Eurovij, you’d have heard that Malta’s Destiny Chukunyere destroyed her competition and clinched the tiny island’s second victory in three years with the party-starting Not My Soul. The thirteen-year-old triumphed over Armenia’s Mika by nine points – quite a massive margin by JESC standards – and in the process, nabbed the record for the highest-ever score in the contest. Mika has a record of his own to take home, too, scoring the highest amount of points for a non-winner in Junior history.

Although I did call Malta to win, it wasn’t the outcome I was hoping for (and even though Armenia wasn’t my ideal winner, I would have preferred them to take it out instead). But you can’t help being happy for a country that is fast becoming to JESC what Sweden is to ESC – i.e. a superpower. Plus, there’s no denying that Destiny is an incredible talent, and it’s likely we’ll see her pop up in Malta’s NF MESC the split second she’s sixteen. She’ll be shattering windows and Ming vases simultaneously with her voice by then, so there’s something to look forward to (unless you’re the owner of said windows/vases).

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I’ll get back to the results later on in this post. Right now, I’m going to answer the question nobody asked: what did I think of Bulgaria’s first-ever Eurovision event?

Well, there’s not much I could complain about. The stage was super-cool, and like last year’s, could easily accommodate the adult contest. Hostess Poli was confident and competent, and sported a hairstyle that only she – and maybe Gwen Stefani – could rock. The postcards showed off Bulgaria’s beauty to the fullest, and featured the contestants for the first time since 2013 (I was hoping that’d make a comeback). And the interval acts were actually reasonably entertaining (meaning I didn’t traipse outside to watch my lawn grow while waiting for the show to go on). Sweeping a bit of shoddy camera-work aside, I’d say that the exercise was a big success for Bulgaria – and hopefully a good practice run for hosting Eurovision sometime while I’m still around to see it (though as countries like Portugal have competed for 40+ years and never won, I won’t hold my breath…and as some countries continue to nail JESC and fail ESC, I ALSO won’t hold my breath. Basically, no breath of mine will be held over this).

Now, the biggest drawcard of any Eurovision event is the performances of the participants, right? *assumes you all agreed enthusiastically*. So let’s have a look back at the seventeen acts that battled it out for a place on the figurative podium (there should be an actual podium, I reckon), to see who shone, who needed more polishing, and who…well, the terminology I was going to use would be too cruel for children.

 

From Serbia to Montenegro and everyone in-between, here are my thoughts on the competing seventeen!

These are all my own opinions, of course, and you are free to agree or disagree in the comments. Let’s get cracking so you know just what you’re agreeing/disagreeing with!

Serbia A very red, and violent – what with all those arm movements (no wonder there were no backing dancers…at least one of them would have ended up with a black eye) – performance from Lena opened the show. She had amazing intensity for someone who ordinarily, I’d want to pinch the cheeks of because they’re SO CUTE, and vocally, she was almost entirely on point – that shaky final note the exception. Much ljubav for the lyrically-aligned hand tatts!

Vocals 9/10 Staging 8/10 Costumes 9/10 Overall 8.5/10

 

Georgia Speaking of intensity, The Virus’ front man Data was frighteningly intense during Georgia’s performance. The group’s choreography and vocals weren’t as slick as what we’re used to from Georgia, and I felt like a bit of energy was missing. The girls’ costumes were great though. I love me some houndstooth, and I suppose it’s more sophisticated than the pajamas and towel turbans I was expecting/hoping for.

Vocals 7/10 Staging 6/10 Costumes 8.5/10 Overall 7/10

 

Slovenia I could listen to Lina sing all day long, so I was really looking forward to song number three. Vocally, she did not disappoint – the clarity of her voice was unreal. Her cutesey dress and sparkly sneakers also got my tick of approval, but I wasn’t 100% sold on the Frozen-esque visuals Slovenia opted for. I feel like a cool lighting scheme (a spotlight and some of Serbia’s redness, perhaps) would have been more suitable.

Vocals 10/10 Staging 8/10 Costumes 9/10 Overall 9/10

 

Italy The reigning champions (in case the overwhelming Bulgarian-ness made you forget that Italy won last year) put on a pretty good show, better than I thought they would. It was fun and competent, though lacked a little charisma. I loved the graffiti-type backdrop, which made the somewhat dated Viva feel fresher. You could say it brought the song back to viva. Or you could not be annoying like I am, and leave puns out of it.

Vocals 8.5/10 Staging 8/10 Costumes 7/10 Overall 8/10

 

The Netherlands Shalisa is so gorgeous, and would have lit up the camera even without her shiny jacket on and those candles burning. I love Million Lights, but it’s not particularly cohesive, and neither were the accompanying dancers – I didn’t really get how some of their moves related to the song. ‘Disjointed’ is how I’d describe the sound and staging, as much as I want to say otherwise.

Vocals 8.5/10 Staging 6/10 Costumes 8/10 Overall 7/10

 

Australia My eyes were moist during Bella’s turn, so I hate to imagine what state her mother was in. Another Australian debut was always going to be a big moment for me, and I applaud our well-choreographed and attractively metallic stage show. Bella’s Christina Aguilera impression was bang-on, too (#shegotthegrowl), and I adored her pants as much as I moon over Måns Zelmerlow’s leather pair…though for different reasons.

Vocals 9.5/10 Staging 9.5/10 Costumes 9.5/10 Overall 9.5/10

 

Ireland Following directly on from an excellent debut performance was another excellent debut performance – albeit one that lost its ability to spine-tingle thanks to some distracting graphics. That dodgy, badly-animated floating ship behind Aimee made me seasick. Dry ice was used to its maximum potential here, however, and it looked like Aimee was floating on the ocean herself. Fortunately it didn’t invade her lungs and ruin her vocals.

Vocals 9/10 Staging 6.5/10 Costumes 10/10 Overall 8/10

 

Russia Wow. Unexpected wow. This really impressed me! As much as I like Mechta, I was convinced Mikhail’s live rendition would be flat and boring (like it was at the Russian NF). But Russia seemed to have cut a mix of the song that had far greater impact in the arena. I loved the mood set by the moon prop and the dry ice (boy, that machine got a workout on Saturday), the dancer, the appropriately dreamy feel created by the blue and white colour scheme…it was all lovely. Well done, Russia.

Vocals 8.5/10 Staging 10/10 Costumes 9/10 Overall 9/10

 

FYR Macedonia Okay, bad bits: the vocals were in tune but a bit wobbly, and the costumes looked like they’d been fished out of a charity shop bargain bin after Britney Spears had dropped off a load of stuff circa 1999. The good bits? Well, Ivana and Magdalena avoided creating car-crash TV (that came later) and seemed to have fun on stage. Energetic choreography and good stage presence all round helped elevate this from amateur to enjoyable.

Vocals 7/10 Staging 8.5/10 Costumes 6/10 Overall 7/10

 

Belarus This was everything I was hoping it would be, Volshebstvo being my favourite entry of the year (in case you weren’t around when I mentioned that the other 500 times). Belarus used the backdrop to perfection, and Ruslan’s vocals were insanely good, as always. His camera and crowd engagement was top-notch until he finished off with that ultra cheesy wink (WHY, RUSLAN, WHY?). Pretending that never happened, I’d call this the total package.

Vocals 10/10 Staging 9.5/10 Costumes 10/10 Overall 9.5/10

 

Armenia Mika also had a (bright pink) package, signed, sealed and delivered to the door of victory…or something like that. Armenia’s stage show would have been drooled over by Georgia, who didn’t carry off the boy/girl/girl/girl dynamic half as well (plus, effortless, quirky fun used to be their forte). Mika is such a little star, and I think he’s going to have a bright future – perhaps as an Armenian representative in adult Eurovision one day (he said he’d be happy to do it when he answered my question during the winners’ press conference!).

Vocals 9.5/10 Staging 10/10 Costumes 10/10 Overall 9.5/10

 

Ukraine Waterfalls, sharks, forests, mechanical human-sized flowers…a list of what Ukraine didn’t incorporate into Anna’s stage show would be shorter than a list of what they did. This was OTT, even by Eurovision standards, with too many colours and too many vistas on the backdrop making things messy. Anna’s Pochny z Sebe is like a vanilla cupcake, not a ten-tiered marzipan-enrobed masterpiece fit for a royal wedding – it only needed minimal decoration.

Vocals 8.5/10 Staging 6/10 Costumes 7/10 Overall 7/10

 

Bulgaria Not bad, Bulgaria. There was possibly a bit too much going on here as well (rainbows! Ribbons! Unflattering cummerbunds!) but in comparison to Ukraine, Gabriela and Ivan’s performance was simplicity personified. Both kids’ vocals were strong individually, and together…well, it could have been much worse.

Vocals 9/10 Staging 7/10 Costumes 8.5/10 Overall 8.5/10

 

San Marino Epic staging and brilliant costumes couldn’t disguise the weaknesses in Kamilla’s voice, and she looked very uncomfortable on stage (whether that was due to nerves or her Aliona Moon-esque height off the ground, I don’t know). With a more competent vocalist, this could have been a contender for the top five.

Vocals 5/10 Staging 10/10 Costumes 10/10 Overall 7/10

 

Malta Destiny can sing – we all know that. She certainly didn’t emit a single off-key note on the night, and did her best to full up a big stage without the aid of backing singers, dancers, or trumpet players. Her personality and stage presence are larger than life, but I still wish she’d had some (or all) of the above with her. Company is what her performance was missing for me, because it certainly wasn’t missing soul (obvs, since THEY CAN NEVER TAKE AWAY HER SOUUUUUUL) or spark.

Vocals 10/10 Staging 7.5/10 Costumes 7/10 Overall 7.5/10

 

Albania Mishela is another soloist who could have used some backup to bring her song to life, but again, I really liked her performance anyway. Her voice is amazing, and so was that dress (though I know I’m in the minority, I wouldn’t give her a Junior Barbara Dex Award). If I could have given her some advice beforehand, I would have said ‘Smile! This is JESC, not a funeral’. It definitely wasn’t the death of Albania’s JESC journey, if her eventual result is anything to go by.

Vocals 10/10 Staging 7/10 Costumes 10/10 Overall 8.5/10

 

Montenegro Oh dear. What WASN’T wrong with this? Unsuitable colour scheme and costumes, half-hearted attempts to create a fun, tropical atmosphere on stage, and woeful vocals were all present and accounted for. Judging by the way Jana fiddled with her earpiece, then hissed at her backing dancers as soon as she struck her final pose, I’d say some technical problems may have been afoot. Hell hath no fury like a woman with a malfunctioning in-ear monitor.

Vocals 5/10 Staging 6/10 Costumes 5/10 Overall 5/10

 

That was the show from my point of view, and based on the marks I’ve awarded as if I’m a musical theatre teacher examining my protégées, here’s my ranking of the performances:

  1. Armenia
  2. Belarus
  3. Australia
  4. Slovenia
  5. Russia
  6. Albania
  7. Serbia
  8. Bulgaria
  9. Italy
  10. Ireland
  11. Malta
  12. FYR Macedonia
  13. San Marino
  14. Ukraine
  15. Georgia
  16. The Netherlands
  17. Montenegro

Hmm…that doesn’t quite match up with the actual results, does it?

 

Taking a look at the leaderboard

Speaking of which, here are the actual results, for anyone who needs a refresher (which I would totally understand given that I’m so late in posting this wrap-up…as usual):

  1. Malta (185)
  2. Armenia (176)
  3. Slovenia (112)
  4. Belarus (105)
  5. Albania (93)
  6. Russia (80)
  7. Serbia (79)
  8. Australia (64)
  9. Bulgaria (61)
  10. Georgia (51)
  11. Ukraine (38)
  12. Ireland (36)
  13. Montenegro (36)
  14. San Marino (36)
  15. The Netherlands (35)
  16. Italy (34)
  17. FYR Macedonia (26)

There’s only so much you can say without knowing the split results (even though they might not prove to be that interesting). I’ll save a more in-depth scoreboard analysis for when they’re released, but here’s a few observations for the meantime.

  • Malta’s win marks their third top five result in a row – not bad for a country that only squeezed in to that section of the scoreboard once during their first eight years of participation.
Malta-Champion-Destiny-Chukunyere-Credit-EBU-Elena-Volotova-Vladimir-Dudakliev-604x272

How could you NOT be happy for that face? (Photo: EBU, Elena Volotova/Vladimir Dudakliev)

  • Armenia’s second place takes their total of runner-up trophies to three. They have also won once and come third twice, and are yet to finish outside of the top ten.
  • Five countries achieved their best placements ever in 2015: Slovenia, Albania, Australia, Ireland and Montenegro. For Australia and Ireland, that was always going to be the case; but two-time competitor Slovenia reached the top three for the first time in any Eurovision event, and Albania equaled their best-ever ESC result from 2012. DambaYAY!
  • Italy, on the other hand, experienced a fall from grace that could only have been more unfortunate if they’d come last. From winning last year on their debut to just sidestepping last place, it’s hard to predict how they’ll fare if they decide to return in 2016.
  • Belarus added to their collection of commendable results with Ruslan’s fourth place. They have now won twice, come third twice, and appeared in the top five eight times out of thirteen participations. The same can’t be said about their record in the adult contest…
  • Bulgaria might have done better than many of us expected, but they actually performed pretty poorly for a host entry. The past five home representatives have finished 4th (Malta in Malta, 2014), 2nd (Ukraine in Kyiv, 2013), 7th (the Netherlands in Amsterdam, 2012), 5th (Armenia in Yerevan, 2011) and 5th again (Belarus in Minsk, 2010).
  • FYR Macedonia (a.k.a. the Norway of JESC) came last for the third time in Sofia. IMO, there was a different country starting with ‘M’ that should have taken out the wooden spoon this year.
  • If you’re wondering how my pre-show predictions panned out, then prepare to laugh at my ineptitude! Yes, I did peg Malta as a possible winner, but I only guessed three of the top five correctly – Malta, Armenia and Belarus – and unlike last year, only predicted one country in the exact right place (FYR Macedonia in 17th). I massively underestimated Albania (though can you blame me?) and massively OVERestimated Australia (I blame bias for that one). How did you do?

 

I’m going to take my leave now in order to wallow in the murky waves of PJED (Post-Junior Eurovision Depression) – although the prospect of the upcoming delayed Aussie broadcast of the show, complete with our own commentary team and whatnot, is easing the pain. I’ll be back with a fun-sized amount of further JESC coverage before looking ahead to Stockholm 2016 – a party that we’ve just discovered will be attended by a) Bosnia and Herzegovina (where did they end up getting funding from? I hope to hell it wasn’t Ralph Siegel) and b) Kaliopi, Miss Congeniality of the world. I will be there too, but how much ‘there’ might depend on tomorrow’s ticket sales working in my favour. Wish me luck as I attempt to snap up the same thing that everybody else wants!

 

Until next time,

 

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JUNIOR EUROVISION HAS ARRIVED! The EBJ Junior Jury’s Top 17 + predictions for Sofia’s spectacular show

It’s D-day, guys. #discover day. Saturday, for those less JESC-inclined. For the rest of us, though, the next best thing to Eurovision is about to take place in Sofia, Bulgaria, and we (I can safely assume) are very, very excited!

There are mere hours until a certain European – or perhaps Australian – takes over from Vincenzo Cantiello as Junior Eurovision champion incumbent, and I am more than ready to find out who that child is. But before that, there’s some important business to take care of: the business of predicting. Attempting to guess what’s going to happen at any given Eurovision event is tradition, and I don’t like to break from tradition. You can see where this is going, right?

3, 2, 1, predictions!

Oh…hang on. There’s one teensy thing I forgot I had to do first. But you’ll like it, I promise.*

 

*I can’t REALLY promise that.

 

Revealed: The EBJ Junior Jury’s complete ranking, from #1 to #17

Whether you’re an EBJ regular or a random, you’ll be aware that over the past few weeks, myself and seven other JESC devotees have been both extremely catty and extra complimentary in reviewing Sofia’s seventeen competing entries. If you want to revisit all the highs and all the lows, follow Gaitana’s lead and be my guest.

  • Part 1, feat. Armenia, Montenegro, the Netherlands and Serbia
  • Part 2, feat. Italy, Malta, Russia and Slovenia
  • Part 3, feat. Australia, Belarus, Georgia and Ukraine
  • Part 4, feat. Albania, Bulgaria, FYR Macedonia, Ireland and San Marino

I totted up the top four/five at the end of each round of reviews, but being a fan of a soap opera-style cliffhanger, flatly refused to reveal the full ranking until I was gosh darned ready – i.e. when the suspense had pulled up at the intersection of Unbearable Street and Just Tell Us Already Avenue (in the suburb known as Jaz’s Overactive Imagination). That moment, my friends, has arrived. Without further ado, feast your eyes on this collaborative ranking of the Class of (JESC) 2015.

ebjjj17I’m very happy to report that my hands-down favourite from the start, Belarus, topped the list in the eyes (and ears) of the EBJ Jury. I should think so, too…I didn’t bribe them for nothing! Also in our top five are the highly regarded songs from Slovenia, Armenia and Australia, with Albania making a bit of a curveball appearance. I don’t expect Mishela, as lovely as she and her song are, to dambaje her way to such heights tonight. See my scoreboard prediction below if you want to find out where I think she will finish.

Our gracious first-time hosts Bulgaria didn’t fare so well with the EBJJJ, limping into last place. If that’s their fate in the actual contest, at least Gabriela and Ivan will be spared the humiliation of mimicking The Makemakes’ goose egg – thanks to the ‘Douze points for everybody, dance’ Junior rule, none of the kids will be jetting out of Sofia empty-handed. Bless ‘em.

In case you were wondering (which is highly unlikely, I know), here’s a rundown of the top scores handed out by each of my jury members. Not all jurors reviewed all of the entries – in fact, I was the only one who did – so keep that in mind when you’re about to mutter ‘Well, there’s no accounting for taste.’

  •  Jaimie (Australia) 10 points to Armenia
  • James (UK) 10 points to Slovenia
  • Jaz (Australia) 12 points to Belarus and Slovenia
  • Liam (Australia) 7 points to Ireland
  • Lukman (Australia) 10 points to Belarus
  • Mrs. Jaz (Australia) 8 points to Italy
  • Penny (USA) 12 points to Belarus
  • Rory (Ireland) 12 points to Albania

With three sets of douze points being awarded to Belarus, have we chosen a champ you can bet on? Or have we jinxed Ruslan right out of trophy territory? All will be revealed in a few hours’ time.

To officially conclude my 2015 JESC reviews, I’d like to thank all of my jury members for taking part – some at quite short notice. You guys are awesome, and if we were in the same room right now, I’d give you the high five of the century.

Now, onto what you probably started reading this post for: some predictions!

 

Looking into my (cloudy) crystal ball and getting all psychic on Sofia

Let’s start the proceedings with some standard guesses re: who’s going to hit, who’s going to miss, and who’s going to have it all. I’m the CEO of Never Ever Watch The Rehearsals Enterprises, so the following predictions are based on what I’ve heard about the run-throughs, plus my personal opinions of how the songs will fare.

 

The slickest staging Armenia/Belarus. Armenia never fail to entertain, and from what I’ve heard, they’ve really got their shiz together this year, bringing some of the fun from Mika’s music video to the Arena Armeec stage. Belarus will be replicating Ruslan’s NF performance, having adapted it a little to bring it up to JESC standards. It’s sure to be simple, but super-duper effective.

The most jaw-dropping vocals Australia/Belarus/Ireland/Malta/Serbia/Slovenia…I could go on. Once again, the 10-15-year-olds of Europe (and Australia…) are singing like they’ve been doing it for decades, and given that flashy vocals were a big part of Italy’s winning formula in 2014, the ability to make us all go ‘Wow!’ could be crucial. My top picks for tonight are Australia and Ireland. If there aren’t any voice-breaking incidents in the Belarusian camp, listen out there too.

The most cutting-edge costumes Armenia/Georgia/San Marino. I’ll admit, I have caught glimpses of these guys in costume, so this isn’t so much of a prediction as an educated opinion. It’s all about colour for Armenia and Georgia, whereas San Marino is going for shattered-glass chic. Believe it or not, it works.

The best backdrop Belarus. Trees are always a crowd pleaser. Hey, prettiness! Hey, symbolism!

The coolest choreography Armenia. Because if they don’t, it just wouldn’t be Junior Eurovision. And I would not know what the heck to do with myself.

The total package Armenia, Australia, Belarus. This trio should have sight and sound fully covered, and that’s what makes them frontrunners for the win.

A positive surprise San Marino. Both in terms of performance and result, I’m hoping Kamilla will surpass expectations.

A negative surprise Ukraine. Usually you can trust Ukraine to nail the visuals and mechanics of their stage performance, but I hear they’ve gone all Amanecer and thrown everything at Anna, including a giant lotus flower and a CGI shark. What the?

Biggest cheer from the crowd Armenia/Bulgaria/Malta. Bulgaria gets a free pass on this one as the host country – even if they’d sent two aggressive feral cats to hiss through a duet (which, let’s face it, is actually a semi-decent way of describing the dynamic between Gabriela and Ivan) they’d be received with rapturous applause. Armenia’s Love and Malta’s Not My Soul will get the audience going in a big way as two of the most energetic songs on the program.

 

Now, to bring out the big guns…guns that fire pixilated love hearts á la Armenia’s. Decoded, that means it’s time to predict the final results.

One of the bajillion things I love about JESC is its unpredictability. For some reason, this contest is always harder to predict than its adult counterpart, which can be frustrating as well as wonderful. 2015 is just as unclear-cut as the previous few editions have been – even in terms of who’s going to finish last, which is usually the easiest call to make – but I’m not going to let that stop me from making a fool of myself! Here’s how I think the leaderboard of Junior Eurovision 2015 is going to look just before the winner’s reprise and the roll of the credits.

 

The bottom five

Albania, Bulgaria, FYR Macedonia, Italy, Montenegro

If I HAD to call it: Montenegro 13th, Italy 14th, Albania 15th, Bulgaria 16th, FYR Macedonia 17th

 

The mid-rangers (a.k.a. the meat in the scoreboard sandwich!)

Georgia, Ireland, The Netherlands, Russia, San Marino, Slovenia, Ukraine

If I HAD to call it: Georgia 6th, Slovenia 7th, Ireland 8th, Ukraine 9th, San Marino 10th, The Netherlands 11th, Russia 12th

 

The top five

Armenia, Australia, Belarus, Malta, Serbia

If I HAD to call it: Belarus/Malta 1st/2nd (I CANNOT call it, okay?!?), Armenia 3rd, Australia 4th, Serbia 5th

 

Call it controversial (even if it isn’t, just to make me feel badass) but I’ve had a gut instinct that Belarus, my favourite entry of the year, is going to fare a lot better than some believe. I don’t want to tempt fate and ruin Ruslan’s chances, but I ignored the similar instinct I had about Italy last year, and we all know what went down in Malta. The thing is, I’m not anywhere near certain that Belarus will win – perhaps because many parallels can be drawn between their package of singer and song, and Italy’s last year, and I’m wondering if voters and juries will go for the same thing two years in a row. But, I’ve heard nothing but good things about Ruslan’s rehearsals, and provided he kept his voice in check (generally and hormonally-speaking) for the jury final, he would have raked in the points – and as some countries, including Australia, are using 100% jury vote *mutters angrily about not being able to vote*, televoters have less power here. Basically, I think things look very good for Belarus, and if they don’t win, it’ll be at least a return to the top five for them.

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Ruslan had better hope the dry ice doesn’t go all Nina Sublatti on him tonight… (Photo: Wiwibloggs)

If I’m not about to witness my favourite song win a Eurovision event for the third consecutive time, however, then it’s got to be a win for Malta (which I’m steeling myself for as it’s not an outcome I’d be thrilled about…NO NO NO!) or Australia. Armenia could take it out too, but I’m convinced Love is the kind of song that will come second or third rather than go all the way. With adult jury influence heavily in play, “junior” Junior entries have struggled to beat their more mature rivals, and I suspect that trend will continue here. But top five is almost a certainty for Armenia again.

There’s a big space between the top five and bottom five that has to be filled, but it’s ridiculously hard to predict how. Georgia has a good chance of almost being back on form this year, because they know how to put on a show, and Gabede is a song that stands out (not necessarily for all the right reasons, but it’s definitely memorable). I’m crossing my fingers for Ireland to finish in the upper mid-table region, or surprise me and do even better. The Netherlands and Russia won’t perform terribly – which is a relief for me because I really like Million Lights and Mechta – but they’re just not memorable enough to battle for anything other than to squeeze into the top ten. This is, of course, in my opinion, but I am incredibly knowledgeable AND have an impeccable prediction record. Not.

Mikhail-Smirnov-Russia-Junior-Eurovision-2015-rehearsal

Mikhail’s fairly well suited to JESC, and his backing dancer’s all white. (Photo: Wiwibloggs)

I’m pretty sure that FYR Macedonia, who once upon a time sent absolute gems to JESC, is going to be to Sofia 2015 what Croatia was to Malta 2014 – i.e. the loser (sorry, kids, but when there’s an über-accurate word for a situation, you’ve just got to use it). I don’t mind Pletenka, but even I can hear that it’s repetitive and monotonous, and maybe a little too amateur in comparison to the other sixteen songs. But I’m happy to be wrong if it means FYR Macedonia defies expectation, does okay and then decides to return to the comp next year.

 

Finally…the five things I’m most looking forward to seeing tonight

I don’t think this segment requires an intro.

  • Seeing how Bulgaria handle their hosting duties. Malta did an amazing job in 2014, and I’m sure Bulgaria can measure up. With Poli Genova at the helm, the night’s got to be rocking.
  • The performances from my personal top three. I’ll be on the edge of my seat when Belarus, Slovenia and Ukraine have their minutes in the spotlight, hoping for the best (or, in Ukraine’s case, hoping the shark thing was a joke).
  • Australia making their JESC debut. There was a time I would have laughed at you for fifteen straight minutes if you’d even implied that we Aussies would have a delegation at mini-Eurovij, all the whole wishing it would happen. Now it IS happening, and I am psyched.
bella-paige-australia-second-rehearsal-600x400

‘My girls here we goooooooo…to the supermarket, to buy some more alfoil for this dress.’ (Photo: ESC Daily)

  • Speaking of Australia…I’m awaiting our point delivery with eagerness too. Hopefully our jury has made the kind of choices that compensate for a lack of public vote. Although, we’re relying on an ex-Wiggle here…
  • And, to finish off, Vincenzo’s reprise of the stunning Tu Il Primo Grande Amore. I’m keen to see if his sass levels are still higher than a kite a year on from his victory. I’ve no doubt his voice remains spectacular.

 

I think I’ve said all I need to say before the show kicks off – or at least, all I have time to say, as I’ve got to go and have a pre-contest nap so I don’t pass out halfway through the recap. I’ll be doing some live tweeting tonight if you want to meet me on Twitter (I’m @EurovisionByJaz, in case you didn’t know).

Until then, if you catch sight of the comments section and feel like using it, give me one or all of your predictions for JESC 2015! I hope, no matter how right or wrong you turn out to be, you enjoy the show. I know I will, even if it does mean hauling my butt out of bed at two o’clock in the morning.

Merry JESC!

 

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JESC 2015 Judgments feat. the EBJ Junior Jury | Armenia, Montenegro, The Netherlands and Serbia

Zdraveĭ, guys! That, for anyone wondering, is what Google Translate has informed me ‘hello’ is in Bulgarian (meaning there’s a good chance it actually translates to ‘I can see your underpants’ or something like that). But it’s the thought that counts, and I’m definitely thinking I’d rather say hi than say anything in reference to your underpants…unless Måns Zelmerlöw is reading this, of course.

Ahem. Moving right along now. Believe it or not, Bulgaria’s first Eurovision event – Junior Eurovision 2015, obviously – will take place in just over two weeks’ time. As such, I need to kick my pre-show coverage into high (or, really, any) gear. Today I’m doing just that by unveiling installment numero uno of my JESC reviews for the year.

But these aren’t just my reviews. As I did for EBJ’s ESC reviews earlier this year LINK, I’ve put together a globe-spanning jury who are ready to slide all seventeen songs competing in Sofia under their musical microscopes (I shipped one out to everybody, which got very expensive) in order to determine which ones deserve douze points, and which ones…well, don’t (let’s leave it at that. Someone has to think of the children!). Each of these JESC Judgment posts will see three ESC and/or JESC fanatics (including yours truly, as I wasn’t prepared to relinquish complete control) comment on and score each entry – revolutionary, I know. Before we get down to the nitty-gritty of said commenting and scoring, allow me to introduce the first trio of jury members.

 

TODAY’S EBJ JUNIOR JURY

EBJJJ 1Lukman Andi Uleng ‘What do you get when you mix sugar and spice and everything nice with a teaspoon of Eurovision? Well, it makes me, Lukman Andi Uleng! I’ve been following the most fantastic show on Earth since 2001, when my sister asked me to watch the show with her on SBS. Funnily enough, I became the Eurovision fan, while she despises it! I’ve also been watching the Junior version since it first started in 2003, and to this day, still follow it. I remember the early days when it used to have a strong focus on colours, cuteness and tackiness, and the children themselves would be the main composers of the songs. Junior Eurovision is about fun, letting the talented children of Europe show the world what they can do. I guess it’s a great platform for their future in the entertainment industry. My favourite Junior Eurovision songs ever include Te Traigo Flores by Antonio José, Te Doy Mi Voz by Dani Fernández, and Planet of the Children by Krisia, Hasan and Ibrahim. I’m so excited that Jaz invited me to review some of the Junior Eurovision songs selected for 2015!’

Jaimie Duncan Jaimie is a Eurovision tragic who longs to own a wind machine of her own (there are days when a pedestal fan is just not enough). She finds the idea of Junior Eurovision simultaneously appealing and unsettling, and tends to drink and yell at the television when watching it – and sometimes when reviewing the songs as well.

Jaz ‘Surprise, surprise – it’s ME! You’re probably aware that I devote almost as much brain-space to Junior Eurovision as to its older, wiser sibling, and have done since I stumbled upon them both in 2006. As someone who nearly had a breakdown when JESC went through its rough, could-be-cancelled-at-any-minute patch a few years back, I got ridiculously excited seeing it bounce back and become bigger and better than…well, maybe not ever, but it’s pretty awesome these days, right? If I could magic any non-competing country into the competition this year and for the future, it’d be Spain. They rocked at JESC from 2003-2006, and left on a high…meaning they could return on a high too. See you in 2016, amigos?’

 

 

So now you’ve seen our incredibly attractive faces and know our names, go ahead and check out what we think of the JESC 2015 efforts from Armenia, Montenegro, the Netherlands and Serbia. Don’t worry, Mika, Jana, Shalisa and Lena – we haven’t been too hard on you…

 

 

 Armenia15

Lukman Armenia is one of the powerhouses of Junior Eurovision, and their entries are always catchy, fun and a bit out-of-the-box. Mika is such a big personality and a born star, and if the Armenians can stage a wonderful, exciting and suitable performance as they always do, he will finish on the first half of the scoreboard. I admire the entry as it is age-appropriate, compared to some younger singers singing songs more suitable for adults. The song itself is cute and cheeky, and more of a song to watch than to listen to. The verses and choruses are not the most memorable and not the most original; however, the song is about spreading love, fun and happiness. A serious contender for the win? Well, maybe not…but it will definitely be one to watch. Good luck Mika! 6 points.

Jaimie Has everyone seen 10-year-old George Dalton’s viral cover of Trap Queen yet? If you haven’t, watch it – it’s a weirdly mesmerising, Scott Bradlee-style reimagining. It’s also deeply disturbing when you consider that the original Fetty Wap song is about a girl who cooks meth, not apple pie. I have to admit that when I first heard Armenia’s JESC entry, my first thought was ‘Oh look, it’s the Armenian George Dalton. Except cooler. And with a love gun. Wait… what?’. The music video is hard to decode (where is the first location? Dr Love’s Evil Lair? Some sort of call centre? Santa’s Workshop? Why are they wearing 60s sci-fi costumes?. I feel I should learn this dance. At least the guy driving is grown up. OMG, THAT’S WHAT ARAM MP3 IS UP TO NOW? Should we be encouraging the shooting of love-nerf from a moving vehicle? Uh, you do know what happens when dogs “fall in love” right? Oh, he’s a motivational speaker. Or a supervillain. That makes so much more sense. God, this is weird.) What the video does offer is some clues about staging which could be a completely fabulous little retro revival as long as Mika leaves the love gun at home. Coming from a default position of finding JESC just a little creepy, I worry about how much I love this song…and what that says about me as a human. 10 points.

Jaz Armenia certainly know what they’re doing when it comes to JESC, and they’ve demonstrated that they mean business yet again by relegating Aram Mp3 to chauffeur status in Mika’s music video for the happy clappy Love. To put things simply, I like this song – I like it a lot. I wouldn’t say I feel the Love just yet, but this is the kind of effortless, retro-mod pop that a) puts me in a great mood, and b) tends to succeed at Junior Eurovision (see Russia 2006 or 2010 if you’re after a prime example). Mika is adorable and in possession of inordinate amounts of sass and swag for a kid his age. I have no doubt that he’ll have more than a pint-sized amount of stage presence to carry him through in Sofia. And, as Lukman said, Armenia never fail to put on an impressive performance, so expect top-notch costuming, props, lighting and choreography to accompany him. With all of that at their disposal – plus a catchy, fun track that is weaker than their previous, but is also competing in a far weaker field – Armenia could be dangerous to all sixteen of their rivals (though that’s partly due to the fact that they’re armed with those love guns). 8 points.

EBJ Junior Jury Score 8.00

 

 

Monte15

Lukman Let me start by stating that Oluja is a decent song and has a wonderful story in the video clip. I just feel that the song is a teeny bit outdated, and not particularly suited to Jana. The melody isn’t memorable, and there is just no hook. The chorus could be a bit stronger and a little more likeable. I really hope they have a strong and fun routine planned, which could help the song out. I would have loved to have heard some Balkan instruments in the song, or even stronger instrumentation. Sadly, as it is, Oluja has no ‘wow’ factor, but I’m sure Jana’s vocals will be awesome on the night! 4 points.

Jaimie So, the story of this song appears to be quite simple (I have to base this on the video clip as I am hampered by language here). Two kids, having run away from a folk festival of some kind, play a completely inept game of hide and seek which ends when the girl nicks the boy’s scarf and runs off with it, presumably to more fully embrace her new life of crime. Flash forward, and the boy, having grown a staggeringly majestic set of cheekbones, is still moping about the countryside missing his scarf. The girl, having grown into a Dolly magazine model and renounced her life as a criminal mastermind, runs into him in a field. He’s so pleased at having his scarf back, he hugs her, not realising she’s plucked his wallet out of his pocket. It’s a classic romance. It’s also boring and forgettable, and cannot possibly move into the top half of the board without this girl’s organised crime connections fixing the vote (possibly having been bribed with the scarf). 5 points.

Jaz Lucky it’s Throwback Thursday, because Jana’s Oluja is one heck of a #tbt to the JESC days of yore – not that I mind much. I had a feeling Montenegro were going to BRING IT on their second shot at Junior, so in that sense, I was disappointed when this cookie-cutter, half-hearted attempt at ethno-pop dropped. But it’s amazing what a second listen can do! I still think Jana is putting as much energy into her vocals as Maša & Lejla did into their performance in Malta (i.e. not much at all…is Montenegro suffering from a sugar shortage or something?) which detracts from the sunny vibrancy of the melody. Nor do I think her song makes the most of its almost-three minutes (is that extended instrumental break necessary?). However, I don’t mind having a dance to it at this point. Oluja really does reek of JESC circa 2005, and though that’s fine by me because I loved (and still love) those contests, it might not help Montenegro improve on last year’s mediocre result. I’m interested to see how this is presented, and how Jana comes across live (will she have to have a Loïc Nottet-style lie down halfway through because she’s so lethargic?). My fingers will be crossed that it’s at least competent on both of those counts. 7 points.

EBJ Junior Jury Score 5.33

 

 

Nether15

Lukman Shalisa is a very talented singer with great stage presence. I really like the verses, which sound really lovely to the ear. Unfortunately, I don’t find the chorus as strong. I appreciate it is beautiful, but it’s not catchy and not too memorable. Despite the chorus not being catchy enough I appreciate that the song is high quality, contemporary and filled with lots of emotions, feelings and passion. I hope she sticks to singing whilst playing the piano because it may give her the edge, and also shows off what she can do! 6 points.

Jaimie Eh. I don’t hate it. I don’t “love” it as much as the Armenian song. Shalisa looks like a young Natalie Portman which is intriguing, and I like her hat. Million Lights is pretty clinical. It provokes no feeling. It’s safe and pleasant. It’ll probably win. 6 points for the hat.

Jaz The Netherlands is another one of those countries that seem to ‘get’ JESC without always proving themselves to have the same understanding of the ESC. Year after year, they send something polished, well-produced and contemporary to mini-Eurovij, and 2015 is no exception. Million Lights is a pretty ballad with Rihanna-esque r & b influences, sung beautifully by Shalisa (who’s emanating Emilija Đjonin vibes)…but it’s not the total package. It’s a song that seems to get lost in itself, with awkward switches from Dutch to English and vice versa contributing to the choruses being hard to single out; and it doesn’t really build up to much – not enough to demand votes, anyway. I’m not sure it’s cohesive or memorable enough to squeeze onto the left-hand side of the scoreboard. It is melodically douze-worthy, though, and I enjoy all the different bits and pieces within. This is a genre that’s right up my street, and there’s something about this example of it that draws me in, in spite of some obvious flaws. 8 points.

EBJ Junior Jury Score 6.67

 

 

Serbia15

Lukman An absolutely beautiful song represents Serbia at this year’s Junior Eurovision – but saying that, I do lean towards Balkan songs. I really like the melody, and the chorus is very emotional and dramatic. I wish the instrumentation was a bit stronger as the song is missing a bit of oomph that it needs. My idea would be to throw in a few more instruments that would remedy that; however, I do like the inclusion of ethnic sounds in the song. I guess they could be going for simple instrumentation. The song does sound slightly outdated but I still love it. Lena is such a powerful singer and has been gifted with a really sweet voice. I am 100% sure she will sing well on the night! Good luck Lena! 7 points.

Jaimie Sigh. This is why I find the Junior contest so unsettling. I know kids. I’ve met some. I don’t know any of them who would get this passionate about things that aren’t Pokémon or pizza night at the roller rink or how their brother keeps stealing the Wii remote when it’s clearly not his turn. I do know an eight-year-old who stopped speaking for three days when Zayn left One Direction though, so I’m not saying that kids can’t harbour strong feelings about things. Perhaps Lena is super stoked about getting 10 out of 10 on a spelling test, but I rather think this song is about her self-empowerment instead (I’m guessing). This is no bad thing, really. I’m trying to be sympathetic. But here’s why I disconnect from JESC – I’m a grown-up. I’ve forgotten what the passions of childhood are like, whether they are about Pokémon or about realising you’re a complete person on your own, and I can’t help but wonder how many of the passionate words coming out of these child performers’ mouths have been put there by adult songwriters who have also forgotten. I want to take it seriously, because Lena’s obviously a good performer and I don’t want to do her a disservice, but I just can’t. I’m too cynical…and she’s no Mika. 6 points.

Jaz YES! A dramatic Balkan ballad! It’s almost like my main man Željko Joksimović will be with us in spirit in Sofia – although Lenina Pesma is even more drama-packed than the majority of his Eurovision compositions (which is really saying something). Unlike Million Lights, this is a song that builds up to something big, and doesn’t relent until the very end – or until Lena’s run out of oxygen and passes out on stage, one of the two. This girl might be miniature, but she has a massive voice that’s sure to impress on the night, assuming she can sustain it throughout the rehearsal period. She should sound strong, and Lenina Pesma won’t just be a showcase for her voice – it holds its own, and is sure to be a more memorable presence in the line-up than Serbia’s song was last year. It’s not exactly cutting-edge, but Balkan ballads don’t need to be – they’re timeless. This is on track to do rather well, as long as Serbia don’t overdo the staging (an atmospheric lighting scheme and a couple of dancers would do just fine). All in all, this is an excellent choice. 7 points.

EBJ Junior Jury Score 6.67

 

 

And just like that, there’s four songs done and dusted, leaving thirteen un-judged. Let’s have a look at the EBJJJ leaderboard at this early stage (which includes a tie I’ve broken on countback of individual scores):

  1. Armenia (8.00)
  2. The Netherlands (6.67)
  3. Serbia (6.67)
  4. Montenegro (5.33)

With no douze points doled out yet, will Armenia stay in prime position? Or will one of the next four countries to be placed in the spotlight take the title of Most Likely To Win According To The EBJ Junior Jury’s Totally Scientific Calculations? You can speculate on that as I let you know that Italy, Malta, Russia and Slovenia are up next. They’ll be reviewed by not one, but two returnees from my May ESC jury – James from the UK, and my mum (yep, Mrs. Jaz is back, and she didn’t even need to be bribed into it…much).

Join us then for more JESC-themed shenanigans, or be square!

 

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