Hallå, och välkommen till…um…nope, still not quite at the point where I can string together an entire introduction i Svenska. But I’ll get there. Possessing such a skill would have been ultra-appropriate today, though, given the subject matter of this post. There’s no need for me to explain it to you – the title tells you everything you need to know. Well, apart from one or two or three teeny tiny things:
- Melodifestivalen is far and away my favourite pre-ESC national final (which may be cliché, but I don’t give a crap) so I’ll take any opportunity to celebrate its sheer sensational-ness. I’ve never posted a Melfest ranking before, so with that in mind – plus the fact that the 2016 edition of the show is creeping ever closer – I’m considering this window of time before NF season crazy-time begins as an opportunity more golden than Herreys’ shiny boots.
- I realise that a Top 50 of Melfest spanning 1959 (the year of its inception) to present would have been more spectacular, but there’s just so much magnificent music to choose from, even limiting myself to the last ten years was a challenge. Besides, I’m far more familiar with the entries from 2006 onwards – i.e. the year I discovered the definitions of ‘Eurovision’ and ‘national finals’. You can, however, expect a more vintage view of the comp in the future.
- There are a lot of entries from the last two/three years of Melfest in this first installment of the countdown, but I can assure you that trend does not (completely) continue in the #30-11 and Top 10 episodes. Just FYI.
Now, with that trio of housekeeping points taken care of, let’s get started! I’ve embedded some videos of the listed tracks below, but if you want to see and watch them all in one place, check out this playlist.
Sverige (and everywhere else)…vi har ett resultat.
Well, some of it, anyway.
#50 | Jag Är Fri (Manne Leam Frijje) by Jon Henrik Fjällgren (2015) No, I’m not joiking. As much as I love the standard Scandipop fare Melfest predominantly serves up, it was refreshing to have something on the NF’s most recent programme that managed to be super-Swedish without *Googles the songwriters just in case* having Thomas G:son’s name attached to it. Jag Är Fri could be the theme song for a tourist campaign urging us all to visit Lapland – and it totally works on me. I wonder if I could squeeze in a side trip while I’m i Sverige?
#49 | På Väg by Abalone Dots (2012)
#48 | Don’t Stop Believing by Mariette (2015) If it hadn’t been for the extremely predictable lyrics peppering this track from Mariette – and the presence of Måns + Stick Måns in Melfest 2015, of course – I’d have happily said ‘Si!’ to Sweden sending a cool, contemporary ballad-but-not-quite kind of pop song to Vienna. My favourite thing about this is how dynamic and drama-packed it is, without ever being OTT. It’s got a great melody, and overall, isn’t half as cheesy as you might expect a song called Don’t Stop Believing to be.
#47 | Make Me (La La La) by Dinah Nah (2015)
#46 | Stay The Night by Alcazar (2009) It’d practically be illegal to put together a list like this and NOT include Alcazar, unless you’re the President of the Anti-Schlager Society. Now, I’m not exactly heading up the Pro-Schlager Party, but I’ve always found Alcazar’s sound-alike Melfest entries to be infectiously irresistible. Stay The Night (the superior version of 2014’s Blame It On The Disco) is so textbook, you could sing it in your sleep even if you’d heard a minute-long snippet and nothing more. But there’s a certain appeal in such familiarity…and in that freaking catchy chorus.
#45 | Stormande Hav by Timoteij (2012)
#44 | Begging by Anton Ewald (2013) One of several surprise successes of Melodifestivalen 2013 (both Anton and Robin Stjernberg failed to qualify direkt til final, only to emerge victorious from Andra Chansen and finish 4th and 1st respectively), Begging became a big success in the Swedish charts too, and I understand why. Produced to perfection and not as derivative as your average dance track, it’s a frantically-paced club banger that I think holds its own without Anton busting many a move to add interest – partly because in studio, his vocals don’t suffer for the sake of enthusiastic pelvic thrusting. Forget about his comeback track Natural (although I personally liked that too)…it was during his debut as a frontman that he had the best musical weapon at his disposal.
#43 | Hello Goodbye by Erik Segerstedt & Tone Damli (2013)
#42 | Sean Den Förste Banan by Sean Banan (2012) GUILTY PLEASURE ALERT. I never wanted to enjoy this – even considering my crappy taste in movies and books, it should have been too low-brow for me – but what can I say? I’m easily swayed by an ear worm, and SDFB is nothing if not one heck of an ear worm. Also, bananas are my favourite fruit, and Sean has a penchant for them too, so…there’s that.
#41 | Falling by State of Drama (2013)
#40 | För Din Skull by Kalle Johansson (2015) The pre-comp Svensktoppen Nästa winners always get a raw deal in Melfest, methinks – never advancing anywhere (they’re lucky if they don’t come last in their semis). Still, I’m always a fan of their entries, and Kalle’s is no exception because it is adorable, dammit. Retro-flavoured pop doesn’t always float my boat, but För Din Skull (For Your Sake) is tinged, rather than soaked, with a slightly Sixties flavour, which lends itself very well to the Swedish language. I also really like the sound of Kalle’s voice, so all in all, this entry is sounding good, sugar (to me, at least).
#39 | I’ll Be Fine by Molly Pettersson Hammar (2015)
#38 | Bröder by Linus Svenning (2014) Before he informed us that Forever Starts Today, Linus proved that you don’t have to opt for a ballad if you want to move people – move them straight to the nearest box of tissues, in this case. Written for him by Fredrik Kempe about the death of Linus’ brother (hence the title), Bröder is far more rocky than most tributes to a lost loved one. It does start out in ballad territory, giving you a chance to notice how pretty the melody is, before upping the ante and turning hard(er)core. I loved Bröder from the first listen, felt the emotion behind it, and practically jumped for joy when it scored a second chance and made it to the 2014 final.
#37 | Around The World by Dr Alban feat. Jessica Folcker (2014)
#36 | Möt Mig I Gamla Stan by Magnus Carlsson (2015) A year ago, I would NEVER have considered including this song in my top fifty. After all, it was Magnus “I Can’t Feel My Face (Because of all the Botox)” Carlsson crashing Melfest yet again, with yet another been-there-heard -that schlager number. All of those things remain true, but the song has wormed its way into my brain and affections over time. Sometimes, when I’m feeling particularly superficial, all I want out of my music is a catchy tune. On that, Möt Mig I Gamla Stan delivers, and y’all can bet I’ll be singing the shiz out of it when I’m actually wandering around Gamla Stan.
#35 | Red by EKO (2014)
#34 | One By One by Elize Ryd & Rickard Söderberg (2015) Robbed of a place in Andra Chansen last year (IMO), this poperatic confection worked to a degree I didn’t expect. Sure, Rickard comes off a little too showy to be taken seriously at times, but Elize’s vocal saves the day, and the two do manage to mesh for the most part. One By One itself has a nice mix of light and shade, verses that are as interesting as the choruses, and a show-stopping money note from Rickard, prior to chorus no. 2, which gives me goosebumps.
#33 | Living To Die by Andreas Johnson (2015)
#32 | Yes We Can by Oscar Zia (2014) High School Musical met Melodifestivalen two years ago, when Oscar followed up his backing-singer-for-Behrang-Miri gig with a song about dancing in his underwear. Well, it was about other stuff too, but that was mentioned – and since it was okay for Lena to divulge the deets of her knickers to millions, I say it was okay for Oscar too. I feel like this entry is a rare one to fangirl over, but if I am one of just a few who’d say yes to Yes We Can, then so be it. This song’s epic! It packs a punch, it’s fun to sing along to…you can really let your hair down and rock out to it. And it reminds me of summer, making it a summer anthem, which automatically makes it awesome.
#31 | Euphoria by Loreen (2012)
Talk about ending on a (euphoric) high! Although, if you’re a massive Loreen fan, you might think seeing her ranked outside of the Top 10 is the lowliest of lows. In that case, don’t worry, because she might just crop up again in the countdown *insert mysterious, cliffhanger-type music here*.
I hope you enjoyed this supersized serving of Scandipop, with some Scandirock and Scandiotherstuff thrown in for good measure, even if you disagreed with some/all of my choices. Once again, here’s the full playlist:
Now’s the time for you to post your own #31-#50, or simply have your say on my song selections, in the comments below. Go on…do it for Christer Björkman.
I’ll be back in a few days’ time with more Melfest goodness – specifically, unveiling the Top 50 from #30 through to #11. As Anton Ewald would (probably) say, I’m begging *pelvic thrust* you to drop by and count them down with me!
After what was a rather dramatic week in the Eurovisionverse (understatement alert!) it’s time for us to stop wondering what the bloody hell Australia is doing competing in the contest, and start gearing up for Super Saturday Volume II.
If you thought last weekend was action-packed, you may want to sit down and take a few deep, calming breaths (don’t mind me, I’ve just been doing a lot of yoga lately) before I remind you of all the NF happenings of the 14th and 15th.
- It’s go-time for Eesti Laul’s last semi, and with it hot favourites Elina Born & Stig Rästa. They’ll sail through to the final, no doubt, but who will join them?
- The Finnish UMK saga (which is thankfully nothing like the Twilight saga) continues as the likes of Eeverest, Opera Skaala and Siru go head-to-head in the second semi
- Hungary’s A Dal reaches its own semi final stage, with nine of the eighteen heat qualifiers competing for four precious places in the final
- Iceland rounds up Söngvakeppnin with one of the strongest finals in years
- Italy’s Sanremo Music Festival concludes by crowning the champ of the Big Artists section – a champ who has the first right of refusal to go to Eurovision (or to refuse to go again, in Nina Zilli’s case)
- Lithuania chooses their song, but not their artist. Probably. Maybe? Who really knows how the mammoth and very intricate Eurovizijos operates. You need a PhD in national finals to figure it out.
- Melodifestivalen, hits Malmö for week two of the epic tour around Sweden
- Plus, tomorrow night, Serbia’s second and final show determines their first representative since wacky-wear specialists Moje 3.
Basically, there’s a LOT you can use as a distraction if you’re single this Valentine’s Day – I know I’m looking forward to my romantic, candlelit rendezvous with Melodifestivalen (although I suspect Melfest is cheating on me with a considerable amount of other people). I dedicate the forthcoming discussions/predictions of a few of the above finals to all of you who are more excited by the selection season than by sexy times with your non-existent significant other. Even if you’re abandoning your existing significant other to tune in to one or more of tonight’s shows, this is for you. We know what out priorities are! High five! *makes plans to marry Eurovision if she’s still single at forty*
Just before I get on to the Hungarian, Icelandic and Swedish bits and pieces, allow me to introduce (because it’s the last chance to do so) my top 10 ranking for ESC 2015. In a matter of hours, we’ll no longer have the nice, even number of ten to play with, so get in while you can and share yours too.
#1. Georgia – Nina’s still on top! Georgia has never been this high in my estimation before, JESC aside.
#2. Malta – Take away the mess from this hot mess, Malta, and we’ll renegotiate.
#3. Albania – Elhaida will sing in English. Jaz will be sad.
#4. Switzerland – There’s something about this I really like.
#5. Netherlands – It hasn’t worn too thin with me yet.
Oh, France. How I miss your Moustache.
Now, onwards with the enn-effs!
A Dal ramps up: it’s semi final time
I’m still doing a happy dance over Kati Wolf’s qualification last weekend, but I suppose I can stop for a few minutes to take a look at the next stage of Hungary’s always intriguing NF. The heats are finito and it’s time for the best of those to fight in a musical battle to the death. Well, it’d be to the death if Katniss Everdeen was competing, anyway. As it stands, we’ll have to settle for a battle that will see just four of the nine competitors nabbing spots in the final. That’s brutal enough!
There are plenty of decent songs on offer this year, but for me the second semi has the stronger bunch. Justification for that will come in seven days (though it really just comes down to personal preference), as right now is the time to focus on what must come before. Which is the first semi. Obviously.
It looks like this (running order TBA at time of posting):
Give Me Your Love by Ádám Szabó
Wars For Nothing by Boggie
Time Is Now by Karmapolis
Homelights by New Level Empire
Kacsi A Világ, De Nagy Világ by Panktastic!
Keep Marching On by Spoon
Woke Up This Way by Timi Antal
Gyémánt by Vera Tóth
Beside You by Zoltán Mujahid
There’s a lot of variety in there, which is nice – some rock-pop, a few ballads, a folksy number, the lead single off One Hungarian Direction’s new album…the list goes on. Here are the four I’d choose to put through to the final if I was the great and powerful Lord Jaz of A Dal (I applied for the job but it’s still pending).
Time Is Now – It’s not that distinctive or groundbreaking, but it’s mod and I just like it, okay?
Keep Marching On – There is a BOY BAND behind this. Need I say more?
Gyémánt – This is a slightly unusual ballad with a mystical atmosphere. Very nice.
Beside You – Generic man pop with a rock edge, that’s just catchy enough to win me over.
In terms of who I think WILL advance, I have to go with a half-different foursome, namely Ádám Szabó, Boggie, Karmapolis and Vera.
Ádám can’t be discounted after his heat result, though I don’t hear anything special in his song at this stage. I don’t connect with Wars For Nothing in the way others have, and I assumed it would have been eliminated in the heats, but Boggie clearly has fans, since she won her heat. Karmapolis too, have semi success on their side and are likely to deliver again. And Vera’s ballad is captivating to watch and listen to – who could resist it? Alright, maybe a lot of people. Time will tell. I’ve been so shockingly bad at predicting so far this season (as usual), don’t be surprised if nothing I come out with turns out to be true!
Iceland – make your Eurovision decision now!
I have very mixed feelings about Söngvakeppnin’s last dance (i.e. final) for 2015. On one hand, I’m pumped because the line-up is stronger than I’ve ever seen/heard it. On the other, I’m depressed because Iceland has a history of picking what I feel is an unimpressive entry that doesn’t best represent the cool, quirky pop music the country has to offer. There are two songs in the field of seven that I don’t really enjoy, and I can’t help assuming one of those – or the favourite, of course – is going to Vienna.
1. Fyrir Alla by Cadem
2. Fjaðrir by SUNDAY
3. Piltur Og Stúlka by Björn and Friends
4. Lítil Skref by María Ólafsdóttir
5. Í Kvöld by Elín Sif Halldórsdóttir
6. Í Síðasta Skipti by Friðrik Dór
7. Milljón Augnablik by Haukur Heiðar Hauksson
Let’s start with the best of the best, in my opinion: my top three. Fjaðrir, Fyrir Alla and Lítil Skref all qualified from last Saturday’s semi, making me happier than Gianluca Bezzina on laughing gas. Another thing they have in common is that they’ll be switched over to English should any of them win, another thing Iceland like to do on a regular basis. As Icelandic is such a magical language, this move always saddens me a bit, but until I’ve heard the English versions on this occasion – if I do – I’ll refrain from judging.
Whether performing Fjaðrir or Feathers, SUNDAY is my top choice for the win, but I’d be shocked if they did. Two of the songs will progress to a superfinal towards the end of this evening, and one of those will be the chosen one, and I don’t like the chances of my top two being either of them. María has a better shot.
But, in the hope of not jinxing anything, I’m going to go with one song I dislike and another that’s the bookies’ favourite for my top-two prediction. That’d be Elín (the style of her song is not my thing, and her voice is SO IRRITATING) and Friðrik (the song’s not bad, but would still make for a ‘meh’ selection). And from that super final, I’m siding with the favourite and pegging Friðrik as the champ-to-be. That wouldn’t be a devastating outcome, but he’s close to the bottom of the pack according to my taste and I’d much rather any of the four I’m extra keen on. If you love me, Iceland, you’ll make my wish come true. It IS Valentine’s Day after all, and I did send you a bunch of flowers.
Sweden leaves the controversy behind as Melfest takes Malmö
Well…most of the controversy. In a new week and a new city, it’s easy to start afresh, but the Eric Saade-level sting of Molly Pettersson-Hammar apparently falling victim to the Melfest app’s flaws has not been forgotten. Now that people have downloaded the app and actually know how to use it, the odds are as fair for the first few competitors in tonight’s semi as they are for the last. But that may not stop the app from changing Melfest in a multitude of ways, which are detailed here if you’re interested.
But just who will Sweden be thumbing at their phones for this week?
1. Forever Starts Today by Linus Svenning
2. Där Och Då Med Dig by Emelie Irewald
3. Groupie by Samir & Viktor
4. If I Was God for One Day by Neverstore
5. Nonetheless by Marie Bergman & Sanne Salomonsen
6. Möt Mig i Gamla Stan by Magnus Carlsson
7. Don’t Stop Believing by Mariette
Last year’s surprising success Linus Svenning is going for less emotion, more inspiration in his second attempt at representing his homeland. He’ll open the show, followed by The Artist Formerly Known As Danny Saucedo’s Girlfriend. Samir & Viktor had an epic hit in Sweden last summer and are hoping to follow it up with a Melfest victory (hope away, boys) while Neverstore fill the obligatory soft-rock gap. Veterans Marie and Sanne, who I have to say come across as a pair of old witches (visually speaking), are peddling a country song that should do alright as long as they don’t have a bubbling cauldron and a broomstick on stage. Finally, we have a sole slice of schlager from the one and only Magnus Carlsson, and something of an ethereal pop number from Idol alumni Mariette. Whew!
Having listened to the rehearsal snippets (again, I’m saving the full songs for the live stream itself, so all my thoughts/predictions are based on notsomuch) these are the four songs that grabbed me:
- Forever Starts Today – There is something very You (yes, Sweden’s host entry of 2013) about this, which is fine by me as I was that song’s biggest fan. I like that Linus is returning with something different, and not just a rehashed version of Bröder.
- Groupie – This ain’t so different. Success was Samir & Viktor’s incredibly infectious summer hit and Groupie is very similar. Do I care? NOPE. Loved them then, love them now.
- Nonetheless – I didn’t expect to like the sound of this, but here we are.
- Don’t Stop Believing – Fortunately this isn’t as cheesy as the title makes it sound. In fact, snippet-wise, there’s no cheese. I’m intrigued and I want to hear more.
After I correctly guessed that Eric Saade would go direkt last week (like that was hard) and that Behrang/Victor would get a second chance, I’m feeling more confident. 50% is still a crappy rate of rightness, but it beats my usual 0%-25%. So, with my infamous prediction pants on, here I go again…
DIREKT TIL FINAL: Linus Svenning, Samir & Viktor
ANDRA CHANSEN: Neverstore, Mariette
Let’s see if I can keep that stellar 50% record alive!
By the way, if you think you can out-predict me (it shouldn’t be hard) on Melfest or any other final, put your money where your mouth is and let me know below. Who are you fist-pumping for tonight? Who’s going to stroll to expected triumph or qualification, and who will shock us all by taking the top prize? I want to know what’s rattling around in your brainbox, so let it allllll out.
Enjoy your romantic evenings, everyone. I hope you get some. Some of the results you are hoping for, that is. Don’t forget, you can join me @EurovisionByJaz on Twitter and together we can pick apart the action – so long as it’s in 140 characters or less.