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SELECTION SEASON 2019 | A seriously super Saturday (with a little something on a Sunday)

Knock knock, who’s there? It’s Saturday again, duh!

When you’re living for the weekends like I do during national final season, it’s a blessing for this day of the week to come around so quickly. And boy, does it have a lot to love on this occasion. Here’s everything happening tonight: 

  • Croatia Dora, final
  • Estonia Eesti Laul, final
  • Hungary A Dal, semi final 2
  • Iceland Söngvakeppnin, semi final 2
  • Latvia Supernova, final
  • Lithuania Eurovizijos Atranka, semi final 2
  • Portugal Festival da Canção, semi final 1
  • Slovenia EMA, final
  • Sweden Melodifestivalen, semi final 3
  • Ukraine Vidbir, semi final 2

I know what you’re thinking: ‘Is that all?’. But don’t worry, tomorrow night we also have:

  • Romania Selecția Națională, final

Do the math on this list of NFs, and you’ll find that Saturday + Sunday = FIVE more songs for Tel Aviv. And isn’t it about time? We’ve waited long enough to get into double digits.

I’m not about to preview/predict all of the above NF action, since I don’t want to send you (or myself) to sleep. I will make a quick wishlist for the countries I won’t be covering though, so listen up universe: Croatia can give me Brutalero or Redemption, Estonia Storm, Latvia Somebody’s Got My Lover or Fire, and Slovenia Kaos. Oh, and if Portugal could send Calema through as well as Conan (so I can figure out what the heck I actually think of Telemóveis) that’d be awesome.

Now, if you want to chat in-depth about Hungary, Sweden and Romania, you came to the right place.

 

 

It’s the second last Saturday of A Dal decision-making, after last week’s first semi final saw Acoustic Planet, Bence Vavra, The Middletonz (WOOHOO!) and Petruska (smaller woohoo!) make the final cut. Obviously there’s another hurdle for them to jump over in the final itself – making the all-important top four from which 100% televote will determine the winner – but qualifying to next weekend’s showdown is what everyone wants to do, and those guys have done it. Now there’s just four spots left for the taking, and nine acts after them. Let the (probably heartbreaking) battle begin!

  • Kedves Világ! Timi Antal feat. Gergő Demko
  • Kulcs Fatal Error
  • Egyszer Mocsok 1 Kölykök
  • A Remény Hídjai Nomad
  • Hozzád Bújnék Gergő Oláh
  • Az Én Apám Joci Pápai
  • Holnap Bogi Nagy
  • Forró Ruby Harlem
  • Madár, Repülj! Gergő Szekér

You guys know how obsessed I am with A Dal this year, and though I’ve lost some favourites along the way (JUSTICE FOR VILÁGÍTÓTORONY!) a few more are still in the running and competing in this semi. On the other hand, some of my least favourites are here too, and I’m hoping they’ll be among the sacrificial songs of the night.

Let’s start with the good stuff and work our way through to what will actually happen in Hungary this week, IMO.

My top four In random order, Hozzád Bújnék, Az Én Apám, Holnap and Madár, Repülj! Gergő Oláh is a perennial top pick of mine, and although Hozzád Bújnék is no Győz a Jó, it is a ballistic missile of a ballad that he – pardon my French in advance – sings the shit out of. My beloved Joci is back with a bang (well, more of a gentle tap on the door, but it’s beautiful and impactful nonetheless) and all the raw emotion required to sell such a unique ethno-ballad. Bogi is also armed with a gentle ballad, and the crystal-clear fragility of her voice takes it to another level (though the melody is worth mentioning too). As for Gergő No. 2, which is nothing like Mambo No. 5…well, I wasn’t sure how I felt about Madár, Repülj! at first, but I LOVE it now. It’s distinctive and dramatic without being throwback or an ultra cutting-edge track, and that makes it interesting.

My prediction Given that we know the results of all the heats and semis so far – an A Dal tradition that I enjoy and dislike at the same time – it makes guessing tonight’s final four qualifiers easier. There are five heat winners in this semi alone, however, with some acts having tied FTW. And in the case of Joci and Bogi, who finished equal 1st in the third heat, you cannot separate them – they both scored the same from the jury and from the public. I’m going to give Joci the edge based on his previous history though (and I better not be jinxing him by doing so). Fatal Error stormed to victory in their heat (somehow) so I’d say they were safe finalists…not that they’ve had to compete against any of tonight’s other acts until now. I’m also thinking that Gergő Oláh and Gergő Szekér have a good chance of advancing, since they also tied for the win in their heat. If there’s a wildcard who makes it out of this semi, I think it will be Bogi in place of Gergő Oláh (heaven forbid) or Joci (heaven forbid even more). But I’m locking in my final four as follows: Fatal Error, Gergő Oláh, Gergő Szekér and Joci Pápai. There’s a whole lot of testosterone there and I am not mad about it.

 

Who would you put money on to make it through to the A Dal final?

 

 

How can we be onto the THIRD Melfest semi already? Granted, the second one was a blur for me since I was busy attending Australia Decides at the time (check out my Aussie NF diary here if you haven’t yet) but I’m still shocked. Maybe it’s because – and I hate to say this – the 2019 comp has been a bit of a non-event, at least in terms of the entries (the hosts/interval acts have been fantastisk). Nothing has jumped out at me so far and screamed ‘Winner!’ of Melfest, let alone of Eurovision. Will that change this week with these seven songs?

  1. Somebody Wants Lovers of Valdaro
  2. Habibi Dolly Style
  3. Låt Skiten Brinna Martin Stenmarck
  4. Victorious Lina Hedlund
  5. Om Om Och Om Igen Omar
  6. Who I Am Rebecka Karlsson
  7. Norrsken Jon Henrik Fjällgren

Based on snippets, no, that’s not going to change. I’m not saying I hate everything on offer here, but there’s a thread of ‘good but not great’ running through the entire line-up that worries me. And yes, I’m even referring to the much-anticipated Norrsken when I say that. But I’ll give this not-quite-magnificent seven the chance to win me over with cracking live performances.

My top four Somebody Wants, Habibi, Om Om Och Om Igen and Who I Am. The Lovers of Valdaro (feat. the guy who wore the heels in Moldova’s Eurovision 2018 performance) are the wildcards from Svensktoppen Nästa, and though I doubt they’ll outdo SMILO’s record of 5th place in a semi (being the highest finish for a Svensktoppen-chosen act), I am digging the beat and production of their song – it should make a great show opener. Habibi is my guilty pleasure and honestly, has the only chorus I could remember after I first listened to the snippets. I like the deviation from bubblegum pop to a more exotic Middle Eastern flavour for Sweden’s version of The Sugababes (because they change members so often, HA HA HA).

Is It just me, or is that Kim Kardashian in the pink wig?

Omar definitely has the better song of the FO & O boys competing this year (RIP Oscar Enestad from the running) even if it is a mixed-language copycat of Side To Side/In My Cabana/Woman Like Me. Pop music is derivative, that’s just how the cookie crumbles – and I can’t wait to hear this spiced-up version all the way through. Who I Am rounds out my favourites list based on everything but the lyrics, which are so clichéd I have a hard time excusing it. Still, the power-pop style of the song and Rebecka’s vocal abilities are enough to keep me rooting for her.

My prediction This is a hard one. Last week proved that anything is possible and that the odds are not always correct (in a good way – go Malou!) so I’m not even going to use them as a guide for my guesses. I do happen to know that Jon Henrik is sitting pretty at the top and is as guaranteed of a place in the final as one can be, so NO-BRAINER ALERT. I believe in Rebecka’s potential to also go straight to Friends Arena, or to Andra Chansen at least. Dolly Style are in the mix after winning the audience poll, but I can’t imagine – especially after seeing a shot of their staging – that they’ll place in the top two. For me the last spot is for either Omar (hopefully) or more likely Lina based on her pedigree and the Jessica Andersson effect. Victorious ain’t no Party Voice, but it’s just what you’d expect from one third of Alcazar and that might well be enough. To sum up, I think it’s Jon Henrik Fjällgren/Rebecka Karlsson DTF, and Dolly Style/Lina Hedlund to  AC. But feel free to surprise me (again) Sweden.

 

Which acts will go where in this Melfest deltävling? Let me know what you think in the comments!

 

 

Disclaimer: Normally I’d just be discussing Saturday night here, but Romania has inconveniently scheduled their final on a Sunday again (Ester Peony pun not intended, but a declaration of love for her song is coincidentally coming up) and I’ve got to talk about it. In amongst the 12 finalists there is a lot of cookie cutter music, but there’s also a handful of songs so good that I couldn’t stay quiet. Place your bets.

  1. Renegades Linda Teodosiu
  2. Right Now Olivier Kaye
  3. Dear Father Laura Bretan
  4. Skyscraper Teodora Dinu
  5. We Are The Ones Claudiu Mirea
  6. Your Journey Aldo Blaga
  7. On A Sunday Ester Peony
  8. Daina Letiția Moisescu and Sensibil Balkan
  9. Army of Love Bella Santiago
  10. Destin Trooper
  11. Without You (Sin Ti) Dya & Lucian Colareza
  12. Underground Vaida

Selecția Națională isn’t usually one of my go-to NFs, and for those of you who do adore it, sorry – I haven’t suddenly become its number one fan. But like I said, a few SN 2019 songs have caught my attention based on their potential to do very well at Eurovision, and/or how jaw-dropping it was to find them in the Romanian selection to start with.

My favourites Dear Father, On A Sunday, Daina and Army of Love. Laura Bretan is a pocket rocket with form on America’s Got Talent, and watching her semi performance of Dear Father had me shook. There’s something special in this song, and it has great build. Of all my top picks it is my least loved, but it’s the most likely to kick butt on behalf of Romania in Tel Aviv. My most-loved in this line-up is On A Sunday, which is like a musical love child of Ann Sophie’s Black Smoke and Alannah Myles’ Black Velvet. It turns out those are good genes to combine. It’s a song so slick and moody, I can’t believe it’s not competing somewhere in Scandinavia. Ester is flawless live and I wish she was more of a contender.

Daina is Romania doing what I miss Romania doing. They could have sent it to Eurovision in 2005, 2011 or 2018 and it wouldn’t have made a difference (not to me, anyway). Will they send it in 2019? Not a chance, but it’s a killer – not filler – addition to the final. Speaking of which…where there’s smoke there’s Fuego, and Bella’s Army of Love is such a Fuego soundalike that the smoke is stinging my eyes. My ears are all for it though, because it is a banger! Empowering lyrics, ethnic instrumentals and a rap verse in Tagalog make for a rip-off I’d welcome into this year’s ESC family with open arms.

My prediction As much as I’d like to believe there are multiple contenders for this NF, I think the winner has already been signed, sealed and delivered straight through the window she’s shattered with one of her sky-high operatic notes. I mean Laura, of course. Personally I’d prefer Bella, but when I watch Laura’s performance there’s more than one point where I think ‘This is unbeatable.’ The song might not be the greatest to my tastes, but she makes it great and gives me goosebumps in the process. I said this about Kate Miller-Heidke last weekend and I’ll say it again now: If this girl doesn’t win I’ll be flabbergasted. If she does, I’ll be grateful that Australia isn’t in the same semi as Romania.

 

 

Whew…aren’t you glad I drew the line at discussing three countries? I’m done now, so if you have any thoughts or predictions for tonight that you need to get off your chest, my comments box is empty and waiting for you to throw stuff into it.

Who’s going to win? Who’s going to get knocked out? Will there be curveballs or will the bookies’ favourites follow through? Wherever it’s happening and whatever your opinion is, I’m ready to hear about it. My response will be more polite if you agree with me though…

See you on the other side of this super Saturday/fun-sized Sunday!

 

 

 

 

ZERO GRAVITY ON THE GOLD COAST | The Australia Decides Diaries

Hey you…it’s me again. Yes, that’s a Kate Miller-Heidke reference – it seemed like the perfect way to introduce this post, one that’s coming to you from Past Jaz. She recently arrived back from her trip to the Gold Coast for Australia’s first-ever national final, and she kept a diary while she was there that she wants to share with you now. Present Jaz figures you won’t mind reading about something that’s already happened, since it’s Eurovision-related. And so, without further ado – because this is a loooooooong read and you guys are going to need stamina to get through it – let’s rewind a week to the day I got to the GC and the magic started to happen.

 

 

Thursday February 7, 6.15pm

Somewhere between Sydney and the Gold Coast

Bonjour!

Okay, so that was the worst opening for an Australian-themed post ever. I apologise. I just couldn’t bring myself to say ‘G’day, mate!’ – it’s not in my nature to go Full Australian™.

I will be doing my best to be Miss Patriotic for the next two nights though, as I scream hysterically in the audience of the Australia Decides jury show and televised final. I’m on the last leg of my cross-country trip as we speak (because even attending an Aussie NF requires me to travel a minimum of seven hours) and at the moment, things feel pretty surreal…and not just due to my altitude-induced air-headedness. Sure, I’ve made the pilgrimage to Stockholm for Eurovision and for Melodifestivalen (not-so-humble brag alert). But an Aussie NF is a different story. If you’d told me a year ago that Australia would be selecting their entry for Eurovision 2019 via a national final — and that I’d be there in person to see it happen — I’d probably have laughed in your face.

But here we are. And since it’s a special occasion, I thought I’d document it with this diary-style post so that those of you outside of Australia/unable to attend this weekend’s shows can live vicariously through me (or get bored by my ramblings, one of the two). There’s not much to say right now except something about the competing songs, considering I haven’t actually done that yet. I want to give you guys my first impressions before I give you a rundown of who nailed it/failed it in the jury show, and prior to me predicting a winner.

So, The Songs…*insert dramatic Law and Order DUM DUM here*. Well, if you follow me on Twitter – which you should, I’m hilarious – you’ll know that I am happier than Nathan Trent on Christmas morning with the line-up for this NF. I always thought that if we had one, it would have the cringe factor of its almost-namesake You Decide (sorry, UK). But SBS has come through and delivered some serious musical goods. As people born after 2000 and who don’t have dark circles under their eyes yet would say, it snaps and I stan.

 

Friday February 8, 11.15am

No Name Lane Café, Broadbeach

Sorry for that short break that lasted an entire night, but I had to stop typing so my plane could land. How inconvenient. To pick up where I left off, it’s time to review the Australia Decides songs in as few words as possible, and in terms of song quality/any artist biases that I may or may not have.

In alphabetical order by performer, let’s do this thing.

To Myself I didn’t watch Alfie’s season of The Voice, so listening to this song for the first time was also the first time I’d heard him sing. Clearly, he’s pretty good at it. And suitably, this song sounds like it could have been a winning TV talent show song, only it’s got more edge and less cringe than a typical track of that variety. It’s anthemic, goosebumpy in parts, and underrated, I reckon.

Dust I did watch Aydan’s season of The Voice, and my inner 14–year-old totally voted for him (and would have had a poster of him on her bedroom wall if she wasn’t actually 27). I LOVE his voice, and this song suits his smooth tones and Benjamin Ingrosso-esque falsetto perfectly. Great lyrics, slick production and a kickass chorus = excellence, IMO.

Fight For Love Frivolous? Yes. But fun and fabulous at the same time? Absolutely. Courtney is a pro with the perfect amount of theatricality, personality and actual talent, and this song is so her. I don’t really want it to go to Eurovision on Australia’s behalf, but I am dying to dance to it in the mosh pit (such as it is) on Saturday night.

2000 and Whatever Cards on the table, this is my favourite Aus Decides entry and exactly what I want to see in Tel Aviv. It’s everything I’d hoped we’d send to the ESC since our story started, but never thought we would. It ticks box after box despite being outside of the box, if you know what I mean: it’s original, high-energy, dynamic, hook-laden and features an Indigenous-language bridge that’s uniquely Aussie. Electric Fields, you have yourself a new and very devoted fangirl!

Data Dust In the battle of the dusts, Aydan is my pick by far. Still, Ella’s song fills a genre spot in this line-up, and gives us all the chance to have a mild headbang while watching the show. It’s catchy, got a good beat and seems like something she’ll enjoy performing, and that enjoyment should transmit to viewers at home. The chorus is pretty sticky too. It’s a good one to shampoo your hair to in the shower, trust me.

Zero Gravity KMH is a big favourite, and after an adjustment period I can see why. My first listen of this song ended with a WTF face because it was such an assault on the senses. But after a few more run-throughs, I realised what’s special about this – everything. It grabs your attention from the beginning whether you like it or not, and doesn’t let go. Reminiscent of Alenka Gotar’s Cvet Z Juga but with a stronger pop sensibility, it combines Kate’s classical and contemporary talents into one distinctive package. No wonder it’s a contender.

Set Me Free Anyone who predicted that an unknown 16–year-old would produce a song as killer as this must have super-psychic powers. I sure didn’t see it coming, but I’m glad it did. Leea’s moody, Scandinavian NF-worthy pop ballad is right up my street (I’ve saved her a space in my garage with an engraved plaque). The verses set up a beautiful, fragile atmosphere that flows into a punch-packing chorus, taking Leea from a place of vulnerability to a place where she’s not going to take crap from this mystery jerk of a guy any more. You go, girlfriend.

This Is Not The End We were spoilt by Il Volo back in 2015, because no male operatic song will ever measure up to Grande Amore (including Il Volo’s own song in SanRemo this year). I don’t mind this one, and there’s nothing that would have shown off Mark’s amazing vocals better. I just prefer almost every other song competing.

On My Way This has Sheppard written all over it with a big fat Sharpie. It’s anthemic, danceable and light-hearted without being cheesy (just) and as always, the O’G3NE-ish camaraderie between the siblings is appealing and sure to give them brotherly and sisterly chemistry on stage. I won’t lie, this song doesn’t blow my mind…but it’s what I expected from the band, and it’s a solid effort.

Piece of Me This was the last AD song to be released and sadly, it wasn’t a case of leaving the best until last. For someone who’s spent a decade living in Sweden, the home of successful songwriters of cutting-edge pop, Tania has thrown it back with this 2000s example of elevator music. Granted, it’s GOOD elevator music, but a little uninspired and dated. Also, the verses are stronger than the choruses which is a worry. Can’t she just perform Bachelor Girl’s Buses and Trains instead?

 

Friday February 8, 6.30pm

Casa de Jaz (a.k.a. My Air BnB)

That was another abrupt ending – maybe get used to those, guys. And now you know who I will and won’t be backing FTW, I’ve got to say goodbye already. It’s for a legit reason – it’s time to head down the road (literally…I can see the Convention Centre from my apartment) and see what the Australia Decides jury show has to offer. I’m meeting up with Anita from Eurovision Union (if you missed our recent Melfest collab, you can check it out here) and we’ll keep you informed on our socials as the show unfolds. Of course, you’ll be reading this after the fact, so if you weren’t following us on Twitter etc then, do it now and see what we thought in the past. Be overcome by our incredible observations and precise foresight and bitchy comments because sometimes they’re just called for. I’ll see you on the other side!

 

Friday February 8, 10.55pm

My Air BnB again

And I’m back, after one seriously impressive jury show – albeit one that could do with some trimming to make it less of a marathon. Still, SBS has done an incredible job transforming the Gold Coast Convention and Exhibition Centre into an ESC-worthy space, complete with a stage that looks stunning on and off camera.

I can’t say the entire run-through was as flawless tonight, but the performances aside – which were obviously being judged – it didn’t matter that there were some technical difficulties. That basically extended to Aydan having to restart his performance after his mic failed á la Estonia at Eurovision 2017, and hosts Myf and Joel visiting Struggletown for a few seconds when the autocue decided to have a breakdown. Fingers crossed these are kinks that will be ironed out before we go live.

Regardless, Australia Decides looks like it’s going to be an awesome debut NF, with (lots of) great interval acts – including two songs from Dami Im – plus Eurovision vignettes and host scripting that’s closer to Petra and Måns than the Portuguese quartet on the humour scale. To touch on the most important stuff, here’s my quick take on the 10 acts’ jury performances:

Who impressed Electric Fields, Mark Vincent, Aydan, Courtney Act and Kate Miller-Heidke. EF raised the roof and Zaachariaha’s flamboyance filled the room. Mark’s vocal power was undeniable. Aydan’s vocals were more understated but smooth as silk, and there was an intimate stage setup at the start that made him stand out. Courtney delivered the exact level of pizzazz feat. props we all hoped for, and Kate? Well, more on her in a minute.

Who disappointed Sheppard and Tania Doko. Sheppard might have suffered from expectations being too high – they were okay, but rough around the edges and looked messy on stage. Tania’s vocals were on point but her choreography was so bizarre I couldn’t take it seriously. Trying to make Piece of Me more interesting backfired a bit.

Who did neither Ella, Leea Nanos and Alfie Arcuri. They all turned out good but not great performances. Ella provided an energetic opener and an eye-wateringly tight jumpsuit, Leea showed maturity and sophistication beyond her years and Alfie sang like the champion he is (and flashed some welcome flesh in a shirt open enough to appeal to Sakis Rouvas). But none of them went above and beyond to come forward as contenders.

In terms of who would have scored big with the jury tonight, there’s one person who stood head and shoulders above everyone else…literally. Kate Miller-Heidke was in another league, and between her world-class vocals, elaborate costume and action-packed staging (it looked like there was more money thrown at her than at the other nine artists combined) it was a winning package. As much as I love Electric Fields and will be praying for a 2000 and Whatever win instead, I suspect KMH has just booked herself a ticket to Tel Aviv. If so, that might shock a lot of ESC fans who’ve accused Australia of playing it too safe recently (something I haven’t been able to argue with). At this point, I’m all for divisive – it’s much better than dull.

If there is a challenger to Kate apart from Electric Fields, I’d say it was Sheppard despite an underwhelming performance. And if I was taking a major punt, I’d say don’t rule out Courtney completely. Not only did she give her all to an intense three minutes in a latex outfit without breaking a sweat, she also did things in stilettos that I couldn’t do in sneakers.

My tip for the final top 3 based on the jury show is:

  1. Kate
  2. Electric Fields
  3. Courtney/Sheppard (Australia might be about to decide, but I can’t.)

As I said, my personal favourite is Electric Fields. I think if I hated 2000 and Whatever it would actually stand a better shot at winning, so that’s a shame.

Anyway, that’s enough rambling from me (for now, MWAHAHAHAHAHA) because based on the length of tonight’s show and the energy I know I’ll need to get through it – and dance through it – in the “mosh pit” tomorrow night, I’ve got to get a good night’s sleep. It will probably involve dreams of giant silver caterpillar cocoons, fire-engine-red latex and Joel Creasey dressed as Dami Im. You know, the usual. Good night!

 

Saturday February 9, 5.43pm

My Air BnB yet again  

This is it, guys! The day Australia’s entire Eurovision-obsessed population – and a lot of non-Aussies – have been waiting for. I’ve just eaten a bowl of cereal as my pre-show fuel, which is pathetic but I’m way too excited to eat something substantial. I’ve also just spent 20 minutes writing ‘2000 and’ on one cheek and ‘Whatever’ on the other cheek in eyeliner, and it was time well spent.

I’ve been thinking about the likely outcome of this inaugural NF since last night, and I stand by what I said then – if Kate Miller-Heidke doesn’t have it in the bag, I’ll be SHOCKED TO MY VERY CORE. That wouldn’t be my ideal result, but I think I’ll be so grateful for Australia to have chosen something non-vanilla, I will happily stand behind Kate as our representative (not that you’ll be able to see me). After four years of mostly-successful but always safe entries, it’s time for us to be daring and show Europe that we’re more creative than we get credit for.

Speaking of time to do stuff, it’s time for me to get going. Hysterical screaming, awkward white girl dancing and other typical Saturday night activities await. Let’s do this!

 

Sunday February 10, 12.10pm

Between the sheets (in a very non-sexy way, believe me)

Okay, so I may have just woken up…but if a super late night followed by a 5am wakeup to watch Melodifestivalen (makes a nice change from 3am) isn’t a good excuse to sleep in until midday, then I don’t know what is.

I didn’t party after the show last night, unless you consider stumbling back to my apartment complex in the rain and falling face down on the bed to lie in wait for the midnight snack (a.k.a. pizza) I’d just ordered a party…which I definitely do. I did have an event invitation courtesy of OGAE Australia, but to be honest I was in PAIN after all that standing. Sounding more like a 77-year-old than a 27-year-old, my groans of ‘My back! My feet!’ were heard across the Gold Coast, and the concept of bed was too desirable to resist. I did pull an all-nighter after the Eurovision final in 2016, so there is a party animal inside me somewhere.

Anyway, on to more important info: we have an Australia Decides winner, and as predicted by moi and most other people with functioning eyes who watched the jury show, it’s Kate Miller-Heidke with Zero Gravity. Topping the jury and public vote meant a win you can’t really argue with (though I have tried a few times in my head) and her performance tonight was breathtaking.

But…AAGH, Electric Fields came so close! They were just 4 points behind KMH after the jury scores had come in, and not much further away after all was said and done. I almost wish they’d finished lower so that all the ‘What if?’ scenarios in my head were useless. On the other hand, 2000 and Whatever being the banger that it is = a probable OGAE Second Chance Contest entry and possible winner. I just hope we didn’t throw away a Eurovision winner, that’s all.

You could have predicted last night’s results by audience volume, which made it quite clear that the original three-horse race (between Kate, Electric Fields and Sheppard) had become a two-horse race between the quirkiest songs/acts on offer. That makes me proud to be an Aussie Eurofan, since clearly we’re not scared to take a risk. A risk I don’t think I want us to take is keeping Kate’s performance so similar to a bunch of Eurovision stage setups that have come before her (which I don’t think I need to mention). There are many ways to get her up off the ground that won’t cause cries of ‘copycat!’ come May – think trapezes, floating platforms or mechanical swings. Just not all three at once please…this isn’t Cirque Du Soleil, SBS, and we want Kate to live to a ripe old age.

All 10 acts upped their game tonight, and though somebody had to come last nobody deserved to. This has been such a strong start for us in NF terms, and Australia Decides has made a great addition to selection season. There were mistakes we can learn from – mainly re: show length and unnecessary padding – but the pros outweighed the cons by far. I don’t have to, but if I did need to wake up at 3am to tune into an NF like this, I’d do it in a heartbeat.

All in all, I’d call Australian NF no. 1 a big success that definitely warrants a sequel in 2020. And if that is the case, you can guarantee I’ll be there.

 

Monday February 11, 9.30am

Gold Coast Airport

And just like that, my whirlwind trip to the other side of Australia is over. I’m sitting in a café at the airport waiting on a flight that’s been delayed, and feeling that inevitable comedown that we call PED in May and I’m calling PADD at the moment. The niggling feeling I have that Electric Fields would have been a better way to go is actually getting more insistent rather than less so, but I think it’s being fuelled by some super critical Twitter types who think they know exactly what’s going to go down in Tel Aviv even though it’s February and we have 8 songs out of 42. Oh, and they’ve all got hate to spare for Kate, BTW. Hopefully she’ll prove them wrong in a few months’ time on a bigger stage, but if she doesn’t, I’m still happy that Australia opted for something adventurous given the chance.

I caught the show on TV last night on replay, and obviously it was my first time seeing it on screen. The first thing I noticed was my back popping up four times in the first 30 seconds, so it is now more famous than my face will ever be. I expect it to have its own Wikipedia page any day now.

Something else I noticed was that the bulk of vocals didn’t sound as good on TV as they did from inside the Convention Centre, but I found that at Eurovision too. It was still an excellent show feat. great songs, and an event I’ll be reliving a lot in the lead-up to Eurovision. I hope you guys enjoyed it too from wherever you are in the world (and if you were in the live audience, how RUDE of you to not come and say hi! JK, you can do it next year).

At the end of the day this NF was called Australia Decides, and you know what? Australia decided. Now it’s entirely up to Europe to choose our fate. In the meantime, Down Under we’ll be bowing down to our newly-crowned queen of Eurovision: Glinda the Good Witch, a.k.a. Kate Miller-Heidke.

I’m off to start winging my way home (finally). I’ll be back in a few days to resume normal NF reviews and predictions, as the season continues and we wonder which song will be The One for 2019. Who knows…we might have heard it already.

 

 

 

 

 

SELECTION SEASON 2019 | The third and final Hungarian heat + Melodifestivalen, nu kör vi!

It’s Saturday once again, and you know what that means at this time of year: it’s an NF fest! Believe it or not, the five shows on tonight are nothing compared to some upcoming Saturdays (but more on that later). Here’s what’s happening in a few hours’ time: 

  • Estonia Eesti Laul, Semi Final 2
  • Hungary A Dal, Heat 3
  • Latvia Supernova, Heat 2
  • Lithuania Eurovizijos Atranka, Heat 4
  • Sweden Melodifestivalen, Semi Final 1

My focus today is Hungary and Sweden (apologies to everyone else, but a girl’s got to have priorities) so let’s get straight into it. As always, spill as much tea as you like in the comments re: songs/acts/results/predictions. I’m ready for it!

 

 

Time flies when a national final is as awesome as A Dal 2019…isn’t that what people say? There’s got to be some explanation for how we’ve arrived at the third and final Hungarian heat already. There are only six spots left in the semi finals, with ten acts hoping to take them.

  • Holnap Bogi Nagy
  • Az Én Apá  Joci Pápai
  • Maradj Még Kyra
  • Hazavágyom Leander Kills
  • Egyszer Mocsok 1 Kölykök
  • Run Baby Run Monyo Project
  • Help Me Out of Here Petruska
  • Forró Ruby Harlem
  • Barát Salvus
  • Posztolj USNK

My two least favourite songs are listed above, which is a bummer (find out what they are here) but all is definitely not lost! I’ve been eagerly awaiting this heat for a few reasons, and the main one is spelled J-O-C-I P-Á-P-A-I.

Yes, the man who makes magic every time he opens his mouth is back for another crack at representing Hungary – and though it would be out of character for them to send the same person twice (András Kállay-Saunders is not amused), it’s not totally impossible. Or am I just biased because Origo is one of my favourite Eurovision entries ever and I love everything else that Joci has ever recorded? Check out my top picks from this heat and decide for yourself.

 

My favourites

What do you know, I’m starting with Az Én Apam! Plot twist. This is my favourite song competing this evening, and though I’m not going to say it’s as amazing as Origo, it’s just as special and emotional – just in a more understated way. I’m praying for Hungary and the A Dal jury to support it, because if Joci goes the way of Olivér Berkes and gets knocked out immediately, HELL WILL HATH NO FURY LIKE THIS WOMAN SCORNED.

X Factor winners USNK are going gangbusters on YouTube with Posztolj (6.7 million views as I type this) which IMO is deserved for anything with ByeAlex’s name attached to it. The song style isn’t my usual “thing” at all but I love it here – the edginess and intensity of the sound against the social media-themed lyrics makes for a cool contrast. Hungary isn’t averse to rap (which I appreciate) and USNK obviously have public vote pulling power, so this seems like an obvious qualifier. Maybe too obvious…

 

Leander Kills are one of 2019’s many repeat NF offenders. Since they couldn’t win A Dal with Élet in 2017, they shouldn’t win with Hazavágyom. Having said that, however, they are in with a damn good chance and I would be able to get on board with them as AWS successors. There’s something joyful and unique about Hazavágyom that I like a lot, and I expect the live performance to match – and of course, to be as competent as yesyes were INcompetent (WHY GOD WHY?!?) last week.

Kyra is serving up some diva power-pop in the form of Maradj Meg, and I am here for it. I’m 50/50 on whether her performance will be as on-point as it needs to be or a car crash (or somewhere in-between) but I’ll think positive until she proves me otherwise.

My other two faves in this heat are Help Me Out of Here – the less infectious but still appealing sibling of Petruska’s last entry Trouble In My Mind – and Barát, with Salvus delivering a classic slice of Hungarian rock that will probably follow in the footsteps of A Remény Hídjai and Kulcs by qualifying.

 

Who’s going through?

I’ve got an okay success rate going for A Dal so far in terms of predictions – 4/6 correct guesses for both heat 1 and heat 2. But I wouldn’t mind going one (or two, ideally) better this week. With the risk of opting for the obvious, I’m thinking it will be Leander Kills, Joci Pápai, USNK, Petruska, Salvus and Mocsok 1 Kölykök (my debatable wildcard) who make it to the semi final stage. In other words, I suspect the girl power level will be very low once the results have come in. If there does happen to be some female fierceness in tonight’s top six, I believe it will be courtesy of Kyra.

 

That’s enough about Eastern Europe for now (no offence). It’s time to talk Scandinavia, specifically Sweden, and more specifically Melodifestivlalen!

 

 

Brace yourselves, people, because Melodifestivalen has hit its first destination for 2019: Göteborg! I’m going to spare you guys another questioning statement about how we can possibly be at this point in time again and how fast the months fly by, et cetera. The fact is that we are here again and I’M SO EXCITED. I hope you are too.

There are returnees aplenty taking part tonight, including two 2017 finalists and (of course) Anna Bergendahl, whose claim to ESC fame I’m not going to mention since I think it’s time to move on (even though it gives her the best comeback narrative of the year). Here they are in running order:

  1. Chasing Rivers Nano
  2. No Drama High15
  3. Not With Me Wiktoria
  4. Mina Bränder Zeana feat. Anis Don Demina
  5. Mina Fyra Årstider Arja Saijonmaa
  6. Hello Mohombi
  7. Ashes To Ashes Anna Bergendahl

On name value, this is not the most thrilling semi for me personally, but the first one is traditionally not supposed to be (Sweden/Christer Björkman believe in saving the best until last, or at least until later). Even so, I have managed to pluck out four favourite songs.

 

My top four

Hello, Hello! Mohombi is bringing his A-game to this semi and I am so keen to see him perform. There’s something about this song I get just from the teaser that suggests it could do more in the comp than a lot of fans expect it to. Factor in staging that echoes Måns Zelmerlöw’s for Heroes and you’ve got an entry worth watching out for.

Hello indeed…one ticket for the bumpy ride, please

Mina Bränder is the good old ‘Swedish-language radio pop song that Jaz likes but nobody else does’ á la Stark last year. As such I expect Zeana and Anis to crash out of this semi, but only after I have bopped along to their three minutes – especially the chorus, which has a strong scent of Melfest 2005 about it.

Neither Chasing Rivers nor Not With Me seem like they’re the best song their artist has competed with, but as expected both are strong. It’s particularly hard to get a feel for Chasing Rivers by only hearing a minute of it, but it has promise. Wiktoria is trotting out all the heartbreak clichés this time, but because Not With Me reminds me a lot of Isa’s I Will Wait and this is Wiktoria we’re talking about, I have to get behind it.

I know this is a top four, but I have to mention Anna’s Ashes To Ashes. It slips into my 5th place based on the jarring similes that make up the lyrics (like a this, like a that…it’s OTT for me, I’m afraid) but the melody is memorable and her voice is as distinctive as it was in 2010. Lycka till.

 

Who’s going direkt?

Nano and Anna Bergendahl. It’s hard to tell just how impactful Chasing Rivers will be from the snippet alone, but I think Nano is enough of a force to be reckoned with to place top two tonight…even if Hold On was too much to live up to. Anna might not get the fairytale ending at Friends Arena that she’s after, but I believe she will be there in March. I’ve seen her stage outfit and she deserves to win this semi based purely on how stunning it is.

 

And who’s off to Andra Chansen?

Wiktoria and Mohombi. If Wiktoria doesn’t go direkt, it’ll be her first time having to fight for a place in the final, but I have a feeling it’ll be her OR Nano to Friends straight away – not both. Mohombi is an artist I was excited about heading into this, but he took me by surprise with the vibe of Hello – I was expecting Bumpy Ride Part II (which wouldn’t have been a bad thing). He did win the rehearsal poll, and if he goes direkt I’ll be psyched…but it’s touch-and-go between the big players in this line-up.

 

Who do you think will advance to the final or to AC from this first Melfest 2019 semi? Place your (hypothetical) bets in the comments below!

 

 

Tel Aviv: Reactions from the week that was

It’s time for me to share my thoughts on what’s happened in the world of Eurovision 2019 since the last time I did the same thing. Three artist announcements and two songs await!

Austria Paenda has been decided as the artist who’ll attempt to top Austria’s surprise 3rd place from Lisbon. She’ll be singing the unreleased Limits, and somehow I’m getting the same feeling from the song title alone that I got from the likes of City Lights – like I just know it’s going to be good. As for Paenda herself…let’s hope she’s more successful than the last blue-haired competitor from that geographical region.

Czech Republic Barbara Mochowa had the voice and (to an extent) the song, but Lake Malawi have something extra – an element of fun and very questionable lyrics – that got them over the line to become the Czech entry for Tel Aviv. We might come to realise this was a mistake, but for me right now I’m pretty pleased about it. Let’s face it, anything that came after Mikolas Josef was going to be a letdown in some way. I would happily have him represent his country every year, particularly if he keeps bangers like Abu Dhabi coming.

Finland My beloved Robin may have turned the ESC ticket down, but world-famous DJ Darude did not. And so Finland brings us the DJ + vocalist combo that we got from Norway in 2017 and Poland in 2018. Fingers crossed Darude and Sebastian Rejman model themselves more after the former than the latter. They’ll present their three potential entries on March 2.

France Against all odds (by which I mean Seemone) Bilal Hassani is France’s chosen one, and I couldn’t be more excited for him – and for myself because Roi is a JAM. I loved his performance in the Destination Eurovision final and I’m glad it was the French public that got their way. Haters back off!

Malta The X Factor concluded with Michela Pace crowned champion and automatic ESC artist for Malta. There’s not much to say at this point other than yes, she can sing, so for Ira Losco’s sake give her a good song.

 

What’s next for NF season?

  • 5/2-8/2 Italy (Sanremo Music Festival, Nights 1-4)
  • 8/2 United Kingdom (You Decide, Final)
  • 9/2 Australia (Australia Decides, Final), Hungary (A Dal, Semi Final 1), Iceland (Söngvakeppnin, Semi Final 1), Italy (Sanremo Music Festival, Final), Latvia (Supernova, Semi Final), Lithuania (Eurovizijos Atranka, Semi Final 1), Montenegro (Montevizija, Final), Sweden (Melodifestivalen, Semi Final 2), Ukraine (Vidbir, Semi Final 1)
  • 10/2 Romania (Selecția Națională, Semi Final 2)

Next Saturday? HOLY CRAP. I’ll be over on the Gold Coast in the Australia Decides audience, so look out for me if you’re watching on TV or online. You’re welcome for the time difference that will allow you to watch our NF without missing any European ones.

 

Until next time (when I’ll review the Aussie songs and much more),

 

 

 

SELECTION SEASON 2019 | The French final, another Hungarian heat + my thoughts on Tel Aviv’s latest additions!

Bonjour, my fellow Eurofreaks (a sarcastic thanks to the UK for making me never want to use the word ‘freaks’ ever again). Welcome to a 2019 Super Saturday preview, Jaz-style! This is my first proper NF season rundown for the year, and I may be weeks behind everyone else but I’m also excited to get into it – especially now we’re entering the end-of-January-to-early-March period where there are approximately 65 national finals of varying stages taking place every weekend, with other announcements and reveals in-between. I don’t know about you, but I wouldn’t have it any other way.

Tonight isn’t the busiest night we’ll have this season, but there is plenty of goodness going down. Specifically: 

  • France Destination Eurovision, the final
  • Hungary A Dal, Heat 2
  • Latvia Supernova, Heat 1
  • Lithuania Eurovizijos Atranka, Heat 3
  • Malta X Factor, final

I’m not following Latvia, Lithuania or Malta very closely at this point (either because there are other things to focus on or I’m plain disappointed in the song selection) so today I’ll be talking all things French and Hungarian exclusively…with a few thoughts on the Class of ESC 2019 so far thrown in at the end. I’ll leave you to keep reading if you want to (please do) and to comment your opinions on what’s happened re: Tel Aviv and what might happen this evening. Meanwhile I’ll be busy deciding whether to watch Destination Eurovision or A Dal, because á la Bucks Fizz I really need to make my mind up.

Let’s go!

 

FRANCE: Is the Destination Eurovision final a three-horse race?

After two semis, a few shock DNQs and one song title switch, voilà – we have arrived at our destination. Destination Eurovision, that is. In a field that isn’t as strong as last year’s (for me, at least), eight songs remain in the fight for the French ticket to Tel Aviv. 

  1. Là-Haut, Chimène Badi
  2. Allez Leur Dire, Silvàn Areg
  3. Sois Un Bon Fils, Doutson
  4. Comme Une Grande, Aysat
  5. Tous Les Deux, Seemone
  6. La Promesse, Emmanuel Moire
  7. Roi, Bilal Hassani
  8. La Voix d’Aretha, The Divaz 

If I could go back in time and get my way with the semi results, things would be different looking at this lineup (Gabriella, Lautner and Ugo would be listed, for starters). But as it stands, all of the songs are enjoyable in their own way and should make for a final worth watching. According to the odds as I type this, Bilal is the most likely winner, closely followed by Seemone and Emmanuel. But who do I think should – and will – win?

 

My favourites

His performance in the first semi wasn’t as flawless or affecting as Seemone’s in the second, but I’m happy to have Bilal in prime position with bookmakers at the moment – Roi is my no. 1 song left in the competition. If there’s anything I could learn to love as much as I loved Lisandro Cuxi’s Eva in 2018, it’s this not-totally-dissimilar track that mixes French and English as fast and fluidly as France’s JESC runner-up Jamais Sans Toi. Bilal is an iconic performer with a great personality, and if he amps things up tonight and gives 110% to his time on stage, then he could easily end up having to keep mid-May free for Eurovision.

I didn’t “get” this until I saw it performed, but La Promesse is now right behind Roi in my ranking á la Francais. It was staged simply but beautifully, and Emmanuel matched the visual beauty with Schwarzenegger-strong vocal game. This is a classic example of a song lifted by a live performance. Dark horse alert!

Seemone is the opposite of a dark horse, and while Tous Les Deux is not the song I’d prefer to see representing France in Tel Aviv, I will be able to climb on the bandwagon if it wins. All this girl has to do is stand there and sing (in sparkly shoes for an added My Little Pony + Wizard of Oz vibe) and the majority of us will buy what she’s selling. You don’t have to be fluent in French to know that this is an emotionally-charged song, and the emotions do appear authentic. I just hope that continues to be the case over time if Seemone does go to the ESC.

Doutson rounds out my favourites with the trés danceable Sous Un Bon Fils. It’s nothing mindblowing and has zero chance of winning, but it’s fun – and cute where mini-Doutson is concerned.

 

Who will win?

Much of this final is made up of a) okay songs performed very well (e.g. Là-Haut and La Voix d’Aretha) and b) good songs that could benefit from a better performance (like Comme Une Grande). The top three favourites are the best of both worlds. I think it’s asking a little too much for Emmanuel to win, unless points are so split between Bilal and Seemone that he does it almost by default. My gut feeling though – and my prediction based on her solid win in the stronger of the two semis – is that Seemone will succeed Madame Monsieur as France’s Eurovision rep. I don’t think she’ll beat Bilal by a huge margin, but by enough to get her crowned fair and square. This means that once again, my personal favourite will be pipped by a song I like, but don’t like as much…still, the pain will be practically nonexistent compared to what I felt when Eva lost to Mercy at the last second (but whatever, I’m TOTALLY OVER IT *sobs*).

 

Now, let’s fly over to Eastern Europe and stay for a while. There’s lots to talk about!

 

HUNGARY: Big hitters in A Dal’s second heat  

 

If you read my last post, you’ll know how obsessed I am with A Dal this year. It’s always a great NF to get into, but there’s a particularly huge percentage of kick-ass music on offer in 2019 (as far as my tastes go, anyway). If you read my last post you’ll also know that I was/am in love with Olivér Berkes’ Világítótorony, which failed to qualify from last Saturday’s heat and broke my heart in the process. I’m sure you’re feeling pretty unhappy about it too, Olivér, so feel free to hit me up if you want someone to share a pity party with.

Here’s hoping this week’s heat goes more my way (since I’m still trying to tape my poor heart back together). Once again there are six spots up for grabs, with these 10 songs in contention:

  • Nyári Zápor, Acoustic Planet
  • Szótlanság, Bence Vavra
  • La Mama Hotel, Dávid Heatlie
  • Little Bird, Diana
  • Kulcs, Fatal Error
  • Csak 1 Perc, Gotthy
  • You’re Gonna Rise, Klára Hajdu
  • Roses, The Middletonz
  • Ő, The Sign
  • Incomplete, yesyes

Neither of the two songs I straight up dislike are in this heat, so it’s safe to say I’m excited about it. Tonight is also a battle between five-time participant and ESC alum András Kállay-Saunders (as half of The Middletonz) and 2018 runners-up yesyes, to see if there’s room for both of them to qualify. I suspect there is…and if you want to know what else I suspect will happen in this round of A Dal, keep reading.

 

My favourites

I might be in the minority here (and I say might because I actually don’t know) but IMO yesyes has topped 2018’s almost-winner I Let You Run Away with Incomplete. I’ve already professed my love for it in the post I keep mentioning, so I won’t re-ramble here. I’ll just say that it ticks all my boxes, has a definite shot at winning the whole comp and will certainly qualify from this heat.

My next pick is Roses. Urban, original and on-trend, it’s the kind of song that would stand out in any NF. I’m a little worried it will be messy when performed live as opposed to slick and cool like it is in studio, but The Middletonz should be innocent until proven guilty. I’m not sure Roses will sail through to the semis but my fingers are crossed.

Csak 1 Perc and La Mama Hotel are the best of the rest for me. The former screams radio hit and I love it, but again I’m nervous to see whether it will be a success or a fail on stage. La Mama Hotel is rocky and intense and like basically every type of song, makes Hungarian sound so damn good. Insert prayer for these two to make tonight’s top six here!

I’m not too fussed either way about the other six songs, but if I had to pick two more to advance I’d go with Nyári Zápor and Ő.

 

Who’s going through?

I’m even rustier when it comes to predictions than usual, and I had a super hard time with this one. The Hungarian public and jury can vote in mysterious ways, and realistically, almost anything from this heat has the potential to rise or fall. I am confident that yesyes will qualify and either outright win or tie FTW. Following behind in an orderly fashion will be, I’m guessing, The Middletonz, Fatal Error, Diana, Acoustic Planet and Dávid Heatlie. Don’t be surprised if Klára’s too-Disney-for-Disney ballad sneaks through though – it wouldn’t be the first time A Dal has rewarded a song like that.

Who do you think will make the grade in this Hungarian heat? Let me know in the comments while you still can!

 

The ESC 2019 songs and singers so far

My bad – I’ve realised I’m yet to react to ANY of the recently (and some not-so-recently) selected songs and/or artists for Eurovision 2019. Let’s fix that, shall we?

Albania It’s Jonida Maliqi and her amazingly white teeth (seriously, who does her dental work? I need the inside info) who’ll be flying the Albanian flag in Israel. Ktheju Tokës is a promising track with all the grandeur and mysteriousness of a typical Albanian entry, but I’m not sure that it can hit the heights of Mall. I’ll save any further thoughts for the inevitably revamped version.

Belgium Voice graduate Eliot Vassamillet is dropping his dope surname for the ESC and will be aiming to pick up where Blanche left off rather than where Sennek did. The trend has been for RTBF’s acts to do consistently well (Roberto Bellarosa/Loïc Nottet/Blanche) – and since Eliot’s song will be penned by City Lights writer Pierre Dumoulin, I’d say watch out, everyone else. Fun fact: Eliot was born in 2000 and is somehow old enough to be out of nappies and of ESC age. My god, I feel old.

Macedonia She’s been in the background and foreground of a few contest performances in her time, and now Tamara Todevska has been selected to solo for Macedonia. Her 2008 entry is a slightly guilty pleasure of mine and I’ve liked what she entered previous Macedonian NFs with, so I’m thinking this was a good choice. Here’s hoping she can do better than her sister Tijana did back in Copenhagen.

The Netherlands Fairly unknown (not complaining) Duncan Laurence will follow in Waylon’s footsteps for the Netherlands, though hopefully not to the point of wearing a leopard-print pimp coat on stage. What we do know about Duncan is that he’s easy on the eyes, and has a beautiful and distinctive voice at his disposal (thanks to a leaked demo version of a song that may or may not be his ESC entry). I’m quite excited about this guy.

San Marino Was San Marino trolling us all by letting us think the Human Ken Doll was representing them? I don’t really care, I’m so relieved that he isn’t. That left the door wide open for Serhat to come strolling through as he did in 2016, and I feel stupid for not seeing it coming. I don’t know how to feel about this news, but there’s a chance we could get a decent song out of him this time (i.e. one that isn’t the guiltiest of guilty pleasures). That’s what I’m hanging on to.

Spain In a disappointingly non-dramatic outcome, Spain chose Miki and the super-fun La Venda to go to Eurovision rather than risking a televised ‘Why me?!?’ tantrum and subsequent refusal to go from Maria. Overall, I think they made a smart choice. Miki has loads of energy and charisma, looks like Amir back in Amir’s university party days, and is armed with three minutes of Latin-flavoured happiness. I like the song and expect it to grow on me even more, but I think some fans are getting ahead of themselves with the top 5 proclamations.

PS…I’ll slip in a little word here about the freshly-revealed host quartet for 2019. First things first, I am not a fan of the four-host scenario – it puts too many cooks into the Eurovision kitchen and gets messy very easily. But on face value, the four handpicked by KAN – supermodel Bar Refaeli, and TV presenters Erez Tal, Assi Azar and Lucy Ayoub – look promising, and like they’ll have a decent dynamic. Rumour has it there’ll be a divide between Refaeli and Tal as the main hosts, and Azar and Ayoub as the green room hosts, so that should help.

 

What’s next for NF season?

  • 27/1 Romania (Selecţia Natională, SF1)
  • 28/1 Czech Republic (ESCZ winner announcement), Eurovision 2019 (allocation draw)
  • 29/1 Finland (artist announcement)
  • 31/1 Estonia (Eesti Laul, SF1)

 

I think I’ve finally said all I had to say for now, so congrats if you got through it. If you have any energy left, head down to that comment box and spill the tea on anything to do with Eurovision 2019, national finals, what you’re watching and expecting tonight and your personal problems if they’re interesting.

 

I’ll see you on the other side of this (sort of) Super Saturday!