BUT AT THE END, THEY DIDN’T! | Ranking every single second-placed song from the 2019 selection season
Well, just like that (a.k.a. two weeks ago) the 2019 Eurovision selection season is over. We have a full house of 42 41 entries, with their performers starting rehearsals behind closed doors, filming postcards on the ground in Israel, and prepping for the April pre-parties.
While they’re busy doing that stuff, I’m busy not letting go of NF season yet. I can’t, not before I’ve given credit to all the amazing songs that came close to becoming ESC entries this year…and given the thumbs down to the ones that had me breathing a sigh of relief when they WEREN’T chosen. I’ve got a list of general favourites for you guys later, but today I’m focusing on the songs that, with a few extra points to their name or a little change in fortune, could easily have been traveling to Tel Aviv. They, my friends, are the songs that finished second.
26 national finals were held between December 2018 and March 2019, and I’m about to rank and review all 26 of their silver medallists on a scale from ‘DEAR LORDI, MAKE IT STOP!’ to ‘Play it again, Sam…and again…again? JUST ONCE MORE, SAM, I’M BEGGING YOU!!!’. Because I don’t like too much fun going down, I did put a few rules in place for this ranking:
- When there wasn’t a clear runner-up due to format or a lack of transparency (I’m talking to you, BBC) I’ve picked my personal fave from the pile of potential runners-up. With Hungary, for example, I chose my top song from the three that were beaten by Joci Pápai’s in the A Dal televoting decider.
- Since I tend to ramble, basically writing an essay every time I post, I decided to challenge myself to review each song in just two sentences. Some of them are freaking long sentences (a leopard can’t totally change its spots) but it’s the thought that counts. I hope you enjoy this shorter and sweeter Jaz while she lasts.
Now, let the criticising and complimenting begin! Apologies in advance if I’ve dragged a song you adore, but know that I’ve probably also gushed over one you hate. It all evens out in the end.
PS – Speaking of ‘the end’, if you didn’t get the title in-joke, that must mean you missed this glorious moment from the 2019 allocation draw:
As haughty as it is hilarious, incoming co-host Assi’s iconic line is the perfect way to describe the fate of these tracks. Agree, disagree, or agree to disagree with my ranking in the comments.
#26 | Tower of Babylon, Lorena Bućan (Dora, Croatia)
If you’ve always wondered what a musical episode of Game of Thrones would be like, wonder no more. This song was all kinds of ‘thank u, next’ to me when I first checked out the Croatian finalists, and having listened to it again, I’m even more turned off.
>The Dream? Absolutely not.
#25 | Sevdisperi Zgva, Liza Kalandadze (Georgian Idol, Georgia)
This is okay, but it doesn’t make an impression on me for better or for worse – and sometimes I’d rather hate something than be indifferent to it. Liza has a pretty voice that deserves to be used in a less dated and much more memorable way.
>Sul Tsin Iare? Not better, but equally non-event.
#24 | Sweet Lies, Kerrie-Anne (Eurovision: You Decide, United Kingdom)
Kerrie-Anne’s version of Sweet Lies is catchy and danceable, I’ll admit…but it’s also straight out of the 90s and not in a good way. My ultimate dealbreaker is The Worst Lyric of All Time™: ‘Well, but anyways and somehow, and somehow’.
>Bigger Than Us? No way!
#23 | I Will Not Surrender, Maxim Zavidia (O Melodie Pentru Europa, Moldova)
This song is better than the crappy title suggests it will be, but only just. I don’t know if Moldova dodged a disaster with Maxim finishing second to Anna or not, but I do know that I miss the Sunstroke Project like crazy right now.
>Stay? Not that it’s an achievement, but yeah.
#22 | Kaos, Raiven (EMA, Slovenia)
Raiven is slowly becoming the Sanna Nielsen of Slovenia, and there are moments of Sanna-level awesomeness in Kaos to match. Then there are the parts when she repeats the title over and over and over again and makes me even happier that Sebi swooped in (like a Raiven? HA HA HA) and took the win.
>Sebi? NOTHING IS.
#21 | You Make Me So Crazy, Markus Riva (Supernova, Latvia)
If Markus couldn’t get to Eurovision with Take Me Down or This Time, he 110% did not deserve to get there with this uninspired dance track. I hope for his sake this was a blip, not the start of a downhill journey of musical desperation.
>That Night? Nope.
#20 | Space Sushi, Jakub Ondra (Eurovision Song CZ, Czech Republic)
Nothing can ruin a reasonable song faster than calling it Space Sushi and thinking the lyrics ‘My eyes are bigger than my belly and I will keep them that way, be humble, don’t mumble, for there will be a day when my eyes won’t be big enough’ are acceptable. Spoiler alert: THEY AREN’T.
>Friend of a Friend? Not even close.
#19 | Nema Suza, Dženan Lončarević (Beovizija, Serbia)
Finally this Balkan ballad is bringing us into ‘I might actually listen to that again of my own free will’ territory. It’s not a patch on anything Željko Joksimovic has composed or breathed in close proximity to, but it’s classy and dramatic and I can tolerate it.
>Kruna? No – Nevena can keep her crown.
#18 | Hvað ef ég get ekki elskað?, Friðrik Ómar (Söngvakeppnin, Iceland)
Friðrik left Euroband and This Is My Life far behind with this (impossible to pronounce) track. It’s a little vanilla and missing an obvious hook, but still a good effort from someone who probably doesn’t gyrate around in skimpy waistcoats as much as they used to.
>Hatrið Mun Sigra? Chalk and (latex-flavoured) cheese, but I don’t think so…
#17 | Igual A Ti, NBC (Festival da Cançao, Portugal)
This was one of my favourites from FdC 2019, and if Portugal hadn’t decided to go experimental (which I’m excited about) I would have happily settled for this as their entry for Tel Aviv. Comparing it to Telemóveis, though, it comes off rather boring.
>Telemóveis? No way, José.
#16 | I Tuoi Particolari, Ultimo (Sanremo Music Festival, Italy)
I am yet to find an Italian song that isn’t sophisticated AF, unlike myself. While I find Ultimo’s a bit inaccessible in terms of remembering how it sounds (I literally just listened to it and couldn’t sing it back to you to save my life) I know that it was no exception to that rule.
>Soldi? I know I said this about Slovenia already, but again, NOTHING IS.
#15 | The Bubble, Adrian Jørgensen (Melodi Grand Prix, Norway)
This song – co-written by Aleksander Walmann minus JOWST – is pretty precious, albeit kind of annoying if I’m not in a warm-and-fuzzy mood. I know it’s about a breakup, but anything with the word ‘bubble’ in it is bound to be sugary sweet to some extent.
>Spirit In The Sky? This question puts the ‘no’ in Norway.
#14 | Light On, Monika Marija (Eurovizijos Atranka, Lithuania)
MM was supposed to be the one to beat in Eurovizijos this year, but I can see how Jurijus managed to defy expectations once she’d withdrawn Criminal (arguably the better of her two entries). I do like Light On, and Monika was vocally and stylistically flawless whenever she performed it, but it’s too repetitive/radio-friendly to make much of an impact on me.
>Run With The Lions? I’d rather run with the lions than leave a light on (conserve electricity, folks!).
#13 | League of Light, Julie & Nina (Dansk Melodi Grand Prix, Denmark)
This song sits somewhere on the musical scale between ‘great’ and ‘hot mess’ – there are parts that are so dated and cringey it hurts me, whereas other parts I dig. As a package it needed work and was not totally ESC-worthy as a result.
>Love Is Forever? Me and my giant dining chair say no.
#12 | Nevinost, Ivana Popović-Martinović (Montevizija, Montenegro)
A Balkan ballad minus a lot of the Balkan isn’t ideal, and that’s what we got from Ivana (as well as a dress that made her look like she was ready to walk the Egyptian Mummy Fashion Week runway). Still, I think this was a diamond in the rough and could have become a solid Eurovision song after a revamp.
>Heaven? With a makeover, yes.
#11 | The Day I Loved You Most, Makeda (Unser Lied Für Israel, Germany)
Have some tissues handy for this one, especially if you’ve recently gone through a breakup or your favourite Netflix series has been cancelled. It’s a pretty ballad that doesn’t fall into the trap of clichéd lyrics, and I like the perspective Makeda sings it from – she’s opting to remember the best of a past relationship rather than the painful parts.
>Sister? Most songs in ULFI were.
#10 | Dear Father, Laura Bretan (Selecția Națională, Romania)
I like this more before Laura ramps up and lets loose with notes that upset pet dogs worldwide – not that she doesn’t hit those highs, but they are intense on the ears and the soul. Having said that, the whole song provides a bunch of goosebump moments and is nothing if not dramatic.
>On A Sunday? Not to my taste as an enthusiastic member of Team Ester.
#9 | Superman, Darude feat. Sebastian Rejman (UMK, Finland)
All three Darude/Rejman tracks were cut from the same cloth, and to be honest I don’t know how Finland managed to separate them enough to pick a winner. Superman nearly took the prize and I would have felt the same about it as I do about Look Away – pretty positive, but far from ecstatic.
>Look Away? It’s the same song…how can I say yay or nay?
#8 | Champion, BLGN & Mirex (Eurofest, Belarus)
On purpose or by pure coincidence, the Cesár Sampson influence spread to Belarus in the form of this soulful and infectious toe-tapper. It’s no Nobody But You of course, but I’ll definitely be streaming it on the reg and singing it in the shower as a substitute for a self pep-talk.
>Like It? No, but I wouldn’t have minded this as the Belarusian entry.
#7 | Nyári Zápor, Acoustic Planet (A Dal, Hungary)
There were so many epic songs in A Dal this year, I couldn’t count them on my fingers AND toes. This is one of them, though it took some time before I truly appreciated it for what it is – a genuine, easy-listening slice of sunshine that, like practically every genre, sounds like it was born to be in Hungarian.
>Az Én Apám? Az if!
#6 | Tous Les Deux, Seemone (Destination Eurovision, France)
I’m glad we didn’t end up with too many songs about fathers in the ESC 2019 field (Michael Schulte is having his own effect on the comp after that surprising 4th place). Still, as much as I love Roi, I would have said oui to France sending this simple, emotional and classy ballad by Sea Anemone.
>Roi? Not quite.
#5 | Rrëfehem, Lidia Lufi (Festivali I Këngës, Albania)
DAYUM, Albania! You didn’t make a wrong decision with Jonida, but you had another right one in FiK courtesy of this complex, mystical and unique masterpiece from Lidia.
>Ktheju Tokës? Almost, I have to admit.
#4 | Muérdeme, María (Operación Triunfo, Spain)
This had all the goods to make waves in Tel Aviv…apart from María not actually wanting to go to Eurovision, which would have resulted in a half-arsed performance had she been obliged to go. As a standalone song, however, it’s fantastic.
>La Venda? That’s cute, this song is cooler…I like ‘em both.
#3 | Pretty Little Liar, Uku Suviste (Eesti Laul, Estonia)
I only need three words to review this song, and they are I LOVE IT. Catchy, powerful, full of staging possibilities and performed by a talented, attractive Estonian guy, the list of what’s wrong with it is just a blank piece of paper.
>Storm? It’s neck-and-neck.
#2 | On My Own, Bishara (Melodifestivalen, Sweden)
Don’t boycott me because you disagree (as I know most of you will) but I’m Sweden and Benjamin Ingrosso biased – so when faced with a soulful Swedish pop song co-written by Benji and performed by an adorable, freshly-discovered singer, how was I supposed to react? With instant, unconditional love, that’s how.
>Too Late For Love? Negative.
#1 | 2000 and Whatever, Electric Fields (Eurovision: Australia Decides, Australia)
You might think I’m being biased on this one too being Aussie and all, but I actually paid money to try and help this song go to Eurovision. All of my SMS votes went to Electric Fields, and I lost my voice screaming for them when they were onstage with this no-holds-barred BANGER.
>Zero Gravity? I have to be honest and say yes (here’s hoping I don’t get deported).
And that’s it! You can listen to all of the songs from today’s post right here (except Albania, Georgia, Montenegro and Serbia, which aren’t available on Spotify Australia DAMNIT):
Which second-placed songs from the 2019 NF season are your favourites…or least favourites? Which countries do you think made mistakes when it came down to their final decision? Let me know below!
Just because national final season ended back in March doesn’t mean we should forget about it, right? After all, every year brings with it a fresh batch of boss music for us fans to add to our respective playlists, and the happy-dances danced as a result of that can last forever. AND this is all before Eurovision itself even begins! I think I speak for all of us when I say – as a totally unknown band called ABBA once said – thank you for the music, NF season.
There’s no better way to top off a thanks than with a top 10, in my opinion – so here we are. It might seem like I’m just crazy late in posting this countdown, but now is a good time to pay tribute to the 2017 selection season: firstly, because it’s Thursday and I’m a big supporter of #ThrowbackThursday (check my Instagram if you don’t believe me); and secondly, because it’s not long until the results of this year’s OGAE Second Chance Contest are revealed. It turns out that half of my favourite tracks from the recent run of national finals were chosen to compete in the SCC, so I guess I’m not as alternative as I thought. Damn.
The lone rule for this list? I only allowed myself to pick one song from any particular country – so you’re not about to see Melfest song after Melfest song. Keep reading to find out which Eurovision could-have-beens I fell in love with this season, and how I think they would have fared in Kyiv compared to the songs that actually ended up there. And don’t forget to share your personal favourite songs in the comments!
#10 | Two Faces by Michéle (Switzerland)
NF result 3rd, Die Entscheidungsshow
Is it better than Apollo? No, but…apples and oranges.
Would it have done better in Kyiv? Definitely not, though I like to think it would have been staged better than Apollo.
I’m sorry to have to say this, but I know I’m not the only one who’s come to expect a certain level of sub-standardness when reviewing the Swiss national finalists each year. 2017 was an exception in that the final bunch of songs – bar one – were actually more than mediocre. My favourite, Apollo aside, was pocket rocket Michéle’s Two Faces, which took me by surprise given how mod-pop it is. It’s not a perfect production, and my inner jury’s still out on whether the ‘sugar and salt’ analogy is good or awkward…but damn, this is catchy. And even though it does sound radio-friendly, I’ve never heard anything quite like it before.
#9 | Helppo Elämä by Lauri Yrhjola (Finland)
NF result 8th, Uuden Musiikin Kilpailu
Is it better than Blackbird? No, but again it’s hard to compare the two.
Would it have done better in Kyiv? Probably not.
If this song was sung in English (or Swedish), it would have been right at home in the Melodifestivalen line-up. That’s a big compliment from me meaning it’s a) slickly produced pop, b) minty-fresh radio material, and c) gets stuck in your head like it’s made of super glue. The fact that it’s in Finnish, though, further set it apart in the UMK field, and adds to the aloof kind of cool it projects. The fusion of country twang and electro sounds is very Avicii, and gives it an automatic x-factor. For me, it was the NF character that speaks its own language (literally) and has little hope of winning, but will inevitably end up on my selection season playlist. There’s at least one of those in every national final.
Watch the NF performance here.
#8 | I Wish I Loved You More by Holly Brewer (United Kingdom)
NF result Unknown, Eurovision: You Decide
Is it better than Never Give Up On You? No, but it’s less of an identity-crisis song.
Would it have done better in Kyiv? Nope.
You guys know mama loves her female power ballads (when they’re good ones…I am fairly discerning). Why do you think I was such an enthusiastic member of Team Denmark this year? Speaking of blonde powerhouse vocalists, here’s Holly Brewer, who sang the shiz out of the sensational PB that is I Wish I Loved You More. I can admit that this sort of song had its heyday circa 2007, but the genre never stopped floating my boat. I love that IWILYM promises to become something dynamic and explosive, and then delivers – first with big + bold choruses, then with that money note that you KNOW is coming, but it still packs a punch when it arrives. It’s a knockout (and so is Holly, on whom I have a raging girl crush).
#7 | Heart of Gold by BQL
NF result 2nd, EMA
Is it better than On My Way ? HELL YEAH!
Would it have done better in Kyiv? HELL YEAH!
BQL (made up of two musos who are apparently blood brothers…who’d have guessed?) broke hearts throughout the Euroverse when they failed to get Slovenia’s golden ticket in 2017 – Slovenia’s fault, obvs. Okay, so their live performance was a little rough around the edges, while Omar Naber’s was flawless (it was another Margaret/Michał Szpak situation). And Heart of Gold itself is a bit all-over-the-place as a song, needing a restructure and a revamp. But like everything created by Maraaya, it has SO much going for it. Simple but effective lyrics, and not one, but about five epic melodies, for example. If it had won EMA and undergone a pre-ESC facelift, wonderful things might have happened to a country that has now chosen two questionable entries in a row.
Watch the NF performance here.
#6 | One by Ida Una (Denmark)
NF result 2nd, Dansk Melodi Grand Prix
Is it better than Where I Am? Not according to moi.
Would it have done better in Kyiv? I have to say yes (but I don’t want to).
Here’s a prime example of the safe, sugary pop songs that dominate DMGP – and this one is actually about love and peace (I don’t know if Måns and Petra would approve or be appalled). I’m not normally a supporter of either cookie-cutter music or lame lyrics, but I have totally dug the vibe of Ida Una’s One since day one. The lyrics are the main drawback, because everything else is very Scandi-2017…and how about the insane singalong-ability of the chorus? It turns one word into ten syllables, making it a surefire hook without it being too simplistic. I was pretty convinced this track was going to Kyiv because it’s right up Denmark’s street, and I wouldn’t have minded that result since the song is right up my street too.
#5 | Places by Ulrikke (Norway)
NF result 4th, Melodi Grand Prix
Is it better than Grab The Moment? No, but it’s a close call.
Would it have done better in Kyiv? I think it would have finished just outside the top 10, so no.
I wouldn’t willingly swap Grab The Moment – one of my true ESC 2017 loves – for anything. But if I had to for some random reason, I’d have sent Ulrikke’s Places to Ukraine in a heartbeat. That’d be on the condition that Norway totally rethought the MGP staging of the song, which wasn’t nearly ‘tropical beach party WOOHOO’ enough. Places itself, though, is a JAM – a summer jam that I’m being forced to play in winter as I imagine being by the ocean. My buzzwords for this countdown have been ‘current’ and ‘catchy’, and I have to use them again to describe this because it has bucketloads of both. More so than Dansk MGP and Melodifestivalen, Norsk MGP tends to deliver on pop with a bit of edge, and pop that’s very now – not squeaky-clean, sugary or safe. Places is an excellent example of that, I reckon.
Watch the NF performance here.
#4 | Hold On by Nano (Sweden)
NF result 2nd, Melodifestivalen
Is it better than I Can’t Go On? In some ways, yes. In others, no.
Would it have done better in Kyiv? Nope – I think it would have done the same thing.
As you may or may not know (have I mentioned it often enough? I’m not sure…) I was in the audience for the Melfest final this year – and holy Herreys, it was amazing! I didn’t quite get the happy ending I was hoping for, however, as someone supporting Nano rather than Robin. Don’t get me wrong (Bengtsson lyrical pun intended), Sweden NEVER puts a foot wrong at Eurovision IMO (2009 excepted). But Hold On gets to me in a goosebumpy way that the perfectly-polished I Can’t Go On never did. Maybe it’s because it seems more authentic, or because it’s more dynamic and powerful. Or maybe it’s just a cracking song that appeals a teensy bit more to my tastes. Whatever the case, I can’t help being disappointed that Nano was Sweden’s choice to go to Eurovision, but got pipped at the post anyway.
#3 | I Love You by Tayanna (Ukraine)
NF result 2nd, Vidbir
Is it better than Time? Absolutely.
Would it have done better in Kyiv? For sure, providing Tayanna’s throat was in full functioning order at the time.
There were a handful of massively missed opportunities during the 2017 selection season, and sadly, host country Ukraine was responsible for one of them. I can understand how it happened, though. The Ukrainian final was super strong, with Tayanna, Mélovin and Rozhden being my personal standouts – but Tayanna’s incredible power ballad (here I go again with the PB love) was the cream of the crop…prior to that final. Tragically, her vocal ability was compromised by some sort of illness when she needed it most, leading to a performance full of cringe-worthy moments. That’s not the performance above – I had to choose the video of Tayanna at her best since it helps me to daydream about how I Love You would have been one of the best and most wildly-applauded host entries of recent times. Oh, and how it would have given Ukraine a respectable result without forcing another fork-out of contest hosting funds.
#2 | Ouch! By LeKlein (Spain)
NF result 3rd, Objetivo Eurovisión
Is it better than Do It For Your Lover? Well, yeah. I’d say ‘What isn’t?’ but that would be unnecessarily cruel to Manel and also not technically true.
Would it have done better in Kyiv? You bet your butt it would have!
EPIC ERROR ALERT NO. 3!!! Call this a controversial call, but if Spain made any mistake at their NF this year (which they did, though when I say ‘Spain’ I mean the Objetivo judging panel) it wasn’t picking Manel over Mirela. It was leaving LeKlein in 3rd, which definitely made me say Ouch! She might not have been everybody’s cup of sangria, but I’m convinced Ouch! was the best option for Spain in 2017, and would have secured them a spot on the left side of the scoreboard (I can say that with authority because there’s no way of proving me wrong). This song is an anthem of rock-electro-pop proportions, with a sense of fun and a simple hook that would have been memorable in the Eurovision final for sure. Unless, that is, I’m the minority and everyone else would have seen an aggressive androgynous woman yelling at them down the camera for three minutes #possible.
Watch the NF performance here.
#1 | Deák by Spoon 21 (Hungary)
NF result DNQ (semi-final), A Dal
Is it better than Origo? It’s equally epic.
Would it have done better in Kyiv? No.
Funnily enough, I’m glad this song – my favourite find from the 2017 season – didn’t end up at the ESC. Spoon 21’s live performance just wasn’t up to scratch, and that was all to do with vocals. Hungary still would have sent my number one entry of the year if they’d sent Deák instead of Origo, but you’ll never catch me disputing Joci Pápai’s place in the contest. Still, as a song for listening to (ten times a day) Deák is superb. It’s the most K-pop sounding NF song I’ve ever heard, and I love it for that. It’s unique, infectious and gets a zillion cool points just by being in Hungarian. And speaking of cool points, I feel like a cooler person just listening to it – it’s a little bit hipster but mainstream enough to have mass appeal. All in all, it’s a kickass track that proves Spoon 21 – who entered A Dal 2015 with something completely different – isn’t a one-trick pony boy band.
Watch the NF performance here.
So, how did I do? Do you think any of these songs would have made better Eurovision entries than what we actually got? Which musical masterpieces from A Dal to Vidbir and every NF in-between got you excited this year? If you have something (nice) to say, say it in the comments box below J
I’d better go now – it’s time for daily listen no. 10 of Déak, and I can’t keep Spoon 21 waiting.
It’s almost the end of January (holy Helena Paparizou!), but it doesn’t seem like much has happened during national final season. We’ve still got forty Eurovision 2017 entries to find and/or hear (forty-one if you include Albania’s Botë undergoing an extreme makeover) and the weekend finals are drip-dropping through Safura-style – not flooding in like they will in February.
But remember, not all of the interesting stuff is related to end results. We’re at a point in time when NF participants are consistently being unveiled, music is being released, heats are being held (or postponed, in Hungary’s case – my thoughts are with everybody affected by that tragic bus crash on Saturday) and news is breaking. So it’s been a more exciting month than it might seem! There’s been highs, lows, claims of plagiarism…basically, it’s your bog standard selection season, and we wouldn’t want it any other way.
I’m going to celebrate that today by singling out some of my favourite and least favourite parts of the glittery pathway to Kyiv to date. Anything NF-related was up for grabs, so read on to find out who/what has made me shed sneaky tears of both happiness and sadness as I bow before the Eurovision shrine I have in my bedroom (am I joking? You’ll never know MWAHAHAHA). Be sure to share your personal highlights and lowlights with me when you’re done!
The blonde bombshell is back! Anja Nissen’s return to DMGP
About a year ago, when The Voice Australia winner Anja Nissen was announced as a participant in Dansk Melodi Grand Prix 2016, I was over the moon thinking that I might be able to cheer for not one, but TWO Aussies while in Stockholm. That would have given my ‘Strayan flag a workout. But it wasn’t meant to be, despite Anja producing a flawless performance of Never Alone on the night (to be honest, Simone and her Heart Shaped Hole ended up being what I was crossing my fingers for anyway…so I was still devastated by the outcome). But our girl must have been buoyed by her second-place finish, because she’s back – hopefully with a) a bang, and b) the big guns! I’ve been so down in the dumps over Oscar Zia – Melodifestivalen’s most recent runner-up – saving himself for a beyond-2017 comeback, I didn’t stop to consider who else around Europe might give Eurovision glory another go. Now, ‘Danish Star Wars Episode II: Anja’s Return’ is a sequel I’m going to be first in line to see, and I really want it to be better than the original. In other words, without knowing how Anja’s competition measures up, I WANT HER TO WIN. She’ll be belting out Where I Am, a song co-written by X Factor Australia alumnus Angel Tupai, on February 25th at the Jyske Bank Boxen in Herning. I cannot wait.
First-time native tongue: Belarus’ golden ticket goes to a Belarusian song
It sounds strange to say it, but we’ve never had the Belarusian language on the adult Eurovision stage before. We’ve heard Crimean Tatar once and made-up stuff THREE times (Belgium’s a big fan) but between 2004 and 2016, it was heavily-accented English all the way for Belarus. Those of us who are Junior Eurovision fans might feel like that’s even less true, as all the Belarusian we’ve been exposed to there blends in with the country’s thirteen past ESC entries. And I have to mention their debut My Galileo, which, as a friend and I were joking about bitchily on Twitter the other day, may as well have been in a LOTE. But the freshly-crowned winners of a ticket to Kyiv known as NAVI will become the first act to head into our favourite musical battle armed with a song in Belarusian. That’s assuming the duo don’t do an English re-write of Historyja Majho Žyccia – but, as they’re famed for their folksy, 100% foreign-language back catalogue, it’s unlikely. As much as they might benefit from throwing a token English chorus in at the end, I’d encourage them not to. With English taking over at the ESC these days, singing in something else makes you stand out and diminishes the same-same effect of one non-ethnic, all-English song after another. Keep us happy by staying true to your style, NAVI. Pretty please?
A Dal delivers the goods once again: My discovery of Deák
You guys know that I’m hopelessly devoted to Melodifestivalen – but that doesn’t mean I don’t have any vacancies in the hotel of my heart for other national finals. I love both MGPs, I love MESC, I love Eesti Laul…and I absolutely adore Hungary’s A Dal. Like Estonia, Hungary always offers a handful of songs that are interesting and experimental, and don’t sound like anything you’ve heard anywhere else. The song I want to draw attention to right now popped up early in the first heat of A Dal, and though it does remind me of various K-pop songs I’ve listened to in the past (stylistically) it’s not a cookie-cutter copy of something else…and I have to admit, I don’t think we’d ever hear anything quite like it in Melfest. It’s called Deák, it’s by Spoon 21 (who competed in A Dal a few years ago with a totally different track) and though I know I’m calling it early, it may end up being my gem of this selection season. This sort of silky-smooth, anthemic synth-pop is so far up my street, one more millimetre and it’d be in the next neighbourhood. It had me at hello (a.k.a. the initial snippet of that hypnotic chorus) and I’ve been obsessed ever since. Okay, so Spoon’s live performance was questionable (not visually, but vocally). And, as they squeezed through to the semi stages in equal second place, they’re not going to win the whole thing even if they manage to make the final. But who cares? One of the things I love about NF season is how it allows us to discover truckloads of awesome new music from all over the continent that we can enjoy for the rest of our lives (or until we’re tired of it thanks to overplayage). Onto my ‘Best of the 2017 NFs’ playlist you go, Deák.
No more Mr. Nice Guys: Denmark’s ban on boy bands
If you’re confused right now, I understand. Not only have I made my unconditional love of boy bands (or man bands…the only differences between the two are time, voice depth and facial hair) as clear as Petra Mede’s now-infamous ‘let’s come together’ joke – I also just mentioned that I’ve fallen head-over-heels for an NF entry performed by a boy band. Yet I’m thrilled that Denmark is treating singing groups made up of males like vampires and refusing to invite them in? What the Emmelie de Forest is going on? Well, I’ll tell you. I’ve been desperate for a change in Denmark after two ESC non-qualifications in a row – and what’s the obvious alteration, given that the common chain-link between The Way You Are and Soldiers of Love is the amount and gender of their performers? Dictate that DMGP 2017 will be a boy/man band-free zone, of course. Yes, Denmark did very well with A Friend In London back in 2011; but it seems like they were the exception rather than the rule. A self-imposed vacation from groups lacking in ladies (and, as a matter of fact, groups WITH girl power) will ensure they’re sending something different – artist-wise, at least – to Kyiv. Maybe we’ll see them back in the top ten as a result.
And finally, the one that transformed us all into living, sobbing sadface emojis…
Gone girl: Amaya’s withdrawal from Evrovizijska Melodija 😦
Besides Ace Wilder and Anja Nissen, there was another female singer starting with A who I was super-excited to see potentially win her chosen national final. Well, her new and improved stage name starts with A, anyway. We knew her as Maja Keuc when she slayed on the ESC stage in 2011 (in one of my most lusted-after contest costumes of all time) and six years later, the time was supposed to be right for Amaya to make a comeback in Slovenia. Unfortunately, she’s decided that a different career opportunity that clashes with EMA must take priority (DAMN HER) and so, is out of the running on her own terms (DOUBLE DAMN HER). Just when my brain had established that she’d win by a landslide, flit off to Eurovision and secure Slovenia’s first ESC trophy, or at least a place on the podium! And do it all in another spectacular outfit. Talk about leaving us all with one-way tickets to What-ifs-ville USA. As someone who believes that everything – or almost everything – happens for a reason, I’m going to assume that Amaya: 2017 Edition just ain’t meant to be because something better is in her future. Meaning she’ll be back again (re-back? Alexander Re-back?) with something even more epic up her stylish sleeve than she had prepared this time. That attitude, of course, doesn’t stop me from mourning the loss of her from this year’s EMA line-up…hence why I’m complaining about it to you now. Join me, won’t you?
What have you enjoyed most about the Eurovision 2017 selection season so far? Which songs, acts and results have had you jumping for joy – or doing the opposite (whatever that is)? Let me know in the comments below!
It’s Saturday, and you know the drill. Get ready to party, and to complain about the ridiculous results that will no doubt ensue on an eventful night like this!
TONIGHT: Finland’s UMK final, Hungary’s A Dal final, Moldova’s O Melodie Pentru Europa final, Slovenia’s EMA final, Sweden’s Melodifestivalen semi final four
Results + revelations of February’s final week
- Estonia: What’s jaw-dropping about Stig Rästa & Elina Born’s Eesti Laul victory isn’t that it happened (that was more or less a done deal from day one). Nope, it’s the stats that came with the win that are astounding. More than 37 000 televotes ahead of their nearest rival coming into the super final (HOLY CRAP!), they walked away from it with 79% of the votes, leaving Daniel Levi and Elisa Kolk with a measly 13% and a pitiful 8% respectively. Wowsers in trousers!
- Hungary: Kati Wolf narrowly won A Dal’s second semi ahead of Passed, nabbing herself a place in the final alongside Passed (obviously), Ív, Bálint Gájer, and the previous week’s four qualifiers. Can she repeat that success this evening? I don’t think so, but I am very happy nonetheless to see her make it this far.
- Ireland: Sadly, Erika Selin and her backup act Timoteij failed to win over the Emerald Isle last night, with sixteen-year-old Molly Sterling doing the deed instead. She’s taking Playing With Numbers, which she co-wrote, to Vienna. It’s another ballad to add into the mix, but the girl can sing and play the piano at the same time, and the song does have grower potential. Plus, if her stylist has an ill-timed breakdown – which I assume is the explanation for Kasey Smith’s monstrosity in Copenhagen – it’ll be mostly obscured by the piano, so it shouldn’t affect her chances.
- Latvia: Aminata’s Love Injected won the day, and I think it’s rather fabulous. I rarely have reasons to pick up a Latvian flag come Eurovision time, but I might be dusting one off this year.
- Lithuania: The Common Linnets Effect is rubbing off all over the conhttps://eurovisionbyjaz.wordpress.com/wp-admin/post.php?post=3118&action=edittinent, with Lithuania electing to send a male-female pair just as Belarus, the Czech Republic, Estonia and San Marino have done. Only instead of Calm After The Storm, Vaidas & Monika will be performing Coming Home by Firelight. Er, I mean, This Time. That awkward-as-heck stage kiss has GOT to go pre-ESC.
- Sweden: Jon Henrik Fjällgren sailed (presumably) through to the Melodifestivalen final at the pointy end of the third semi, taking teen pop purveyor Isa with him. Andreas Weise and Kristin Amparo deservedly received the second chance spots.
FINLAND: UMK, OK?
It is okay, verging on pretty good, as we come to the final stage of competition in Finland. Nine acts remain, and there are just one or two that would make my Finnish flag droop if they were victorious.
No Voy A Llorar Por Ti by Norlan “El Misionario”
Aina Mun Pitää by Pertti Kurikan Nimipäivät
Crossroads by Satin Circus
Ostarilla by Shava
Heart of Light by Opera Skaala
Lions and Lambs by Jouni Aslak
Hold Your Colours by Solju
Särkyneiden Sydänten Kulmilla by Järjestyshäiriö
All For Victory by Angelo De Nile
There have been some surprising qualifiers along the UMK way this year, which makes me think that tonight’s result could be surprising too. If a song I’m not so crazy about does top the scoreboard, I’ll try not to judge it too hastily in the wake of my 2014 turnaround on Softengine.
FYI, here are the songs I AM crazy about:
- Crossroads – This is so far up my street you’d need a full tank of fuel to locate it.
- Heart of Light – In-your-face crazy, but also crazy good.
- Hold Your Colours – Soothing and pretty.
One of those songs would win in a world where I make all the Euro-decisions, but as we do not live in that world (sob!) I’m going to be objective and tip Ostarilla or Särkyneiden Sydänten Kulmilla (say that three times fast…or even just the once). Neither of those would horrify me.
If Aina Mun Pitää or All For Victory win, however, I will spend a considerable amount of time afterwards weeping into my ‘I ❤ SATIN CIRCUS’ poster. For the love of Lordi, don’t let it happen!
HUNGARY: A less-than-Dal finale
That’s right. It may be A Dal by name, but as is becoming a trend, Hungary’s final is not at all Dal (or dull, in case you still hadn’t got that) by nature. Most of the stuff that made me go ‘ugh!’ has been weeded out of the field, and now, eight potential representatives remain.
Give Me Your Love by Ádám Szabó
Wars For Nothing by Boggie
Beside You by Zoltán Mujahid
Keep Marching On by Spoon
Fire by Ív
Ne Engedj El by Kati Wolf
Mesmerize by Passed
That’s How It Goes by Bálint Gájer
My top four:
- Keep Marching On – I may be a little too old to fit the traditional boy-band fangirl mould, but I will continue denying that fact as I scream hysterically in support of these dashing young whippersnappers, and their 1D-lite sing-along song.
- Fire – Like I said last week, this is cool, which is funny considering it’s called Fire. I’d be surprised if it went any further, but pleasantly so.
- Ne Engedj El – I don’t know if it has the legs to win, but Kati (who does have legs) has charmed me to an extent she never did with What About My Dreams this time around. On the off chance she takes it, I hope she’ll rely on Hungarian to deliver her beautiful ballad in Vienna. If ByeAlex can do it, so can she!
- Mesmerize – Here’s another weird and wonderful pop song that grabs attention based on individuality rather than OTT-ness. It’s not the best live song, though, so I doubt Hungary will send it to Eurovision.
My tip for the actual top four would be Ádám, Boggie, Kati and Passed – but whatever you do, DO NOT bet actual money on it unless its money you’re willing to give up without blaming me for the loss.
Of those four, there’s one that refuses to stop niggling at me as the winner, and it’s the one I’d be least happy to see go through because I don’t get the fuss…but I’m pegging Boggie for the win. Lame, message-shoved-down-your-throat lyrics aside, there is an eye-catching performance here, and I think a lot of other people are getting the emotional connection to Wars For Nothing that I’m not (I’m too busy fumbling for a sick bag).
But if my top four prediction comes true (HA!) and the decision is left up to televoters who turn out to be less enthused by Boggie than the jurors have been, we could be looking at Mr. Szabó as the prize-winner. Until then, I’ll continue to hold out hope that Kati and her now less-voluminous hair will be gracing the Stadthalle stage with their presence.
MOLDOVA: A melodie here, a melodie there
Sixteen, to be exact. After two semi finals, Moldova has ended up with a last-hurrah line-up of Maltese proportions. Seriously, if you’re going to the lengths of holding multiple qualifying heats, at least ditch a decent amount of songs in the process.
Maybe they’ll take that advice on board for 2016. In the meantime, there are sixteen acts still in the running to succeed Cristina Scarlat – and hopefully, none of them are feeling the need to tear their hair out onstage.
1. Lonely Stranger by Miss M
2. I’m Gonna Get You by Irina Kitoroagă
3. I Want Your Love by Eduard Romanyuta
4. Love Me by Dana Markitan
5. Up and Down by Diana Brescan
6. Inimă Fierbinte by Doinița Gherman
7. Maricica by Doredos
8. Save Me by Stela Boțan
9. About Love by Mihaela Andrei
10. I Can’t Breathe by Lidia Isac
11. Magia by Glam Girls
12. Day After Day by Sunstroke Project & Michael Ra
13. Fire by Julia Sandu
14. Danu Năzdrăvanu by Serj Kuzenkoff
15. Feelings Will Never Leave by Marcel Roșca
16. I Can Change All My Life by Valeria Pașa
Now, O Melodie Pentru Europa – as the Moldovan final is known by people who can be bothered to type it out and/or pronounce it – isn’t an NF I strive to follow closely, so I have exposed my ears only to a recap of the finalists, bar Eduard’s I Want Your Love, because I was a fan of his entry from the Ukrainian NF a couple of years ago.
As a result, I’m not going to predict a winner outright so much as throw a few names out there that are sticking out as possibles (and then gloat if one of them wins). It’s a reasonably strong final in my uneducated opinion, with Eduard, Glam Girls, returnees Sunstroke Project, Valeria, Doinița and Doredos being the acts I’d bet on if I was a betting kind of gal. It’s fortunate that I’m not, because by now I would’ve had to pawn my computer to buy food and therefore would not have been able to upload this post.
Just pick something decent, Moldova, okay?
SLOVENIA: Does an EMA-zing show await us?
Well…not exactly. I have sampled the goods, and I’m not convinced Slovenia’s putting its best foot forward with these eight entries:
1. Misunderstandings by Alya & Neno Belan
2. Once Too Many Times by Tim Kores
3. Glas Srca by Jana Šušteršič
4. Vse Mogoče by I.C.E.
5. Mava To by Clemens
6. Here For You by Maraaya
7. Šaltinka by Rudi Bučar En Figoni
8. Alive by Martina Majerle
Then again, I have already forgotten what the majority of them sound like, so…yeah. I’m sure Slovenia will make the best decision possible, as they did last year by choosing Tinkara (whose name I am still in the process of trying to steal because it makes her sound like a fairy godmother and I love that).
That may or may not lead to Martina Majerle packing her bags for Eurovision for what seems like the hundredth time – although this would only be her second time as a leading artist. She sang backup for Montenegro last year, and now she’s back attempting to represent the nation that sent her in 2009. Sent her without subsequent success, that is.
If it’s not her time, maybe it will be the time for yet another male/female duet – Alya & Neno – or for something ethnic that would liven up what is a ballad-heavy contest at this point – that’s from Rudi. Only time will tell.
SWEDEN: The Melfest semis go out with a Måns
This is the episode of Melodifestivalen I have been waiting for. I’ve been waiting for it ever since trio of brothers JTR were announced as competitors of this fourth and final semi. You’ll already know that the boys won their way into my heart (or at least the heart of the tragic teen fangirl in me) during their time on The X Factor Australia in 2013, costing me a small fortune in SMS votes in the process (110% worth it). Back then, they finished 7th, which is not a position they’ll want to be finishing in tonight.
1. Don’t Say No by Midnight Boy
2. Black Swan by Caroline Wennergren
3. Building It Up by JTR
4. Guld Och Gröna Skogar by Hasse Andersson
5. Make Me (La La La) by Dinah Nah
6. Ett Andetag by Annika Herlitz
7. Heroes by Måns Zelmerlöw
In a semi with one act certain to go direkt til final (Måns), a dansband institution Sweden will find it hard to say no to (Hasse) and someone loosely associated with the movie Frozen (Annika) it’s going to be a tough ask for JTR to make that all-important top four – but don’t dismiss them just yet. I will be cheering on Melfest’s first (as far as I know) semi-Australian act with all the energy I can muster at 3am, until their fate is cemented.
Now, for my personal top four based on dem snippets…
- Don’t Say No – It’s heavily 80s-influenced. He wears crop-tops and has a weird haircut. Need I say more?
- Building It Up – Again, need I say more? I think the above gush-fest told y’all everything you didn’t want to know about my totally biased love for JTR.
- Ett Andetag – I’m not sure about her voice, but I like what I heard of this ballad. It’s not as theatrical as I’d expected.
- Heroes – This definitely seems like a calming antidote to Eric Saade’s OTT Sting. Hopefully it comes across as being authentic, not just as a highly-orchestrated bid to win.
Throwing taste aside and talking tips:
DIREKT TIL FINAL: Hasse, Måns
TIL ANDRA CHANSEN: Dinah, Annika
I’ll be praying into my pom-poms for a Swedish-Australian miracle though. If Andra is as far as JTR can go at a push, I’ll take it!
Let me know what your hopes and/or predictions are for tonight. Should Finland rock out for the second year running, or shatter some serious glass with Opera Skaala? Will it be Groundhog Day for Martina Majerle as she heads off to Eurovision again? Will Sweden do the unthinkable and not make Hasse filler in their final? SO MANY QUESTIONS, SO LITTLE TIME!
I will see you on the other side of Saturday, when we’ll have most of the answers. Until then…
Hey, people who read my blog! Tonight is a great big fat night on the NF calendar, with impending host country Denmark and last year’s hosts Sweden going head-to-head with their respective finals. There’s also the Slovenian final to look out for, plus semis in Norway and Portugal and an alleged revelation from Russia…and that’s not all. Yikes, right? Unlike likely Melodifestivalen winner Ace Wilder (spoiler alert!) I suspect none of us will be busy doin’ nothin’ this evening. In fact, we’ll be busy doin’ a heck of a lot. Here’s a more in-depth look at what you’ll be dividing your time between.
PS – Read on to the Melfest section to see the results of last week’s poll, and whether they’ve influenced my prediction at all.
PPS – Getting to that section may take while. Seriously – this is a long post. Go grab yourself a cup of tea, or better yet, an energy drink, and get reading.
Norway: the semis continue!
I have a confession to make: I didn’t have the time to follow Norway’s Melodi Grand Prix this year.
Having followed it the last few years and enjoyed myself immensely, I had every intention of doing the same thing in 2014. Unfortunately, life (and a bunch of other NFs) got in the way, and last night I realised it wasn’t going to happen, what with the first semi final taking place pretty much as I was accepting that. Oops.
But the show must, and did, go on without me. Three songs out of five are through to next Saturday’s final – Heal by Mo (which I have previewed and quite enjoyed), Needs by Dina Misund, and High Hopes by Linnea Dale. Tonight, another five songs will compete for another three places. They are:
- Hele Verden by Cir.Cuz
- Right Now by Martine Marbel
- Sing by Oda & Wulff
- Taste of You by Knut Kippersund Nesdal
- Hit Me Up by Charlie
I can’t offer any educated insights here, but I can offer uneducated ones. Based purely on title/name appeal, I like the look of Hele Verden, Right Now and Hit Me Up. It’s a given that at least one of those will qualify to the final, but that won’t stop me from gloating when that happens, just to warn you.
Tomorrow night, it’s the same deal with lucky last semi three, featuring:
- Bensin by Moi
- Ain’t No Love In This City No More by El Cuero
- Who Needs The Universe by Ilebek
- Sole Survivor by Elisabeth Carew
- Silent Storm by Carl Espen
I’m interested to (eventually) hear Bensin, Who Needs The Universe and Sole Survivor in this group. I’m also interested to hear whether anyone has the potential to reach or top the standard of Margaret Berger – i.e., is Norway keen to keep the ESC in Scandinavia for another year, or are they just not that bothered?
Denmark’s MGP seeks someone to fly the home flag
Speaking of not being bothered…here’s Denmark! DMGP was very strong last year, and we all know what came of that. I’d like to take a moment to remind you of one my personal favourites from back then.
What could have been *sigh*…but it was Emmelie de Forest who took the win, then again in Malmö. That’s why we’re all referring to Denmark as ‘the host country’ this season, isn’t it? So, in saying that, the host country chooses its entry tonight, and whichever song wins can be guaranteed a rapturous applause in the Eurovision final.
That song will be one of ten entries competing in Odense, listed below in running order.
- I Choose U by Bryan Rice
- Your Lies by Rebekka Thornbech
- Feeling The You by Sonny
- She’s The One by Danni Elmo
- Vi Finder Hjem by Emilie Moldow
- Right By Your Side by GlamboyP
- Before You Forget Me by Nadia Malm
- Cliché Love Song by Basim
- It Hurts by Anna David
- Wanna Be Loved by Michael Rune feat. Natascha Bessez
I chose to be lazy here and only listen to the snippets a few times over.
The impression I got was that Denmark definitely don’t want another win; but at the same time, give these songs a chance and you’ll probably find quite a few that will give the Danes a middling to decent result, which won’t embarrass them.
Here’s my top five:
I Choose U – Bryan Rice is my ultimate ‘one who got away’. He 110% should have gone to Eurovision in 2010, but was left languishing in second place. Four years later, he’s back with a song that doesn’t have the same impact as his last, but is perfectly good radio pop with a great tempo.
Feeling The You – The disco sound is having a revival, no? I blame that for my attraction to this cheesy funkfest. It can’t have anything to do with that nonsensical title, which could either refer to Sonny’s penchant for sexual harassment or some kind of heightened vibe-sensing ability he possesses.
Vi Finder Hjem – This reminds me of something you’d find in the Swedish preselection for Junior Eurovision, which suits me just fine. Extra points for singing in Danish!
Cliché Love Song – Damn, this is catchy. And I wish some other songs would be this honest. For example, Dina Garipova’s What If would be Shamelessly Lame Ballad Wired To Rake In The Points, and Solayoh would’ve been Off-The-Shelf Ethnopop Five Years Past Its Use-By Date.
Wanna Be Loved – Very European dance pop. Not original, but a decent example of what it is.
Now, who among these five and the leftovers will succeed Emmelie as the Danish rep? I always have a hard time predicting DMGP, but working on the basis that my favourites hardly ever win it, I’m going to guess Danni Elmo or GlamboyP. If I was to get lucky and have a most-liked take out the comp, it’d be Bryan Rice or Basim.
What do you think? Who’s going to fly the Danish flag on home ground?
This is it: Melodifestivalen reaches its exciting conclusion
And I’ll be getting up at 3am to tune in! I am so P.U.M.P.E.D, my mini Swedish flag is practically quivering with excitement.
This is the ten-strong lineup for tonight, accompanied by some bite-sized reviews.
Natural by Anton Ewald – I’ve finally figured out what isn’t clicking here. It’s too forced, too try-hard, too ‘I want to come back and WIN, damn it.’ I loved Anton last year, and I still think he has the face of a Hollywood heartthrob (and the voice of Eric Saade on an off day) but Natural is one club banger that will stay in the club.
Songbird by Ellen Benediktson – And the award for Song Most Likely To Send Me To Sleep goes to Sporty Spice lookalike Ellen! I was shocked when this qualified straight through, because it is nice, but boring as Sanna Nielsen’s outfit. Bless the girl, but she will be my toilet break.
Blame It On The Disco by Alcazar – The schlager-tastic trio has sucked me in with their hypnotically catchy chorus circa 2002, and I no longer dread the thought of them winning. That is partly because they won’t be winning. But they will more than make up for the lack of bedazzling on Sanna.
Yes We Can by Oscar Zia – Perhaps it’s my secret addiction to cheesy Disney Channel movies talking here, but I LOVE this one. Oscar is adorable, can bust a move and has the voice of an angel (when compared to Anton Ewald). Combine those pros with the karaoke dream that is Yes We Can, and I for one am sold.
Bröder by Linus Svenning – I’m so happy this came out of AC, because it was one of my favourites in the first semi. It’s one of just two Swedish-language songs in the final, which coupled with the sad back story makes it all the more special. I don’t expect it to do much tonight, but it will stand out in the line up.
Survivor by Helena Paparizou – She made it (almost) all the way! I’ve grown to love Survivor, and the already-established love I had for Helena herself means there is a whole lotta love from me to this entry. I’ve been singing this in the shower, back-to-back with Undo, constantly for the last month. My neighbours are not amused.
To The End by YOHIO – I still prefer Heartbreak Hotel, but this has grown on me. I have to admit though, my favourite thing is that the big, brash performance is going to make Sanna’s simplified staging a breath of fresh air. I think YOHIO’s chances of winning have waned, but he should do okay with this.
Undo by Sanna Nielsen – Sanna is a perfect human, and this is a near-perfect lady ballad IMO. You can take your Wrecking Ball comparisons and shove them somewhere intimate, because there is no way you’ll ever see Sanna swinging across the stage astride a heavy-duty piece of destruction equipment. I do hope to see her swinging into first place during the voting, however.
Efter Solsken by Panetoz – I love these guys, their sound, and their irresistible choreography. They are definitely a collective ray of sunshine in this competition, and if there was to be a shock winner, I’d want it to be them.
Busy Doin’ Nothin’ by Ace Wilder – This song is an ear worm and a half. It’s also interesting and modern enough that it would make a good winner. I’m skeptical of Ace’s live vocal abilities (she’s no rival for Sanna in that department) but if Eric Saade can win Melfest, singing prowess is obviously not that important…
The outcome of Melfest 2014 isn’t going to be as hard to predict as DMGP, or as I initially thought. We’ve seen how the acts performed in the semis, we’ve seen the betting odds, and we have our gut instincts to guide us. Still, I was that hopeless during the semis and AC that I needed all the help in the world to make my prediction. That’s why I recruited you guys to vote for who you thought would win tonight.
Firstly, I’d like to thank you all for voting – the numbers were bigger than I expected, and I appreciate every click made. Secondly, HERE ARE THE RESULTS!
It was a close one between Ace and Sanna at first, but perhaps poor Sanna is destined to be second-best.
I’m not so sure she can defy that destiny this evening. The result comes down to televotes from the Swedish public, as well as vote cast by a variety of international juries. Last year, the juries took victory away from YOHIO and boosted Robin into what became a winning position. Not to sound too dramatic, but acts will suffer at the hands of either Sweden or the juries. It’s the way of the system.
I’m calling Girl Power to overcome the suffering, in the form of either:
Ace – I had a feeling about her before the poll results proved her so popular. I don’t think the juries will love her, but Sweden does/will, and they could give her the boost required so that a middling jury score won’t matter.
Ellen – Hers was a shock qualify, and I still don’t get it. But apparently there’s something about her I’m missing. Songbird is understated where Busy is aggressive, and sometimes less is more. The victory may depend on how many people have migraines.
Sanna – I am Team Sanna. I want her in Copenhagen, dammit. She’s tried six times in the past, and I’m not convinced she’ll get over the line now, but I can’t discount her. She has a decent draw, and based on downloads Sweden has responded well to Undo. The juries should rate it too, so if it’s not quite a win for Sanna, it will be a good result.
If you’re watching Melfest tonight, join me on Twitter @EurovisionByJaz. I’m excited to share my first (and probably only) live NF of the season with anyone who’ll have me. We can share witty 140-character quips until the sun rises (or until the show is over and you go to bed at a reasonable hour, if that’s your situation). See you there?
Sans Scandinavia (i.e. elsewhere in Europe)…
I think this post has gone on long enough, so I’ll just gloss over the rest of this weekend’s happenings.
- Russia will supposedly make an internal selection, having set an NF date and pushed it back already.
- Slovenia’s EMA final, featuring 2005 rep Omar Naber and a song co-written by Hannah Mancini, begins and ends.
- Portugal’s Festival da Canção kicks off with a semi.
- Sergej Četković’s song for Montenegro will be premiered. According to Wikipedia it’s called Moj Svijet, which means it’s very unlikely to actually be called Moj Svijet.
Tuesday (not part of the weekend, but worth a mention)
- Greece decides which of four acts to send to Denmark, presumably flying economy or with the baggage.
Alright. I’ve talked at you for long enough. I’ll let you go and prepare your viewing snacks and test your flags for wave-ability and flex your pumping fist. Me, I’ll be setting my alarm for a very silly hour of the morning and choosing the pajamas that would be best suited to watching Melfest.
Enjoy your evening, ladies and gents!