SELECTION SEASON 2018 | The French finale + Czech-ing out the competition
Bonjour! To answer all the usual questions…yes, I’m still alive; yes, I’m still blogging; and yes, my excuse for NOT blogging since Junior Eurovision in ye olde November 2017 (!!!) is the same (annoying adult commitments such as work, etc).
Now, I don’t know about you, but I’m beyond ready to dive deep into Eurovision 2018’s selection season. Tonight is a great night to do it, with three shows – including one decider – on the calendar. Plus, we get a Romanian heat and another installment of Israel’s Next Star tomorrow night. Oh, and on Monday, something’s happening in Spain (Operación Triunfo is just a big ol’ bunch of confusion), while the Czech Republic will announce that Mikolas Josef is representing them in Lisbon which of their six shortlisted acts is heading to Lisbon. OOF. If you thought I wasn’t going to make a dramatic re-entrance into the world of Euroblogging to cover all/whatever I can manage of this NF action…
‘What I can manage’, a.k.a. what I’ve chosen to cover this weekend are the happenings in the two countries that are 110%, totally and definitely choosing their reps for Portugal now (but don’t worry, I’ll be all over the Melodifestivalen semis once they start next weekend). That’s France and the Czech Republic, hence the punny title of this post.
So, without further ado, I’m going to share with you my thoughts on the songs of their selections, and predict who’ll end up flying the blue, white and red for a) a country that’s always in the ESC final, and b) a country that’s almost never in the ESC final. Leave your opinions + predictions in the comments below!
I have to kick off the France talk by saying OOH LA LA! After heading to Eurovision all flawless for the past few years (right down to Amir’s perfect teeth and Alma’s endless legs), they’ve continued to bring it in 2018 with a super-high-standard national final: Destination Eurovision (which sounds like an awesome holiday resort on a private island that one can only gain access to if one knows all the words to Alexander Rybak’s Fairytale by heart).
After two semis of eighteen acts performing their potential ESC entries, plus a version of something else – and being scored by a jury only – eight artists remain, as do eight songs that are decent at worst and brilliant at best. C’est magnifique!
Tonight’s show looks a little like this (because it will also feature duets):
- Mamma Mia, Louka
- Ailleurs, Max Cinnamon
- OK ou KO, Emmy Liyana
- Mercy, Madame Monsieur
- Rêve de Gamin, Nassi
- Eva, Lisandro Cuxi
- Lisboa Jerusalem, Igit
- Ciao, Malo’
A handful of great songs fell by the wayside in the lead-up to this final, but the fact that they weren’t sacrificed for inferior songs (IMO) says a lot about the effort France is putting in at the moment. I’m not saying that I absolutely adore every single song still in the running – I have some standout favourites for sure. But as you’re about to see, there’s nothing on display tonight that will have me hitting the mute button (or reaching for a pair of earplugs – whichever’s easiest in my 4am haze).
Thoughts + scores
Mamma Mia This was one of the first songs to grab my attention at the snippet stage, and I’m still loving it. It’s a little bit tropical-pop and edges towards the Latin pop trend too, so basically it’s pretty exotic. Oui, it’s repetitive, but the chorus is the hook and I’m biting! Louka is an attractive Frenchman, which also helps (yeah, I can be shallow. Sue me). 8.5/10.
Ailleurs I DO absolutely adore this one. It’s magical. The chorus is memorable and makes an impact without being loud and in-your-face. Overall, it’s pretty and soothing, with a nice mix of French and English lyrics. Max is kind of meek as a performer, but hopefully having made it to the final will give him a Blanche-like confidence boost. 9.5/10.
OK ou KO Emmy’s song isn’t at the top of my love list, but it’s excellent – soulful, smooth and perfectly suited to her powerful voice. I don’t connect with it as much as I do with some of the others, but that’s its only fault. 8/10.
Mercy I have the connection issue with this one too – I want to feel a rush of love for Madame Monsieur, but I just don’t. Still, I have to admit that everything is cool, contemporary and slick. I won’t jump up and down with excitement if Mercy goes to Eurovision, but I’ll be proud of France for sending something current and original. 8/10.
Rêve de Gamin Okay, so this was better in studio than on stage, but I didn’t think Nassi’s live was terrible by any means (the 2018 version of Daz Sampson’s Teenage Life staging worked for me). I will always be quick to defend this song though, because I think it’s awesome. The blend of dance-pop and ethnic music breaks is boss. 9.5/10.
Eva Honesty is the best policy (apparently) so here goes: THIS IS MY FAVOURITE (AND CAPITAL LETTERS ARE NECESSARY TO EXPRESS THIS)!!! Lisandro is the bomb dot com. He sings, he dances, he wins TV talent shows, and he was born and half-raised in Portugal. Hello! He’s also armed with a superb r & b-inspired track that may not be up everyone’s street but has its own personalised parking bay outside my house. 10/10.
Lisboa Jersualem It wouldn’t be a showcase of French music without something that could have been lifted from a Cirque du Soleil soundtrack (that’s a compliment, BTW). Listening to this transports me to a Parisian sidewalk where the scent of cigarette smoke and croissants intermingles seductively (or so I imagine, having never been to Paris). The song is my least favourite in the final, but I’m glad it’s there. 7/10.
Ciao I actually hated this at first, but it’s grown on me like a musical fungus and I’m now digging it. The chorus is tailor-made for an arena (and an arm-waving audience of thousands), although the verses are much less memorable (as in I literally can’t recall how they go right now). 7.5/10.
Realistically, I think half of France’s final songs are out of winning contention – in random order, Mamma Mia, Ailleurs, Rêve de Gamin and Lisboa Jerusalem. That leaves the betting faves Eva and Mercy (also winners of their respective semis) and chasing pair OK ou KO and Ciao. It’ll be interesting to see the results from the two voting parties that haven’t come into play yet – televoters and a beefed-up international jury. The fact that the ultimate decision-makers are different this time makes predicting a winner more difficult…but I would stick with Eva and Mercy as the ones to put your money on.
Lisandro, as France’s reigning Voice champ, has proven to be a televote magnet in the past, and his performance will be one of the strongest (vocally and visually) tonight. Madame Monsieur, meanwhile, are the winners in iTunes’ eyes, and because they’re not my personal favourite they’ll probably win (when I get invested in a song it’s practically a death sentence). As I said, if they do, I won’t be thrilled…but I’ll come to terms with it.
I wouldn’t be shocked to see OK ou KO or Ciao sneak up behind those two with a strong televote, but winning on that alone (if the international jury votes go mostly elsewhere) would be a tough task. The juries, feat. the likes of Armenia, Bulgaria, Israel and Sweden, might opt for the less “Frenchy” stuff á la Eva (giving it even more of a leg up), Ailleurs or Ciao, but to be honest I have no idea how they’ll distribute their points.
Alright, alright! So you want a definitive winner prediction from me, do you? Here it is: in the hope of not jinxing my numero uno Lisandro, I’m going with Madame Monsieur for the win (while still hoping and praying for Lisandro on the DL).
If you’re tuning in to the Destination final, stream it from 9pm CET here, here, via YouTube, or on TV if you’re in France, of course. And before then, hit up that comment box and tell me who you think will represent France in Lisbon!
The most impressive thing about the Czech Republic’s pre-Portugal selection process is that they’re managing to have a national final while simultaneously NOT having a national final.
I.e. there’s a line-up of songs competing against one other to win over juries and televoters, but there’s no live performances and no televised competition element. The jury votes, as I’m sure you know, have already been decided, and Mikolas Josef’s Lie To Me topped the scoreboard (somewhat surprisingly as I wouldn’t have considered it jury-friendly). Here he is alongside the five other potential – but not probable – Czech entries for 2018.
- High On Love, Debbi
- Stand Up, Doctor Victor
- We Rule This World, Eddie Stoilow
- Fly, Eva Burešova
- Lie To Me, Mikolas Josef
- Never Forget, Pavel Callta
For me, this selection is like a buffet where the options are a) five different types of unseasoned steamed vegetables, or b) a ten-tier red velvet cake topped with a spun sugar swan. Who in their right mind wouldn’t go for the cake? The cake in this case being Lie To Me, obviously. Okay, so I can understand why the song might rub some people up the wrong way…especially those opposed to blatant sexual references raunchier than Slavko’s ‘My spaceship is ready to blow, drunk in love, I’m gonna explode’. And people who are afraid of camels.
But as far as I can see, the Czech Republic will either be stuck in the semis at Eurovision again or sail to the final, based on whether Mikolas wins the public vote or not.
I’m not that inspired to review the other five songs, but in an attempt to come across as a fair and accommodating judge, I will.
Thoughts + scores
High On Love The most superior of the steamed vegetables is clearly this one. Whenever I see the title I’m reminded of this 2012 banger from Norway, which isn’t good because that was way better. But Debbi does have a pretty catchy pop song up her sleeve (in spite of some seriously annoying lyrics). 7/10.
Stand Up Stand up and leave the room? No problem, Doctor Victor. Bland rock is not my cup of tea, and this is so bland I could wallpaper my house with it. 3/10.
We Rule This World Eddie Stoilow (which is seemingly a band and not just the name of one person, go figure) have also produced something beige. WRTW would probably make the super-final at Dansk MGP, but it’s nowhere near interesting enough to hold the Czech Republic’s ESC hopes on its shoulders. 4/10.
Fly Sometimes a screamy lady ballad appeals to me, if the melody is decent and the screaming lady is screaming in the right way. But I feel like Eva is more or less moaning at me very loudly for three minutes because I ruined her favourite shirt when I did her drycleaning or something. 5/10.
Lie To Me This is the love child of Talk Dirty by Jason Derülo, Problem by Ariana Grande and Strip That Down by Liam Payne (don’t ask me how that’s possible), and I am OBSESSED. It has ‘The One’ written all over it in big, crude Sharpie letters. It could be a disaster when performed live (and there will be no camels present, which is a huge disappointment) but let’s cross that bridge when we come to it. 10/10.
Never Forget The title of this song is ironic. That’s all I’m going to say. 6/10.
Speaking of saying the bare minimum…I can give you guys a Czech prediction without using any words at all.
What do you think? Does Mikolas have it all sewn up, or is someone else going to miraculously swoop in to succeed Martina Bárta?
SELECTION SEASON CONTINUES: What’s up next?
- Saturday 3/2: Hungary (heat 3), Latvia (semi final 1), Lithuania (heat 4), Malta, Sweden (semi final 1)
- Sunday 4/2: Romania (heat 3), Switzerland
Whatever you’re watching this weekend, enjoy it…but not too much, ‘coz we’ve all got to save our energy for February and (early) March. Assuming I’ve got the energy, I’ll be on Twitter throughout the season. Follow me @EurovisionByJaz for salty comments and tea-spilling (re: songs I hate) interspersed with OTT compliments (re: songs I love). What can I say? I’m a woman of Eurovision extremes.
Until next time,
4 Responses to “SELECTION SEASON 2018 | The French finale + Czech-ing out the competition”
Lisandro for me in France and I still think he will do it…
I prefered Debbi on first listen but only just, Mikolas was 0.5 behind so I won’t be too disappointed if/when he wins…
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So…we’re in agreement then?? SHOCKED FACE!
Sort of… 😉
I’ll accept ‘sort of’. You’ve gotta take what you can get sometimes!