Hej och välkommen to my 500th post! I’m not kidding – there’s no crappy attempts at clickbait from me (this time). I’d say something like ‘Who would’ve thought there was that much Eurovision-related stuff in existence to be written about by someone who aspires to but has no hope of reaching the popularity status of WiwiBloggs?’…but we all know there’s enough discussable Eurovision-related stuff to last a lifetime. Especially when there’s another ESC, JESC and NF season for both every year.
In summary, there’s a 99.9% chance that I’ll be composing Post No. 1000 in about eight years’ time. Hopefully it has a less boring intro than this one.
Anyway, I know we’re in the midst of the 2017 national final season right now (with the German final taking place on Thursday and an action-packed weekend creeping closer), but I thought this milestone of a massive amount of ESC ramblings needed to be acknowledged. And, as my numero uno NF Melodifestivalen started on Saturday – the final of which I’m attending this year and that’s SO EXCITING I SIMPLY MUST USE CAPS LOCK – I’m going to celebrate Melfest-style. Someone hand me my rhinestone-spangled catsuit!
Basically, there’s a fun tag that’s been floating around Facebook lately (at least, in my feed) and it’s as simple as this: you name your favourite Melfest entry for each year that you’ve followed the comp. I thought I’d choose mine according to all the Melfests that have happened while I’ve been (apparently) busy blogging 499 times – 2010-2016. Then I realised that’s the exact period I’ve been following the show for anyway. It’s fate. So here we go…a.k.a. NU KÖR VI!!!
PS – As this is a tag, I tag each and every one of you reading this to list your favourite Melfest songs from your years of keeping tabs on the five-week extravaganza. Even if you just joined the party in 2016, let me know which entry was your most-loved last year.
2010 | You’re Out Of My Life by Darin
The first Melfest to take place after the birth of Eurovision By Jaz (a birth that was not only painless but actually enjoyable, no drugs required) was fantastisk. Well, the final was – I have to admit, there were some questionable entries in the semis. But damn, Sweden, THAT FINAL! Even so, I can narrow the field down to my personal favourite song faster than most Ukrainian men can run on giant hamster wheels. The hugely successful runner-up of Idol 2004, Darin is my most beloved Swedish soloist in the history of Swedish soloists, and his one and only (to date *crosses fingers*) Melfest entry was the pinnacle of pop balladry in my opinion. If the music doesn’t move you, then check out the wind machine usage, which nearly moved the man himself off the stage and into the wings at supersonic speed. Sadly, it didn’t blow Anna Bergendahl, Salem al Fakir and Eric Saade away and out of the running.
Andra Chansen Kom by Timoteij
2011 | My Heart Is Refusing Me by Loreen
I’m going to break some bad news to you right now by saying that *SPOILER ALERT* this is the only time Loreen will appear on this list. Who knows – her 2017 Melfest entry Statements might end up in a Top 10 of mine in the future, but for now, it’s all about Loreen Vol. I. The first time we saw her compete, she made it into Andra Chansen but not out of it (I know…crazy, right?!?). The dance-pop dream with a hint of disco that is My Heart Is Refusing Me, though, was a winner in so many ways: from the catchiness, explosive chorus and overall cool factor to Loreen’s weirdly wonderful red top (I have been trawling op-shops in the hope of finding something similar ever since, and may eventually resort to feeding a plain red sweater into a document shredder). Because this track is more complex and unpredictable than Euphoria, I ever-so-slightly prefer it – and it’s far and away my favourite song served up to us by Melodifestivalen 2011.
Andra Chansen Popular by Eric Saade
2012 | Why Start A Fire? by Lisa Miskovsky
It’s a good question. Why should you start a fire? I guess if you’re out in the wilderness and will freeze to death if you don’t rub some sticks together and get a flame going, then it’s probably a smart idea. But I’ll leave the extenuating circumstances of fire-starting at that, since they have nothing to do with my unconditional love for this song. Lisa, whose songwriting credits include boss-as-a-Billy-bookcase hits for herself and the likes of the Backstreet Boys (we have her to thank for Shape of My Heart), had a tough task topping the ten finalists of Melfest 2012. She ended up finishing second last – which wasn’t that shocking – but I for one think Why Start A Fire? is stunning. A mystical synth riff gives way to lush layers of music and vocals that, when they’ve run their course, make you (and by ‘you’, I mean ‘me) feel relaxed and re-energised – rather than exhausted, because you’ve just listened to something loud and watched a performance with more gimmicks than Sanna Nielsen has filled out Melfest application forms.
Andra Chansen Soldiers by Ulrik Munther
2013 | You by Robin Stjernberg
At last – the first Melfest year of my blogging career in which my number one competing song went on to win the whole thing! Against all the odds, too. Robin’s NF story is the ultimate underdog tale of a ridiculously good singer who entered what was a pretty weak edition of Sweden’s crowning TV glory (as they were hosting Eurovision in 2013, however, they can be forgiven for not trying too hard to produce an epic host entry). He didn’t manage to go direkt, instead ending up in Andra Chansen and making most of us count him out FTW. Then he did win, making him the first non-direct finalist in the existence of the AC round to do so. And he did it with an awesome, heartfelt pop anthem with one heck of a hook (you-ooh-ooh-ooooooooohhh, in case you were wondering). You also boasts a money note that, when Robin belted it out on the Malmö Arena stage, was powerful enough to produce a pyro curtain. I assume it was his vocal strength that did it, rather than your average pyrotechnics consultant backstage somewhere. Don’t burst my bubble.
Andra Chansen Bed On Fire by Ralf Gyllenhammar
2014 | Undo by Sanna Nielsen
Speaking of your one true NF love taking the trophy home (along with an ‘Admit One’ ticket to Eurovision) – it happened to me for the second year running in 2014. Undo marked Sanna’s seventh Melfest participation, following mixed results for her in 2001, 2003, 2005, 2007, 2008 and 2011. It didn’t take seven of anything to have me hooked though. So much so that, despite having been Team Empty Room when it came to Sanna’s best entry, it wasn’t long before I’d bumped her ’08 runner-up down to the runner-up position on my list (my mental list…I don’t have a physical paper Sanna ranking). Undo, for me personally, is peak pop power ballad perfection. The soft vulnerability of the first verse, the break between the second and last chorus and the finish contrast goosebumpingly (I hereby decree that a proper word even though Spellcheck wasn’t a fan) with the simple but powerful choruses – and Miss Nielsen nailed every note, every time. This may not be a popular opinion, but I definitely think she won Melodifestivalen with her strongest submission. Nothing else would have scored her a bronze medal at Eurovision – not even Empty Room.
Andra Chansen Survivor by Helena Paparizou
2015 | Heroes by Måns Zelmerlöw
It was third time lucky for MZW at Melfest, and the third year in a row that the results went my way. Can anyone really argue that Heroes shouldn’t have won the NF when it went on to win Eurovision? That’s a rhetorical question, so don’t try to start something in the comments. The song itself was worthy of winning both contests as far as I’m concerned, being the Avicii-inspired anthem with a karaoke dream chorus that it is. But you can’t mention Heroes and not talk about the visuals that elevated it from great to even greater (and I’m not referring to Måns’ muscles and THOSE LEATHER TROUSERS). We all fell in love with the original stick man – who turned out not to be so original in the end, so he got a bit fatter and wore a different hat for the ESC. We followed his journey from being downtrodden and dragged away by a balloon to having the privilege of fist-bumping his older, flesh-and-blood self (who had swapped overalls for THOSE LEATHER TROUSERS). And that, plus the slick lighting scheme and choreography, made Heroes a flawlessly-packaged entry that ticked every box, both in Melfest and at Eurovision. I love it just as much now as I did two years ago (!).
Andra Chansen Det Rår Vi Inte För by Behrang Miri feat. Victor Crone
2016 | Human by Oscar Zia
These days, with 28 songs competing in Melfest each year, I’m bound to like or love at least 25 of them (Swedish songwriters just know how to float my boat). So did I like or love If I Were Sorry? Yes. Was it my ideal winner/host entry for Sweden in Stockholm? No, to tell you the truth. My votes – if I’d been able to cast any – would have gone straight to Oscar Zia, who started out in the show as a backing vocalist, returned a year later on his own, then made a massive comeback – having come out of the closet and evolved stylistically and hair-stylistically – with Human. You know I love (most) modern power ballads, but when a modern power ballad comes equipped with edge and a moody atmosphere like this one, someone’s going to have to haul me up off the floor where I have swooned. As with Måns, what we saw was just as important as what we heard when Oscar had his technically-third try for the Melfest trophy. Storm clouds and intense, quick camera cuts made the performance memorable without the need for an entire supermarket aisle’s worth of bells and whistles. The whole thing was so magical, it annoys me beyond belief that there’s no watchable video of it accessible in Australia (as far as I can tell). So enjoy – or not – the lyric video I stuck here. Closing your eyes and just listening is still an epic experience, after all.
Andra Chansen Constellation Prize by Robin Bengtsson
Whew – think yourselves lucky that I didn’t discover Melodifestivalen in 1991 (I was too busy being a baby). As it stands, my waffling on is…well, off, so it’s time for you to list your own favourites. Which Swedish songs have you cheered for the most over the years? Is there ANYTHING we agree on, or is it true that one person’s treasure is another’s trash? I want answers, people!
Until next time (the upcoming NF-antastic weekend)…