Well, hasn’t this past week been a big one? Bulgaria are back in Junior Eurovision (*insert fist pump here*), Eurovision has a new but not-necessarily-improved generic logo (I’m still pulling a Bucks Fizz and trying to make my mind up about it) and we still don’t know which Austrian city we should start familiarising ourselves with. In case the EBU happens to make that known between now and my next post, I’d like to say that I think Vienna will give us an amazing show. As long as it’s hosted by Conchita Wurst and Inspector Rex, that is.
I would also like to say a haa-yuuuge thankyou for the lovely comments made on my last post. They were just the kind that make me feel all warm and fuzzy and remind me why I love to blog, ESC-style.
To kick off the week, I thought we could indulge our catty sides and “throw some shade” or whatever it is that the youth of today harp on about. This may be the second post in my 5th birthday series, but why should they all be celebratory when it’s so much fun to discuss the good, the bad and the ugly of Eurovision?
Now, I know what you’re thinking…
…but deep down we’re all aware that occasionally, the contest stage is overtaken by crap. When you’re doing your yearly rankings, there are songs that will be at the bottom. Personally, I tend to hate some entries with a passion initially, but by contest end find them listenable – which is why it’s taken me so long to find a legit list of songs that have made me go ‘NOPE!’ since I began this blog. Many of these are more dull than they are crappy, so I wouldn’t actually give them all zero points if I had the chance. But the following ten songs would bring up the rear of my 2010-2014 rankings.
You know the drill. Check ’em out, then let me know which songs of the last five contests have had you hitting the nearest mute button!
#10 | Would I? I don’t think so…
Would You by Iris (Belgium 2012)
Sometimes I wonder if it’s better for an entry to be so bad that nobody can stop talking about how bad it is – rather than so dull that nobody EVER talks about it. I present to you now Exhibit A, being mentioned perhaps for the first time since it (unsurprisingly) failed to qualify two years ago. I don’t hate this song, and I definitely don’t hate Iris – in fact, many of us had big hopes for her prior to her song being chosen – but that’s the problem. I have zero strong feelings about Would You aside from a very strong urge to yawn whenever I hear the opening bars, because I know what’s coming. I.e. three minutes of slightly disjointed nothingness.
#9 | Standing by for something less yawn-worthy
Stand By by Senit (San Marino 2011)
Yep, more yawns are a-comin’, people! The second-ever entry from our favourite tryer San Marino was so inoffensive it hurt. Again, it wasn’t horrible by any means, and Senit did the best she could with the material at hand, but I direct your attention back to what I said about Belgium ’12 in this case. Stand By was more cohesive than Would You, but no more interesting and just as zzzzzzzzzzzzzzzzzzzzzzz *falls asleep in the middle of writing about it ‘cause it’s that bland*.
#8 | One life, and three minutes you’ll never get back
One Life by Glen Vella (Malta 2011)
If you’re craving something savoury right about now, you may enjoy this massive hunk of cheese I’m about to serve up. Actually, I shouldn’t take credit for what was a Maltese creation back in the days of Düsseldorf, particularly when the quality of said creation is so questionable. You’ve got to love Glen himself – one of many congenial, happy-go-lucky peeps to represent Malta in recent years – but if you also love the stale pop of ‘ooooooonnne liiife’, may I ask why? Did you hop in a time machine pre-Eurovision 2011 and go back to 1988 only to find this entry cutting edge? Or do you just hear something in it that I don’t?
#7 | You’ve got to be joking…
I’m A Joker by Anri Jokhadze (Georgia 2012)
Georgia seem to pattern themselves like this: one year they’ve got their game faces on and come to the ESC armed with a contender more often than not purchased from the Swedish Song Supermarket (owner and proprietor Thomas G:son) and the next, it’s bonkers o’clock and the nonsensical rhyming lyrics and parachutes are out in full force. The cray cray may work to their advantage in Junior Eurovision, but I’m afraid I don’t enjoy it elsewhere, as much as I admire how they embrace all that is wack. I’m A Joker was a mash-up of about five different songs that was well handled by Anri, but the man deserves something infinitely better to test his impressive vocal range on.
#6 | FYI, I don’t remember you
An Me Thimase by Despina Olympiou (Cyprus 2013)
Last year, Despina was itching to know if we remembered her. If that’s not irony, it’s right there in that neighbourhood given how utterly unmemorable her song was. Bring this entry up in conversation and the first thing that will pop into my mind is her faux-transparent lace gown, which I rather liked. Apart from that, I’ve got nothing. In that sense, I’m kind of glad Cyprus chose to take a year out of the competition. I hope the holiday has revved them up to find something that excites for Vienna/Graz/Innsbruck (come on EBU – put us out of our misery!).
#5 | No time for this…
Time by Izabo (Israel 2012)
I can feel the burn from the evils y’all are giving me, and I’m sorry, but everyone is entitled to their opinion…mine in this case being that this song is so freaking annoying, it actually gives me a headache. Now, I will admit that there are rare occasions when I can tolerate it, but I have to be in the most carefree, hormonally regular state of being at the time. If not, the mere sound of that screechy chorus sends me into a rage that ends in either me tearing my hair out, or tearing out the hair of anyone who happens to be within clawing range. Unless it’s Cristina Scarlat, who has no hair left to tear out.
#4 | Not exactly a dream come true
My Dream by Thea Garrett (Malta 2010)
LAME LADY BALLAD ALERT! Why, oh why are we still being plagued by these atrocities? Russia, just one year ago, gave us the most recent example, and in fact, there are a lot of similarities between What If and My Dream. ‘Youthful, talented female sings cringe-worthy ballad while dressed in her grandmother’s curtains’ pretty much sums them up. What saved What If from appearing on this list was the construction and the melody, neither of which are presented in quite the same dated, clichéd manner of Malta 2010. Let’s hope the island nation is done with cheese like this, and what came immediately afterwards.
#3 | Putting the ‘no’ in Narodnozabavni
Narodnozabavni Rock by Ansambel Zlindra & Kalamari (Slovenia 2010)
Some unusual pairings just work – for instance, chocolate and popcorn, or Danny DeVito and Arnold Schwarzenegger in Twins (oh, the LMAOs!). Perhaps even folk and rock music can result in a pleasurable listening experience when combined in the right way. Unfortunately for Slovenia in Oslo, their experiment in genre fusion failed. This is another song that I find extremely irritating, and frustrating at the same time because I feel like three minutes of the folk would have been so much better. The painfully vintage rock stylings I can do without.
#2 | It’s her life, and she can keep it
C’est Ma Vie by Evelina Sašenko (Lithuania 2011)
Disclaimer: I know I’m repeating myself, but I’m not trying to insult the artist here. Evelina has a great voice and is probably a top-notch human being. Sadly, the overblown, melodramatic and depressing B-side from Les Misérables that she was forced to sing at confetti cannon-point competing with was a big distraction from those positives. This style of song just doesn’t appeal to me at all, especially in the Eurovision context. And I feel like I’m perfectly at liberty to say that, as compensation for it going through to the final when I really didn’t want it to.
#1 | That makes one of us…
That Sounds Good To Me by Josh Dubovie (United Kingdom 2010)
My opinion of this entry in a nutshell? WHAT were they THINKING?!? It’s like the kid at school who never even had a chance because not only does he have a stutter, a limp and a lazy eye, but his parents also named him Buttcrack. What I mean is, Pete Waterman set what was already a laughing stock of a song up for the ultimate fall when he decided to call it That Sounds Good To Me. Josh was/is adorable, but not even he could save the UK from humiliation, and his bum note right at the end of his performance in the 2010 final was the cherry on top of the world’s worst sundae. I can’t even laugh at it because I feel so bad for him. Okay, maybe I can laugh a little. Sorry Josh.
If you’re like me and aren’t a fan of these songs, I apologise for bringing them up. But really, we should be thanking the writers and composers who were clearly having an off day, because what is good without bad?
On the other hand, if you’re outraged that I dared rubbish the masterpiece that is That Sounds Good To Me, let me know below. Hit me up with your personal nul-pointers, 2010-2014!
NEXT TIME: Inspired by the injustices of the Barbara Dex Award, I’m going to have my say on the best and worst fashion moments from Eurovision’s last five years. Dust off your Fashion Police uniforms and join me, won’t you?