Hej, children of the universe. I’m assuming that’s how Molly Smitten-Downes would address anyone she came across, although I’d say we were more like children of the Euro-verse. But I’m not here to talk about the freshly debuted UK entry for Copenhagen (that’s what my reviews are for). Nope, as promised, I’m here to celebrate Melodifestivalen just days before the 2014 final takes place in Stockholm. It’s going to be a hotly-contested comp this year, with any one of three, four, or even five songs being possible winners, which means, IMO, that Melfest is back to its former glory. You know, the kind of glory that exists in countries that haven’t just won Eurovision and really aren’t keen on winning again.
Although the 2013 final was strong, the standard in the semis was pretty low. This year, it was much higher, meaning we’ve lost some gems along the way. That’s happened on many occasions over the years. I have literally shed tears over the loss of Melfest entries at the semi stages. So, to be relevant rather than random AND revisit some of these gems, today I’m revealing my top 10 Melodifestivalen songs, 2009-2013 (because, as I have mentioned before, covering the past ten years plus is too darn difficult). There are some in this list which did make it past the semis, with a few doing very well indeed. But I’ve found that a great deal of my favourites were clearly not Sweden’s favourites at the time. Check out the lucky ten and let me know whether any of them are your personal favourites, or if I officially have the worst taste on the planet (if you’re going to say that, however, word it nicely).
PS – I chose not to include any songs that won Melfest and went on to Eurovision, because I see those more as ESC entries to be included in other lists. I also have not included any songs from the 2014 edition, because they’re still so fresh and can’t be compared to songs I’ve been listening to for, like, ever.
PPS – If you haven’t yet voted in my poll to see who will win MF on Saturday, you can find it at the end of this post, and I will bow down to you and do all your bidding if you have your say. Voting closes on Friday, so hurry and help me predict the winner!
Now, on with my top 10 Melfest entries of the past five years, beginning with #10.
#10 | Baby Goodbye by EMD (2009, 3rd in final)
The three ridiculously good-looking guys who make up EMD – Erik Segerstedt, Mattias Andreasson and Danny Saucedo – have all participated in Melfest outside of the group, but it was together that they were at their most schlager-tastic and suave. Baby Goodbye has been heard time and time again in Melfest (let’s be honest, Manboy and Youngblood are retitled versions of the same thing) but for some reason, I find it the most appealing. I suppose the hypnotic power of the three handsome men singing it could be influencing that opinion a little.
#9 | Better Or Worse by Julia Alvgard (2011, DNQ)
Julia was one of two wildcard entries into Melfest 2011, and like the other, she failed to win over the voters. She did win over a certain Australian fangirl in a big way, though (that’s me, in case you were wondering). I fell in love with her unusual synth-pop number instantly after hearing it for the first time, and whilst I knew it didn’t have much hope of going to the final, let alone winning, I was still a walking sadface when Julia ended up 6th in her semi. I will admit, the stage performance featuring those giant lampshades was disturbing, so perhaps that was partly to blame.
#8 | Förlåt Mig by Mattias Andreasson (2012, DNQ)
He wasn’t suited up when he went solo, but EMD’s Mattias was still smooth and suave in Year Euphoria – and that was before he’d even opened his mouth to bust out the first line of the slick R & B track that is Förlåt Mig. It’s not the coolest use of light sabers since Kate Ryan (almost) nailed them in Athens that makes me get down to this. It’s the general catchiness and clever construction, build worth waiting for, and the fact that it’s in Swedish, which somehow elevates it for me – perhaps because songs like this often have nauseating lyrics when they’re in English.
#7 | Begging by Anton Ewald (2013, 4th in final)
He’s one of a bunch of artists who returned to MF this year, and like the majority, Anton’s come back with a weaker song, IMO. Natural’s just fine, but Begging was the bomb! It took me a few listens to really ‘get’, which may explain why Sweden didn’t vote it straight through to the final, but to Andra Chansen instead. Not only did it emerge from AC alongside eventual winner You, but it out-scored six songs that had been voted straight through. It’s on this list because it manages to be contemporary and mainstream at the same time as being original in its genre…and, of course, because it’s freaking catchy. That’s my main criteria.
#6 | Why Start A Fire? by Lisa Miskovsky (2012, 9th in final)
Miss Miskovsky has penned songs for, among others, the Backstreet Boys – one of my many true loves – so it’s not surprising that I’m a fan of her own music. This effort from Melfest two years ago sounds nothing like a BSB chart-topper, but that makes it no less beautiful. It’s hauntingly so, if I may say so without sounding like a ponce. Whether that’s from the unusual instrumentation, her voice or a combo of both, I don’t know. I just love it. It’s a shame it didn’t do better in the final, but 2012 was a strong year, and Lisa didn’t have crab-dancing in her repertoire.
#5 | Aldrig Aldrig by Andreas Lundstedt (2012, DNQ)
Andreas did cheese as part of Six4One at Eurovision, and plenty of it as part of Alcazar (and what do you know? They’re doing it again in 2014!). When he donned a metallic dinner jacket and ventured on stage by himself, there was no cheese to be seen anywhere. Aldrig Aldrig was like the musical love child of Coldplay, Urban Symphony and Donny Montell, and I mean that in a positive way. It had symphony, claps possibly borrowed from the Friends theme song, a mod-disco beat, and, once again it was in Swedish, which instantly made it more exotic in my eyes. Andreas performed it like a boss, and I wouldn’t mind him doing it again some day if he ever manages to shake off those pesky bandmates of his. JKIDOLOVEALCAZARISWEAR!
#4 | Mystery by Dead By April (2012, 7th in final)
Am I a rock fan? Not really. Metal (if it ain’t Lordi)? Uh, no. How about songs that incorporate death growls? Forget about it! That was until Dead By April somehow won me over with the gentle verses and irresistible chorus that contrasted so nicely with the aforementioned screaming to form a cohesive piece of awesomeness. If that doesn’t make sense, it’s because I actually have no idea what it is about Mystery that I can’t get enough of – it really is a mystery. The massive crush I had on lead singer Zandro at the time may have played a part. Could it be another case of EMD syndrome?
#3 | Soldiers by Ulrik Munther (2012, 3rd in final)
2012 was a seriously amazing year for Melfest, standard-wise. Sweden’s answer to Peter Pan, Ulrik Munther, provided yet another example of that with the rousing, anthemic Soldiers, which I’m sure has won some sort of award for Best Use of a Harmonica. I don’t say this very often, but in this case it’s the lyrics that have a lot to do with how I feel about this song. They are flawless and meaningful, and don’t rhyme ‘love’ with ‘above’, or ‘heart’ with ‘apart’ or any of that cliché crap. It’s genius songwriting, is what it is. I also have a thing for the drumming, which is suitably militaristic and makes me want to march right into Neverland with Peter/Ulrik and play the harmonica for the rest of eternity. Kind of.
#2 | Kom by Timoteij (2010, 5th in final)
I’m yet to come across a person who didn’t at least like this a lot, so expect a great deal of criticism if you tell me Timoteij aren’t your cup of tea! The quartet and their respective instruments turned folk on its head by making it pop and making it dramatic. Everything they produce is in this vein and is epic, but Kom is the pinnacle to date. Just try getting that chorus and/or riff out of your head. The song won the OGAE Second Chance Contest in 2010 and made us all wonder what could have been, since things didn’t go so well for Anna Bergendahl.
Finally *drum roll*, my favourite Melodifestivalen entry of the past five years is…
#1 | You’re Out of My Life by Darin (2010, 4th in final)
Beating Timoteij in the 2010 final (despite qualifying below them in their semi) was Eurovision 2013 interval act and my favourite artist period, Darin. He did so with a ballad that gave me goosebumps on the first listen, and still does approximately 10 995 listens later. I’ll admit, the live performance didn’t have the exact impact of the studio version (that money note is a toughie) but it’s still magic as far as I’m concerned. I know hardly anyone will agree with me on this, but know that whichever songs give you the bumps probably wouldn’t do the same to me. YOOML is my personal stunner, and sometimes I do wish it had beaten Anna. And Salem. And Eric Saade. Man, 2010 RULED!
EBJ extras: the ones that just missed out…Keep On Walking by Salem Al Fakir (2010); Try Again by Dilba (2011); My Heart Is Refusing Me by Loreen (2011); Elektrisk by Anniela (2011); På Väg by Abalone Dots (2012); Why Am I Crying? by Molly Sandén (2012); Hello Goodbye by Erik Segerstedt & Tone Damli (2013).
So that’s that…what did you think? Do we have anything in common? Yay or nay, I think we can agree that this Saturday night is one to look forward to. In the latest Melodifestivalen final, one of ten songs will become a Eurovision entry, whilst the others will compete for places on lists like this one for years to come. You can still help me decide which one will come out on top by voting in the poll that I mentioned earlier, and have been bugging everyone on social media etc about for days now. Here it is!
You still have the power to change the results. You won’t win a prize if you do, but it may make you feel superior for a few minutes. #winning?
I’ll be back on Saturday with the final poll results, predictions and other (hopefully) entertaining stuff re: NF season. Takk for reading, and see you then!