That’s right – we have to say hej då to the ‘hej!’ greetings that preceded Stockholm 2016 (at least temporarily…as someone still learning Swedish, expect me to throw around random words á la Svenska on a regular basis, no matter which country is hosting the show). It’s time to hop on board the Ukrainian bandwagon! That’s because we’re less than a month away from the first semi final of Eurovision 2017 (!!!) which, at the time of typing, will still be held in Kyiv. Sans Russia, surprise surprise.
So now I’ve said hello accordingly, there’s some important business to take care of: FINALLY kickstarting my song reviews. Sadly, I haven’t had time to pull together an EBJ Jury for 2017, having just been sightseeing, Melfesting and eating too much cake in Europe for a month (which I will be using as an excuse for not achieving stuff until approximately October). But guess who offered to help me out by listening to and passing judgment on all 43 42 competing entries?
MRS. JAZ! Yes, my mum is back on EBJ, just after traveling with me to Melfest and then requesting a copy of the 2017 album with genuine enthusiasm (like I said in my last post, the brainwashing is going swimmingly, guys). So get ready to hear verdicts on the Class of 2017 from someone who may have seen Robin Bengtsson strut his freaking beautiful stuff in the flesh twice, but hadn’t heard any of the other competing entries before reviewing them. She’s got the fresh perspective, I’ve got the constant comparisons to last year on lock. Let’s get going!
First up…well, the title says it all. Read on to find out if Dihaj, Anja, Tamara, Joci, JOWST and Salvador managed to impress both a hardcore ESC fan and a first impression-ist.
My thoughts Say whatever you want about Azerbaijan at Eurovision (be it good or bad; be you polite or potty-mouthed) – you can’t deny that they’re dangerous. They’ve never failed to qualify for the final, and despite a dip in results recently, more than 50% of their time in the contest has been spent sitting pretty in the top five. So will it be a sky-high finish or another slump for Dihaj’s Skeletons: a song that makes a big move away from Melodifestivalen discard Miracle? If it were up to me, Azerbaijan would definitely be back on the left side of the 2017 scoreboard – and I mean WAY up on that side. This song kicks butt! It’s everything I was hoping for from the often experimental Dihaj – interesting, edgy, moody and current – but still has a Sia-esque, accessible pop sound, making it less divisive and giving it more mass appeal. The verses, pre-chorus and chorus itself blend together brilliantly; yet each one has its own distinct vibe without any weak links letting the team down. And is the whole thing catchy or what? The lyrics (particularly in the chorus) make zero sense, if you can even interpret them in the first place – my first impression was ‘I’m a skeleton…and I love my minions’ – but that doesn’t bother me at all. Factor in Dihaj’s quirky sense of style, powerful-but-raspy vocal and Azerbaijan’s tendency to make staging their bitch, and you’ve got the formula for something that, annoyingly, won’t reach the ranks of Running Scared or Always…but totally deserves a top ten finish. 10 points.
My mum says… Oh yes – I liked this straight away (so it was a good start to the marathon of listening I’ve gotten myself in for). Dihaj has a great voice with great range, and took me on a bit of a musical journey reminiscent of an exotic, mysterious Contiki tour. The song is catchy for sure, but not in a commercial ‘How many times have we heard this before?’ kind of way. It sounds like it’s going to have a heck of a stage show to go with it at Eurovision. Well, that’s what I’d be hoping for, anyway! 8 points.
Azerbaijan’s score 9.00
My thoughts For many Eurofans, The Voice Australia winner Anja was the “real” winner of DMGP 2016. With the Emmelie de Forest creation Never Alone finishing second (shockingly), I don’t think any of our jaws hit the floor when she was announced as a returnee to the comp this year. She changed genre and the all-around vibe of her performance with the all-Aussie Where I Am, which hasn’t completely paid off in the Eurovision bubble (according to some, this entry is yet another hashtag fail for Denmark). But I disagree as much as I possibly could. I LOVE THIS SONG! Love, love, love it. Sure, the pop ballad style may be slightly passé, but there’s something – and by that, I mean everything – about Where I Am that makes it my dream pop ballad. The melody is extraordinarily earwormy, the layers of instrumentation (with an ever-so-slight electronic influence) are contemporary, and Anja’s powerful delivery is unparalleled. She can sing the pants off an entire arena without even trying (so make sure you don’t go commando if you’re heading to Kyiv), and that does elevate a song that I’ll admit would be more pedestrian if sung by a lesser vocalist. And it has to be said that, as always, she looks stunning while she’s doing it (GIRL CRUSH ALERT). Can you tell the whole Danish package is parked up my street? The Australian-ness of it all is an added bonus. My only dilemma is, which flag do I wave if both Australia and Denmark make it to the final? I know I’ve got two hands, but one is reserved for the national flag of my favourite song’s country. I suppose the Aussie one covers both bases, whether Denmark likes it or not. Anyway, I digress. I’m giving Anja DOUZE POINTS!!!
My mum says… If you told me to describe how I feel about this one in two letters, I could do it. I’m not sure why you would, but my point is that the letters would be O and K. It’s no more than nice, and I feel like I’ve heard it before – which I don’t feel at all with Azerbaijan (and I like to hear something different). If I was Denmark, I’d be worried about being forgotten in the 42. As me, I’m just not too keen to listen to this one again anytime soon. It’s not horrible, but I don’t feel the love from above. 5 points.
Denmark’s score 8.5
My thoughts Let’s be honest – the standard of the Georgian NF was pretty mediocre this year. That being the UNDENIABLE TRUTH (assuming you agree with me) then it’s safe to say that Tako/Tamara, who almost made it to Moscow in 2009, was probably the optimal option to send to Kyiv. Sadly, however, that is the biggest compliment I can bestow on Keep The Faith, which ironically makes me lose faith in Georgia as a Eurovision country that can bring it on. 2016’s Midnight Gold was bat-shit crazy and I bloody loved it, but this bargain basement Bond ballad sucks the soul out of me. Lyrically, it could be lamer, given the overall concept of the song (which is like ‘Let’s take Polina Gagarina’s Million Voices and turn it into a melodramatic musical marathon fit for The Phantom of the Opera!’) but Tamara’s constant droning of ‘keep the faaaaaaith’ almost makes me wish they’d gone full cheese when writing it. It just goes on and on, and then on some more, until you’re expecting her head to explode from the pressure. Don’t get me wrong, because I don’t loathe this song with a passion (which I’m guessing sounds like a lie after all the hate I’ve let loose so far). It’s not in my bottom three. Simply put, though, I don’t like it. Like Anja, Tamara has a powerful set of pipes up her glittery sleeve, but in this case I don’t think they make the song any better. This is all my opinion, of course, which I’m entitled to as much as you’re entitled to metaphorically slap me while screaming ‘TBLISI 2018!!!’…so if you’re Team Georgia, I tip my hat to you. But I won’t be joining you on the playing field. You’ll find me sitting on the sidelines blasting Midnight Gold instead. 3 points.
My mum says… For something so dramatic, there’s a lack of x-factor and general satisfaction here. It may have been a better fit for a Broadway musical than a song contest. It promises more than it delivers, even though there’s an obvious crescendo reached…maybe Tamara’s voice isn’t quite strong enough for the song? She certainly wants it to be, and I admire her for going for it and really attacking her performance. But I don’t think her aggression is the way to win Eurovision. 4 points.
Georgia’s score 3.5
My thoughts There was a time when I thought I’d never move on from the traumatic loss of Spoon 21 at A Dal’s semi-final stage. Sure, their live performance of Deák was pants, but the song was/is peak electropop – and who’s to say the band couldn’t have made Ryan Dolan-level progress between the NF and the ESC anyway? True as that may be, it’s Joci Pápai and Origo heading off to Kyiv on Hungary’s behalf…and in hindsight, I wouldn’t have it any other way. Consider my poker face gone and my entire deck of cards on the table, folks, because this is my favourite song of the contest. I am in love with it, and would totally propose to it if that was a socially acceptable thing to do (apparently you can marry the Eiffel Tower, but not a three-minute Eurovision song). It’s haunting and hypnotic from beginning to end, with the mix of Hungarian (one of my most-loved musical languages) and Romani (which, like the song’s subject matter, highlights Joci’s heritage) making it extra-exotic, and allowing him to tell his story as authentically as possible. The rap is also a cool addition, seeming like an outlet for Joci to vent his frustrations and emotions in an unrestrained way that doesn’t happen in the lead-up. Every element of Origo flows smoothly into the next, with the slick production and ethnic riff making it current yet still one of the most original (pun intended) entries of the year. I understand that it’s a divisive song, but I think it was an adventurous choice for Hungary to make, and I love that it represents multiple facets of their music scene by marrying the old and the new. Whether that will work in their favour or not remains to be seen, but I’ll be praying that it does. DOUZE POINTS!!!
My mum says… As a disclaimer, Jaz didn’t tell me how she felt about this song before I offered up my own opinion (she doesn’t even tell me which country each one is from before she forces me to I voluntarily listen to them). As it turns out, though, I love it too! It actually gave me goosebumps. Beautiful instrumentals, great atmosphere and something I can’t put my finger on that just makes me want to hear it again – and hear more of what Joci can do. Origo gets 12 points from me!
Hungary’s score 12.00
My thoughts When it comes to the MGPs, I think Denmark had the superior line-up in 2017 (which is definitely not the norm). Norway only had a few songs that had the potential to give them the final finish at Eurovision that Agnete’s could not. Luckily, though, they picked one. Grab The Moment is an effortlessly ‘now’ pop song that takes advantage of the universe’s unquenchable thirst for music with weird noises and vocal samples in the background (which JOWST manages to pull off live). It’s familiar enough, style-wise, to feel comfortable, but original enough to not provoke any cries of ‘PLAGIARISM!’; and the chorus is so damn hooky, it could catch a great white shark without even breaking the ocean’s surface. I liked the song straight away because it’s not a challenging listen. All it asks from you is to have some fun (and not in an out-of-tune Tereza Kerndlová kind of way) and it makes that very easy to do. No, it doesn’t have what it takes to win Eurovision, and I’m not even confident it will sail to the final. But I personally am more than ready to grab the moment – and enjoy every moment JOWST and Aleksander are on stage. 8 points.
My mum says… This one’s definitely catchy, but it didn’t leave a lasting impression on me. I feel like if I listened to it two or three more times in a row, I wouldn’t like it much more – it would start to annoy me instead! I’m not a fan of the lyrics, and I don’t hear anything that makes it stand out from the crowd. It’s not terrible, but all I can say is ‘next, please’. 5 points.
Norway’s score 6.5
My thoughts Montenegro’s taking us back to 2003, San Marino to 1977 and Portugal to 1956 for Eurovision 2017 – go figure. Two of those three throwbacks I’m on board with (stay tuned to the rest of the reviews to find out which time warp I DON’T want to do again) and Salvador’s is one of them. Why Amar Pelos Dois is so high in the betting odds is a bit of a mystery to me, but I can’t bring myself to trash what is a delicate, soaring and very vintage ballad that is powerful because it isn’t, if that makes sense. We haven’t heard a song so ‘classic ESC’ compete for a long time, and as such, it’s hard to say whether it will prove the bookies right or not. I do think Salvador can win televoters over with his adorkable charms, though, and perhaps the juries with both the song and his understated, pitch-perfect delivery of it. I feel like I want Portugal to do well more than I want Amar Pelos Dois itself to succeed (because there are plenty of other songs that I prefer) but there won’t be one without the other. So, in amongst my fistfuls of Hungarian, Danish, Swedish and Australian flags, you might just find a teeny little Portuguese flag come Eurovision week. 7 points.
My mum says… I quite like this one, as old-fashioned as it is. I can imagine it being performed in a smoky jazz club (in spite of the lack of jazz) in the 1950s, with nothing but a man, a few supporting instrumentalists and some dry ice on the intimate stage. I don’t think it would win the contest in this day and age in a fit (as a layperson) but it has to make for a nice contrast against the countries coming equipped with all the bells and whistles Customs will allow into Ukraine, doesn’t it? 7 points.
Portugal’s score 7.00
That’s the six songs for today taken care of! Now, with Round One done, the leaderboard looks like this:
- Hungary (12.00)
- Azerbaijan (9.00)
- Denmark (8.5)
- Portugal (7.00)
- Norway (6.5)
- Georgia (3.5)
Congratulations (and celebrations, etc) go to Joci for his impressive win. Sure, he only had to impress two people to make the number one spot, but I was pretty convinced my mum would think Origo was oriNOOOOOOO.
Can Hungary keep a hold of the metaphorical crown with 36 countries’ songs still to be scrutinized? TBH, if I keep going with only two jurors, he probably will. Lucky the final EBJ ranking doesn’t count towards anything official. OR DOES IT?!?
No, it doesn’t.
Waiting in the wings to be reviewed in Round Two are the Czech Republic, Estonia, Germany, Lithuania, The Netherlands and Poland – i.e. lots of girl power feat. Koit Toome and that guy from Fusedmarc. Don’t forget to drop by to see if anyone ends up with a douze…or the opposite. As Koit and Laura would say, prepare for dramAAaaAA.
In the meantime, let me (and my mum) know what you think of the songs we’ve reviewed this time. Do you agree with any of our opinions, or should we be ashamed of ourselves for countless reasons? Don’t leave the comments box lonely 😦
Until next time,