Happy Weekend, and välkommen to the second installment of my Scandi-centric countdown. I’m thinking of this as a gift to you, on what happens to be my birthday (hello there, shameless cry for celebratory wishes). It may not be a quality gift in your opinion, but if it is something you’re keen to unwrap, don’t worry about getting me anything in return (although, a sizeable cheque and/or a new car wouldn’t go astray if you’re feeling generous).
Anyway…let’s get back to Eurovision, and get on with the countdown. My top five Swedish ESC entries EVER *insert dramatic music here* are waiting for your judgment, and I’ll be waiting for your personal top fives in the comments. Don’t leave me hanging, guys – not on my birthday!
FYI, here’s a recap of the list so far:
- #10 – En Gång I Stockholm by Monica Zetterlund (1963)
- #9 – Heroes by Måns Zelmerlöw (2015)
- #8 – Den Vilda by One More Time (1996)
- #7 – Euphoria by Loreen (2012)
- #6 – Främling by Carola (1983)
Now, är du redo?
#5 | 1998
Kärleken Är by Jill Johnson
I’m kick-starting the top five with some kärleken – specifically, Kärleken Är, a painfully 90s (not a bad thing), super pretty ballad. Jill Johnson was and is more of a country singer than a pop singer, but quite literally changed her tune for Melfest/Eurovision purposes (in other words, she pulled a Taylor Swift, but in a less drastic manner). Her performance in Birmingham was the last to feature a shred of the Swedish language until 2012 (when Finland sent När Jag Blundar) and her song was penned in response to the death of Princess Diana the previous year. The latter makes it lyrically beautiful and sad at the same time, but despite the sadness (and Jill’s funeral-esque stage garb) ‘uplifting’ is another adjective you could use here. Kärleken Är is a fond tribute rather than a morbid three-minute moan, and that gets my tick of approval. I love the lyrics, the melody, Jill’s voice…all in all, this forces me to feel all the good feels.
You by Robin Stjernberg
You’ve got to root for an underdog, right? Robin’s been on my radar since he lost the 2011 Swedish Idol crown by a barely-there percentage of the vote, so I was pretty excited by and invested in his Melfest entry two years later. Then, when he became the first Andra Chansen competitor to go on and win Melfest, ‘pretty excited’ was eclipsed by ‘out of my mind with ecstasy’. What an awesome host entry Mr. Stjernberg/Fwernber gave us! I was obsessed with You back in the Malmö days, and I’m still bowing down to its greatness – and the majesty of Robin’s vocal range – today, as we look forward to another Sverige-style ESC. You isn’t what some might call a ‘typical Eurovision song’ (repetitiveness aside), and that made it distinctive. It’s another uplifting tribute to a special someone, and I think we can all identify with the titular you-ou-ou-oooo-ou. Adding to the pros of the package was the fact that Robin sung the pants off it, to the soundtrack of a noisily supportive home crowd. And dammit, he deserved some noise. You was an amazing, refreshing alternative to clinical Scandipop (not that I don’t love clinical Scandipop. I really do).
This Is My Life by Anna Bergendahl
It’s hard to believe there was a time when Sweden didn’t advance to a Eurovision final – but there was, and that time was just five years ago. Anna Bergendahl’s semi stumble was three things: one, shocking; two, devastating (mostly for Anna herself, and probably Christer Björkman) and three, narrow (Sweden finished five points behind Cyprus’ Jon Lilygreen and his Islanders). Despite a slightly shaky performance that did give off rehearsal rather than real-thing vibes in moments, I believe This Is My Life should have nabbed a place in the 2010 final (though not necessarily at the expense of Life Looks Better In Spring). The song is a stunner, with Anna’s husky vocals providing a nice contrast to her princess tiara and prom dress on stage. My only problem with it is performance-related, though it’s less of a problem than it is a mind-boggling mystery: WHERE DID THE GUITAR GO??? *hires private detective to end my five-year stretch of suffering*.
Se På Mig by Jan Johansen
Sweden definitely went through a ‘less is more’ phase in the 1990s. You could argue that it was impossible to make a performance too ostentatious in a time before 100-metre long Russian LED backdrops and such, and you wouldn’t be wrong – but Jan’s Se På Mig, like Den Vilda after it, was simplistic in comparison to a lot of its competitors. On stage, it was just Jan, his patent leather jacket, a strategically-placed line of backing singers, some soothing dappled lighting, and one heck of a beautiful song. The kind of beautiful song that Anmary went on about in Baku: one that everybody hums, and everybody loves. I repeat, EVERYBODY. Seriously, if you’re anti-Se På Mig, what’s up with your distaste for sentimental, melodically stunning man-ballads? It ain’t normal, my friend. The magic of this song speaks for itself, so I’m going to shut up now and let it.
#1 | 2014
Undo by Sanna Nielsen
I’m well aware that my decision to slot Sanna into first place will make many of you want to Undo your subscriptions to this blog (and if you’re not subscribed, why not? It’s a constant Eurovision party over here!). But, before you throw whatever device you’re reading this on out the window and run screaming from the room, hear me out. Sweden’s 2014 entry being my all-time fave is not just a product of the song quality, but also of its significance being a song by an artist who I’ve loved for years, and who had tried time and time again to represent her country without success. I watched Sanna powerhouse her way through Melfest with this magnificent ballad (in an unflattering jumpsuit, but that’s irrelevant) and win over Ace Wilder by a measly margin, and I was so happy for her I cried a little bit. And that wasn’t the last time she had me reaching for the tissues – my floodgates fairly flew open when she performed in Copenhagen’s first semi last May. Girl was pitch-perfect, hit me right in the heart with her vocal and facial arrows of emotion, and looked like a goddess in a much more flattering outfit than her Melfest getup. Undo gave Sanna 180 seconds to do nothing but impress with her vocals, but it impresses me in other areas too. It has light and shade, strength and vulnerability, and an unforgettable hook (memorable = a two-syllable word that becomes a five-syllable one). Douze for the song, douze for Sanna, douze for a performance that kept the focus on her crystal-clear vocals, and douze for the whole thing being my #1 Swedish entry of all time.
For now, at least. Who knows what Sweden could do to me in 2016?
That’s a wrap on this drawn-out Top 10, and the list is complete (until I change my mind in five minutes). Here’s what it looks like right this second, though:
- Undo by Sanna Nielsen (2014)
- Se På Mig by Jan Johansen (1995)
- This Is My Life by Anna Bergendahl (2010)
- You by Robin Stjernberg (2013)
- Kärleken Är by Jill Johnson (1998)
- Främling by Carola (1983)
- Euphoria by Loreen (2012)
- Den Vilda by One More Time (1996)
- Heroes by Måns Zelmerlöw (2015)
- En Gång I Stockholm by Monica Zetterlund (1963)
Oh, and here’s the fantastisk stuff that just didn’t make the final cut…Waterloo by ABBA (1974); Diggi-Loo Diggi-Ley by Herrerys (1984); Fångad Av En Stormvind by Carola (1991); Las Vegas by Martin Stenmarck (2005); Popular by Eric Saade (2011). So now you can’t abuse me for completely, 110% blanking ABBA.
Now it’s your turn. Let me know down below which of Sweden’s 55 entries have most tickled your fancy, and tested the endurance of your flag-waving arm! You know you want to…