One down, (semi final) two to go: Reviewing Vienna’s first semi and predicting the second
DISCLAIMER: I was short on time and delirious with drowsiness when I put this post together, so please forgive me if it’s zero percent funny and ninety percent nonsensical (banana). You can decide what’s wrong with the remaining ten percent…
Let me paint you a very glamorous picture: it’s three o’ clock on Wednesday morning, and I’m sitting on the couch in my mismatching pajamas. My eighteen-year-old, senile, sneezing cat is snuffling on one side of me, my constantly farting dog is on the other side of me, and there’s a large-and-in-charge spider on the ceiling directly above my head.
This was my first live Eurovision-viewing experience, and though I was left wondering why ‘tonight we can be glorious’ (in the words of Cascada) was in no way applicable here, I enjoyed myself immensely. More so once the spider decided to depart, which just happened to be midway through Finland’s performance. I guess he wasn’t a punk fan.
There were a few things I didn’t dig about the show: for starters, the fact that Conchita and her teeny-tiny waist were relegated to the green room rather than having the honour of hosting the whole show. We all knew that was the situation, but as it turns out, our three main hostesses Mirjam, Alice and Arabella were a bit underwhelming. Some hosts – Jaana and Mikko, Petra Mede etc – make their script sound unscripted, but these three did not.
Secondly, not enough time was reserved to create any sort of tension when the results were announced. Talk about a rush job! I expect the magic envelopes (which aren’t really envelopes nowadays, but I refuse to call them anything else) will be opened at a more leisurely pace tonight; but whether Austria’s version of Charlie’s Angels can impress me this time is a question mark.
I did think the postcards were über cute, though. People doing things? Much yes. I wish I could have a parcel delivered to my door that transports me to Austria when I open it. Did ORF round up forty Harry Potter-style Portkeys or what?
Let’s talk about what happened in-between those postcards for a minute. I’m going to race through the running order of Tuesday’s show and give you my verdict on all sixteen performances, before I crack on with my second semi predictions. Don’t say I didn’t warn you.
- Moldova In a word, the opening performance of this year’s contest was trashtastic. It was a good move for ORF to choose Eduard, his permanently-attached trucker cap and his posse of police/strippers to kick things off. And I must commend the guy for not singing like a goat with pneumonia like he did during the Moldovan final.
- Armenia More kudos here for making what was a shambles in studio work remarkably well on stage. Great outfits, nice violet visuals, and solid vocals from all six Genealog…ists. Tamar and Mary-Jean (STRAYA REPRESENT WOOOOOOOO!!!) in particular sounded top-notch.
- Belgium My highlight of the night! Loïc was in his weird and wonderful element, and everything about his three minutes – the costumes, the choreography, the monochrome colour scheme…even his mid-song nanna nap – was cool and contemporary.
- The Netherlands Mediocre, aside from a) the super zoomed-in shot of Trijntje’s face which was frightening, and b) her caped jumpsuit, which looked like the kind of thing a superhero would go skydiving in.
- Finland This goes against everything I’ve said about Finland to date, but *gulp* I actually enjoyed PKN’s performance. It certainly woke me up.
- Greece Well-sung and expertly wind-machined (without compromising Maria Elena’s precarious boob positionage) One Last Breath nevertheless remained a borefest.
- Estonia Stig shall henceforth be known as Estonia’s Houdini after that disappearing act. This was good, and the narrative was well-acted, but I don’t think we’re heading to Tallinn in 2016.
- FYR Macedonia Oh dear. This is the third year in a row Macedonia has stuffed up their staging with a hot mess. If they’d had Daniel in a spotlight and played the music video in the background, it would have been so much better. That is coming from someone who has never staged anything for anyone, ever, though.
- Serbia Bojana is a force to be reckoned with, and she worked the stage like the diva Eurovision deserves. Despite my dislike of the lyrics (trés lame) I have to admit that this looked and sounded very good. But I’m not sure about the result of the costume reveal. I f you’re going to reveal something, it should be something worth waiting for.
- Hungary Boggie didn’t put me to sleep, so that’s a plus. Hungary’s was another performance that I liked without expecting to, so I’m not that surprised it qualified. The streak of success continues.
- Belarus The staging was flat and Time deflated to match. What a shame for Uzari and Maimuna. I know that giant hourglass would have been hard to stuff in one of their suitcases, but it was sadly missed.
- Russia Polina is the Sanna Nielsen of 2015 – a blonde angel warbling among the rest of us mortals. But her performance didn’t scream ‘WINNER!!!’ at me. I can imagine the credits rolling over it, so basically I’m super confused right now.
- Denmark Anti Social Media did what exactly what they did at MGP, which was be smiley and peppy while performing a perfectly serviceable rendition of a perfectly serviceable song. I thought that would have been enough to nudge them into the final , but nope. Denmark misses out for the first time since 2007.
- Albania Elhaida’s vocal, as she is THE Voice of Italy, was excellent…until the last thirty seconds of I’m Alive, which was when she got way too shouty for my delicate eardrums. Thumbs up for the styling though. It’s too bad she couldn’t have loaned the black number to Trijntje.
- Romania Gets me every time! You can bet your prized flag collection that I voted for Voltaj. I’m glad the waiter garb was swapped for something that didn’t say ‘Would you like some cracked pepper, sir?’.
- Georgia Nina is so fierce, she should be sent to live in a tiger enclosure at the zoo. She may be the same age as Lena was when she won Eurovision, their names may rhyme and they might both have a penchant for black, but this was badass on a level that …well, never needed to achieve, but couldn’t if it tried anyway. Go Georgia.
After all of that (plus about a hundred mentions of Australia that I’m pretty sure Europe did NOT appreciate…sorry guys) the voting window opened, and all of us Down Under got our vote on for the first and third-last time (assuming, as I do, that we’re not going to win on Saturday). I went to town texting in for my five favourites, three of whom – Belgium, Romania and Estonia – made the grade. Joining them was Armenia, Greece, Serbia, Hungary, Russia, Albania and Georgia.
There weren’t any shock moments among those rapid results for me personally. Denmark not qualifying wasn’t something I’d predicted, but after their polished-but-not-standout performance, I could comprehend it. Having enjoyed the Hungarian performance, I was actually happy to see them continue the success of their ESC comeback. Hoping but not expecting Moldova and FYR Macedonia to advance, I was satisfied with my top two songs of the semi – Rhythm Inside and De La Capăt – earning places in the final.
Also satisfying was achieving a new record re: qualifying predictions. Nine out of ten, peeps! Like I said, I did think Denmark would make it and that it would be Albania or Serbia through, not both. But I never said I was all-knowing. I’M ONLY HUMAN!
If you’re only human too (or not, I don’t mind) let me know how successful you were in predicting the outcome of the first semi, and what you thought of the show as a whole. Got some highlights and/or lowlights? List ‘em in the comments and I’ll love you until someone else says something more interesting.
Now, let’s get into the thick of semi final two with some more guessing games. Starting with Lithuania and ending with Poland, this installment is not far away at all, so get your viewing snacks and scorecards ready!
Remember, I don’t tune in to the rehearsals, so everything to come is based on the odd photo, reports from the press centre and my opinions.
The running order
Lithuania, Ireland, San Marino, Montenegro, Malta, Norway, Portugal, Czech Republic, Israel, Latvia, Azerbaijan, Iceland, Sweden, Switzerland, Cyprus, Slovenia, Poland
Semi final two is the bigger, and, as usual, better semi. It should be a lot more dynamic than Tuesday’s show in terms of musical light and shade, and give us more to bust a move to. By ‘more’, I’m mainly referring to Golden Boy. Do you like my dancing?
My top 10 prediction
A.k.a. where I undo my sad all my good work of correctly predicting 90% of Tuesday’s qualifiers.
There are so many uncertain qualifiers in this semi that none of my previous Top 10s felt right. This one doesn’t either, but I had to settle sometime before the show actually started (you’d be skeptical if I got 10/10 after the show).
Sweden topping the semi tonight is a safe bet, literally, and I’m confident that Slovenia and Norway won’t be far behind Måns and his roly-poly cartoon man – if not in points, then in position. I know not everyone thinks Norway is sure to make the final, but I cannot see such a classy, spellbinding ballad escaping notice of the televoters or the juries.
In the same way that Greece is Greece, Azerbaijan is Azerbaijan. Even if they sent Elnur on stage dressed as the poo emoji, they’d qualify. This time, that’s fine by me – I cannot wait to see and hear Elnur on the ESC stage again, albeit minus the feathers and glitter.
Latvia’s Love Injected, I’m hoping, is striking enough to find favour with televoters and jurors alike. They truly deserve a spot in the final, and if they get it, it’ll be their first weekend appearance since 2008.
I’m predicting Cyprus without being sold on the idea, but everyone else seems to think the island is a shoo-in, and I’m easily swayed.
I think Montenegro can make it in much the same way Sergej did last year – without a massive bunch of neighbours to give them a boost. They won’t be in the top 5, most likely, but I don’t see Knez being borderline either. I believe in the power of Željko Joksimović!
Israel and Iceland are borderline. We NEED Israel in the final for busting of thy moves, but the juries will drag it down – just hopefully not out of contention. Iceland could get lost being sandwiched between Azerbaijan and Sweden and be knocked out by Malta, Poland or Switzerland.
My fantasy top 10
At least there’s one there that’s likely to come true.
My bottom seven prediction 11. Malta, 12. Ireland, 13. Switzerland, 14. Poland, 15. Czech Republic, 16. Portugal, 17. San Marino
San Marino tailing is the only bit of this I’d put money on (so don’t blame any of your SF2 losses on me) but I can see Malta just missing out.
If Poland’s performance is as effective out of rehearsals as it has been in them (so I hear) they too could come close, but there are so many female ballads in this semi it’s going to be hard for the more understated ones to stand out. Performing last, Monika has an advantage in this respect, but not much about In The Name of Love sparks the desire to vote.
If there’s a shock result…it could have something to do with San Marino. I don’t think there’s any danger of the bookies’ favourites missing the mark. If the Czechs make their very first final, that would be something to gasp about too.
Who’s most likely to…
…get the biggest round of applause? Israel/Sweden.
I’ll put it this way: Israel is the Serbia of semi two, and Sweden is the Estonia.
…sing best live? Aminata/Elnur Huseynov.
The pocket rocket and Elnur minus Samir are the vocalists I’m most keen to hear in action. Can Elnur still make canines everywhere head for the hills with his high notes? Hashtag curious.
…sing worst live? Michele Perniola & Anita Simoncini.
Just because their competitors have oodles of talent and experience. I had to pick someone!
…make the best use of the background? Ireland/Montenegro/Sweden.
I hear Ireland has set the tone in a refreshingly non-Celtic kind of way, and that should complement Molly’s piano-playing quite nicely. Montenegro might attempt to hypnotise us all with sweeping shots of breathtaking scenery, and Sweden…well, Sweden’s got an army of adorable fat men in berets. You can’t beat that.
…have the most boring stage show? Portugal.
Sure, the wind machine will get a good workout, but Há Um Mar Que Nos Separa is the kind of plodding number that needs interesting staging to sell it, and a gust of air won’t make much of a contribution to that.
…have the best costume/? Norway.
Debrah Scarlett is my new style icon, and if I can’t have her flowing red waves surgically attached to my scalp, I’ll at least be mimicking her structured white ensemble and ornamental headpiece. White is perhaps not the most suitable colour for A Monster Like Me, but she and Mørland look so good in it, I’m willing to ignore that.
…have the worst costume/s? Iceland.
Anything that looks like you could buy a stick of it at a fairground should probably not be worn – even at Eurovision. But María’s fairy floss-esque confection might be sweet in HD, who knows.
Aaaaand I’m done. I’ll be back on Saturday with a review of tonight’s proceedings and at least five answers to the all-important question: who’s going to win Eurovision 2015? For now though, I’m off to bed. I want to get at least a few hours of beauty sleep in before the show starts so I don’t get up looking like Mr. Lordi. Again.
Wherever you are and whoever you look like when you fall out of bed at an unfortunate hour, I hope you enjoy Part 2 of this year’s contest. May your favourites not do better than my favourites!
Who do you think has the edge in the second semi final? Who’s in and who’s out? Will you be convinced I’ve turned into an owl if I say ‘who’ one more time? Let me know below!
Posted on May 21, 2015, in Eurovision 2015, Reviews and tagged Eurovision 2015, Mans Zelmerlow, Morland & Debrah Scarlett, Norway, predictions, qualifiers, review, semi finals, Sweden, Vienna. Bookmark the permalink. 3 Comments.