JESC 2015 Judgments feat. the EBJ Junior Jury | Albania, Bulgaria, FYR Macedonia, Ireland and San Marino
Hello again, and welcome to the final round of the EBJ Junior Jury’s JESC ’15 reviews!
Before I introduce today’s jurors and then actually allow you to check out their comments, there’s something I have to acknowledge. Something pretty sizeable that has made headlines on Planet Eurovision since the last lot of reviews went live. I cannot sweep it under the glitter-infused rug, not even until JESC is done and dusted. What could I possibly be referring to? Um, only AUSTRALIA BEING CONFIRMED AS NO. 41 FOR STOCKHOLM!!!
Yep, we’re back – but this time, we actually have to earn our place in the final by qualifying from the semis. Fair enough, too. I think most of us knew this news was coming, but it took official confirmation from Eurovision.tv yesterday for me to lose my mind completely and do the world’s greatest victory dance. Okay, so even I have reservations re: the decision – our participation was supposed to be a one-off, and I don’t particularly want the floodgates surrounding the ESC to open in light of possible Aussie permanency, taking the ‘Euro’ out of the equation to a ridiculous extent.
But…OH MY GOD! Basically, though I think this is a terrible idea, I also somehow think it’s a freaking fantastic one. I can’t help being peeing-in-my-pants-a-little thrilled about it, partly because I will get the chance to cheer on an act from my own country at Eurovision, in person. My plan had long been to attend the 60th ESC, so when that didn’t pan out, I thought I was missing my one and only shot at waving an Australian flag with a purpose. But in May, I’m heading to Stockholm for contest 61, and so is a Guy Sebastian successor. Will it be Delta Goodrem, causing all my dreams to come true at once which will in turn cause me to spontaneously combust with excitement (hopefully after Delta’s performance)? We’ll have to wait and see.
Something Australia-related we don’t have to wait long for (this is my segue back to JESC and I’m not ashamed of it) is Bella Paige’s Junior Eurovision performance on Saturday night, or ‘Sunday morning’ as we call it in my time zone. The contest is so close I can barely concentrate on anything else (seriously, don’t try and communicate with me about anything non-Eurovisiony until after the weekend) so before time runs out, here are the final five EBJJJ reviews. Albania, Bulgaria, FYR Macedonia, Ireland and San Marino: meet your judges!
TODAY’S EBJ JUNIOR JURY
Liam Clark Liam is a Eurovision journalist for escXtra, based in Melbourne, Australia. He first started writing about Eurovision back in 2009, and hasn’t looked back. He’s particularly fond of and has a large amount of expertise in the Baltics, especially Estonia. He first discovered Eurovision in 2003 – the same year as the first Junior contest, when he was still a kid himself. In 2011, he attended JESC in Yerevan (Jaz: IMO, he picked a great year to go!).
Rory Gannon ‘Well hello there, peoples of the internet variety! My name is Rory Gannon, and I am from the Isle of Emeraldness – otherwise known as Ireland. I also work on the website ESC Views, as you might remember from earlier in the year (Jaz: Rory joined me on the EBJ Jury back in May). I was the guy who hated Måns? Well, that really backfired on me, didn’t it! However, we’re here for Junior Eurovision, and hopefully Europe will make the right decision and side with me this time…although, what are the odds of that happening? I started watching this post-ESC 1989 attempt at child labour (I KID!!!) in 2010, and it has never failed to offer up some great songs, which would have to include…ehh…I have always been a fan of Odelia Ranuni (Georgia 2007), Miy Litaak (Ukraine 2010), Nebo (Ukraine 2012), People of the Sun (Armenia 2014), Choco Factory (Armenia 2013), We Are One (Ukraine 2013), Mari Dari (Georgia 2010)…really, there some CHOONS there! Does it make me a bad person that I want some Armenian “shocka” now?’
Jaz “For my last bio *praises the lord* I guess I’ll fill you in on my JESC story. I discovered the contest the same year I discovered the adult contest – 2006 – and that discovery was just as accidental as when I flicked the TV over to SBS one night and saw Lordi on stage with a hot Greek guy and Maria Menounos from Entertainment Tonight and thought ‘What exactly is happening here?’. In May and again in November, I fell in love, and I’ve never looked back either (nor have I gone a day without bringing Eurovision up in conversation since, much to the chagrin of my family and friends). I’m not sure if I can put into words why I love JESC when so many ESC fans don’t. It must be the same thing that draws me to all international competitions where flags are waved – the Olympics, Miss Universe…you name it, I’m glued to the broadcast. Global and pan-European contests just speak to me on a spiritual level. JESC, specifically, is so much fun to watch, and has indeed produced some epic entries over the years. It also allows certain countries (Armenia, Belarus, etc) to shine in a way that they just can’t manage to in the adult contest. All in all, it makes me feel warm and fuzzy to see the competing kids having fun and supporting each other…and a little inadequate, given that I’m 24 and still sing more like Jemini than Gaia Cauchi.”
Now that we’ve relayed our JESC-related autobiographies to you (the abridged versions, anyway) it’s time for the EBJ Junior Jury to cast our eye and ear over the remaining entries for 2015. Mishela, Gabriela & Ivan, Ivana & Magdalena, Aimee and Kamilla – the stage is yours!
Liam I feel like I get what Mishela is going for here, but it just never really takes off. The first minute of Dambaje is cute, but then it just repeats itself. She looks like a lovely kid, but I fear that this is just going to bore all of the other kids. 2 points.
Rory There is absolutely no doubt in my mind that Albania is my number one this year. When Dambaje became the first entry picked for Junior Eurovision back in the summer, I had a listen to the *incredibly grainy* NF performance and thought that if they revamped it, they’d have a good chance of making it to the top half of the leaderboard. They’ve done that tenfold with the new version! I love the way that it just grows and when I listen to it, I do feel like I’m on the plains of the Serengeti. That, coupled with Mishela’s flexible yet stunning vocal range, gives you a feeling of pure peace and contentment. If there’s one thing I think is a flaw, it’s the fact that the song’s not actually upbeat, and because it’s being performed second last on the night, it just might get lost in the crowd. But, in any case, I’m definitely supporting Mishela this year. #DambaToTheJe, and DOUZE points!!!
Jaz Simply put, Albania had me at ‘song that sounds remotely tribal and would make the soundtrack for an African safari adventure road trip, and/or wouldn’t be out of place playing over the credits of The Lion King’. Zlata Ognevich’s Gravity, Rafael Bobeica’s Cŭm Sa Fim (sent to JESC by Moldova in 2013) and Mishela’s Dambaje have formed a holy trinity of tracks that tickle my tribal fancies no end, and if you’re about to question why, I won’t hear you as I’ll be too busy dancing around a bonfire to the beats of all of the above. Like Rory, I’m transported right to the heart of Africa whenever Mishela utters any of the song’s adorably multi-lingual lyrics. When she’s doing so, she looks so happy that I can’t help being happy too, and that’s the kind of music I like to listen to (for the most part). I feel like this entry is tailor-made for JESC, with those seamless language switches that can grate at Eurovision, but are much more easily carried off by kids. I love the melody of the verses and chorus, the sound of Mishela’s voice…all in all, this blows Albania’s previous debut entry out of the water. But – yes, there is a ‘but’ – there is one thing that I strongly dislike about Dambaje – holy hairnets, it’s repetitive! I mean, if you’re going to write a song with a one-word chorus, you might want to feature those choruses as sporadically as possible so as not to drive listeners insane. That glaring negative aside, I’m a big fan of Albania 2015, and I hope they do a heck of a lot better than they did back in 2012. They definitely deserve to! 10 points.
EBJ Junior Jury Score 8.00
Liam I never thought I would see a more forced and awkward duet than that of Anita Simoncini and Michele Perniola, but I guess that’s why you never say never. As for the song – well, I’m still listening to it and I’ve already forgotten how it goes. 1 point.
Rory Bulgaria this year is in complete contrast to what I thought of Bulgaria last year. In Malta, Krisia was the odds-on favourite to win the whole show, and I had reason to believe that it would actually happen (although James from the previous round of reviews would disagree with me!) – what with a small girl with a powerful voice singing a power ballad, along with the twins who seemingly went unnoticed (a.k.a. Slovenia every year). Now, this year’s song is more ethnic than Planet of the Children, but it just doesn’t have the same impact on the audience that Krisia’s did. Colour of Hope is just…well, rather lacklustre, in my opinion. It’s missing something that would help it reach its full potential. That doesn’t mean that I hate it – I just wish that it had something more that would make it stand out! And while we’re on about Gabriela, where the hell did that Ivan guy come from? I thought she was singing on her own, and then this guy just pops up out of nowhere. If you ever wanted a Halloween jump scare, that’s where you’re gonna get it, peeps! 6 points.
Jaz Let’s face it – Planet of the Children was always going to be a hard act for hosts Bulgaria to follow (and as IF they were going to find another child who’s as precious as Krisia to sing for them *mimes pinching her cheeks like an overbearing grandmother*). What they have followed it up with is a duet between two singers who mesh about as well as the song as a whole – i.e. not very well. I actually rather like Colour of Hope. The verses are quite unusual and mysterious-sounding, and the guitar work is beautiful – very sophisticated, in fact. The chorus, while cheesy in a way that makes me wonder if Gabriela and Ivan are asking for monetary donations for a charity of some sort, is uplifting and catchy (and very reminiscent of Belarus’ 2010 host entry Muzyki Svet, which was a success in Minsk). The problem is, those verses and that chorus sound like they’ve been lifted from two very different songs, and cobbled together in a non-cohesive manner that just doesn’t feel 100% right. And our two singers – boy, NF winner Gabriela must be peeved at having to share her spotlight – as I said before, aren’t exactly a vocal match made in heaven. Still, there is a lot about their song that intrigues me, and they’ll naturally receive the biggest, loudest round of applause of the evening as the home act. I suspect that’s all they’ll receive though, if you know what I mean (and if you don’t know what I mean, I mean they won’t be walking away with a trophy). 7 points.
EBJ Junior Jury Score 4.67
Liam There is something wonderfully 1996 about Pletenka. I can’t quite put my finger on it, but it’s there. There isn’t a lot to the song, and it gets repetitive pretty quickly; however, it’s more memorable than some of the other songs on offer. 3 points.
Rory Oh my god, this just SCREAMS nationality, doesn’t it? And in all seriousness, who would sing about a braid? Like, do they mean a braid as in a plait you do in your hair? Or is there something called a “braid” that’s only sold on the streets of Skopje that I’m not aware of? FYR Macedonia, I know you adore your nationalist ways, but you really don’t help your case here. As catchy as this song is and as much “charisma” as Ivana and Magdalena have, I think it would be a fair bet to say that FYR Macedonia will be finishing towards the bottom of the leaderboard. Sorry guys – once you put Comic Sans in your music video, there’s no going back! 5 points.
Jaz Alongside Montenegro, FYR Macedonia are taking me right back to the Junior Eurovisions of yore…or more specifically, JESC 2005. And, as I said when I reviewed Jana’s Oluja, I don’t mind that at all. Back in those days, JESC was ultra childlike; today, it’s more like a mini-Eurovision than anything else. We need slightly amateurish, youthful, artist-penned songs to compete, or else Junior will lose all of its identity as a contest for children. So in that sense, I’m grateful that FYR Macedonia is back and urging us to MAKE A BRAID! This song isn’t musical genius, and it’s not technically put together or particularly well-sung (which means the juries will blank it completely). But it epitomises Junior Eurovision in my opinion, possessing the childlike spirit that dominated the contest ten years ago in truckloads. It’s like a midday movie – complete with second-rate acting and a lack of energy – so bad, it’s good. It won’t go anywhere, but it’s catchy and cute, so I’ll look forward to seeing it on stage rather than being scarred by the dreadful video clip. Plus, I really like the word ‘pletenka’, and plan to use it as often as possible in everyday conversations from now on. Don’t believe me? Well, I’m off to pletenka my hair right this second. But before I go, I’ll give FYR Macedonia 7 points.
EBJ Junior Jury Score 5.00
Liam While Destiny from Malta takes us to church in a fun, soul, ‘Sister Act’ kind of way, Aimee is taking us to church in more of an ‘I’ve been dragged here by my parents’ kind of way. Her voice is exquisite, and Réalta na Mara is a beautifully sung song. But it’s not fun, and I think that will really work against it. 7 points.
Rory I always seem to be assigned the group of countries featuring my own…is this rigged?!? (Jaz: Yes, it is!). Right, where do I start on this? For anyone who doesn’t know, I followed the Irish national final on ESC Views’ Twitter, and my favourite song in the entire competition (along with the already selected song for JESC) was Gan Tú by Amy Meehan. When she got knocked out of the competition, I relied on Zena Donnelly to be the beautiful second choice. What happened? She lost to Aimee Banks. I’m afraid to say this, but I don’t like Aimee’s song at all. Although Réalta na Mara is a great piece of music on its own, we’re not really getting the most of what Ireland could possibly send to a music event out of it. I do feel like I can’t understand anything that she’s singing, despite being able to speak Irish almost fluently. I’m sure she’ll do great though, if my luck in the adult contest is anything to go by. But in my opinion, opera is just not the way to go – Federica Falzon was a one-off! 4 points.
Jaz First things first: how great is it to have Ireland – and Irish – represented at JESC for the first time? Pretty darn great, if you ask me. With no history to draw on for comparison, though, it was difficult to predict what the Emerald Isle would send to Sofia. Aimee’s Réalta na Mara is, for the most part, an Irish stereotype tied up with string, but not in a tacky way (thankfully, at the NF, no cardboard four-leaf clovers were strung from the ceiling) and though it is what I expected from Ireland – perhaps hoping for something else – I’m quite drawn to it. There’s something about the chorus, and how gorgeous the Irish sounds in it, that almost gives me goosebumps. It’s not a straight-up spine-tingler, possibly because it doesn’t have a true ‘moment’ to speak of (or vote for, which worries me) but there’s some magic there nonetheless. And you can practically hear the dry ice circulating the stage, which will have the crowd choked up with emotion and smoke inhalation. The biggest draw card here isn’t the song (or the smoke) however – it’s Aimee’s voice, which is nothing short of angelic. Crystal clear and precisely controlled, her vocal will be a stunning sorbet sandwiched between Bella Paige’s belting of My Girls and Mikhail Smirnov’s nice-and-nothing-more rendition of Mechta. Though the juries will likely reward her for her efforts (or effortlessness, in this case), I don’t expect the televoters will warm to an entry that could have won Eurovision 1996 for Ireland if Eimear Quinn had gone AWOL at the last minute and taken The Voice with her. But this package is still class personified, and I think Ireland should be proud to have sent it (did you hear that, Rory?!?). 8 points.
EBJ Junior Jury Score 6.33
Liam Mirror features one of the most forced key changes I have ever heard, but I appreciate the effort. This is fun and catchy, and it’s got a good hook. I don’t think it will be at the top of the scoreboard, but it’s fun and should do better than the most serene republic is used to. 6 points.
Rory Finishing off it all is Malala Yousafsai from….San Marino? Okay, there is no denying the fact that Kamilla bears a striking resemblance to Malala – go on, Google the two of them and comment on how similar you think they look! As for the song, I’m left feeling quite….unnerved after listening to it. Mirror is something that you would definitely hear from the likes of Belarus in the adult competition, and in my opinion, it could do a lot better there. And if there’s one thing I could change about this song, it would be Kamilla’s dreadful Italian accent. I mean, I know learning another language is complicated and arduous for some, but you learn the accent of the people! During the song, I just hear what sounds like Russian, but is Italian…like, it’s okay to listen to, but I don’t think we’re gonna see the competition go the top of Mount Titano. They’ll have to import another singer then! Maybe try Monaco next time? 6 points.
Jaz I was fully prepared for a member of The Peppermints to take the reins for San Marino this year…and I still think that would have been a better move than nabbing someone who has allegedly visited the country they’re representing, and nothing more. That’s not to say I’m completely against inter-country artist loans for JESC/ESC purposes, but I’m with Rory – Kamilla’s obviously-non-Italian accent (and non-Italian fluency) is a major distraction from what is a decent and dramatic ballad. And I don’t want to upset anybody, but her vocal on the studio cut of Mirror is very weak. I can’t imagine a voice so sub-par in studio being impressive live. That’s a pain in the behind in my book, because San Marino does have a strong song here, and based on the video for it, they’ll have slick staging too – so the performer is where they’re likely to be let down. Is there definitely no Peppermint still under the age of sixteen who could be drafted in at the final hour? Non? Damn it. I guess I’ll wrap this up then, by saying that song-wise, I give San Marino 7 points for something that’s well-written and makes the most of Italian-English switches; artist-wise, I give them 1 point, because I just can’t stand the sound of Kamilla’s voice (I’m sorry!). Average it out, and that’s 4 points from me.
EBJ Junior Jury Score 5.33
That’s it! In the (super slow-mo) blink of an eye, all seventeen of Sofia’s hopefuls have been judged and scored by the EBJ Junior Jury. This final round was a pretty interesting one – particularly when you consider that Ireland received its lowest score from the sole Irish member of the jury.
Here’s a distraction from said awkwardness in the form of today’s top five:
- Albania (8.00)
- Ireland (6.33)
- San Marino (5.33)
- FYR Macedonia (5.00)
- Bulgaria (4.67)
Surprisingly, I must say, Albania wins the day thanks to Rory’s douze and my almost-as-strong score, trailed distantly by debutants Ireland. You have to feel for the host country, finishing with the lowest average score of them all. But hey, it’s not like these numbers mean anything in reality. We’re not psychic, and we don’t know how Saturday’s scoreboard will look (although I will be taking a shot at predicting just that prior to the show).
Until that momentous day comes, let us know how you rate the entries from Albania, Bulgaria, FYR Macedonia, Ireland and San Marino down below. Which country would your douze be doled out to?
COMING UP All of the verdicts are in, and the EBJ Junior Jury has its Top 17 for 2015! So, alongside a bunch of hopes and predictions for JESC ‘15, I’ll be unveiling the collaborative ranking this weekend. Who’ll finish where? Will the leaderboard in any way resemble the actual results? Is anybody even reading this bit right now? I don’t know the answers to any of those questions yet, but I hope you’ll drop by for ze rankings and ze predictions anyway.
Posted on November 18, 2015, in ESC + JESC Reviews, Junior Eurovision and tagged Aimee Banks, Albania, Bulgaria, ESC + JESC Reviews, FYR Macedonia, Gabriela Yordanova, Ireland, JESC 2015, Junior Eurovision, Kamilla Ismailova, Mishela Rapo, San Marino, Sofia. Bookmark the permalink. 1 Comment.